From a Disney comic book starring Scrooge McDuck to a never-ending reel of scenes from India’s most expensive TV series, the British Library’s latest exhibition is eclectic to say the least.
Billed as a tribute to Alexander the Great’s legacy, this is as much an exhibition about storytelling as it is one man, culminating in a display of how technology can bring such legends to life.
Born in Macedon in 356BC, in reality Alexander travelled so far as northwest India, his vast empire from Greece to Egypt recorded here across paintings, tablets, and scriptures that would look right at home in any of the world’s greatest museums.
His legend, though, knew no such geographical limits. Whether the son of a serpent magician (Nectanebo, not Voldemort), or a brave warrior who stared down a mighty dragon, George-style, mythical stories starring Alexander began during his lifetime and have survived throughout the years since.
Bringing such adventures together is the Ebstorf map. First made in Germany around 1300, it was the largest world map in existence from the Middle Ages until it was destroyed during the Second World War.
It boasted more than 2,000 entries across more than 30 parchment sheets, hundreds of which were illustrated, including more than a dozen explicitly related to Alexander – including some of his fictional escapades.
Image: A reproduction of the lost map on display at the library. Pic: Kloster Ebstorf/British Library
A new interactive version has been created for the library by students from visual effects school Escape Studios, the producer of young talent which has worked on films including Star Wars and games like Assassin’s Creed.
Displayed akin to an opening credits sequence from Game Of Thrones, it presents landmarks and milestones from Alexander’s real and imagined lives, just as the original map did, but now in 3D.
“A mix of real places, physical locations, and sheer fantasy,” is how Yrja Thorsdottir, the library’s digital content exhibition curator, describes it.
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She tells Sky News that the new map is a case of how technology is allowing curators to “bring lost things to life”.
Image: The digital version of the map is fully interactive. Pics: British Library
‘Technology allows us to bring lost history back’
Perhaps the most striking example of that is saved for last.
Upon his death aged 32, the likely cause of which continues to divide historians, Alexander’s body was transported from Babylon to Egypt and placed inside a long-lost mausoleum at Alexandria.
The exhibition – unafraid to jump from ancient manuscripts to films and even anime – culminates with a detailed reconstruction of the tomb from the video game Assassin’s Creed Origins, scaled up and projected on to the walls.
“We’ve lost the tomb, we’ve lost the map, technology allows us to sort of bring them back,” says Ms Thorsdottir.
Assassin’s Creed has made its recreations of history’s great cities something of a calling card since it debuted, way back in what now feels positively ancient 2007.
From Constantinople to Athens, each choice has required a world larger in scope – yet still greater in detail – than any that came before.
“Our colleagues who made the first Assassin’s Creed (set in the Holy Land during the Crusades) did an excellent job and paved the way for what it has become,” Thierry Noel, in-house historian at developer Ubisoft, tells Sky News.
“But as it became such a well known franchise, it became obvious there would be more and more need to recreate bigger worlds, to be more accurate, to find more information, and that’s why the team I lead was born.”
Image: Greek puppets depicting Alexander fighting a dragon. Pic: British Library
Image: Alexander depicted on an Ethiopian scroll. Pic: British Library
‘It’s about creating an experience’
Origins, released in 2017 and set in Egypt from 49 to 43BC, was the first entry to benefit from Mr Noel’s team, who scour museums, libraries and historical locations around the world to bring them to life digitally.
“We used everything we had to imagine how the tomb could have been,” he says.
Such research is what led to the collaboration with the library, as his team took inspiration from a prior exhibition of Anglo-Saxon art during development of 2020’s Assassin’s Creed Valhalla, set in England during the time of Vikings.
For some players, such locales may only ever act as a sandbox within which to carry out brutal murder. The idea of such a game being leveraged at an institution like the British Library may sound to some – like many of the stories passed on about Alexander – like fantasy.
But to those behind this exhibition, they present opportunities for storytelling that are here to stay.
“It’s about engaging people in different ways,” says Adrian Edwards, head of printed collections.
“An element of an exhibition like this is theatre, it’s about creating an experience.
“The level of detail they invest in now to visualise these places from history, it gives you a real sense of what it might have been like.”
Alexander the Great: The Making Of A Myth is open at the British Library until 19 February 2023.
The Salt Path author Raynor Winn’s fourth book has been delayed by her publisher.
It comes amid claims that the author lied about her story in her hit first book. Winn previously described the claims as “highly misleading” and called suggestions that her husband had Moth made up his illness “utterly vile”.
In a statement, Penguin Michael Joseph, said it had delayed the publication of Winn’s latest book On Winter Hill – which had been set for release 23 October.
The publisher said the decision had been made in light of “recent events, in particular intrusive conjecture around Moth’s health”, which it said had caused “considerable distress” to the author and her family.
“It is our priority to support the author at this time,” the publisher said.
“With this in mind, Penguin Michael Joseph, together with the author, has made the decision to delay the publication of On Winter Hill from this October.”
A new release date will be announced in due course, the publisher added.
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Winn’s first book, released in 2018, detailed the journey she and husband took along the South West Coast Path – familiarly known as The Salt Path – after they lost their family farm and Moth received a terminal health diagnosis of Corticobasal Degeneration (CBD).
But a report in The Observer disputed key aspects of the 2018 “true” story – which was recently turned into a film starring Jason Isaacs and Gillian Anderson.
Image: Raynor and husband Moth (centre) with actors Jason Isaacs (L) and Gillian Anderson (R). Pic: Steve Tanner/Black Bear
Experts ‘sceptical of health claims’
As part of the article, published last weekend, The Observer claimed to have spoken to experts who were “sceptical” about elements of Moth’s terminal diagnosis, such as a “lack of acute symptoms and his apparent ability to reverse them”.
In the ensuing controversy, PSPA, a charity that supports people with CBD, cut ties with the couple.
The Observer article also claimed the portrayal of a failed investment in a friend’s business wasn’t true, but said the couple – whose names are Sally and Tim Walker – lost their home after Raynor Winn embezzled money from her employer and had to borrow to pay it back and avoid police action.
Image: Anderson played Winn in a movie about the couple’s journey. Pic: Steve Tanner/Black Bear
It also said that, rather than being homeless, the couple had owned a house in France since 2007.
Winn’s statement said the dispute with her employer wasn’t the reason the couple lost their home – but admitted she may have made “mistakes” while in the job.
“For me it was a pressured time,” she wrote. “It was also a time when mistakes were being made in the business. Any mistakes I made during the years in that office, I deeply regret, and I am truly sorry.”
She admitted being questioned by police but said she wasn’t charged.
The author also said accusations that Moth lied about having CBD/CBS were false and had “emotionally devastated” him.
“I have charted Moth’s condition with such a level of honesty, that this is the most unbearable of the allegations,” Winn wrote on her website.
Heaton Park, just north of Manchester City centre, is tonight hosting 80,000 fans who’ve come to see the Gallaghers’ homecoming.
“I would honestly say it’s a real cultural moment of the 21st century,” says Sam, who’s from Manchester and has come here with a group of friends – including one who has travelled from Australia for the gig.
Image: Oasis fans wear band T-shirts with the almost obligatory bucket hats. Pic: Reuters
This will be the fourth time Sam has seen Oasis play, although obviously not for many years, and he says he can’t wait for the moment the band comes on to the stage.
“The reaction from the fans, that’s going to be really special,” he says. “This band means so much to the North West.”
Like many people attending tonight’s concert, Sam is wearing a bucket hat.
Liam Gallagher’s iconic headgear has become a part of the band’s cultural legacy and they are certainly on display here, with street vendors popping up all around the park’s perimeter.
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Another fan, Dean, tells me he feels incredibly lucky to have got a ticket at all.
“I had seven devices out when the tickets were released and I didn’t get one,” he says. “And then about three days ago, a friend of mine messaged to say she couldn’t make it.
“So I made it. £120 with coach travel there and back – perfect.”
Image: Dom has flown from half a world away to be in Manchester tonight
Dom is another fan who has come from Australia for the gig.
“We’re frothing to be here, like so stoked,” he says, “The atmosphere is going to be electric.”
R&B singer Chris Brown has denied further charges following an alleged bottle attack in a London nightclub.
The 36-year-old pleaded not guilty to assault occasioning actual bodily harm (ABH) to music producer Abraham Diaw, during a hearing at Southwark Crown Court on Friday.
Brown also denied one count of having an offensive weapon – a bottle – in a public place.
Image: Chris Brown arriving at Southwark Crown Court on Friday. Pic: PA
The Grammy-winning US musician last month pleaded not guilty to a more serious charge of attempting to cause grievous bodily harm (GBH) with intent to Mr Diaw.
The attack allegedly happened at the Tape venue, a private members’ club in Hanover Square, Mayfair, on 19 February 2023.
The plea hearing is part of preparations for his five to seven-day trial, which is due to take place from 26 October 2026.
Brown’s co-defendant, US national Omololu Akinlolu, 39, on Friday pleaded not guilty to a charge of assaulting Mr Diaw occasioning him actual bodily harm.
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Akinlolu, a rapper who goes by the name Hoody Baby, has previously pleaded not guilty to attempting to cause grievous bodily harm.
Image: Brown’s co-defendant Omololu Akinlolu arrives at court. Pic: Reuters
The defendants sat side-by-side in the dock, looking straight ahead during the hearing in London.
Around 20 fans sat in the public gallery behind the dock for Friday’s hearing, with several gasping as Brown walked into the courtroom.
The Go Crazy singer was able to continue with his scheduled international tour after he was freed on conditional bail in May.
He had to pay a £5m security fee to the court as part of the bail agreement, which is a financial guarantee to ensure a defendant returns to court and may be forfeited if they breach bail conditions.
Mr Diaw was standing at the bar of the Tape nightclub when he was struck several times with a bottle, and then pursued to a separate area of the venue where he was punched and kicked repeatedly, Manchester Magistrates’ Court previously heard.
Brown was arrested at Manchester’s Lowry Hotel at 2am on 15 May by detectives from the Metropolitan Police.
He is said to have flown into Manchester Airport on a private jet in preparation for the UK tour dates.
Brown was released from HMP Forest Bank in Salford, Greater Manchester, on 21 May.
The singer, who rose to stardom as a teenager in 2005, won his first Grammy award for best R&B album in 2011 for F.A.M.E..
He earned his second in the same category for 11:11 (Deluxe) earlier this year.