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“We need to fix the behaviour of men,” Benedict Cumberbatch has told Sky News. “You have to kind of lift the lid on the engine a little bit.”

The Oscar-nominated actor, best known for TV series including Sherlock and Patrick Melrose as well as his portrayal of Doctor Strange in the Marvel Universe, is discussing toxic masculinity, a theme which runs through his latest film, Power Of The Dog.

An adaptation of Thomas Savage’s novel, set in 1920s Montana, Cumberbatch plays Phil Burbank, a masochistic rancher who inwardly represses his desires while outwardly bullying those closest to him, including his brother’s new wife (played by Kirsten Dunst).

Benedict Cumberbatch as Phil Burbank in Power Of The Dog. Pic: Kirsty Griffin/Netflix
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Benedict Cumberbatch stars as masochistic rancher Phil Burbank in Power Of The Dog. All pics: Kirsty Griffin/Netflix

Most surprisingly, perhaps, is that this take on masculinity is by a filmmaker best known for telling the female experience – Oscar-winning director Jane Campion, known for films including The Piano, The Portrait Of A Lady and Bright Star. Power Of The Dog is her first feature film in 12 years and also her first with a male protagonist.

“She’s always been a heroine of mine,” says Cumberbatch. “The Piano was a seismic film when I was growing up, for me, and I just completely fell under its spell.

“She’s just a great director and the sensitivity and sensibility is needed in this to really crack Philip, you couldn’t imagine a better director for that.”

Although the film is set a century ago, Cumberbatch believes its exploration of masculinity is just as relevant today.

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“You get this sort of rebellion aspect [from men today], this denial, this sort of childish defensive position of ‘not all men are bad’, but no, we just have to shut up and listen,” he says.

“There is not enough recognition of abuse, there’s not enough recognition of disadvantages and, at the same time, somewhere along the line – maybe not now, but somewhere along the line – we need to do maybe what the film does as well, which is examine the reason behind the oppressive behaviour.”

Associate producer and assistant director Phil Jones and  director, producer and writer Jane Campion on the set of Power Of The Dog. Pic: Kirsty Griffin/Netflix
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Associate producer and assistant director Phil Jones with director, producer and writer Jane Campion, pictured on set

It is almost 30 years since Campion first won the prestigious Palme d’Or at the Cannes Film Festival, for The Piano. Back then, many predicted it would pave the way for other female filmmakers to follow in her wake but only now, post-MeToo, are we finally seeing more women being asked to direct major feature films.

“It does feel like a painfully long road compared to where she began,” Cumberbatch admits. “But… she has inspired people all along the way.

“It is like mental health, you know, these things are still a stigma. There’s still something that needs talking about, needs addressing, needs writing, help with, and until there is equal pay, a place at the table, equality across the board of every kind, we still have to have that conversation.”

Campion deployed some unconventional methods to help Cumberbatch get into character, including hiring someone to carry out what he describes as “deep work” using dreams.

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“Beyond the book and Jane’s script, together we actually did some dream analysis, which is just like dropping a bit of oil in the water of your subconscious to kind of push stuff up from the depths and see what’s at the deepest parts of your psyche, to see what you can do to connect with the character. It’s amazing, it’s obscure, and wonderful stuff.”

It is a searing performance that Campion draws from the actor and one that certainly required him to go the extra mile.

Cumberbatch was “so into being” his character that he got nicotine poisoning three times through smoking so much on set. He also had to learn how to play the banjo and, more gruesomely, castrate bulls.

Method acting which requires a strong stomach – but might just pay off come awards season.

Power Of The Dog is out in cinemas now and on Netflix in the UK from 1 December

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Dame Joanna Lumley warns of ‘crisis hidden in plain sight’ – with 1.5 million older people set to spend Christmas alone

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Dame Joanna Lumley has warned of a “crisis hidden in plain sight”, with 1.5 million older people set to spend Christmas alone.

Age UK spoke to more than 2,600 people and found 11% will eat dinner alone on 25 December, while 5% will not see or speak to anyone the whole day.

Applied to the overall population, the findings suggest 1.5 million people will eat alone at Christmas, according to the charity.

Dame Joanna said the “silence can be deafening” for those left isolated and called it “a crisis hidden in plain sight”.

The actor and campaigner is now joining other luminaries including Dame Judi Dench, Brian Cox and Miriam Margolyes to back Age UK’s campaign against loneliness.

The charity says its volunteers made more than 70,000 minutes’ worth of calls to people during Christmas week last year and is urging people to donate.

‘A tragedy we don’t talk about enough’

Age UK said it also supports coffee mornings and festive lunches to give lonely people the chance to enjoy in-person interaction.

Dame Judi said: “For so many older people, Christmas can be a time of silence – days without conversation or company.”

Succession star Brian Cox called the issue “a tragedy we don’t talk about enough”.

He said: “Far too many older people are left spending the season in silence, when it should be a time of warmth, connection and joy.”

Brian Cox is another of the campaign's high-profile backers. Pic: PA
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Brian Cox is another of the campaign’s high-profile backers. Pic: PA

Margolyes, of Harry Potter fame, added: “Growing older shouldn’t mean disappearing into the background, we need to be seen, heard and celebrated.

“That’s what Age UK is striving for – they’re changing how we perceive age.”

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The charity’s chief executive, Paul Farmer, said: “Your donation could bring comfort, friendship, and care to an older person facing loneliness this winter.

“From friendly, weekly calls to local lunch clubs, we’re here to make sure no one spends winter alone. But we can’t do it without you.”

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Salman Rushdie on Charlie Kirk’s murder, surviving his own assassination attempt – and AI

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Salman Rushdie on Charlie Kirk's murder, surviving his own assassination attempt - and AI

Sir Salman Rushdie has told Sky News that Charlie Kirk’s murder was a “consequence of US gun culture”.

In an interview with Sky News lead presenter Wilfred Frost, Sir Salman said he thought the assassination of Mr Kirk, a conservative US activist, was an “appalling act of violence”.

“But it seems to me to be a characteristic or a consequence of America’s terrifying gun culture,” said the Booker-prize-winning author, who survived an attempt on his life at the Chautauqua Institution in New York in 2022.

“When you have a situation where there are more guns in private ownership than there are people in the country, I mean, guns are everywhere.

“When children are brought up being taught by their parents how to use guns, and guns are being left in the home in unlocked cabinets, it’s a country in which violent gun-related crime happens almost every day. And this is one of the most brutal examples of it.”

Sir Salman being interviewed by Sky News lead presenter Wilfred Frost
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Sir Salman being interviewed by Sky News lead presenter Wilfred Frost

The Indian-British author also addressed the attempted assassination of US President Donald Trump, saying: “Well, I guess I’m happy that it failed. Beyond that, I don’t have a lot to say about it.”

Sir Salman was attacked by Hadi Matar, who stabbed him in the head, neck, torso and left hand, leaving him with damage to his liver and intestines as well as blind in one eye. Matar was jailed for 25 years in May.

More on Mornings With Ridge And Frost

He wrote about the attack and his recovery in his 2024 memoir Knife. His new book, Eleventh Hour, is a return to fiction.

Sir Salman Rushdie says Charlie Kirk's assassination was a 'consequence' of US gun culture
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Sir Salman Rushdie says Charlie Kirk’s assassination was a ‘consequence’ of US gun culture

Discussing the book and writing in general, he suggested that he doesn’t think AI would be able to capture emotion, humour and creativity like humans can.

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“The couple of little experiments that I’ve carried out with AI suggest to me that at least this far, it doesn’t have a sense of humour. And it’s not original,” he said.

“What it can do is to duplicate things that have been fed into it. But good art is original, and I don’t think that AI has an original bone in its body.”

Watch the full interview, including Sir Salman’s comments on book bans and freedom of speech in the US, during Mornings with Ridge and Frost on Sky News.

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British Independent Film Awards winners revealed

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British Independent Film Awards winners revealed

Biker romance Pillion has picked up the top prize at the British Independent Film Awards.

The film’s first-time feature writer and director Harry Lighton was also named best debut screenwriter at the ceremony, held at the Roundhouse in Camden, London, on Sunday evening.

Starring Harry Melling as sweet and timid Colin, and Alexander Skarsgard as rugged biker Ray, the film picked up four prizes in total – including craft wins for best costume design and make-up and hair.

Members of Kneecap holding director Rich Peppiatt. Pic: PA
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Members of Kneecap holding director Rich Peppiatt. Pic: PA

Jessie Buckley and Olivia Colman. Pic: PA
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Jessie Buckley and Olivia Colman. Pic: PA

Tom Basden and Tim Key took home the BIFA awards for best joint lead performance and best screenplay, for their debut feature The Ballad Of Wallis Island. Also starring Carey Mulligan, the film tells the story of a faded folk musician and his former partner who reluctantly reunite for an eccentric fan.

Elsewhere in the acting categories, Robert Aramayo was honoured with the best lead performance award for his portrayal of Tourette’s campaigner John Davison in I Swear, with the supporting performance award going to Jay Lycurgo for his role in pressure-cooker school drama Steve, also starring Oscar-winner Cillian Murphy.

Newcomer Posy Sterling’s portrayal of a mother fighting for custody of her children in Lollipop earned her the breakthrough performance award, while the best ensemble performance prize went to the cast of Warfare – including Will Poulter, Kit Connor, Joseph Quinn and Charles Melton.

Jack Lowden and Saoirse Ronan. Pic: PA
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Jack Lowden and Saoirse Ronan. Pic: PA

This year’s ceremony also celebrated cinema itself, with the inaugural cinema of the year award going to The Magic Lantern Cinema in the Welsh coastal town of Tywyn.

The BIFA for best international independent film was awarded to Sentimental Value, Joachim Trier’s intimate exploration of family, memories and the reconciliatory power of art.

Behind the camera, Akinola Davies Jr was named best director for his debut feature My Father’s Shadow, a story of two brothers who first come to understand their father at a pivotal moment in both his life and Nigerian history, while The Douglas Hickox Award for best debut director went to Cal McMau for prison drama Wasteman.

Robert Aramayo in I Swear. Pic: StudioCanal
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Robert Aramayo in I Swear. Pic: StudioCanal

And in the documentary categories, Myrid Carten’s exploration of mental health and addiction within her family, A Want In Her, picked up three BIFAs – best feature documentary, The Raindance Maverick Award, and best debut director for a feature documentary.

Elsewhere, Emily Watson, star of films including Gosford Park, Punch-Drunk Love and War Horse, and TV series including Chernobyl and Dune: Prophecy, was awarded the outstanding contribution to British film prize.

Tim Key (left) as Charles Heath and Tom Basden as Herb McGwyer in The Ballad Of Wallis Island. Pic: Focus Features, LLC/ Alistair Heap
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Tim Key (left) as Charles Heath and Tom Basden as Herb McGwyer in The Ballad Of Wallis Island. Pic: Focus Features, LLC/ Alistair Heap

Production company Warp Films – behind films such as Dead Man’s Shoes and This Is England, as well as the recent critically acclaimed series Adolescence – was honoured with the BIFA special jury prize for its “unflinching and uncompromising” commitment to telling “raw and relevant stories”.

Sophie Okonedo. Pic: PA
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Sophie Okonedo. Pic: PA

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Founded in 1998, the BIFAs aim to celebrate, promote and support talent and creativity in British independent film.

Previous winners of the best independent film award include Kneecap, the semi-autobiographical story of Irish-language rappers Kneecap, and Oscar winner The Favourite.

Jessie Buckley. Pic: PA
Image:
Jessie Buckley. Pic: PA

This year’s ceremony was hosted by comedians Lou Sanders and Harriet Kemsley, with Carey Mulligan, Stephen Merchant, Ruth Wilson, Billy Crudup and Celia Imrie among the star presenters.

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