Steve Coogan says plan to cut taxes for richest is ‘breathtaking in its audacity’
The government’s financial plan is “breathtaking in its audacity”, according to British actor Steve Coogan.
Speaking to Sky News, the comic – who is a long-time, vocal Labour supporter – says following last week’s mini-budget, which included tax cuts for top rate payers, even Conservatives are questioning the future of their party.
Tory MP Simon Hoare said earlier on Twitter: “These are not circumstances beyond the control of Govt/Treasury. They were authored there. This inept madness cannot go on.”
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Coogan said: “I almost don’t think we need an opposition at the moment because there are as many members of the Conservative Party who are alarmed at their own government as there are members of the opposition.”
“There are so many vulnerable people out there – not just people on the margins of society, people front and centre in society who have jobs and who contribute and who are taxpayers – who are going to be struggling,” he added. “And to see the government give tax breaks to the 1% is breathtaking in its audacity.
“And based on some theoretical idea that trickle-down economics will end up helping those at the bottom. There was a 30-year experiment in trickle-down economics, and it didn’t trickle down to those who needed it most, it stopped about halfway, and I don’t see any reason why it should be any different now.”
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‘I don’t want a tax cut’
Coogan, who is himself a higher rate taxpayer, says he’s very much opposed to the changes.
“I don’t want a tax rebate, I’m quite happy to pay income tax, I’m quite happy to pay 45% income tax, I don’t want a tax cut,” he added.
“Lots of people would like a tax cut, whether they deserve it or whether it’s right or moral or just is another thing.
“I certainly don’t want one, but I’m an individual – that money should be spent helping people in most need.”
‘The Conservatives don’t have a good record on the arts’
With question marks over the future of the BBC and Channel 4, Coogan, whose latest film The Lost King is about to come out in cinemas, says it could be a difficult time for the arts and entertainment industry.
“The Conservatives don’t have a very good record on subsidising the arts,” he said.
“They see it as the poor man’s choice, the arts have always been denigrated in our country, and they have a short memory because all great art at some point was subsidised.
“Shakespeare himself had to have patronage to be able to write his plays, he had royal patronage, people gave him money to make good art because that’s an immeasurable, you can’t put a price on it.
“You know, Oscar Wilde said a fool is somebody who knows the price of everything, and the value of nothing; I think that’s the sort of definition of certainly the more crude conservative mindset.”
Sally Hawkins and Steve Coogan in The Lost King. Pic: Warner Bros
Coogan wants to help people tell their stories
The Lost King tells the story of middle-aged amateur historian Philippa Langley who led the search to find the remains of King Richard III but was later sidelined when the University of Leicester claimed credit.
It sees Coogan reuniting with co-writer Jeff Pope and director Stephen Frears – the trio last worked together on 2013’s Philomena, which also told the true story of a woman fighting the establishment.
Coogan says he does consciously try to fight against what can be a misogynistic industry.
“As a privileged, white, middle-aged man, there is the question mark of whether I should be telling that story or I should be involved in telling that story,” he said.
“But when you are in that position, it makes you work doubly hard trying to make sure you do justice to someone else’s story, especially a marginalised woman. In our enlightened times, I think it’s important you don’t have to be one of the marginalised to help them tell their story.”
Sally Hawkins in The Lost King. Pic: Warner Bros
The film is based on books written by Langley, and Leicester University has said it is not happy with how the institution is portrayed in the film.
“We appreciate that while The Lost King is based on real events, it is a work of fiction, and recollections will vary from various people of what happened during such an incredibly exciting moment in history,” it said.
“It is our view that the portrayal of the University of Leicester’s role in the project is far removed from the accurate work that took place.”
But Coogan says ultimately the film is entertainment and that satire “involves poking fun at the powerful”, which he doesn’t apologise for.
“As my grandmother used to say – what goes around, comes around,” he said. “And had they been more generous or just more fair, in their telling of the story of the search for Richard, then the film probably wouldn’t have happened.
“There are too many instances that I could use as examples of how she’s been relegated to the side of the story.”
“Some of the fundamental facts are this: Philippa Langley led the search, spent eight years researching where she thought it was, she alone arrived at the conclusion of the location of Richard’s body, she raised the majority of the money herself through members of the Richard III society – the university put in a small amount,” he said.
“When some bones had been discovered, she alone insisted that those bones be excavated and when they’re excavated, and they found those scoliosis and injuries to the skull consistent with those sustained in battle and at that point – the university stepped in and said, ‘we’ll take control of this’… Well, of course they might, because she’d just found him.”
The Lost King is out in cinemas on the 7 October.
Coach tickets to Glastonbury 2025 were sold out in half an hour, organisers have said, as they roll out a new booking system for festivalgoers.
They were the first group of tickets to be sold for the world-famous festival in Somerset, which is set to take place between 25 and 29 June.
This year, fans navigated a new system to buy the tickets as they were “randomly assigned a place in a queue” instead of having to refresh the holding page once they went live.
The organisers said in a post on X: “The Glastonbury 2025 tickets + coach travel which were on sale this evening have now all been sold.
“Our thanks to everyone who bought one.”
They added that National Express services would be available to bring festivalgoers from across the country to Glastonbury.
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Standard tickets will go on sale on Sunday at 9am. Last year they were sold out within an hour.
See Tickets said in a post on X that “confirmation emails are going out now to everyone who got @Glastonbury coach tickets this evening”.
Tickets for the annual event at Worthy Farm in Somerset cost £373.50 plus a £5 booking fee, and are sold exclusively through the See Tickets website, with no third-party sellers involved.
The new ticket system has changed the way people join the booking system.
Organisers previously warned hopefuls to log in “at least a few minutes” before the sale opened today and to avoid refreshing the page.
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Festivalgoers were also told not to attempt to game the system by using multiple devices.
The sale follows chaos earlier this year when tickets for the Oasis reunion went on sale, seeing a multitude of disappointed fans as well as those who felt cheated after being charged hundreds of pounds more for their tickets than was originally advertised.
Anyone wishing to buy tickets for Glastonbury must have registered by 11 November, a rule in place to avoid touting.
Entertainment
Christmas adverts – the 10 most-anticipated ads as the festive battle for customers commences
With just under six weeks to go to Christmas Day, the countdown has officially begun, with all the big brands rolling out their seasonal adverts.
Becoming something of an institution over recent years, many see the festive ads as the starting pistol for their Christmas preparation/panic, despite us only being halfway through November.
And with an estimated £10.5bn spent on this year’s Xmas ads, it’s not just about inducing a fuzzy warm feeling in viewers, but also about encouraging them to put their hand in their pocket.
As we brace ourselves for festive fun, we take a swift look at this year’s bevvy of commercial offerings, as the annual battle of the Christmas adverts begins.
John Lewis
A girl called Sally falls into a clothes rack reminiscent of CS Lewis’s The Lion, The Witch And The Wardrobe, but instead of finding Narnia, she ends up in John Lewis.
Pic: PA
Through family flashbacks we lean how much she loves her older sister, whose gift she has carelessly left it to the last minute to buy. Spoiler alert – as one would expect in an advert for a retailer, she finds a pressie.
With the retailer famous for its use of cover versions in their Christmas ads, this one is the origin story for a new cover, with a concurrent competition on TikTok to find an aspiring artist to rerecord a version, which will be featured on the Christmas Day airing and released by record label BMG too.
Waitrose
Marketed as a whodunnit – this big-budget production has a host of celebrity cameos, an intricate storyline and not one but two parts.
Pic: Waitrose
Comedian Joe Wilkinson, Fleabag star Sian Clifford and Succession’s Matthew Macfadyen all have a role in the ensemble, revolving around hunting down the thief of a “chilled desert”.
Being Christmas, when tensions are traditionally high, everyone has reason to have scoffed it. The culprit won’t be revealed until the second part of the ad is released, but in the meantime, activity at Kings Cross Station, in stores and on social media is set to keep the investigation very much alive.
Sainsbury’s
Sainsbury’s goes big for its advert, calling on a beloved Roald Dahl character – the BFG, or Big Friendly Giant – to travel the country with a supermarket worker called Sophie (who pleasingly is a real store employee) in the search for the perfect festive treats.
Pic: Sainsbury’s
A CGI BFG procures salmon, sprouts and cheese before a bit of magic helps him whip it all up into a feast, which he then gifts to an unsuspecting family through the window.
The first ones to release their ad earlier this month, the dulcet tones of national treasure Stephen Fry wrap the action, with a call to arms to stock up in readiness for Christmas.
M&S
Another national treasure – Dawn French – is back for this one, playing both herself and a festive fairy, who gives both French and her home a make-over ready for a Christmas soiree.
Pic: PA
French, whose multi-Christmas-dinner eating antics on The Vicar Of Dibley put her into the Xmas annals, is transformed into “the quintessential hostess” with a bit of help from her little friend.
Banking on the idea that you can never have enough of a good thing, there are six instalments of the advert running between now and the New Year. Who doesn’t like a second – or sixth – helping.
Lidl
This one pulls on the heartstrings, with a little girl inspired to give a gift to a boy who appears not to have any, after an old lady gives her some magic bells.
Pic: Lidl
Directed by Oscar-winning filmmaker Tom Hooper (he directed The King’s Speech), a CGI racoon and giant gingerbread man add a little action to events around the dinner table.
But the take home message is to think about giving as well as receiving, with the return of the retailer’s toy banks scheme set up at supermarkets with the aim of donating over 100,000 toys, to ensure no child experiences a giftless Christmas.
Aldi
Kevin the Carrot is back for a ninth year running, this time trying to save the Christmas spirit from a bunch of hard-boiled humbug villains.
Pic: Aldi
With the ad narrated by actor Jim Broadbent, our plucky hero braves an oven, a Mission Impossible-inspired ventilation system and Bond-esque snow jet-ski dash across the mountains, all to save Christmas.
Helped by his wife Katie, he of course pulls it off. A fan favourite, soft toys of the root vegetable are sold in stores, and this year cuddly humbugs are on sale too.
Morrisons
It’s a song and dance number from Morrisons, courtesy of their singing oven gloves performing Bugsy Malone’s You Give A Little Love.
Pic: Morrisons
A choir of 26 Morrisons employees gave voice to the gloves, recording their rendition of the song at the iconic Abbey Road Studios in London.
Like Lidl, the retailer pulled out the directing big guns, hiring The Greatest Showman director Michael Gracey to oversee proceedings.
Asda
Bagging the prize for the most gnome puns in one advert, Asda sees a flash mob of gnomes preparing the store for Christmas.
Pic: Asda
The resulting advert isn’t as irritating as it sounds on paper, thanks to nice performances by the two human characters in the ad – Maggie and Bill.
And as we know, Christmas is all about the merchandise, so the supermarkets are of course selling special Xmas versions of their garden gnomes to accompany their already 50-strong gnome range. Who knew?
Tesco
Tesco reminds us of those members of the family who are no longer here to join us on the big day, with a man carrying on his late grandmother’s festive tradition of baking gingerbread.
Pic: Tesco
He becomes obsessed with the spicy treat, as it infiltrates every part of his day from his haircut to a trip to see the Christmas lights.
He eventually gets together with his grandad to bake a gingerbread house, revealing it to the family at lunch, thus keeping the tradition alive.
Greggs
And in the most unlikely festive cameo of the year, Greggs has enlisted Nigella Lawson to star in its first Christmas ad.
Pic: PA
Rapturously endorsing their festive bakes, Lawson has her hands full of pasties, and her table full of take-away coffees, as she promotes the bakery’s festive-themed fare.
Whether or not you believe the 64-year-old TV chef really tucks into their sausage rolls in real life – the attention-grabbing collaboration looks like a wise move for the chain, whose sales have jumped in recent weeks as it continues its UK expansion.
Entertainment
Paul Mescal says being the star of Gladiator II as it premieres in London is ‘absolutely, wildly overwhelming’
Gladiator II star Paul Mescal has said bringing Sir Ridley Scott’s legacy sequel to the big screen has been a “wildly… overwhelming” experience.
The star was speaking to Sky News on the red carpet at the film’s royal premiere which was attended by His Majesty the King, who had earlier hosted members of the film and TV industry at a Buckingham Palace reception.
When asked about making the move from indie films, like All Of Us Strangers and Aftersun, into one of the most eagerly anticipated films this year, Mescal said: “I’m excited to play with what the audience is expecting of me.”
“The royal audience is one thing… I think we’ve seen how an audience responded to the film, royal or not, and I think we’re excited for people to see it.”
A whole 24 years after Sir Ridley Scott’s Roman blockbuster starring Russell Crowe, Mescal plays Lucius who, much like the original, finds himself trying to win back his freedom after powerful emperors of Rome conquer his home.
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With an actual-scale model of the Colosseum built for the production, the film comes with high costs and a lot of hype.
“I’m struggling with words at the moment,” Mescal admitted, taking in the occasion, having come from the champagne reception at Buckingham Palace.
“This has been an absolutely, wildly – I keep using the word overwhelming – but I think if this isn’t slightly overwhelming then I don’t know what the hell is. I’m having a great time.”
Sir Ridley explained his reason for casting Mescal was that he saw aspects of “a young Albert Finney” in him.
While the pressure is on for the sequel to do well at the box office, the director said he’s learnt how to deal with the weight of expectations over the years.
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“Any film of [this] scale, it doesn’t matter how we play it down, it’s colossally stressful. You better embrace stress or don’t do the job.”
Before heading to the premiere, the King welcomed directors, actors, TV presenters, stunt performers and costume designers at the palace to mark the centenary of the Film and TV Charity, of which Charles has become patron.
Sir Ridley, actor Joseph Fiennes, actress India Amarteifio from the hit Netflix show Queen Charlotte, and TV presenter Claudia Winkleman were among the celebrities who attended the event.
Gladiator II is in cinemas on 15 November.
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