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“We need to fix the behaviour of men,” Benedict Cumberbatch has told Sky News. “You have to kind of lift the lid on the engine a little bit.”

The Oscar-nominated actor, best known for TV series including Sherlock and Patrick Melrose as well as his portrayal of Doctor Strange in the Marvel Universe, is discussing toxic masculinity, a theme which runs through his latest film, Power Of The Dog.

An adaptation of Thomas Savage’s novel, set in 1920s Montana, Cumberbatch plays Phil Burbank, a masochistic rancher who inwardly represses his desires while outwardly bullying those closest to him, including his brother’s new wife (played by Kirsten Dunst).

Benedict Cumberbatch as Phil Burbank in Power Of The Dog. Pic: Kirsty Griffin/Netflix
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Benedict Cumberbatch stars as masochistic rancher Phil Burbank in Power Of The Dog. All pics: Kirsty Griffin/Netflix

Most surprisingly, perhaps, is that this take on masculinity is by a filmmaker best known for telling the female experience – Oscar-winning director Jane Campion, known for films including The Piano, The Portrait Of A Lady and Bright Star. Power Of The Dog is her first feature film in 12 years and also her first with a male protagonist.

“She’s always been a heroine of mine,” says Cumberbatch. “The Piano was a seismic film when I was growing up, for me, and I just completely fell under its spell.

“She’s just a great director and the sensitivity and sensibility is needed in this to really crack Philip, you couldn’t imagine a better director for that.”

Although the film is set a century ago, Cumberbatch believes its exploration of masculinity is just as relevant today.

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“You get this sort of rebellion aspect [from men today], this denial, this sort of childish defensive position of ‘not all men are bad’, but no, we just have to shut up and listen,” he says.

“There is not enough recognition of abuse, there’s not enough recognition of disadvantages and, at the same time, somewhere along the line – maybe not now, but somewhere along the line – we need to do maybe what the film does as well, which is examine the reason behind the oppressive behaviour.”

Associate producer and assistant director Phil Jones and  director, producer and writer Jane Campion on the set of Power Of The Dog. Pic: Kirsty Griffin/Netflix
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Associate producer and assistant director Phil Jones with director, producer and writer Jane Campion, pictured on set

It is almost 30 years since Campion first won the prestigious Palme d’Or at the Cannes Film Festival, for The Piano. Back then, many predicted it would pave the way for other female filmmakers to follow in her wake but only now, post-MeToo, are we finally seeing more women being asked to direct major feature films.

“It does feel like a painfully long road compared to where she began,” Cumberbatch admits. “But… she has inspired people all along the way.

“It is like mental health, you know, these things are still a stigma. There’s still something that needs talking about, needs addressing, needs writing, help with, and until there is equal pay, a place at the table, equality across the board of every kind, we still have to have that conversation.”

Campion deployed some unconventional methods to help Cumberbatch get into character, including hiring someone to carry out what he describes as “deep work” using dreams.

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“Beyond the book and Jane’s script, together we actually did some dream analysis, which is just like dropping a bit of oil in the water of your subconscious to kind of push stuff up from the depths and see what’s at the deepest parts of your psyche, to see what you can do to connect with the character. It’s amazing, it’s obscure, and wonderful stuff.”

It is a searing performance that Campion draws from the actor and one that certainly required him to go the extra mile.

Cumberbatch was “so into being” his character that he got nicotine poisoning three times through smoking so much on set. He also had to learn how to play the banjo and, more gruesomely, castrate bulls.

Method acting which requires a strong stomach – but might just pay off come awards season.

Power Of The Dog is out in cinemas now and on Netflix in the UK from 1 December

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Man arrested after death of Gogglebox star George Gilbey is released under investigation

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Man arrested after death of Gogglebox star George Gilbey is released under investigation

A man arrested in connection with the death of Gogglebox star George Gilbey has been released under investigation.

The man, who is in his 40s, was arrested on suspicion of gross negligence manslaughter in connection with Gilbey’s death on Thursday.

The 40-year-old star reportedly died following an accident at work on Wednesday.

Essex Police said: “As part of our ongoing investigation into the death of a man in Campfield Road, Shoebury, on Wednesday 27 March, a man aged in his 40s from the Witham area was arrested on suspicion of gross negligence manslaughter.

“He has now been released under investigation.

“This is a joint investigation with the Health and Safety Executive and our enquiries are ongoing.”

Police previously said they were called to an incident in Shoebury at around 10am on Wednesday after “a man who was working at height had fallen and sustained an injury”.

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Gilbey was best known for appearing on the Channel 4 show alongside his mother Linda McGarry and stepfather Pete McGarry, who died in 2021 aged 71.

George Gilbey. Pic: Shutterstock
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Reality star Gilbey. Pic: Shutterstock

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The family first appeared on the second series of Gogglebox in 2013 but were dropped the following year when the reality star signed up for the 14th series of Celebrity Big Brother in 2014, reaching the final.

Gilbey appeared on the Channel 5 version of the show alongside other famous faces including The Hills star Stephanie Pratt and American actor Gary Busey, who won the series.

The family later returned to Gogglebox and a spokesperson for the award-winning programme said: “George was part of the Gogglebox family for eight series alongside his mum Linda and stepdad Pete.

“Our thoughts and deepest condolences are with Linda and George’s family and friends at this very sad time. The family has asked for privacy.”

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Bill Nighy on style, social media and holy socks: ‘I can’t operate in the wrong kind of trousers’

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Bill Nighy on style, social media and holy socks: 'I can't operate in the wrong kind of trousers'

Bill Nighy is a man of many talents – but he knows his limitations – most specifically in the trouser department.

The 74-year-old actor tells Sky News he has very clear sartorial demands when it comes to his acting rider.

“It’s odd, people used to say: ‘There’s a significant lack of classical work on your CV’. And I would say something like: ‘The reason is, I can’t operate in those kind of trousers,’ which is a joke, but it’s also kind of true.

“If you want me at my best, put me in a decent lounge suit. It’s a stupid thing for an actor to say, but art does reflect life.”

And he’s not afraid to bring his own life quite literally into his films, adding: “If it’s a contemporary film and it’s an independent film and they haven’t got a lot of money, I just say, ‘Come to my flat,’ and I open the wardrobe and they can take out whatever they want for that movie. So, the two things do blend.”

He’s currently starring in underdog sports drama The Beautiful Game, playing a retired football talent scout coaching England’s team in the Homeless World Cup.

Founded in 2001, the real-life international tournament that inspired the movie now involves over 70 countries and has transformed the lives of more than one million homeless people.

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Former Homeless World Cup players – who are no longer homeless – feature in the film, playing team members from other countries, which Nighy calls “a wonderful piece of symmetry”.

He of course wore a suit and tie for the majority of the film, despite it being shot in Rome during a heatwave. Scorching weather aside, he says: “It was quite fun to stand on the touchline and scream.”

Pic: Netflix
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Nighy as football talent scout Mal in The Beautiful Game. Pic: Netflix

While Nighy may not necessarily look the part of a stereotypical football coach, he does work on his fitness, training three times a week. It’s something he insists he won’t be “winning any prizes for”, and he certainly won’t be sharing snaps of his workouts on Instagram.

‘My iPhone doesn’t see a lot of action’

He explains: “I’ve never been on social media. I’m lucky in that regard because I’m of an age where I can just about get away with it.

“I nearly went on it. I got very close to, I think it was Instagram, but I didn’t in the end make that jump.

“I don’t have a laptop. I mean, I’m carrying a computer in my pocket, obviously, like everybody else, but I’ve never had a computer. I’ve never owned one, again because I’m fortunate. I don’t need one for anything. I’ve got an iPhone, but there’s not a lot of action on it apart from, you know, the obvious.”

I can only guess ‘the obvious’ is phoning his nearest and dearest, including his daughter and friends. Nighy keeps his romantic dealings close to his chest, and since splitting with his partner of 26 years, he hasn’t been publicly linked to anyone new – either in the public eye or out.

Nighy and Anna Wintour at the Met Gala last year. Pic: Reuters
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Nighy with friend Anna Wintour at the Met Gala last year. Pic: Reuters

As one of Britain’s most recognisable actors, he’s humble in his appraisal of his five decade career spanning theatre, TV and film – reaching to Hollywood and back.

‘I didn’t expect acting to last’

“I don’t know what I’m cut out to be, but it probably isn’t an actor, although I don’t know if anybody is. I think we all have to bend ourselves out of shape to do whatever it is we do.

“I didn’t expect to be an actor. I didn’t expect when I became an actor that it would last very long. I didn’t have a Plan B, it was all basically out of necessity.

“I flunked school, so I didn’t have any qualifications for anything, and I didn’t have a Plan B, so I had no safety net. But, you know, it gradually worked out.”

With two BAFTAs, a Golden Globe and Teen Choice Award (yes really) to name but a few of his accolades, he’s being modest.

And his acting career is about to take a step into the unknown, with his first big horror role in First Omen coming to the screen next month.

Nighy as Cardinal Lawrence in The First Omen. Pic: 20th Century Studios
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Nighy as Cardinal Lawrence in The First Omen. Pic: Disney/20th Century Studios

A prequel to the 1976 original, it returns to the very beginning of the story, with Nighy warning it’s not a film for the feint hearted: “The early signs suggest that it is truly horrible.”

Red satin and holy socks

He does have a wide experience of otherworldly roles, if not out and out horror. Nighy lists a few. “In Shaun Of The Dead I was a werewolf. Yeah, I was a werewolf.”

(Nighy was actually a zombie, but the movie was filmed 20 years ago, and who’s splitting hairs?)

He goes on: “And I’ve been a vampire several times. And I’ve been a squid. If you count animations, I’ve been a rattle snake with a machine gun in its tail. But they’re not straight horror. [First Omen] is really my first horror movie, like what you’d call straight horror. So, it is a departure.”

It goes without saying he was well suited and booted for the role.

“I was dressed by the Vatican tailor. So, you can see I look my best if you’re going to be a priest. And I’m drenched in red satin”.

Rumour has it he was given holy socks from the Vatican shop as part of his costume. Blessed beyond doubt.

Nighy ‘can’t stand’ his own films

He says it “will frighten the life” out of its viewers, adding “a few people I’ve met who’ve seen it and who are horror freaks were stunned. One journalist actually said [they were] traumatised.”

But he doesn’t have to worry about nightmares himself. “I’ve never seen it and I’m never going to see it because I don’t watch films I’m in because I can’t stand it.”

Pic: Netflix
Image:
Pic: Netflix

Meanwhile, his latest offering, The Beautiful Game, is a very different prospect, crafted to leave the viewer uplifted rather than in pieces.

Nighy says it’s a feelgood nostalgia that takes him right back to his childhood. “The deal was when I was a kid, you went, you paid some money, you went to the cinema, and you came out feeling a bit better than you did when you went in. This is what [The Beautiful Game] is.”

The Beautiful Game is streaming now on Netflix, and The First Omen will be in cinemas from 5 April.

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Song lyrics have become angrier and more repetitive since the 80s, study finds

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Song lyrics have become angrier and more repetitive since the 80s, study finds

Song lyrics have become angrier and more repetitive over the past four decades, a study has found.

Lyrics in rock, rap, country, pop, and R&B songs have also become simpler and more personal, according to research published in the journal Scientific Reports.

Rap songs showed the strongest increase in anger and negative emotions, while country songs had the lowest, the researchers said.

Eva Zangerle, an assistant professor at the University of Innsbruck’s department of computer science in Austria, said anger-related words may have become more common because music “reflects more general changes in society and culture”.

Prof Zangerle and her colleagues analysed the lyrics of 12,000 English-language songs released between 1980 and 2020, as well as the page views of the lyrics on online platform Genius.

They found lyrics have become simpler and easier to understand over time, while also becoming more emotional and personal.

Analysis also showed the number of different words used within songs has decreased, particularly among rap and rock songs.

The team speculated this may be because of changes in how music is enjoyed, such as increases in songs being used as background music.

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Prof Zangerle said: “In the last 40 years, we have witnessed a change from buying records in the store to being able to choose from hundreds of millions of songs on streaming platforms on the phone.

“This has also changed the way music is consumed.”

By analysing the page views on Genius, the team found older rock songs were viewed more than newer ones, but the reverse was true for country songs. They said it could indicate rock listeners prefer lyrics from older songs, while country listeners may prefer those from newer songs.

Prof Zangerle gave Bruce Springsteen’s 1973 song Spirit In The Night as a good example of complex songwriting, while she said Miley Cyrus’s 2019 hit Slide Away has simpler and repetitive lyrics.

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