Rebekah Vardy has been ordered to pay Coleen Rooney’s legal costs following their Wagatha Christie libel trial – and the bill could reach about £1.5m.
In a ruling issued on Tuesday, Judge Justice Steyn said Vardy must pay 90% of Rooney’s costs, and that an £800,000 down payment must be paid by 4pm on 15 November.
In the case dubbed “war of the wags”, Rooney incurred eyewatering costs of more than £2 million. However, £350,000 of those costs had already been racked up ahead of the trial, so were removed to produce a final figure of £1,667,860.
The final costs ruling will be confirmed once Rooney submits her final total costs bill.
Although the exact figure of Vardy’s own costs is not known, it’s likely to be a similar amount to Rooney’s, stretching into the millions.
Vardy has also been ordered to pay part of the costs of seven journalists who were potential witnesses but did not actually give evidence in the trial. Rooney has also been ordered to pay a portion of their costs.
The case centred around a social media post published by Rooney on 9 October 2019, in which she accused Vardy of leaking stories about her to the press.
The post – which went viral, receiving over 370,000 engagements on Twitter, including almost 50,000 retweets – led to Rooney being dubbed “Wagatha Christie” on social media, in a nod to the world-famous British crime novelist Agatha Christie.
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Vardy, who had denied being responsible for leaking Rooney’s personal information, announced she would be taking Rooney to court in June 2020, with the trial finally reaching the High Court in May this year.
However, the case didn’t go Vardy’s way, with the court finding the essence of Rooney’s social media post was “substantially true” – that’s to say Vardy was responsible for leaking Rooney’s private information to the press.
In her ruling, Judge Steyn described Rooney’s evidence as “honest and reliable”, but labelled Vardy’s evidence “manifestly inconsistent… evasive or implausible”.
In the order made public on Tuesday, the same judge said Vardy had “deliberately deleted or destroyed evidence”, calling such behaviour “outside the ordinary and reasonable conduct of proceedings”.
For this reason she said costs would be assessed on an indemnity rather than a standard basis – which is the highest basis a court can offer, and more favourable to Rooney in terms of the amount of her legal bill she can recover.
During the week-long trial there was “a series of unfortunate incidents” involving a broken laptop, forgotten passwords and lost data when a mobile phone belonging to Vardy’s agent was dropped overboard and ended up at the bottom of the North Sea.
This led Rooney’s team to accuse Vardy of conducting a “deliberate and calculated” campaign to destroy evidence.
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It all started with a social media post back in October 2019 which quickly went viral.
The judge justified her decision to reduce Vardy’s costs bill by 10%, citing Rooney’s “weak” allegation that Vardy was one of the people behind The Sun’s Secret Wag gossip column, and Rooney’s unsuccessful public interest defence.
Rooney had defended the claim on the basis it was true and in the public interest for her to publish it, but was only successful in persuading the court on the first count.
The three fake stories Rooney had accused Vardy of sharing with The Sun newspaper featured her travelling to Mexico for a gender selection procedure, her return to TV, and the basement flooding in her new home.
Despite the ruling against her, Vardy has continued to proclaim her innocence, insisting Judge Steyn “got it wrong”, later claiming she was “let down by the legal system” in a paid-for interview on Talk TV.
The Wagatha Christie case, which was followed around the world due to its salacious detail and the chance to peer into the private lives of warring celebrities, is currently being made into several TV shows, including a Channel 4 drama and ITV documentary.
Gladiator II star Paul Mescal has said bringing Sir Ridley Scott’s legacy sequel to the big screen has been a “wildly… overwhelming” experience.
The star was speaking to Sky News on the red carpet at the film’s royal premiere which was attended by His Majesty the King, who had earlier hosted members of the film and TV industry at a Buckingham Palace reception.
When asked about making the move from indie films, like All Of Us Strangers and Aftersun, into one of the most eagerly anticipated films this year, Mescal said: “I’m excited to play with what the audience is expecting of me.”
“The royal audience is one thing… I think we’ve seen how an audience responded to the film, royal or not, and I think we’re excited for people to see it.”
A whole 24 years after Sir Ridley Scott’s Roman blockbuster starring Russell Crowe, Mescal plays Lucius who, much like the original, finds himself trying to win back his freedom after powerful emperors of Rome conquer his home.
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With an actual-scale model of the Colosseum built for the production, the film comes with high costs and a lot of hype.
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“I’m struggling with words at the moment,” Mescal admitted, taking in the occasion, having come from the champagne reception at Buckingham Palace.
“This has been an absolutely, wildly – I keep using the word overwhelming – but I think if this isn’t slightly overwhelming then I don’t know what the hell is. I’m having a great time.”
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Sir Ridley explained his reason for casting Mescal was that he saw aspects of “a young Albert Finney” in him.
While the pressure is on for the sequel to do well at the box office, the director said he’s learnt how to deal with the weight of expectations over the years.
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“Any film of [this] scale, it doesn’t matter how we play it down, it’s colossally stressful. You better embrace stress or don’t do the job.”
Before heading to the premiere, the King welcomed directors, actors, TV presenters, stunt performers and costume designers at the palace to mark the centenary of the Film and TV Charity, of which Charles has become patron.
Sir Ridley, actor Joseph Fiennes, actress India Amarteifio from the hit Netflix show Queen Charlotte, and TV presenter Claudia Winkleman were among the celebrities who attended the event.
Actor Timothy West has died peacefully in his sleep aged 90, “with his friends and family at the end”.
He was known for many roles in television and the theatre, including popular soaps Coronation Street and EastEnders.
Husband to 92-year-old Prunella Scales – who played Sybil Fawlty in Fawlty Towers – the pair travelled together on UK and overseas canals in the Channel 4 series Great Canal Journeys.
His children Juliet, Samuel and Joseph West, said in a statement issued by his agent: “After a long and extraordinary life on and off the stage, our darling father Timothy West died peacefully in his sleep yesterday evening. He was 90 years old.
“Tim was with friends and family at the end. He leaves his wife Prunella Scales, to whom he was married for 61 years, a sister, a daughter, two sons, seven grandchildren and four great-grandchildren. All of us will miss him terribly.
“We would like to thank the incredible NHS staff at St George’s Hospital, Tooting and at Avery Wandsworth for their loving care during his last days.”
He was the winner of an RTS television award for his lead role in Churchill And The Generals, released in 1979, according to imdb.com.
In his career, he played Winston Churchill three times, including in The Last Bastion (1984) and in Hiroshima (1995).
West was also nominated for best actor in the 1976 BAFTAs for his part as Edward VII in the historical drama.
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Four years later, he was nominated in the same category for a number of roles, including as best actor in Crime And Punishment.
After a small part as Eric Babbage in Coronation Street in 2013, West appeared in 2014 for the first time as Stan Carter in EastEnders.
He also held other popular TV roles, such as in BBC comedy-drama Last Tango In Halifax.
In the long-running BBC comedy, Not Going Out, he played Geoffrey, the father of Lucy Adams, played by Sally Bretton.
In comedy-drama Brass, he was the ruthless self-made businessman Bradley Hardacre, playing the role from 1982 to 1984 before returning for a third series in 1990.
In 2019, the Bradford-born actor played Private Godfrey in Dad’s Army: The Lost Episodes, a recreation of three missing episodes of the BBC comedy Dad’s Army.
He was also a regular performer of Shakespeare, playing Lear in 2016 and 2002.
An “ultimate” version of Band Aid’s famous festive hit Do They Know It’s Christmas? is set to be released to mark the song’s 40th anniversary, featuring the voices of original singers as well as younger artists.
The track will feature voices from Band Aid 1984 including George Michael, Sting and Boy George, alongside the likes of Harry Styles, Chris Martin, the Sugababes, and Ed Sheeran, who appeared on the Band Aid 20 and Band Aid 30 versions in 2004 and 2014.
It will also feature the vocals of a young Bono, who recorded the song’s famous line – “Well tonight thank God it’s them, instead of you” – singing with his older self.
The singers will be backed by the Band Aid house band of Sir Paul McCartney, Sting, Duran Duran’s John Taylor, Phil Collins, Queen’s Roger Taylor, Supergrass’s Danny Goffey, Radiohead’s Thom Yorke and Johnny Greenwood, Paul Weller, Damon Albarn, Midge Ure, Gary Kemp and Justin Hawkins.
Other voices to feature on the 40th anniversary remix include Sam Smith, Elbow’s Guy Garvey, Rita Ora, Bananarama, Seal, Sinead O’Connor, Robbie Williams, Kool And The Gang and Underworld, with proceeds going to the Band Aid Trust.
And in a new video, the late David Bowie will introduce the song’s stars, with newsreader Michael Buerk’s BBC report on the song also featuring.
The history of Band Aid
Led by Boomtown Rats frontman Bob Geldof and Ultravox’s Ure, the original Band Aid single saw artists join forces in 1984 to help charities working with starving children in Ethiopia.
The song went straight to the top of the charts that year and at the time held the record as the fastest-selling single of all time in the UK, selling a million copies in the first week alone.
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It remained at number one for five weeks and went on to sell more than three million copies.
The movement led to the famous Live Aid concerts around the world the following year, with artists including Queen, Bowie and Sir Elton John performing at Wembley in the UK.
Do They Know It’s Christmas? was released again with different generations of stars over the decades, to raise money for other causes.
In 1989, Stock Aitken and Waterman produced Band Aid II, featuring just two of the artists from the song’s first iteration – Sara Dallin and Keren Woodward of Bananarama.
Band Aid 20 raised funds for Sudan’s Darfur region, while the 30th anniversary supported those helping throughout the 2014 Ebola crisis.
In celebration of this monumental “instrument of change”, producer Trevor Horn has taken the recordings and blended all the voices “into one seamless whole”, organisers said.
The Do They Know It’s Christmas – 2024 Ultimate Mix will premiere on UK breakfast radio and streaming on 25 November, the 40th anniversary of the day artists went into the recording studio to create the original song. It will also be released physically on CD and vinyl on 29 November.
It will feature on a compilation also including the other recordings, plus the Live Aid Wembley 1985 version.
Artist Sir Peter Blake, 93, who designed the original sleeve – featuring a collage of Christmas card images alongside a hungry child – has returned to create the new cover.