From source of moral panic, to source material for a multi-million pound drama – while drill music has moved more into mainstream culture, rapper Big Narstie has hit out at how it has been demonised in the press.
The musician and presenter is the star of new series Jungle, which he says presents the controversial genre as art for the first time on the small screen.
In an interview with Sky News, he questioned why some sectors of the music industry seem to generate more negative headlines than others.
“If we was to say that rock and roll music is the cause of all the alcohol and cocaine abuse in the country, I doubt Mick Jagger would be very happy about that,” he said.
Image: Pic: AP
Jungle’s arrival on the Prime Video streaming platform is seeing drill reach a brand new audience, many of whom will have only heard of the music genre in headline-grabbing newspaper pieces critical of how it can glamorise gang violence.
But there is no getting away from how firmly embedded it is now in modern music culture – a form of rap which clearly resonates globally with millions of young listeners around the world; Drill’s first UK number one last year – Body by Russ Millions x Tion Wayne – was a landmark moment.
So is Big Narstie right? Have darker forces been at play?
“It’s racism, I believe, and classism,” says Justin Finlayson, founder of United Borders, a charity which mentors young people using music.
“The factors surrounding drill – inner city, deprived estates – those factors are there regardless of the genre,” he told Sky News.
Advertisement
“So I do feel that sometimes this genre cops all the blame for serious issues, you know, that it shouldn’t be blamed for really when there are other things going on.”
The charity operates from a converted bus turned into a recording studio, designed to drive creative talent in a positive direction.
“Drill is a genre that has some elements of negativity attached to it. However, for us, it’s a great meeting point with young people. That’s where they’re most passionate, that’s how they express themselves, so we can actually know a lot more about the individual based on the art they pursue.”
But that doesn’t mean the genre isn’t problematic.
Image: Pic: Jungle/Amazon Studios
Lady TT, a youth mentor and DJ, says: “I actually don’t think it’s unfairly pigeonholed.”
“You’ve got good and bad, but drill has had a bad reputation because they’ve allowed it to have a bad reputation with tracks that go online specifically targeting people, incidents happen and then they’re doing glory videos afterwards.
“So for people to say, ‘oh we’re so hard done by’ – you’re not hard done by, you have to take accountability for what it is you’re putting out there.
“If you are creating content that is targeting people to either have violence committed against them or glorifying violence or murders… I can’t like the track regardless of how well you execute it. I can’t like it for the lyrical content.”
While it remains lyrically controversial, the success of young British drill artists proves that theirs is a voice that clearly resonates on a global stage.
A prominent expert in recovering stolen works of art has told Sky News it was “a matter of time” before the Louvre was targeted – and UK museums could be next.
Christopher Marinello says gangs have been emboldened to strike because “law enforcement has been driven into the ground”.
And while headlines have focused on thieves making off with priceless jewellery from an iconic French institution, he warns this problem isn’t confined to Paris.
He said: “There are gangs operating all over Europe and not enough is being done to stop them … this was only a matter of time, they’ve been hitting small museums.
“If they can hit the Louvre successfully, they can hit anything. Do you know how many museums there are in the UK?”
Image: Christopher Marinello investigates art theft the police aren’t pursuing
At the start of October, at the St Fagans National Museum of History in Wales, it took just four minutes for audacious thieves to swipe irreplaceable Bronze Age jewellery.
He says gangs are targeting gold “just to melt it down” and diamonds for their value – “with no regard for the integrity of the artworks and the cultural heritage that they are destroying”.
A spokesperson for the museum has said: “We sympathise deeply with our friends at the Louvre … it emphasises the increased risk to organisations like ours … this highlights the dilemma we face between having items on display for people to enjoy and learn from – or keeping them locked away.”
Please use Chrome browser for a more accessible video player
2:36
Louvre: How ‘heist of the century’ unfolded
Mr Marinello, who investigates art crimes that the police aren’t pursuing, says institutions and stately homes urgently need to wake up to what’s happening.
“They need to start building vaults for these objects because otherwise they’re going to be taken and melted down and used to buy Lamborghinis or drugs,” he warned.
“If the smaller museums can’t afford it, perhaps they’re going to have to consolidate collections to museums that can handle it.”
Image: Empress Eugenie’s tiara was among the jewellery stolen. Pic: Louvre
‘You can’t trust anyone’
Mr Marinello went on to warn that gangs are becoming “more brazen” – with the Louvre targeted despite the security measures it had in place.
“The system is not working … the penalties are not strong enough … police are frustrated, prosecutors say the same thing because there’s nowhere to put these people.”
The art recovery expert says he’s concerned how funding cutbacks are making our museums more vulnerable to those who recognise that the obvious rewards outweigh the risks.
Image: The Louvre is one of the most famous landmarks in Paris
“These museums are designed to preserve and protect our cultural heritage, and they need to be properly funded to do that job,” he added. “They need to be able to stay one step ahead of the criminals.”
“This is not the 1950s any more, you can’t trust anyone. These items are so valuable, and gold is at an all-time high.
“[Thieves] don’t care if an item belonged to Napoleon III, it means nothing to them. All they care about is quick cash.”
One of Harper Lee’s surviving relatives says it’s possible there could be major unpublished works by the author still to be discovered, following the release of eight of her previously unseen short stories.
Describing the mystery around a manuscript titled The Long Goodbye, which Lee wrote before To Kill A Mockingbird, Lee’s nephew, Dr Edwin Conner, told Sky News: “Even the family doesn’t know everything that remains in her papers. So, it could be there waiting to be published.”
Dr Conner says Lee submitted a 111-page manuscript, titled The Long Goodbye, after writing Go Set A Watchman in 1957.
The retired English professor explains: “It’s not clear to me or to others in the family, to what extent [The Long Goodbye] might have been integrated into To Kill a Mockingbird, which she wrote immediately after, or to what extent it was a freestanding manuscript that is altogether different and that might stand to be published in the future.”
Image: Lee researched Reverend Maxwell’s death, but no book was ever published. Pic: AP
A second mystery exists in the form of a true crime novel, The Reverend, which Lee was known to have begun researching in the late 1970s, about Alabama preacher Reverend Willie Maxwell who was accused of five murders before being murdered himself.
Dr Conner said: “The manuscript of a nonfiction piece, that according to some people doesn’t exist, according to others who claim to have seen it, does [is also a mystery]. We don’t know where it is, or whether it is, really.
“That could be a surprise that has yet to be revealed if we discover it and it’s published, which is a real possibility.”
More on Literature
Related Topics:
He believes much of the manuscript was written in his family home and says his mother, Louise, who was Lee’s older sister, saw a “finished version of it” on the dining room table.
Dr Conner says there are “others who just as fiercely say no, it was never completed”.
Image: A C Lee (L) – the inspiration for Atticus Finch with his grandchildren, including Edwin Conner (C), in 1953
‘She did want to publish these stories’
There has long been debate over why Lee published just two books in her lifetime.
To Kill a Mockingbird came out in 1960. Selling more than 46 million copies worldwide, translated into more than 40 languages and winning a Pulitzer Prize, it’s arguably the most influential American book of the 20th century.
Fifty-five years later, Lee published a sequel, Go Set A Watchman, written ahead of Mockingbird, but set at a later date.
Then aged 88, and with failing health, there were questions over how much influence Lee had over the decision to publish.
Asked how happy she’d be to see some of her earliest work, containing early outlines for Mockingbird’s narrator Jean Louise Finch and the story’s hero Atticus Finch, now hitting the shelves, Dr Conner says: “I think she’d be delighted.”
Image: A previously unseen image of one of Lee’s short story transcripts. Pic: Harper Lee Estate
He says Lee had presented them to her first agent, Maurice Crane, at their first meeting in 1956, “precisely because she did want to publish these stories”.
And while dubbing them “apprentice stories,” which he admits “don’t represent her at her best as a writer,” he says they show “literary genius of a kind”.
Notoriously private, he says the stories – which were discovered neatly typed out in one of Lee’s New York apartments after her death – offer “deeply enthralling new glimpses into her as a person”.
Never marrying or having children, he says Lee maintained a degree of privacy even with her family: “You never saw her complete personality… We thought we knew her, we thought we’d seen everything, but no, we hadn’t.”
Image: George W Bush awards Lee with the Presidential Medal of Freedom in 2007. Pic: Reuters
‘That’s it, I’m not giving any more interviews’
While describing her as a “complicated woman,” he insists Lee was far from the recluse she’s frequently painted as.
He says: “In company, she was most of the time delightful. She was a lively personality, she was funny, witty, and you would think she was very outgoing.”
But Lee was known to have struggled with her success.
Dr Conner explains: “She never ever wanted fame or celebrity because she suspected, or knew, that would involve the kind of uncomfortable situations in public situations that she found just no satisfaction or pleasure in”.
He says while in the early years of Mockingbird Lee gave interviews, the wild success of the book soon rendered such promotion unnecessary, leading her to decide: “That’s it, I’m not giving any more interviews”.
While he admits she was subsequently much happier, he goes on: “Not that she was a recluse, as some people thought. She wasn’t at all a recluse, but she didn’t enjoy public appearances and interviews particularly. She wanted the work to speak for itself.”
Image: Truman Capote and Harper Lee in April 1963. Pic: AP/The Broadmoor Historic Collection
‘Deeply hurt’ by Truman Capote
Famously close to Truman Capote, one of the pieces in Lee’s newly released collection is a profile of her fellow author.
Dr Conner says that piece – a love-letter of sorts, describing Capote’s literary achievements – is all the more remarkable because at the point Lee wrote it in 1966, when she and Capote “were not even on speaking terms”.
He says Lee “probably knew [Capote] better than any other person alive when that was written”, adding, “she did love him as a friend very much, even when he was not speaking to her”.
Friends since childhood – and the prototype for the character of Dill in Mockingbird – Capote later hired Lee to help him research his 1965 true crime novel In Cold Blood.
Despite his book’s relative success, Dr Conner believes Capote was “bitter” over the fact Mockingbird far eclipsed it in accolades and recognition.
“He had been writing for much longer. He felt that he was at least as good as she was, and he was very envious of her success”.
Dr Conner says Lee was “deeply hurt” at Capote’s rejection of her, never speaking about him in later life.
Recalling his own meeting with Capote many years later, Dr Conner says he “got a personal sense of how [Capote] could charm the socks off of anybody, male or female”.
He says it was noteworthy that while Capote asked about his mother, who he had been fond of, he “never once mentioned” Harper.
Sky News has contacted Lee’s lawyer and the executor of her estate, Tonya Carter, for comment.
The Land of Sweet Forever: Stories and Essays, by Harper Lee is on sale from Tuesday
Metropolitan Police is to stop investigating “non-crime hate incidents” to “reduce ambiguity” after prosecutors dropped a case against Graham Linehan.
Linehan, 57, will face no further action after being arrested over his social media posts about transgender people.
The Father Ted and IT Crowd creator said his lawyers had been told the case wouldn’t proceed. The Crown Prosecution Service confirmed the move.
Linehan, 57, was arrestedon suspicion of inciting violence when he landed at Heathrow from his home in the US on 1 September.
The incident drew criticism of the police and government from some politicians and free-speech campaigners.
Met Policesaid today it would stop investigating “non-crime hate incidents” to “reduce ambiguity” and “provide clearer direction for officers”.
Posting on X, Linehan announced : “After a successful hearing to get my bail conditions lifted (one which the police officer in charge of the case didn’t even bother to attend) the Crown Prosecution Service has dropped the case.
More on Graham Linehan
Related Topics:
“With the aid of the Free Speech Union, I still aim to hold the police accountable for what is only the latest attempt to silence and suppress gender critical voices on behalf of dangerous and disturbed men.”
The union said it had hired a “top flight team of lawyers to sue the Met for wrongful arrest, among other things”.
“The police need to be taught a lesson that they cannot allow themselves to be continually manipulated by woke activists,” it added.
A Crown Prosecution Service spokesperson confirmed it had reviewed the case file and decided “no further action” would be taken.
Image: Linehan said he had to be taken to hospital on the day of his arrest. Pic: PA
In one of his posts, Linehan wrote: “If a trans-identified male is in a female-only space, he is committing a violent, abusive act. Make a scene, call the cops and if all else fails, punch him in the balls.”
Another was a photo of a trans-rights protest, with the comment “a photo you can smell”, and a follow-up post saying: “I hate them. Misogynists and homophobes. F*** em.”
A Met Police statement after the case was dropped acknowledged “concern” around Linehan’s arrest.
It added: “The commissioner has been clear he doesn’t believe officers should be policing toxic culture war debates, with current laws and rules on inciting violence online leaving them in an impossible position.
“As a result, the Met will no longer investigate non-crime hate incidents.
“We believe this will provide clearer direction for officers, reduce ambiguity and enable them to focus on matters that meet the threshold for criminal investigations.”
Linehan said on his blog that his was arrested by five armed officers and had to go to A&E after his blood pressure reached “stroke territory” during his interrogation.
Police said the officers’ guns were never drawn and were only present as Linehan was detained by the aviation unit, which routinely carries firearms.
Please use Chrome browser for a more accessible video player
JK Rowling, who’s regularly shared her views on women’s rights in relation to transgender rights, was among those who had criticised the arrest, calling it “utterly deplorable”.
Reform’s Nigel Farage, shadow justice secretary Robert Jenrick, and ex-foreign secretary Sir James Cleverly also hit out at the treatment of Linehan.