British rocket launchers turning the tide against Russia filmed for the first time
Three British rockets streaked into the sky towards Russian forces under attack in a key frontline town in eastern Ukraine.
The target was a mobile Russian command post. A Ukrainian artillery officer said it would have been hit because his soldiers never miss.
Sky News is the first to be granted permission to film a multiple-launch rocket system given to Ukraine by the UK in action during the war and to meet the soldiers operating it.
“Thanks to these weapons, we’ve carried out really high priority missions,” said the commander of the artillery unit, who asked to remain anonymous for security reasons.
This included hitting military bases, columns of armoured vehicles and ammunition stores.
UK and German weapons responsible for 30% of Ukraine’s success in the east
The commander said, in his opinion, around 30% of the successes achieved by Ukraine in a major counter-offensive in the east were thanks to British, as well as German, rocket launchers.
“This is one of the key factors, which influenced the Russian army not just to retreat, but to run,” the officer said, referring to the recapture in recent weeks of swathes of illegally-occupied territory across Kharkiv region and into the Donbas.
Sky News was granted exclusive access last week to soldiers operating one of six M270 Multiple-Launch Rocket Systems (MLRS) that Britain has given to Ukraine.
The commander and a number of his men also received training in the UK on how to operate the system.
“I want to say thank you to all officers, sergeants and instructors who took part in our training, because it was so powerful,” the officer said.
“They gave us a lot… Thanks to the training, only three days after returning from England we were already carrying out missions.”
Hidden in a line of trees in the middle of sprawling fields, the dark green contraption – the size of a large pickup truck on a set of tracked wheels – was deliberately hard to find.
We were not allowed to reveal the location nor the true names of any of the soldiers we met.
Ukraine’s limited number of long-range artillery pieces make them a prime target for Russia.
But the mood among troops at their makeshift base under the trees seemed pretty relaxed.
They were just exhausted having worked through the night and into the day, conducting “fire missions” against Russian targets as part of a Ukrainian advance on the town of Lyman.
Rocket launcher doubles up as mobile home for soldiers
We met the unit on 29 September. The town was recaptured by Ukraine two days later.
One of the soldiers, who his commander named as “Ghost Rider”, showed us around the rocket launcher, which loomed over him, framed by orange-coloured autumn leaves.
It is a mobile home as much as a war machine, with the servicemen eating, sleeping and fighting from inside a cabin built at the front.
Dotted around a steering wheel, control panel and computer screen was a tin can of bacon, a slumped rifle, even an air-freshener attached to a wire in a corner on the ceiling.
There were also tell-tale signs of the rocket launcher’s British owners and American manufacturers, with panel instructions such as “fire extinguisher” and “turn indicator” in English.
The long, green missiles, stored on a large rectangular-box-shaped launcher, sit behind the cabin, making the weapon completely self-contained.
Three soldiers operate the system, one giving commands, another ensuring the coordinates for the target are correct on the inbuilt computer panel and a third driving.
Asked how he felt when he fired the launcher, knowing he was attacking Russian positions, Ghost Rider, a young lieutenant, said: “After launch, the first feeling was my heart like this – boom, boom. That’s all. And then everything was calm.”
Men on duty 24/7 for month-and-a-half
This unit of artillery men and engineers has kept the weapon operational and on the move 24 hours a day, every day for the past month and a half.
It’s not easy. In service since the First Gulf War back in 1990 to 1991, the system is often in need of repair and their headquarters can call at any moment to order a strike.
By the time we joined the team on 29 September, they had already carried out six operations over the past 24 hours, with minimal sleep, launching around 50 rockets.
The artillery commander, whose unit operates the six British multiple launch rocket systems as well as three German MARS II launchers, said they only go after high-value targets.
Their missile-supply is finite, so the Ukrainians need to be selective.
It is also about quality rather than quantity.
The missiles fired by the British system – Guided Multiple Launch Rocket System munition, or M31A1 – are precision-guided, with a range of more than 50 miles (80km).
It means they are highly accurate. This also reduces the potential for civilian casualties.
In contrast, much of Russia’s artillery systems – and the Soviet-era launchers previously used by Ukraine – must bombard a target with a barrage of rockets to ensure it is destroyed, requiring much more ammunition and causing a lot more collateral destruction.
As we waited with the soldiers, a missile resupply arrived.
A large vehicle with a mini crane rolled into sight along the treeline. It lowered several missiles – each with M31A1 written in white on the side – for them to be slotted into the MLRS.
‘Fire’ shouted in English
Minutes later, the team received a strike order. It was the mission to target the mobile command post.
The operators scrambled into their cabin and drove the giant weapon out of its leafy shelter. A tree branch jutted out of one side – remnants of the camouflage.
They headed to a field, the tracked wheels enabling the team to travel with ease and at a decent speed despite the muddy ground.
Firing spot chosen, the launcher was slowly pointed diagonally upwards. It made the same kind of grinding mechanical noise as a forklift truck being raised.
Target locked, a commander in the cabin said “fire” in English, a switch was flicked and the rockets were launched.
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The team then needed to move away quickly because of the possibility of Russian forces working out where the artillery came from and returning fire.
The whole process, from aiming to firing, is done in a couple of minutes – American operators in the past have coined the phrase “shoot and scoot”. The weapon is also nicknamed the “70km sniper rifle” – a nod to its range and accuracy.
Back under tree cover, the unit waited once more for instructions.
After about three hours of standing around, checking an encrypted device used to receive instructions, a Ukrainian Humvee churned into view through the undergrowth. It was part of a force tasked with protecting the system.
The soldiers chatted, then another firing mission came in and out the rocket launcher rolled.
Comedy writer Bill Dare, – who worked on shows including Spitting Image and Dead Ringers – has died after an accident overseas, his agent said.
Described as a “super producer” by his peers, Dare, 64, worked on eight series of hugely popular satire puppet show Spitting Image.
Airing on ITV during the 1980s and 1990s, the show delighted in lampooning public figures including politicians, celebrities and royalty, winning BAFTAs and Emmys. It was rebooted in 2020.
Dare also created Dead Ringers, a comedy impressions show broadcast on BBC Radio 4.
He also produced The Now Show, a satirical take on the news which ran on Radio 4 from 1998 to 2024.
Dare worked on a wide range of comedy shows during his career, including the radio production of The Mary Whitehouse Experience in the late 1980s and early 1990s. He had also written several novels.
In a statement released on Monday, his agent JFL Agency confirmed he died at the weekend.
A spokesperson said: “We are shocked and greatly saddened to have to announce the death of our brilliant client Bill Dare, who died at the weekend following an accident overseas.
“Our thoughts are with his wife Lucy, daughter Rebecca, and with all of Bill’s family and friends who will be devastated by his loss.
“Bill was a truly legendary producer and writer, and his comedy instincts were second to none.”
Oasis depicted on Spitting Image in 1996. Pic: ITV/Shutterstock
Colleagues were quick to pay tribute and reflect on his talent.
Impressionist Jon Culshaw wrote on X: “It’s impossible to express the unreal sense of loss at the passing of the incredible Bill Dare. The wisest comedy alchemist and the dearest, dearest friend. Much love to Lucy and all Bill’s family and friends. We shall all miss him more than we can say.”
David Baddiel posted on the social media platform: “Just heard that the original producer of The Mary Whitehouse Experience on radio, Bill Dare, has died. Bill was an amazing creative force. I owe him much. RIP.”
Former EastEnders actress Tracy-Ann Oberman said she was “devastated” and that her “entire comedy career was down to Bill”.
She wrote: “When I was on the BBC Radio 4 rep company early on in career – I ran into Bill in the corridors – He asked if I was good at accents. I said yes.
“He cast me in a sketch show. I had to do about 15 different accents. We recorded in front of a live audience at Broadcasting House – afterwards Bill said ‘Why have I never met you – you’re going to have a big career’.
“He was incredibly loyal and supportive and really opened a path for me into the R4 comedy world and then TV having come out of the RSC and theatre it was all new. I will always be grateful. Fly high Bill.”
Comedian and writer Mark Steel wrote: “This is so grim. Bill was a compassionate hearty soul with the ability to be beautifully grumpy, a marvellously thoughtful comic mind.
“He’d argue but always listen and you’d always laugh, he made a million shows and wanted them all to matter and would have made a million more.”
Have I Got News for You writer Pete Sinclair said: “I am utterly devastated by Bill’s death. I still can’t believe it. He was a comedy genius. A hugely talented writer as well as a brilliant producer. A close friend and co-writer. I cannot begin to say how much I’ll miss him.”
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Julia McKenzie, comedy commissioner for Radio 4, said: “I am so terribly sorry to hear this tragic news and my thoughts are with Bill’s wife, family and friends.
“Bill has been a huge part of Radio 4 comedy for decades, as a writer and producer, and listeners will have heard his legendary name at the end of many of their favourite shows.
“Bill was a comedy obsessive, and very instinctive about making the funniest choices when it came to writing, directing and editing.
“He cared so much about his work that in the production booth during Dead Ringers you’d see him crouched over the script, utterly focused on the show.
“He was funny and very dry in person, amusingly cynical when he needed to be and always pushed to keep the comedy he made, and particularly satire, spiky.
“I’ve known and worked with him for 18 years and like many I can’t believe he has gone, he will leave a big hole in the comedy world and in our hearts.”
Comedian Matt Lucas has apologised to actress Millie Bobby Brown after he posted a Little Britain catchphrase alongside photographs of the 21-year-old on social media.
Lucas, 50, wrote “no but yeah but”, a phrase used by delinquent teenager Vicky Pollard in the sketch comedy series he co-created, on an X post that reshared pictures of the Stranger Things star.
The photos show Brown in Los Angeles wearing hoop earrings and a pink top, which Lucas said had prompted him to point out “the similarity by posting one of her [Vicky’s] catchphrases”.
Jake Bongiovi and Millie Bobby Brown at Netflix’s “The Electric State” world premiere
Matt Lucas as Vicky Pollard in 2005. Pic: Shutterstock
The apology came after an Instagram post from Brown in which she hit out at negative comments and “bullying” about her appearance on social media and in news articles.
Lucas said: “Dear Millie, I just saw your post and wanted to respond, and provide some context. Nearly 25 years ago I co-wrote and appeared in a sketch show called Little Britain.
“There was a character in it called Vicky Pollard, who had blonde hair and always wore a pink top, and in the photo you had blonde hair and wore a pink top so I pointed out the similarity by posting one of her catchphrases.
“I thought you looked terrific and I was mortified when the press wrote that I ‘slammed’ you, firstly because that’s not my style, and secondly because I think you’re brilliant.
“I would not have posted it if I had thought it would have upset you but I realise it has and for that I apologise.”
Little Britain, which also starred David Walliams, began as a radio show in 2000 and moved to TV in 2003, running for three series.
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In her video, Brown said: “I want to take a moment to address something that I think is bigger than just me, something that affects every young woman who grows up under public scrutiny.
“I think this is very necessary to talk about. I started in this industry when I was 10 years old. I grew up in front of the world, and, for some reason, people can’t seem to grow with me.
“Instead, they act like I’m supposed to stay frozen in time, like I should still look the way I did on Stranger Things season one. And because I don’t, I’m now a target.”
She quoted headlines from articles, among them references to Lucas’s comments, which she said were “amplifying an insult rather than questioning why a grown man is mocking a young woman’s appearance”.
“This isn’t journalism. This is bullying. The fact that adult writers are spending their time dissecting my face, my body, my choices, is disturbing.
“The fact that some of these articles are written by women makes it even worse. We always talk about supporting and uplifting young women but, when it comes down to it, it seems a lot easier to tear them down for clicks,” she added.
“Disillusioned people can’t handle seeing a girl become a woman on her terms, not their own. I refuse to apologise for growing up. I refuse to make myself smaller to fit the unrealistic expectations of people who can’t handle seeing a girl become a woman.
“I will not be shamed for how I look, how I dress, or how I present myself. We have become a society where it’s so much easier to criticise than it is to pay a compliment.”
She ended her post by saying: “Let’s do better. Not just for me, but for every young girl who deserves to grow up without the fear of being torn apart for simply existing.”
Celebrities including Sex And The City’s Sarah Jessica Parker, as well as singers Pixie Lott and Lily Allen, left messages of support for the young actress.
Brown became a household name after starring as Eleven in the hit Netflix series Stranger Things.
The fifth and final series of the show, which started in 2016, is due to air this year.
The British actress also landed the title role as mystery-solving sleuth Enola Holmes in the 2020 film and its sequel two years later.
Brown, who married Jake Bongiovi, the son of rock star Jon Bon Jovi, last year, has been promoting the new Russo Brothers film, The Electric State, in which she stars alongside Chris Pratt.
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