French writer Annie Ernaux has been awarded the 2022 Nobel Prize in literature for “the courage and clinical acuity” in her largely autobiographical books.
The 82-year-old author – the first French woman to win the world-famous literature prize – saw her debut novel Les Armoires Vides published in 1974 (in English it was called Cleaned Out), and La Place (A Man’s Place), the book that made her name, released in 1983.
She gained international recognition following the publication in 2008 of Les Années, which was translated into The Years in 2017, and an adaptation of her 2000 novel Happening – about her experiences of having an abortion when it was still illegal in France in the 1960s – won the Golden Lion at the Venice Film Festival in 2021.
Image: Michel Euler/AP
Born to a family of grocers from Normandy in the north of the country, Ernaux worked as a teacher before becoming a full-time author.
Known for her frank, direct style about class and how she struggled to adopt the codes and habits of the French bourgeoisie while staying true to her working class background, she has had more than 20 books published.
The Nobel prizes for achievements in science, literature and peace were established in the will of Swedish chemist and engineer Alfred Nobel and have been awarded since 1901.
Announcing this year’s literature winner, the Swedish Academy said Ernaux “consistently and from different angles, examines a life marked by strong disparities regarding gender, language and class”, and that her “path to authorship was long and arduous”.
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Anders Olsson, chairman of the Nobel literature committee, described her as “an extremely honest writer who is not afraid to confront the hard truths”.
He added: “She writes about things that no one else writes about, for instance her abortion, her jealousy, her experiences as an abandoned lover and so forth. I mean, really hard experiences.”
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Ernaux told Swedish broadcaster SVT: “I was very surprised… I never thought it would be on my landscape as a writer.
“It is a great responsibility… to testify, not necessarily in terms of my writing, but to testify with accuracy and justice in relation to the world.”
‘Her voice is that of women’s freedom’
French President Emmanuel Macron was among those congratulating her, tweeting: “Annie Ernaux has been writing for 50 years the novel of the collective and intimate memory of our country. Her voice is that of women’s freedom, and the century’s forgotten ones.”
However, Ernaux hasn’t always been a fan of his; a supporter of left-wing causes for social justice, she has poured scorn on the president’s background in banking and said his first term failed to advance the cause of French women.
She becomes just the 17th woman among the 119 Nobel literature laureates, winning a cash award of 10 million Swedish kronor (just over £800,000).
Seven Stories Press, Ernaux’s US publisher of 31 years, said it published the English translation of her most recent book, Getting Lost, just two days before her win, and was now rushing several of her backlist titles to press.
Other Nobel Prize winners
The week of Nobel Prize announcements began on Monday, when a Swedish scientist who used DNA sequencing to find the link between extinct people and modern humans was awarded the 2022 Nobel Prize in physiology or medicine.
Frenchman Alain Aspect, American John F Clauser and Austrian Anton Zeilinger won the physics prize on Tuesday for work showing that tiny particles can retain a connection with each other even when separated – a phenomenon known as quantum entanglement.
The chemistry prize was awarded to Americans Carolyn R Bertozzi and K Barry Sharpless, and Danish scientist Morten Meldal, for developing a way of “snapping molecules together” that can be used to explore cells, map DNA and design drugs to target cancer and other diseases.
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”