On 21 October 2021, Halyna Hutchins turned up to the Bonanza Creek Ranch in New Mexico, the set of the western film she was working on with star Alec Baldwin, for what should have been a normal day at work.
Hutchins, who was Ukrainian,was considered a rising star in her field, having moved to Los Angeles to study film after growing up on an army base in the Russian Arctic, where her father served in the navy.
An experienced cinematographer and crew member with previous action film credits, she was used to being on location, helping to bring stories to screen.
The 42-year-old mother of one appeared to be enjoying her time in the city of Santa Fe, sharing photographs of sunrises and other moments from the Rust set on social media in the days before the tragedy that unfolded.
But while rehearsing for a scene involving a firearm, the prop gun, held by Baldwin, was discharged, the bullet wounding director Joel Souza and fatally striking Hutchins. The star believed the .45 Colt he had been handed was “cold”, or unloaded.
The cinematographer’s death made headlines around the world, with claims of safety concerns on set in the days leading up to the tragedy quickly coming to the fore. A lawyer for Hannah Gutierrez-Reed, the film’s armourer (the person in charge of weapons on set), alleged the gun may have been sabotaged.
How the gun went off is a detail that remains contested, with an FBI report released in August 2022concluding that the gun could not have been fired without the trigger being physically pulled.
At the beginning of October 2022 came confirmation of an undisclosed settlement between Baldwin and the production company for the film, and Hutchins’ family – and the announcement that filming of Rust would resume early in 2023, with Matthew Hutchins executive producing.
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The criminal inquiry into what happened on set that day continues, despite the civil settlement. But a year on from Hutchins’ untimely death, charges are still to be brought.
Santa Fe’s district attorney (DA) has been granted additional funding to investigate the high-profile case, saying in a letter to the State of New Mexico Board of Finance, seen by Sky News, that she anticipates prosecuting “up to four individuals” if it is found that charges are warranted. The names of those individuals have not been released.
Strict safety protocols are typically in place on film and TV sets, especially when weapons are being handled. So how did this tragedy happen – and why, after a year, is the investigation still ongoing?
The DA’s investigation: ‘Many individuals had handled the gun’
In August, an FBI report concluded that Baldwin did pull the gun’s trigger.
The report, seen by Sky News, said that with the hammer (the part of a gun that strikes the firing pin) in the quarter – and half-cock positions, the gun “could not be made to fire without a pull of the trigger”.
At the time, Rust Movie Productions said it disagreed with the findings and planned to appeal.
The Santa Fe district attorney, or chief prosecutor, had been waiting for the results of the FBI investigation before looking at charges.
In a letter requesting funds to aid her work, dated 30 August 2022, Mary Carmack-Altwies said: “During the filming of [RUST], Alec Baldwin shot and killed Halyna Hutchins and injured Joel Souza while rehearsing a scene.
“Many individuals had handled the gun that ultimately killed Hutchins and injured Souza.”
She continued: “If charges are warranted, the FJDA (First Judicial District Attorney) anticipates prosecuting up to four individuals.”
While the names of those individuals were not included in the letter, as Baldwin was involved in the incident he could be one of them.
Ms Carmack-Altwies went on to say that while she was ready to start considering charges, “I do not have the proper funding in my budget to prosecute such a high-profile case”. A request of $635,000 (about £565,000) was made, with the State Of New Mexico Board of Finance agreeing on 20 September 2022 to just over half this amount, $317,750 (about £282,900).
A spokesperson for the district attorney told Sky News there is no set timeline to make a decision on whether to file charges and that they are still awaiting a final report from the Santa Fe County Sheriff.
“Once she receives the report, the district attorney and her team of professional attorneys and investigators will carefully review all of the materials provided,” the spokesperson said. “The district attorney’s priority will be upholding the integrity of the process and ensuring that, like any other case she handles, this investigation is held to the highest standards.”
Details of what the charges could be, if the DA decides to move forward with prosecution, have not been released, but the prosecutor is understood to be looking at all New Mexico laws that might be applicable to the case – which could include involuntary manslaughter and negligent use of a deadly weapon.
Sky News has also contacted the Santa Fe County Sheriff’s office for an update. It is understood the sheriff office’s report is expected to be ready in the next week or so.
In a statement in August, a spokesperson said detectives were waiting to receive and review phone records before forwarding their case file to the DA for review.
Before the shooting
Filming of Rust began on 6 October 2021, according to the New Mexico Film Office, and was set to take place throughout that month and into November 2021.
“Rust is the story of a 13-year-old boy, left to fend for himself and his younger brother following the death of their parents in 1880s Kansas, [who] goes on the run with his long-estranged grandfather after he’s sentenced to hanging for the accidental killing of a local rancher,” the film office said in a statement announcing production had started.
From New Mexico, about 75 crew members, 22 principal actors, and 230 “background talent” were taking part in the film, it said.
In the days before her death, Hutchins shared photos and videos from the set on Instagram. Her last, just two days before the tragedy, showed a clip of her horse riding.
“One of the perks of shooting a western is you get to ride horses on your day off,” she wrote.
The day of Hutchins’ death
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1:04
‘We need help’: 911 call after film set shooting
According to police reports, the shooting took place shortly before 1.50pm. The bullet hit Hutchins in the chest.
Rust’s assistant director Dave Halls had earlier handed Baldwin the prop gun and indicated it was safe to use, according to court documents.
A search warrant filed in a Santa Fe court suggested neither Baldwin nor Halls knew the weapon was loaded with live rounds.
The recording of the 911 call made was released in the days after the tragedy. Script supervisor Mamie Mitchell could be heard telling the operator “we need help immediately”.
Asked if the gun was loaded with a real bullet, she replied: “I don’t, I cannot tell you that… we have two injuries from a movie gunshot.”
When asked if there was “any serious bleeding”, Ms Mitchell replied: “I don’t know. I ran out of the building.”
An unidentified male voice later came on the line and told the operator the two people who were shot were “alert” but he was not sure which parts of their bodies were injured.
In April 2022, police in New Mexico made public all the files associated with the criminal investigation into Hutchins’ death, including camera footage from detectives, incident reports, crime scene photos and witness interviews collected during the investigation.
One clip showed Baldwin rehearsing with the gun that went off.
With Ms Hutchins behind the camera lining up what would be her last ever scene, the footage showed Baldwin sitting inside a church, dressed in period Western costume, pulling out the revolver.
Why do film sets use real guns?
As tributes were paid to Hutchins, her death also raised questions about the use of guns on sets.
When special effects can conjure up a talking tiger and other animals in the Jungle Book, and create dragons for Game Of Thrones, why use real firearms?
“With firearms, you only get one mistake and somebody’s dead. There’s just no reason to take that risk,” California state senator Dave Cortese said in an interview in the wake of the fatal shooting.
Craig Zobel, the director of the Emmy-winning Mare Of Easttown series, starring Kate Winslet, tweeted: “There’s no reason to have guns loaded with blanks or anything on set anymore. Should just be fully outlawed.”
“We are going to be using rubber guns and we’ll take care of it in post [production] and we won’t worry about the dollars or won’t worry about math or what the cost is,” he said at the time.
Speaking to Sky News at the UK premiere of his new superhero film Black Adam, he gave an update, saying: “We’ve done some reshoots, of course, on our sets and we have put that in practice and you actually realise it becomes very seamless.
“It’s just a matter of standing by the decision and then making sure that everyone is aligned with it because everyone really just wants a safer set.
“And by the way that’s not an indictment on our armoury guys, our gun guys. I believe in the right to arm… guns, and I’m a gun owner. But I also think the most important thing is complete safety on our set. So it’s been going very well and we’ll continue down this road.”
The safety concerns raised
In November 2021, Ms Mitchell and Serge Svetnoy, the film’s chief electrician, both filed lawsuits.
At a news conference, Ms Mitchell’s lawyer Gloria Allred claimed Baldwin, an “industry veteran”, should not have trusted a gun handed to him by anyone other than the prop master or armourer.
She described his and producers’ behaviour as “reckless”.
Ms Allred said safety failures included allowing live ammunition on set, leaving guns and ammunition unattended and permitting them to be handled by people other than the armourer and prop master.
Mr Svetnoy was inside the church set when Hutchins was shot, standing just feet from the actor. He described being hit with bullet fragments before cradling the dying cinematographer, whom he had known for several years, for more than 20 minutes before an ambulance arrived.
Mr Luper was the lead camera operator for the production but resigned the day before the tragedy.
In his resignation letter to a production manager, seen by Sky News, Mr Luper highlighted concerns about the safety and welfare of crew as the reason for him walking away.
In the email, he noted two accidental discharges of firearms and one accidental discharge of special effects explosives in the days before Hutchins was killed.
‘Someone is responsible… I know it’s not me’
In an interview with Good Morning America in December 2021, Baldwin said he did not feel guilt over the shooting and that there was “only one question to be resolved – where did the live round come from?”
The star told host George Stephanopoulos that he and Hutchins “had something profound in common, and that is we both assumed the gun was empty”.
When asked if he felt guilt over her death, he said: “No. No. I feel that… someone is responsible for what happened and I can’t say who that is, but I know it’s not me. Honest to God, if I felt that I was responsible, I might’ve killed myself if I thought that I was responsible. And I don’t say that lightly.”
Speaking about the moments before the gun went off, he said: “I cock the gun. I go, ‘Can you see that? Can you see that? Can you see that?’ And then I let go of the hammer of the gun, and the gun goes off.”
The actor said he did not realise what had happened at first, as “the idea that someone put a live bullet in the gun was not even in reality”.
“She goes down,” he said. “I thought to myself, did she faint? The notion that there was a live round in that gun did not dawn on me till probably 45 minutes to an hour later.”
In another interview in August 2022, Baldwin responded to the FBI’s report concluding that the gun’s trigger had been pulled, saying the bullet could have fired through a process called “fanning”.
“This did not come from me, this came from the DA’s office themselves,” he told US journalist Chris Cuomo on his podcast.
“If you pull the hammer back, and you don’t lock the hammer; if you pull the hammer back pretty far – in old Western movies you’d see someone fan the hammer of the gun.
“The hammer didn’t lock. You pulled it back to an extent where it would fire the bullet without you pulling the trigger, without you locking the hammer.”
He also said that “everybody who was there, they know exactly what happened. They know exactly who’s to blame”. Baldwin also commented on the slow progress of the investigation, saying: “The fact that this has taken so long has been quite troublesome to me.”
What did the separate parties say about the civil settlement?
The undisclosed settlement between Hutchins’ family, Baldwin and Rust Movie Productions was announced on 5 October 2022.
“I have no interest in engaging in recriminations or attribution of blame (to the producers or Mr Baldwin),” Matthew Hutchins said in a statement. “All of us believe Halyna’s death was a terrible accident. I am grateful that the producers and the entertainment community have come together to pay tribute to Halyna’s final work.”
Rust Movie Productions, through attorney Melina Spadone, said: “We are pleased the parties came together to resolve this matter, which, subject to court approval, marks an important step forward in celebrating Halyna’s life and honouring her work.”
Alec Baldwin’s attorney, Luke Nikas, said: “Throughout this difficult process, everyone has maintained the specific desire to do what is best for Halyna’s son. We are grateful to everyone who contributed to the resolution of this tragic and painful situation.”
Rust director Joel Souza said: “Those of us who were lucky enough to have spent time with Halyna knew her to be exceedingly talented, kind, creative, and a source of incredible positive energy. I only wish the world had gotten to know her under different circumstances, as it surely would have through her amazing work.
“In my own attempts to heal, any decision to return to finish directing the film could only make sense for me if it was done with the involvement of Matt and the Hutchins family. Though certainly bittersweet, I am pleased that together, we will now complete what Halyna and I started. My every effort on this film will be devoted to honouring Halyna’s legacy and making her proud. It is a privilege to see this through on her behalf.”
What happens now?
Following the announcement of the civil settlement, the DA’s office issued a statement to say the agreement would have “no impact” on the ongoing criminal investigation.
“While civil suits are settled privately and often involve financial awards, criminal cases deal only in facts,” the statement said.
“If the facts and evidence warrant criminal charges under New Mexico law then charges will be brought. No one is above the law.”
If charges are brought by the DA, it is understood most defendants would get separate jury trials, with preliminary hearings, which could take several weeks each to complete.
Sky News has contacted representatives for Alec Baldwin and Rust Productions for comment.
Coach tickets to Glastonbury 2025 were sold out in half an hour, organisers have said, as they roll out a new booking system for festivalgoers.
They were the first group of tickets to be sold for the world-famous festival in Somerset, which is set to take place between 25 and 29 June.
This year, fans navigated a new system to buy the tickets as they were “randomly assigned a place in a queue” instead of having to refresh the holding page once they went live.
The organisers said in a post on X: “The Glastonbury 2025 tickets + coach travel which were on sale this evening have now all been sold.
“Our thanks to everyone who bought one.”
They added that National Express services would be available to bring festivalgoers from across the country to Glastonbury.
Standard tickets will go on sale on Sunday at 9am. Last year they were sold out within an hour.
See Tickets said in a post on X that “confirmation emails are going out now to everyone who got @Glastonbury coach tickets this evening”.
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Tickets for the annual event at Worthy Farm in Somerset cost £373.50 plus a £5 booking fee, and are sold exclusively through the See Tickets website, with no third-party sellers involved.
The new ticket system has changed the way people join the booking system.
Organisers previously warnedhopefuls to log in “at least a few minutes” before the sale opened today and to avoid refreshing the page.
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Festivalgoers were also told not to attempt to game the system by using multiple devices.
The sale follows chaos earlier this year when tickets for the Oasis reunion went on sale, seeing a multitude of disappointed fans as well as those who felt cheated after being charged hundreds of pounds more for their tickets than was originally advertised.
Anyone wishing to buy tickets for Glastonbury must have registered by 11 November, a rule in place to avoid touting.
With just under six weeks to go to Christmas Day, the countdown has officially begun, with all the big brands rolling out their seasonal adverts.
Becoming something of an institution over recent years, many see the festive ads as the starting pistol for their Christmas preparation/panic, despite us only being halfway through November.
And with an estimated £10.5bn spent on this year’s Xmas ads, it’s not just about inducing a fuzzy warm feeling in viewers, but also about encouraging them to put their hand in their pocket.
As we brace ourselves for festive fun, we take a swift look at this year’s bevvy of commercial offerings, as the annual battle of the Christmas adverts begins.
John Lewis
A girl called Sally falls into a clothes rack reminiscent of CS Lewis’s The Lion, The Witch And The Wardrobe, but instead of finding Narnia, she ends up in John Lewis.
Through family flashbacks we lean how much she loves her older sister, whose gift she has carelessly left it to the last minute to buy. Spoiler alert – as one would expect in an advert for a retailer, she finds a pressie.
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With the retailer famous for its use of cover versions in their Christmas ads, this one is the origin story for a new cover, with a concurrent competition on TikTok to find an aspiring artist to rerecord a version, which will be featured on the Christmas Day airing and released by record label BMG too.
Waitrose
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Marketed as a whodunnit – this big-budget production has a host of celebrity cameos, an intricate storyline and not one but two parts.
Comedian Joe Wilkinson, Fleabag star Sian Clifford and Succession’s Matthew Macfadyen all have a role in the ensemble, revolving around hunting down the thief of a “chilled desert”.
Being Christmas, when tensions are traditionally high, everyone has reason to have scoffed it. The culprit won’t be revealed until the second part of the ad is released, but in the meantime, activity at Kings Cross Station, in stores and on social media is set to keep the investigation very much alive.
Sainsbury’s
Sainsbury’s goes big for its advert, calling on a beloved Roald Dahl character – the BFG, or Big Friendly Giant – to travel the country with a supermarket worker called Sophie (who pleasingly is a real store employee) in the search for the perfect festive treats.
A CGI BFG procures salmon, sprouts and cheese before a bit of magic helps him whip it all up into a feast, which he then gifts to an unsuspecting family through the window.
The first ones to release their ad earlier this month, the dulcet tones of national treasure Stephen Fry wrap the action, with a call to arms to stock up in readiness for Christmas.
M&S
Another national treasure – Dawn French – is back for this one, playing both herself and a festive fairy, who gives both French and her home a make-over ready for a Christmas soiree.
French, whose multi-Christmas-dinner eating antics on The Vicar Of Dibley put her into the Xmas annals, is transformed into “the quintessential hostess” with a bit of help from her little friend.
Banking on the idea that you can never have enough of a good thing, there are six instalments of the advert running between now and the New Year. Who doesn’t like a second – or sixth – helping.
Lidl
This one pulls on the heartstrings, with a little girl inspired to give a gift to a boy who appears not to have any, after an old lady gives her some magic bells.
Directed by Oscar-winning filmmaker Tom Hooper (he directed The King’s Speech), a CGI racoon and giant gingerbread man add a little action to events around the dinner table.
But the take home message is to think about giving as well as receiving, with the return of the retailer’s toy banks scheme set up at supermarkets with the aim of donating over 100,000 toys, to ensure no child experiences a giftless Christmas.
Aldi
Kevin the Carrot is back for a ninth year running, this time trying to save the Christmas spirit from a bunch of hard-boiled humbug villains.
With the ad narrated by actor Jim Broadbent, our plucky hero braves an oven, a Mission Impossible-inspired ventilation system and Bond-esque snow jet-ski dash across the mountains, all to save Christmas.
Helped by his wife Katie, he of course pulls it off. A fan favourite, soft toys of the root vegetable are sold in stores, and this year cuddly humbugs are on sale too.
Morrisons
It’s a song and dance number from Morrisons, courtesy of their singing oven gloves performing Bugsy Malone’s You Give A Little Love.
A choir of 26 Morrisons employees gave voice to the gloves, recording their rendition of the song at the iconic Abbey Road Studios in London.
Like Lidl, the retailer pulled out the directing big guns, hiring The Greatest Showman director Michael Gracey to oversee proceedings.
Asda
Bagging the prize for the most gnome puns in one advert, Asda sees a flash mob of gnomes preparing the store for Christmas.
The resulting advert isn’t as irritating as it sounds on paper, thanks to nice performances by the two human characters in the ad – Maggie and Bill.
And as we know, Christmas is all about the merchandise, so the supermarkets are of course selling special Xmas versions of their garden gnomes to accompany their already 50-strong gnome range. Who knew?
Tesco
Tesco reminds us of those members of the family who are no longer here to join us on the big day, with a man carrying on his late grandmother’s festive tradition of baking gingerbread.
He becomes obsessed with the spicy treat, as it infiltrates every part of his day from his haircut to a trip to see the Christmas lights.
He eventually gets together with his grandad to bake a gingerbread house, revealing it to the family at lunch, thus keeping the tradition alive.
Greggs
And in the most unlikely festive cameo of the year, Greggs has enlisted Nigella Lawson to star in its first Christmas ad.
Rapturously endorsing their festive bakes, Lawson has her hands full of pasties, and her table full of take-away coffees, as she promotes the bakery’s festive-themed fare.
Whether or not you believe the 64-year-old TV chef really tucks into their sausage rolls in real life – the attention-grabbing collaboration looks like a wise move for the chain, whose sales have jumped in recent weeks as it continues its UK expansion.
Gladiator II star Paul Mescal has said bringing Sir Ridley Scott’s legacy sequel to the big screen has been a “wildly… overwhelming” experience.
The star was speaking to Sky News on the red carpet at the film’s royal premiere which was attended by His Majesty the King, who had earlier hosted members of the film and TV industry at a Buckingham Palace reception.
When asked about making the move from indie films, like All Of Us Strangers and Aftersun, into one of the most eagerly anticipated films this year, Mescal said: “I’m excited to play with what the audience is expecting of me.”
“The royal audience is one thing… I think we’ve seen how an audience responded to the film, royal or not, and I think we’re excited for people to see it.”
A whole 24 years after Sir Ridley Scott’s Roman blockbuster starring Russell Crowe, Mescal plays Lucius who, much like the original, finds himself trying to win back his freedom after powerful emperors of Rome conquer his home.
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With an actual-scale model of the Colosseum built for the production, the film comes with high costs and a lot of hype.
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“I’m struggling with words at the moment,” Mescal admitted, taking in the occasion, having come from the champagne reception at Buckingham Palace.
“This has been an absolutely, wildly – I keep using the word overwhelming – but I think if this isn’t slightly overwhelming then I don’t know what the hell is. I’m having a great time.”
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Sir Ridley explained his reason for casting Mescal was that he saw aspects of “a young Albert Finney” in him.
While the pressure is on for the sequel to do well at the box office, the director said he’s learnt how to deal with the weight of expectations over the years.
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“Any film of [this] scale, it doesn’t matter how we play it down, it’s colossally stressful. You better embrace stress or don’t do the job.”
Before heading to the premiere, the King welcomed directors, actors, TV presenters, stunt performers and costume designers at the palace to mark the centenary of the Film and TV Charity, of which Charles has become patron.
Sir Ridley, actor Joseph Fiennes, actress India Amarteifio from the hit Netflix show Queen Charlotte, and TV presenter Claudia Winkleman were among the celebrities who attended the event.