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The US Senate is now discussing the Build Back Better Act, which includes a much-needed reform of the federal EV incentive. Tesla fans are furious about the $4,500 additional incentive for electric cars made by unions.

They see it as one more attack by the Biden administration on Tesla, but they should reframe the issue to highlight the fundamental problem with the new policy.

Over the last year, Tesla fans have complained that the Biden administration has been unfairly treating Tesla.

It started when Tesla wasn’t invited to an EV announcement at the White House earlier this year.

But the true perceived slight was the new reform to the federal EV tax credit.

Tesla fans and the EV community in general have been calling for a reform for a long time since the incentive was poorly designed in the first place.

The limit of 200,000 US deliveries per manufacturer put companies who invested early in volume production of electric cars at a disadvantage.

Tesla and GM were the first to hit the limit, and now EV buyers don’t have access to the incentive when they buy their electric vehicles.

The main goal of reforming the program was to remove the limit, and that’s what they did in the Build Back Better Act.

The section about the federal EV incentive replaces the limit of deliveries per manufacturer with an industry-wide timeline of 10 years to take advantage of the incentive.

This is especially good for Tesla and GM electric vehicle buyers who regain access to the $7,500 tax credit. However, lawmakers made a few, more controversial changes in the version that has now passed the House.

The main change is that they are adding a $4,500 incentive for electric vehicles built at factories where workers are unionized, on top of the $7,500.

Here’s the exact language in the bill:

The amount credit allowed for a qualified vehicle is increased by $4,500 if the final assembly of the vehicle is at a facility in the United States which operates under a union-negotiated collective bargaining agreement.

Tesla fans have perceived this as another “attack” on the automaker by the administration since Tesla is currently the only automaker producing EVs in volume in the US at a non-unionized factory.

The bill is now being discussed in the Senate, and the additional incentive to unions is expected to be a controversial point that might change by the time the bill becomes law.

Reframing the problem

Tesla fans have been pushing back hard against the union clause in the bill, which they see as unfair.

I think they are right, but I think they should move away from focusing on it being a slight against Tesla by the Biden administration, and instead, focus on what makes it fundamentally wrong. The main problem is that the clause doesn’t really do what it aims to do.

In a speech about the reform, President Joe Biden said that the goal was to “grow auto jobs with good pay and benefits.”

By introducing the $4,500 extra incentive for EVs coming out of union factories, Biden assumes that it will incentivize the market to buy vehicles from automakers who have factories staffed with workers with “good pay and benefits.”

But that’s not the requirement in the legislation. Being unionized is the requirement, and that doesn’t necessarily accomplish that.

Here’s a simple hypothetical situation that shows how the incentive is flawed.

Let’s say you have automaker A making electric vehicles out of a unionized factory. The buyers of those electric vehicles have access to the $4,500 additional incentive as per the current version of the bill.

Now you have automaker B making electric vehicles out of a factory where workers are not unionized, but they have comparable pay and benefits to employees working in automaker A’s unionized factory.

Under the current version of the bill, automaker B achieves the actual goal of having auto jobs with good pay and benefits, but buyers of the vehicles made by those workers are being penalized simply because the workers didn’t achieve those conditions through a union.

Now let’s say that the workers at automaker B’s factory are presented with an opportunity to unionize, and because of their situation, they decide to vote against it since they are satisfied with their situation and they don’t want to pay union dues.

In this very plausible situation, which many of Tesla proponents argue is the automaker’s situation, the clause is actually failing to incentivize good-paying auto jobs and actually penalizes them.

What’s the solution?

Now, this is not an anti-union argument. Unions, if well-organized and led by honest people wanting to do good, can have a positive impact.

However, the way this legislation is worded fails to achieve what the Biden administration claims that they want to achieve.

That should be the focus of the opposition of the union clause, and not it being an attack on Tesla or anyone else.

Personally, I think the clause could be removed altogether since $7,500 is a big-enough incentive to accelerate EV adoption, especially if it becomes a point-of-sale incentive in 2023 as it is currently supposed to become.

But if you absolutely want an extra incentive for good-paying auto jobs with good benefits, you can make a clause that achieves just that.

You simply have to replace the language about the electric vehicles “being assembled at a factory operating under a union-negotiated collective bargaining agreement” with “being assembled at a factory where workers receive pay and benefits at or above the industry average.”

It would be up to the companies and workers to see if they can achieve that by themselves or with the help of a union.


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Woman charged with fraud over ‘sale of Oasis tickets’

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Woman charged with fraud over 'sale of Oasis tickets'

A woman has been charged with fraud offences over the alleged sale of Oasis tickets.

Rosie Slater has been charged with 11 counts of fraud by false representation, Staffordshire Police said.

The 32-year-old, of Newcastle-under-Lyme, Staffordshire, has been granted unconditional bail and is due to appear in court at North Staffordshire Justice Centre on 11 December.

The charges relate to the alleged sale of Oasis tickets in May.

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It comes as ministers confirmed plans to make it illegal for tickets to concerts, theatre, comedy, sport and other live events to be resold for more than their original cost.

Earlier this month, pop stars including Sam Fender, Dua Lipa, Coldplay and Radiohead urged the prime minister in an open letter to stand by his election promise to restrict online ticket touts.

The huge profits made by resellers were put in the spotlight last year when thousands of Oasis fans complained of ticket prices for their reunion tour, with some Wembley Stadium show tickets listed at more than £4,000.

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The Stone Roses bassist Gary ‘Mani’ Mounfield dies aged 63

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The Stone Roses bassist Gary 'Mani' Mounfield dies aged 63

The Stone Roses bassist Gary “Mani” Mounfield has died at the age of 63, his family has said.

Mani’s brother, Greg, said in a post on Facebook: “It is with the heaviest of hearts that I have to announce the sad passing of my brother.”

“RIP RKID,” he added.

Gary "Mani" Mounfield and his wife Imelda at the world premiere of "The Stone Roses : Made Of Stone" in 2013. Pic: Reuters
Image:
Gary “Mani” Mounfield and his wife Imelda at the world premiere of “The Stone Roses : Made Of Stone” in 2013. Pic: Reuters

Formed in 1983, The Stone Roses were a mainstay of the “Madchester” scene.

Mani joined the band in 1987 and formed part of its classic line-up alongside singer Ian Brown, guitarist John Squire and drummer Alan ‘Reni’ Wren. He remained with the group until their split in 1996.

Mani’s death comes two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.

Ian Brown, left, with Mani, right, performing on stage during their 2012 reunion concerts in Manchester. Pic: Reuters
Image:
Ian Brown, left, with Mani, right, performing on stage during their 2012 reunion concerts in Manchester. Pic: Reuters

The Stone Roses frontman Brown shared a tribute online, writing: “REST IN PEACE MANi X.”

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Oasis singer Liam Gallagher said he was “in total shock and absolutely devastated”, describing the bassist as “my hero”.

“RIP Mani – my heartfelt condolences to his twin boys and all of his family,” wrote the Happy Mondays’ Shaun Ryder, whose bandmate Rowetta added: “Back with your Imelda, Mani. Going to miss you so much. All my love to the boys, the family & all those who knew & loved him.”

The Charlatans frontman, Tim Burgess, shared a photo of himself with Mani, writing alongside it: “I shared this photo a week or so ago on Mani’s birthday.

“It never failed to bring a smile to my face – and that was exactly the same for the man himself.

“One of the absolute best in every way – such a beautiful friend.”

Echo & the Bunnymen vocalist Ian McCulloch said Mani was someone “who I have always loved and always will love, deeply and forever. Like a brother”.

He continued: “I am in shock to be honest. Please tell me I’m just having a bad, bad dream. My thoughts and feelings and Mani. Love to all of his family from me”.

Pic: Robert Marquardt/ZUMA Press Wire/Shutterstock
Image:
Pic: Robert Marquardt/ZUMA Press Wire/Shutterstock

The “Madchester” bands were known for blending indie with acid house, psychedelia, and pop.

The Stone Roses’ eponymous debut album of 1989 was a huge success, and was named the second greatest album of all time in a “Music of the Millennium” poll conducted by HMV, Channel 4, The Guardian, and Classic FM.

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Half of novelists fear AI will replace them entirely, survey finds

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Half of novelists fear AI will replace them entirely, survey finds

The novel has survived the industrial revolution, radio, television, and the internet. Now it’s facing artificial intelligence – and novelists are worried.

Half (51%) fear that they will be replaced by AI entirely, according to a new survey, even though for the most part they don’t use the technology themselves.

More immediately, 85% say they think their future income will be negatively impacted by AI, and 39% claim their finances have already taken a hit.

Tracy Chevalier, the bestselling author of Girl With A Pearl Earring and The Glassmaker, shares that concern.

“I worry that a book industry driven mainly by profit will be tempted to use AI more and more to generate books,” she said in response to the survey.

“If it is cheaper to produce novels using AI (no advance or royalties to pay to authors, quicker production, retainment of copyright), publishers will almost inevitably choose to publish them.

“And if they are priced cheaper than ‘human made’ books, readers are likely to buy them, the way we buy machine-made jumpers rather than the more expensive hand-knitted ones.”

Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP
Image:
Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP

Why authors are so worried

The University of Cambridge’s Minderoo Centre for Technology and Democracy asked 258 published novelists and 74 industry insiders how AI is viewed and used in the world of British fiction.

Alongside existential fears about the wholesale replacement of the novel, many authors reported a loss of income from AI, which they attributed to “competition from AI-generated books and the loss of jobs which provide supplementary streams of income, such as copywriting”.

Some respondents reported finding “rip-off AI-generated imitations” of their own books, as well books “written under their name which they haven’t produced”.

Last year, the Authors Guild warned that “the growing access to AI is driving a new surge of low-quality sham ‘books’ on Amazon”, which has limited the number of publications per day on its Kindle self-publishing platform to combat the influx of AI-generated books.

The median income for a novelist is currently £7,000 and many make ends meet by doing related work, such as audiobook narration, copywriting or ghost-writing.

Read more: The author embracing AI to help write novels

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Could the AI bubble burst?

These tasks, authors feared, were already being supplanted by AI, although little evidence was provided for this claim, which was not possible to verify independently.

Copyright was also a big concern, with 59% of novelists reporting that they knew their work had been used to train AI models.

Of these, 99% said they did not give permission and 100% said they were not remunerated for this use.

Earlier this year, AI firm Anthropic agreed to pay authors $1.5bn (£1.2bn) to settle a lawsuit which claimed the company stole their work.

The judge in the US court case ruled that Anthropic had downloaded more than seven million digital copies of books it “knew had been pirated” and ordered the firm to pay authors compensation.

However, the judge sided with Anthropic over the question of copyright, saying that the AI model was doing something akin to when a human reads a book to inspire new work, rather than simply copying.

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Most novelists – 67% – never used it for creative work, although a few said they found it very useful for speeding up drafting or editing.

One case study featured in the report is Lizbeth Crawford, a novelist in multiple genres, including fantasy and romance. She describes working with AI as a writing partner, using it to spot plot holes and trim adjectives.

“Lizbeth used to write about one novel per year, but now she can do three per year, and her target is five,” notes the author of the report, Dr Clementine Collett.

Is there a role for government?

Despite this, the report’s foreword urges the government to slow down the spread of AI by strengthening copyright law to protect authors and other creatives.

The government has proposed making an exception to UK copyright law for “text and data mining”, which might make authors and other copyright holders opt out to stop their work being used to train AI models.

“That approach prioritises access to data for the world’s technology companies at the cost to the UK’s own creative industries,” writes Professor Gina Neff, executive director of the Minderoo Centre for Technology and Democracy.

“It is both bad economics and a betrayal of the very cultural assets of British soft power.”

A government spokesperson said: “Throughout this process we have, and always will, put the interests of the UK’s citizens and businesses first.

“We’ve always been clear on the need to work with both the creative industries and AI sector to drive AI innovation and ensure robust protections for creators.

“We are bringing together both British and global companies, alongside voices beyond the AI and creative sectors, to ensure we can capture the broadest possible range of expert views as we consider next steps.”

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