Rebekah Vardy ordered to pay Coleen Rooney’s legal costs over Wagatha Christie trial – which could reach £1.5m
Rebekah Vardy has been ordered to pay Coleen Rooney’s legal costs following their Wagatha Christie libel trial – and the bill could reach about £1.5m.
In a ruling issued on Tuesday, Judge Justice Steyn said Vardy must pay 90% of Rooney’s costs, and that an £800,000 down payment must be paid by 4pm on 15 November.
In the case dubbed “war of the wags”, Rooney incurred eyewatering costs of more than £2 million. However, £350,000 of those costs had already been racked up ahead of the trial, so were removed to produce a final figure of £1,667,860.
The final costs ruling will be confirmed once Rooney submits her final total costs bill.
Vardy with husband Leicester City striker Jamie
Although the exact figure of Vardy’s own costs is not known, it’s likely to be a similar amount to Rooney’s, stretching into the millions.
Vardy has also been ordered to pay part of the costs of seven journalists who were potential witnesses but did not actually give evidence in the trial. Rooney has also been ordered to pay a portion of their costs.
Vardy lost her libel case against Rooney in July.
The case centred around a social media post published by Rooney on 9 October 2019, in which she accused Vardy of leaking stories about her to the press.
The post – which went viral, receiving over 370,000 engagements on Twitter, including almost 50,000 retweets – led to Rooney being dubbed “Wagatha Christie” on social media, in a nod to the world-famous British crime novelist Agatha Christie.
Vardy, who had denied being responsible for leaking Rooney’s personal information, announced she would be taking Rooney to court in June 2020, with the trial finally reaching the High Court in May this year.
However, the case didn’t go Vardy’s way, with the court finding the essence of Rooney’s social media post was “substantially true” – that’s to say Vardy was responsible for leaking Rooney’s private information to the press.
In her ruling, Judge Steyn described Rooney’s evidence as “honest and reliable”, but labelled Vardy’s evidence “manifestly inconsistent… evasive or implausible”.
Coleen and Wayne Rooney arrive at court
In the order made public on Tuesday, the same judge said Vardy had “deliberately deleted or destroyed evidence”, calling such behaviour “outside the ordinary and reasonable conduct of proceedings”.
For this reason she said costs would be assessed on an indemnity rather than a standard basis – which is the highest basis a court can offer, and more favourable to Rooney in terms of the amount of her legal bill she can recover.
During the week-long trial there was “a series of unfortunate incidents” involving a broken laptop, forgotten passwords and lost data when a mobile phone belonging to Vardy’s agent was dropped overboard and ended up at the bottom of the North Sea.
This led Rooney’s team to accuse Vardy of conducting a “deliberate and calculated” campaign to destroy evidence.
Read more:
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It all started with a social media post back in October 2019 which quickly went viral.
The judge justified her decision to reduce Vardy’s costs bill by 10%, citing Rooney’s “weak” allegation that Vardy was one of the people behind The Sun’s Secret Wag gossip column, and Rooney’s unsuccessful public interest defence.
Rooney had defended the claim on the basis it was true and in the public interest for her to publish it, but was only successful in persuading the court on the first count.
The three fake stories Rooney had accused Vardy of sharing with The Sun newspaper featured her travelling to Mexico for a gender selection procedure, her return to TV, and the basement flooding in her new home.
Despite the ruling against her, Vardy has continued to proclaim her innocence, insisting Judge Steyn “got it wrong”, later claiming she was “let down by the legal system” in a paid-for interview on Talk TV.
The Wagatha Christie case, which was followed around the world due to its salacious detail and the chance to peer into the private lives of warring celebrities, is currently being made into several TV shows, including a Channel 4 drama and ITV documentary.
Entertainment
New Universal theme park set to open in UK – with promise of ‘billions’ of pounds for the economy
A deal for a new Universal theme park in Bedfordshire has been confirmed, which Rachel Reeves says will bring “billions” to the economy and create thousands of jobs.
It will be the first Universal-branded theme park and resort in Europe and is set to open in 2031, when it is expected to become the UK’s most popular visitor attraction.
The government said it will bring an estimated £50bn into the British economy and will create about 28,000 jobs – nearly 20,000 during the construction phase, and 8,000 more in hospitality and the creative industries when it opens.
A 500-room hotel and a retail and entertainment complex is planned alongside the theme park, which will be built on a former brickworks.
Universal, which is owned by Sky News’ US parent company Comcast, expects the 476-acre site just south of Bedford to generate nearly £50bn for the economy by 2055, with 8.5m visitors in its first year.
The plan remains subject to a formal planning decision process from the Ministry of Housing, Communities and Local Government.
Universal has committed to working with local colleges and universities to train students for hospitality jobs.
There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP
Among some of the famous Universal films are Wicked, Minions, Oppenheimer, Bridget Jones, Fast and the Furious, and Jurassic World.
There are five Universal theme parks already: Orlando in Florida, Hollywood, Japan, Beijing, and Singapore.
The new Universal theme park will be just south of Bedford
Speaking to Wilfred Frost on Sky News Breakfast, Culture Secretary Lisa Nandy said the deal was “huge”.
“This is not just about numbers on the spreadsheet,” she said.
“This is about good jobs. It’s about growth. It’s about raising people’s living standards and putting money in people’s pockets. And it’s a massive vote of confidence in the United Kingdom.”
Welcoming the timing of the announcement, Ms Nandy added: “This deal comes off the back of one of the most tumultuous few weeks in global markets that I think anyone can remember within living memory.”
She said the fact that the government had been able to show it kept a “cool head” and “we don’t take knee-jerk decisions in response to global events” was one of the reasons it was able to announce the deal.
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The proposals to transform the site, a former brickworks, remain subject to a formal planning decision process
The government has said about 80% of employees at the theme park are expected to come from local areas, and it will support the “Oxford-Cambridge corridor” revived by the chancellor in January after the Conservatives scrapped plans for an Abingdon-Milton Keynes train link in 2021.
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It will also commit to a “major investment” in infrastructure around the Universal site to ensure it is well-connected and easily accessible.
The announcement comes days after the government approved an expansion of nearby Luton Airport.
Mike Cavanagh, President of Comcast Corporation, said: “We could not be more excited to take this very important step in our plan to create and deliver an incredible Universal theme park and resort in the heart of the United Kingdom, which complements our growing US-based parks business by expanding our global footprint to Europe.
“We appreciate the leadership and support of Prime Minister Keir Starmer, Chancellor Rachel Reeves, Minister for Investment Poppy Gustafsson, Culture Secretary Lisa Nandy and their teams, as we work together to create and deliver a fantastic new landmark destination.”
Entertainment
BAFTA Games Awards: Astro Bot tops leaderboard – with psychological horror close behind
Astro Bot was the big winner at this year’s BAFTA Games Awards, taking home five prizes, including the coveted best game.
The 3D platformer, which was launched to critical acclaim in September to mark PlayStation’s 30th anniversary, was nominated for eight gongs, while Senua’s Saga: Hellblade II, led with 11 nods.
But in the end, the critics – some of whom had dubbed Astro Bot a “perfect game” – were right as it dominated the awards at London’s Queen Elizabeth Hall, hosted by comedian Phil Wang for the second year running.
Astro Bot. Pic: Team Asobi
Nicolas Doucet with his five awards for Astro Bot. Pic: PA
BAFTAs for audio achievement, game design, animation, and best family game completed the set for developers Team Asobi, who designed multiple galaxies and dozens of levels for the titular Astro to journey through, retrieving spaceship parts and rescuing lost robots.
“We’re a team based in Japan, but we have over 12 nationalities. We really mix it up and get ideas from everyone,” Nicolas Doucet, president of Team Asobi, told Sky News.
“We do a lot of jokes in the game, but the joke has a different meaning depending on where you are in the world. So it’s really, really nice to go around and ask everyone ‘is that joke fine in your country?’ And then together we come to a kind of universal playfulness.”
Among the gongs for Astro Bot was the best game award. Pic: BAFTA
It’s a very different atmosphere than that generated by British psychological horror Still Wakes The Deep, which won three awards for best new intellectual property and best supporting and leading roles.
Compared to John Carpenter’s 1980 sci-fi horror The Thing but on a Scottish oil rig, the game sees players take on the role of an electrician trapped on a damaged facility while being pursued by monsters.
Still Wakes The Deep. Pic: Sumo Digital Limited
Developer The Chinese Room has been praised for using home-grown talent to voice the characters, including comedian and actress Karen Dunbar, who picked up best performer in a supporting role for voicing Finlay.
“I’ve been nominated for quite a few BAFTAs in my time in Scotland, and I’ve never won one,” said Dunbar.
“It was such a great category, so many great performances. When they shouted my name, I think I started clapping for someone else!”
Read more: See full list of winners
Still Wakes The Deep star Karen Dunbar won best performer in a supporting role. Pic: BAFTA
Meanwhile, best multiplayer game went to Helldivers II – a satirical, sci-fi shooter that sees players fight bugs, aliens and robots with the gumption and gullibility of the characters in Paul Verhoeven’s Starship Troopers.
It has gained a cult following since launching in February 2024 with so much initial interest it created server problems.
“Games for me are about connecting people and forging those bonds of friendship and the multiplayer award is exactly what it stands for,” said Johan Pilestedt, chief executive of Arrowhead Game Studios.
Helldivers II. Pic: Arrowhead/Sony
From outer space to a fictional Yorkshire town called Barnsworth. Thank Goodness You’re Here! – a cartoonish, comedy platformer – won Best British Game. Like Still Wakes The Deep, it has won praise for the authenticity of its actors and setting.
“I think it’s been a real privilege to be able to represent Barnsley on the silver screen,” said Will Todd, who is from the town and one of two game designers behind the project.
Thank Goodness You’re Here! Pic: Coal Supper/Panic Inc
Co-creator James Carbutt added: “Me and Will wrote everything in our tone of voice, quite literally. The further along development we got, the more we lent into it. I think the voices from different parts of the UK and different voices in gaming are super important, and hopefully we’re one of them.”
By the time the BAFTAs wrapped up, Senua’s Saga: Hellblade II was only handed one of the 11 BAFTAs it was nominated for, technical achievement.
Senua’s Saga: Hellblade II. Pic: Ninja Theory
But developers Ninja Theory are already adding this year’s win to a tally of five BAFTAs they were awarded for the first game in the series, which created a protagonist with psychosis by drawing on clinical neuroscience and the experiences of people living with the condition.
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