On 21 October 2021, Halyna Hutchins turned up to the Bonanza Creek Ranch in New Mexico, the set of the western film she was working on with star Alec Baldwin, for what should have been a normal day at work.
Hutchins, who was Ukrainian,was considered a rising star in her field, having moved to Los Angeles to study film after growing up on an army base in the Russian Arctic, where her father served in the navy.
An experienced cinematographer and crew member with previous action film credits, she was used to being on location, helping to bring stories to screen.
Image: Pic: Swen Studios/ Reuters
The 42-year-old mother of one appeared to be enjoying her time in the city of Santa Fe, sharing photographs of sunrises and other moments from the Rust set on social media in the days before the tragedy that unfolded.
But while rehearsing for a scene involving a firearm, the prop gun, held by Baldwin, was discharged, the bullet wounding director Joel Souza and fatally striking Hutchins. The star believed the .45 Colt he had been handed was “cold”, or unloaded.
The cinematographer’s death made headlines around the world, with claims of safety concerns on set in the days leading up to the tragedy quickly coming to the fore. A lawyer for Hannah Gutierrez-Reed, the film’s armourer (the person in charge of weapons on set), alleged the gun may have been sabotaged.
How the gun went off is a detail that remains contested, with an FBI report released in August 2022concluding that the gun could not have been fired without the trigger being physically pulled.
At the beginning of October 2022 came confirmation of an undisclosed settlement between Baldwin and the production company for the film, and Hutchins’ family – and the announcement that filming of Rust would resume early in 2023, with Matthew Hutchins executive producing.
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The criminal inquiry into what happened on set that day continues, despite the civil settlement. But a year on from Hutchins’ untimely death, charges are still to be brought.
Santa Fe’s district attorney (DA) has been granted additional funding to investigate the high-profile case, saying in a letter to the State of New Mexico Board of Finance, seen by Sky News, that she anticipates prosecuting “up to four individuals” if it is found that charges are warranted. The names of those individuals have not been released.
Strict safety protocols are typically in place on film and TV sets, especially when weapons are being handled. So how did this tragedy happen – and why, after a year, is the investigation still ongoing?
The DA’s investigation: ‘Many individuals had handled the gun’
Image: Hannah Gutierrez-Reed was the armourer on the set of Rust. File pic: Shutterstock
In August, an FBI report concluded that Baldwin did pull the gun’s trigger.
The report, seen by Sky News, said that with the hammer (the part of a gun that strikes the firing pin) in the quarter – and half-cock positions, the gun “could not be made to fire without a pull of the trigger”.
At the time, Rust Movie Productions said it disagreed with the findings and planned to appeal.
The Santa Fe district attorney, or chief prosecutor, had been waiting for the results of the FBI investigation before looking at charges.
In a letter requesting funds to aid her work, dated 30 August 2022, Mary Carmack-Altwies said: “During the filming of [RUST], Alec Baldwin shot and killed Halyna Hutchins and injured Joel Souza while rehearsing a scene.
“Many individuals had handled the gun that ultimately killed Hutchins and injured Souza.”
She continued: “If charges are warranted, the FJDA (First Judicial District Attorney) anticipates prosecuting up to four individuals.”
While the names of those individuals were not included in the letter, as Baldwin was involved in the incident he could be one of them.
Ms Carmack-Altwies went on to say that while she was ready to start considering charges, “I do not have the proper funding in my budget to prosecute such a high-profile case”. A request of $635,000 (about £565,000) was made, with the State Of New Mexico Board of Finance agreeing on 20 September 2022 to just over half this amount, $317,750 (about £282,900).
A spokesperson for the district attorney told Sky News there is no set timeline to make a decision on whether to file charges and that they are still awaiting a final report from the Santa Fe County Sheriff.
“Once she receives the report, the district attorney and her team of professional attorneys and investigators will carefully review all of the materials provided,” the spokesperson said. “The district attorney’s priority will be upholding the integrity of the process and ensuring that, like any other case she handles, this investigation is held to the highest standards.”
Details of what the charges could be, if the DA decides to move forward with prosecution, have not been released, but the prosecutor is understood to be looking at all New Mexico laws that might be applicable to the case – which could include involuntary manslaughter and negligent use of a deadly weapon.
Sky News has also contacted the Santa Fe County Sheriff’s office for an update. It is understood the sheriff office’s report is expected to be ready in the next week or so.
In a statement in August, a spokesperson said detectives were waiting to receive and review phone records before forwarding their case file to the DA for review.
Before the shooting
Filming of Rust began on 6 October 2021, according to the New Mexico Film Office, and was set to take place throughout that month and into November 2021.
“Rust is the story of a 13-year-old boy, left to fend for himself and his younger brother following the death of their parents in 1880s Kansas, [who] goes on the run with his long-estranged grandfather after he’s sentenced to hanging for the accidental killing of a local rancher,” the film office said in a statement announcing production had started.
From New Mexico, about 75 crew members, 22 principal actors, and 230 “background talent” were taking part in the film, it said.
In the days before her death, Hutchins shared photos and videos from the set on Instagram. Her last, just two days before the tragedy, showed a clip of her horse riding.
“One of the perks of shooting a western is you get to ride horses on your day off,” she wrote.
The day of Hutchins’ death
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1:04
‘We need help’: 911 call after film set shooting
According to police reports, the shooting took place shortly before 1.50pm. The bullet hit Hutchins in the chest.
Rust’s assistant director Dave Halls had earlier handed Baldwin the prop gun and indicated it was safe to use, according to court documents.
A search warrant filed in a Santa Fe court suggested neither Baldwin nor Halls knew the weapon was loaded with live rounds.
The recording of the 911 call made was released in the days after the tragedy. Script supervisor Mamie Mitchell could be heard telling the operator “we need help immediately”.
Asked if the gun was loaded with a real bullet, she replied: “I don’t, I cannot tell you that… we have two injuries from a movie gunshot.”
When asked if there was “any serious bleeding”, Ms Mitchell replied: “I don’t know. I ran out of the building.”
An unidentified male voice later came on the line and told the operator the two people who were shot were “alert” but he was not sure which parts of their bodies were injured.
In April 2022, police in New Mexico made public all the files associated with the criminal investigation into Hutchins’ death, including camera footage from detectives, incident reports, crime scene photos and witness interviews collected during the investigation.
One clip showed Baldwin rehearsing with the gun that went off.
With Ms Hutchins behind the camera lining up what would be her last ever scene, the footage showed Baldwin sitting inside a church, dressed in period Western costume, pulling out the revolver.
Why do film sets use real guns?
Image: Pic: Vianney Le Caer/Invision/AP
As tributes were paid to Hutchins, her death also raised questions about the use of guns on sets.
When special effects can conjure up a talking tiger and other animals in the Jungle Book, and create dragons for Game Of Thrones, why use real firearms?
“With firearms, you only get one mistake and somebody’s dead. There’s just no reason to take that risk,” California state senator Dave Cortese said in an interview in the wake of the fatal shooting.
Craig Zobel, the director of the Emmy-winning Mare Of Easttown series, starring Kate Winslet, tweeted: “There’s no reason to have guns loaded with blanks or anything on set anymore. Should just be fully outlawed.”
“We are going to be using rubber guns and we’ll take care of it in post [production] and we won’t worry about the dollars or won’t worry about math or what the cost is,” he said at the time.
Speaking to Sky News at the UK premiere of his new superhero film Black Adam, he gave an update, saying: “We’ve done some reshoots, of course, on our sets and we have put that in practice and you actually realise it becomes very seamless.
“It’s just a matter of standing by the decision and then making sure that everyone is aligned with it because everyone really just wants a safer set.
“And by the way that’s not an indictment on our armoury guys, our gun guys. I believe in the right to arm… guns, and I’m a gun owner. But I also think the most important thing is complete safety on our set. So it’s been going very well and we’ll continue down this road.”
The safety concerns raised
Image: Serge Svetnoy, a friend of Hutchins’, was one of the crew members who filed a lawsuit following her death
In November 2021, Ms Mitchell and Serge Svetnoy, the film’s chief electrician, both filed lawsuits.
At a news conference, Ms Mitchell’s lawyer Gloria Allred claimed Baldwin, an “industry veteran”, should not have trusted a gun handed to him by anyone other than the prop master or armourer.
She described his and producers’ behaviour as “reckless”.
Ms Allred said safety failures included allowing live ammunition on set, leaving guns and ammunition unattended and permitting them to be handled by people other than the armourer and prop master.
Mr Svetnoy was inside the church set when Hutchins was shot, standing just feet from the actor. He described being hit with bullet fragments before cradling the dying cinematographer, whom he had known for several years, for more than 20 minutes before an ambulance arrived.
Mr Luper was the lead camera operator for the production but resigned the day before the tragedy.
In his resignation letter to a production manager, seen by Sky News, Mr Luper highlighted concerns about the safety and welfare of crew as the reason for him walking away.
In the email, he noted two accidental discharges of firearms and one accidental discharge of special effects explosives in the days before Hutchins was killed.
‘Someone is responsible… I know it’s not me’
Image: Pic: ABC
In an interview with Good Morning America in December 2021, Baldwin said he did not feel guilt over the shooting and that there was “only one question to be resolved – where did the live round come from?”
The star told host George Stephanopoulos that he and Hutchins “had something profound in common, and that is we both assumed the gun was empty”.
When asked if he felt guilt over her death, he said: “No. No. I feel that… someone is responsible for what happened and I can’t say who that is, but I know it’s not me. Honest to God, if I felt that I was responsible, I might’ve killed myself if I thought that I was responsible. And I don’t say that lightly.”
Speaking about the moments before the gun went off, he said: “I cock the gun. I go, ‘Can you see that? Can you see that? Can you see that?’ And then I let go of the hammer of the gun, and the gun goes off.”
The actor said he did not realise what had happened at first, as “the idea that someone put a live bullet in the gun was not even in reality”.
“She goes down,” he said. “I thought to myself, did she faint? The notion that there was a live round in that gun did not dawn on me till probably 45 minutes to an hour later.”
In another interview in August 2022, Baldwin responded to the FBI’s report concluding that the gun’s trigger had been pulled, saying the bullet could have fired through a process called “fanning”.
“This did not come from me, this came from the DA’s office themselves,” he told US journalist Chris Cuomo on his podcast.
“If you pull the hammer back, and you don’t lock the hammer; if you pull the hammer back pretty far – in old Western movies you’d see someone fan the hammer of the gun.
“The hammer didn’t lock. You pulled it back to an extent where it would fire the bullet without you pulling the trigger, without you locking the hammer.”
He also said that “everybody who was there, they know exactly what happened. They know exactly who’s to blame”. Baldwin also commented on the slow progress of the investigation, saying: “The fact that this has taken so long has been quite troublesome to me.”
What did the separate parties say about the civil settlement?
Image: Halyna Hutchins’ husband, Matt Hutchins, will executive produce Rust when filming resume. Pic: NBC
The undisclosed settlement between Hutchins’ family, Baldwin and Rust Movie Productions was announced on 5 October 2022.
“I have no interest in engaging in recriminations or attribution of blame (to the producers or Mr Baldwin),” Matthew Hutchins said in a statement. “All of us believe Halyna’s death was a terrible accident. I am grateful that the producers and the entertainment community have come together to pay tribute to Halyna’s final work.”
Rust Movie Productions, through attorney Melina Spadone, said: “We are pleased the parties came together to resolve this matter, which, subject to court approval, marks an important step forward in celebrating Halyna’s life and honouring her work.”
Alec Baldwin’s attorney, Luke Nikas, said: “Throughout this difficult process, everyone has maintained the specific desire to do what is best for Halyna’s son. We are grateful to everyone who contributed to the resolution of this tragic and painful situation.”
Rust director Joel Souza said: “Those of us who were lucky enough to have spent time with Halyna knew her to be exceedingly talented, kind, creative, and a source of incredible positive energy. I only wish the world had gotten to know her under different circumstances, as it surely would have through her amazing work.
“In my own attempts to heal, any decision to return to finish directing the film could only make sense for me if it was done with the involvement of Matt and the Hutchins family. Though certainly bittersweet, I am pleased that together, we will now complete what Halyna and I started. My every effort on this film will be devoted to honouring Halyna’s legacy and making her proud. It is a privilege to see this through on her behalf.”
What happens now?
Following the announcement of the civil settlement, the DA’s office issued a statement to say the agreement would have “no impact” on the ongoing criminal investigation.
“While civil suits are settled privately and often involve financial awards, criminal cases deal only in facts,” the statement said.
“If the facts and evidence warrant criminal charges under New Mexico law then charges will be brought. No one is above the law.”
If charges are brought by the DA, it is understood most defendants would get separate jury trials, with preliminary hearings, which could take several weeks each to complete.
Sky News has contacted representatives for Alec Baldwin and Rust Productions for comment.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Image: Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Image: Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Image: Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.
Wes Anderson is a rarity in Hollywood, with an unswayed distinct aesthetic which has every big name in Hollywood pleading to be in his next project.
Fronted by Benicio del Toro, his new film The Phoenician Scheme sees the return of numerous previous collaborators including Tom Hanks, Jeffrey Wright and Scarlett Johansson, but also adds new faces to the Anderson universe.
It is set in the 1950s and follows a ruthless yet charismatic European business tycoon called Zsa-Zsa Korda who, in Anderson’s own words, “has very little obligation to honour the truth.”
Looking to solidify his own legacy, without much thought for his 10 children, the slaves he wants to use or the land he wants to exploit, Sza-Sza chases multiple deals so he can build his career-defining project, Korda Land and Sea Phoenician Infrastructure Scheme.
Image: Director Wes Anderson on set. Pic: Roger Do Minh/TPS Productions/Focus Features
‘A motivation pill
The Phoenician Scheme was partly inspired by the life of Anderson’s father-in-law, whom he dedicated the film to, Lebanese businessman Fouad Malouf.
Del Toro tells Sky News it was a gift to play a truly unique character.
“It’s like taking a motivation pill,” he says.
“You’re motivated because it’s Wes Anderson, you’re motivated because of the script and the story and the character. It’s unpredictable, original. [There’s] one hell of an arc, and it’s full of contradictions.”
Image: Director Wes Anderson on set. Pic: Roger Do Minh/TPS Productions/Focus Features
Always an actor in mind – well, mostly…
Michael Cera, who plays Bjorn, says he had a “sense of dread” joining the cast. His role was written with him in mind, something he still can’t believe is true.
“[Anderson] has got every actor at his disposal, you’d imagine,” he says.
With production pushed back due to an actors’ strike, Cera feared the project might “fall apart”.
“I was not really at ease until we were there,” he admits.
Every detail is meticulously planned in the Anderson film universe – from the art on the walls (original works from Renoir and Magritte in this case), to the intricate backstory of a character collecting fleas in a plastic bag as a child.
While most roles are written by the Fantastic Mr Fox filmmaker with certain actors in mind – the exception this time is Liesl, the daughter of the business tycoon.
Image: Michael Cera as Bjorn and Benicio del Toro as Zsa-Zsa Korda. Pic: Focus Features
The dream phone call
After months of an audition process, Mia Threapleton got the call to play the straight-talking nun who is beckoned by her father to inherit the family business after his sixth near-death experience.
The 24-year-old daughter of Kate Winslet got the news via a call from her agent while she was on the train – and was in such disbelief she told her to call them back.
“I didn’t believe them – and she laughed at me [and said] ‘of course I’m not lying to you, this is true’. And then I sat on the floor and I cried.”
Del Toro believes it was Threapleton’s screen test where she stood out as an “inventive” actor who thought on her feet that got her the part, having fashioned part of a makeshift nun costume with a napkin from a lunch tray.
“I said, ‘is there anyone who got any hairpins?’ And I pinned it to my head.”
Ticking a Wes Anderson film off the bucket list is a goal for many actors. Threapelton says she still hasn’t come to terms with achieving it so early in her career.