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While worldwide EV adoption grows month-over-month, many of the previous practices surrounding new and used vehicles will need to adapt to stay relevant. EVs are exceedingly different from ICE cars and require a keen focus on the vehicle’s battery as a crucial indicator of its overall health and longevity. Recurrent looks to bridge that gap for both current and prospective EV owners by using individual EV battery data and comparing that data to that of similar vehicles on the road. This technology has the potential to become the standard for understanding and benchmarking an EV’s battery.

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EVs are different and should be treated as such

While EVs still only account for a small percentage of total vehicles on roads globally, their impact on the market is growing at an impressive rate.

Seemingly destined to become the new standard in transportation, electric vehicles come with their own unique components, key terms, and maintenance standards. For instance, traditional combustion engines consist of thousands of separate parts, while electric vehicle components exist in dozens.

Minimal components are ideal for less maintenance and fewer opportunities for malfunction, but the most invaluable piece of any electric vehicle is its battery pack. Ensuring it’s performing at its most efficient level is vital.

Any current EV owner will tell you that their car’s dashboard gives an estimated range that can be flawed by a number of factors. As EV adoption treks forward, we require more transparency toward our EV batteries.

Enter Recurrent – a new data tool that not only helps you monitor your own EV battery, but can also give you a full report on a previously used battery before you decide to purchase the EV housing it.

Introducing Recurrent

Recurrent is an EV battery monitoring tool that utilizes advanced machine learning to share performance data of a given vehicle compared to similar EVs in the system.

By using data from its ever-growing user base, Recurrent is able to generate multiple types of EV battery reports to suit different needs of current or prospective owners.

Recurrent’s mission is to expedite the public’s transition to electric vehicles by providing confidence through data for people who buy and sell used EVs.

Battery health itself is quite subjective based on a number of outside factors, and cannot be monitored with a one-size-fits-all approach.

That being said, Recurrent’s goal is to simply open people’s minds to the idea of buying a used EV, by giving them the tools to answer their own battery questions before they make their purchase.

The company looks to answer three of the most common questions from people venturing into EVs:

  • What is the actual, real-world battery range?
  • How will that change in different conditions, like summer or winter?
  • And what will that range be three years from now?

Questions like these can all be answered using one of several reports currently at your disposal as a Recurrent member. Here’s how they break down.

Monthly EV battery health reports

Monthly reports from Recurrent exist as a free tool with multiple utilities for current EV owners. By registering your vehicle using its VIN or license plate number, you can see your individual EV data through Recurrent in a few easy steps.

This monthly report is generated using daily data from your vehicle as you use it, and compares it to thousands of other vehicles in the Recurrent system. The result is a side-by-side comparison of how your EV’s battery is performing against similar EVs in the same category.

This report could prove beneficial in monitoring your EV range each month, becoming more conscious of fluctuations or sudden decreases in range. From there, you can be better equipped to make adjustments to your EV’s charging hygiene and driving practices to preserve your battery.

Additionally, the monthly report allows you to track your EV battery throughout ownership to help determine when it might be the best time to sell in order to get the most value for your EV.

As an additional tool, you can provide evidence of the value of your EV and the state of its battery to any prospective buyer by comparing it to similar vehicles through Recurrent.

Are you leasing your EV? Recurrent is still available to you and your EV for free to track your battery performance during your lease terms. From there, you can decide whether it may be worth it to purchase our EV at the end of your lease or move onto a different model. Check out a sample report below.

EV battery health
EV battery health

One-time EV battery health reports

Looking to purchase a used EV? As the market continues to grow, more and more people are selling their previous EVs and upgrading to the latest model. This leaves a new segment of used vehicles that shoppers (especially those looking to get a deal on their first ever EV) can take advantage of.

That being said, many consumers remain curious (as they should) about an EV’s battery, and how long it will actually last them after they purchase a used car.

Luckily, Recurrent’s free one-time report is perfect for EV shoppers looking to ensure they get the most range for their dollar.

By setting up a report through Recurrent using a prospective EV’s VIN or license plate number, shoppers can get a one-time report on the EV, then compare it against similar vehicles.

The one-time shopper report gives the EV a range rating, then projects what sort of range the vehicle will offer over the next three years.

Although the range data in the reports is displayed on a map, don’t worry. Recurrent does not collect any GPS data to ensure member privacy. The map is instead generated using the zip code you provide to start. Recurrent then uses that zip to evaluate the climate impacts facing your EV’s battery and range. 

Lastly, the report lets you know if the EV battery you’re considering is still under warranty, and how it compares to similar EVs in the Recurrent community (see below).

EV battery health
A sample one-time report / Source: Recurrent
Notice how the range is compared to similar vehicles

Dealership reports

The last report option currently available from Recurrent was designed specifically for vehicle dealerships rather than consumers.

Dealership reports are the only paid product from Recurrent and can be used as a viable tool for business owners to track their inventory. The dealership report platform allows EV dealers to run bulk reports of all the cars on their lot, thus consistently monitoring EV batteries and value.

That data is also absorbed into the overall Recurrent pool for individual owners and shoppers to utilize through future and more precise comparisons.

Dealership reports are a simplified, public-facing version of Recurrent’s one-time reports that can be showcased by dealership customers on their own EV sales sites. Notice the green Recurrent icon on the used EV page below.

The Recurrent icon is always clickable and will provide the battery report to potential buyers to ensure both parties are aware of a given EV’s battery report. This can aid both the seller and buyer to agree on a fair price.

Try out Recurrent for yourself for free

Whether you own an EV or have a specific one in mind for a used purchase, Recurrent is a helpful free tool you should be sure to check out.

If you’re an owner, you can register your EV for monthly reports, and gain insight into how to get the most out of your EV battery. Furthermore, you may find yourself more savvy as to when might be an ideal time to sell your EV.

If you’re looking to purchase a used EV, it wouldn’t hurt to run its VIN through Recurrent’s free one-time report, to see what sort of battery really lies within that vehicle. Remember, the estimated mileage on the dashboard isn’t always accurate.


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British Independent Film Awards winners revealed

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British Independent Film Awards winners revealed

Biker romance Pillion has picked up the top prize at the British Independent Film Awards.

The film’s first-time feature writer and director Harry Lighton was also named best debut screenwriter at the ceremony, held at the Roundhouse in Camden, London, on Sunday evening.

Starring Harry Melling as sweet and timid Colin, and Alexander Skarsgard as rugged biker Ray, the film picked up four prizes in total – including craft wins for best costume design and make-up and hair.

Members of Kneecap holding director Rich Peppiatt. Pic: PA
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Members of Kneecap holding director Rich Peppiatt. Pic: PA

Jessie Buckley and Olivia Colman. Pic: PA
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Jessie Buckley and Olivia Colman. Pic: PA

Tom Basden and Tim Key took home the BIFA awards for best joint lead performance and best screenplay, for their debut feature The Ballad Of Wallis Island. Also starring Carey Mulligan, the film tells the story of a faded folk musician and his former partner who reluctantly reunite for an eccentric fan.

Elsewhere in the acting categories, Robert Aramayo was honoured with the best lead performance award for his portrayal of Tourette’s campaigner John Davison in I Swear, with the supporting performance award going to Jay Lycurgo for his role in pressure-cooker school drama Steve, also starring Oscar-winner Cillian Murphy.

Newcomer Posy Sterling’s portrayal of a mother fighting for custody of her children in Lollipop earned her the breakthrough performance award, while the best ensemble performance prize went to the cast of Warfare – including Will Poulter, Kit Connor, Joseph Quinn and Charles Melton.

Jack Lowden and Saoirse Ronan. Pic: PA
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Jack Lowden and Saoirse Ronan. Pic: PA

This year’s ceremony also celebrated cinema itself, with the inaugural cinema of the year award going to The Magic Lantern Cinema in the Welsh coastal town of Tywyn.

The BIFA for best international independent film was awarded to Sentimental Value, Joachim Trier’s intimate exploration of family, memories and the reconciliatory power of art.

Behind the camera, Akinola Davies Jr was named best director for his debut feature My Father’s Shadow, a story of two brothers who first come to understand their father at a pivotal moment in both his life and Nigerian history, while The Douglas Hickox Award for best debut director went to Cal McMau for prison drama Wasteman.

Robert Aramayo in I Swear. Pic: StudioCanal
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Robert Aramayo in I Swear. Pic: StudioCanal

And in the documentary categories, Myrid Carten’s exploration of mental health and addiction within her family, A Want In Her, picked up three BIFAs – best feature documentary, The Raindance Maverick Award, and best debut director for a feature documentary.

Elsewhere, Emily Watson, star of films including Gosford Park, Punch-Drunk Love and War Horse, and TV series including Chernobyl and Dune: Prophecy, was awarded the outstanding contribution to British film prize.

Tim Key (left) as Charles Heath and Tom Basden as Herb McGwyer in The Ballad Of Wallis Island. Pic: Focus Features, LLC/ Alistair Heap
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Tim Key (left) as Charles Heath and Tom Basden as Herb McGwyer in The Ballad Of Wallis Island. Pic: Focus Features, LLC/ Alistair Heap

Production company Warp Films – behind films such as Dead Man’s Shoes and This Is England, as well as the recent critically acclaimed series Adolescence – was honoured with the BIFA special jury prize for its “unflinching and uncompromising” commitment to telling “raw and relevant stories”.

Sophie Okonedo. Pic: PA
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Sophie Okonedo. Pic: PA

Read more from Sky News entertainment:
King pays tribute following death of Tom Stoppard
AI actress creator insists she’s not out to steal jobs

Founded in 1998, the BIFAs aim to celebrate, promote and support talent and creativity in British independent film.

Previous winners of the best independent film award include Kneecap, the semi-autobiographical story of Irish-language rappers Kneecap, and Oscar winner The Favourite.

Jessie Buckley. Pic: PA
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Jessie Buckley. Pic: PA

This year’s ceremony was hosted by comedians Lou Sanders and Harriet Kemsley, with Carey Mulligan, Stephen Merchant, Ruth Wilson, Billy Crudup and Celia Imrie among the star presenters.

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Legendary playwright Sir Tom Stoppard dies aged 88

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Legendary playwright Sir Tom Stoppard dies aged 88

Playwright Sir Tom Stoppard, who won an Oscar and a Golden Globe for Shakespeare In Love, has died at the age of 88.

A statement from United Agents said: “We are deeply saddened to announce that our beloved client and friend, Tom Stoppard, has died peacefully at home in Dorset, surrounded by his family.

“He will be remembered for his works, for their brilliance and humanity, and for his wit, his irreverence, his generosity of spirit and his profound love of the English language.

“It was an honour to work with Tom and to know him.”

King Charles said in a tribute: “My wife and I are deeply saddened to learn of the death of one of our greatest writers, Sir Tom Stoppard. A dear friend who wore his genius lightly, he could, and did, turn his pen to any subject, challenging, moving and inspiring his audiences, borne from his own personal history.

“We send our most heartfelt sympathy to his beloved family. Let us all take comfort in his immortal line: ‘Look on every exit as being an entrance somewhere else’.”

Sir Tom’s entertainment career spanned more than six decades, in which he won a host of Tony and Olivier awards, as well as the Golden Globe and Academy Award with Marc Norman for their 1998 screenplay Shakespeare In Love – starring fellow Oscar-winner Gwyneth Paltrow.

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Sir Tom Stoppard in 1999. Pic: PA
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Sir Tom Stoppard in 1999. Pic: PA

His work, known to blend intellect, emotion and humour, often explored philosophical and political themes, challenging societal norms to remind audiences of the power of thought.

His other award-winning plays included Rosencrantz And Guildenstern Are Dead, The Real Thing and Travesties.

The playwright also wrote prolifically for TV, radio and film, including adapting Leo Tolstoy’s novel Anna Karenina for the 2012 film starring Keira Knightley and Jude Law, and TV series Parade’s End with Benedict Cumberbatch and Rebecca Hall – adapted from novels by Ford Madox Ford.

He received countless accolades and honours during his career, including being knighted by the late Queen for his services to literature in 1997.

Queen Elizabeth II shakes Sir Tom's hand before presenting him with the insignia of a Member of the Order of Merit in 2000. File pic: PA
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Queen Elizabeth II shakes Sir Tom’s hand before presenting him with the insignia of a Member of the Order of Merit in 2000. File pic: PA

Sir Tom meets then Prince Charles in 2009. File pic: PA
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Sir Tom meets then Prince Charles in 2009. File pic: PA

He won the David Cohen Prize For Literature in 2017, following in the footsteps of laureates Harold Pinter, Hilary Mantel and Seamus Heaney.

Sir Tom released his semi-autobiographical work titled Leopoldstadt in 2020 – set in the Jewish quarter of early 20th century Vienna – which later won him an Olivier award for best new play and also scooped four Tony awards.

The West End play, which featured his son Ed Stoppard, also saw him honoured by PEN America, the literary and human rights organisation, which handed him the Mike Nichols Writing for Performance Award.

Pic: Matt Humphrey/PA
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Pic: Matt Humphrey/PA

From refugee to playwrighting sensation

Sir Tom was born Tomas Straussler in Czechoslovakia, but fled and changed his name amid the Nazi occupation, finding refuge in Britain in 1946.

He became a journalist in Bristol in 1954 before becoming a theatre critic and writing plays for radio and TV, including The Stand-Ins, later revised as The Real Inspector Hound, and Albert’s Bridge first broadcast by BBC Radio.

His career took off with hit play Rosencrantz And Guildenstern Are Dead, which premiered at the Edinburgh Fringe Festival in 1966, before it was produced for the National Theatre and on Broadway, winning four Tony awards in 1968 including best play.

Sir Tom Stoppard and Dame Judi Dench at a photocall in London in 1999. File pic: PA
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Sir Tom Stoppard and Dame Judi Dench at a photocall in London in 1999. File pic: PA

Sir Tom began advocating on behalf of Soviet and Eastern Bloc dissidents after writing Every Good Boy Deserves Favour, a play inspired by his friendship with Viktor Fainberg, who had been imprisoned in Czechoslovakia by the Soviets.

Much later, in 2002, his trilogy of plays set in 19th century Russia, The Coast Of Utopia, were staged at the National Theatre.

His most recent plays include Heroes, Rock ‘n’ Roll and The Hard Problem.

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PM’s rap battle with Sky’s Beth Rigby goes viral – and one of the AI satirists behind it explains why

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PM's rap battle with Sky's Beth Rigby goes viral - and one of the AI satirists behind it explains why

Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.

A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.

On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.

He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.

“So we are the new and improved Spitting Image, the much better Have I Got News For You?”

He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.

Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.

More on Beth Rigby Interviews

They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.

“Crewkerne Man” says providing satire for younger people is important as Labour is lowering the voting age.

Asked why he is trying to be anonymous, the man said the project is not about one person – or even the whole group – but rather their output.

He also claimed the UK is “increasingly seeing arrests – especially with comedians”, pointing to the Graham Linehan case.

“So we just never know where the Labour Party is going to drive the policy next, in regards to free speech,” he said.

“So for me, certainly it’s a matter of safety.”

Watch Beth Rigby’s actual interview with Sir Keir Starmer below.

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The prime minister defends the budget

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