Matt Hancock has said being voted leader of the I’m A Celebrity campsite “more than makes up for” losing to Boris Johnson in the 2019 Tory Party leadership election.
The 44-year-old MP was among those who threw their hat into the ring to replace Theresa May in Number 10, but withdrew part way through the contest before putting his support behind Mr Johnson.
Sunday’s episode of I’m A Celebrity saw him receive enough votes from the public to enter a head-to-head with former England rugby star Mike Tindall for control of the campsite.
The former health secretary recruited ITV broadcaster Charlene White, who he has previously clashed with over his breaking of COVID-19 guidance during the pandemic, and they were triumphant in a challenge that saw them working together to switch on a series of lights.
Ahead of the task, Tindall joked: “If I went home, and I’d lost to Matt Hancock, I’d be in so much s**t.”
Hancock then told White: “We are definitely the underdogs”, before she replied: “Did you go into the leadership challenge thinking you were the underdog?”
Dictatorship?
More on I’m A Celebrity
Related Topics:
After their win, Hancock declared: “Obviously, it’s a great honour and privilege to be camp leader. I want to thank everybody who voted for me.”
White asked: “Does this win feel sweet, especially after you lost to Boris? Do you feel like you have been vindicated?”, to which he replied: “This more than makes up for it.”
Advertisement
However, their success prompted soap star Sue Cleaver, Tindall’s would-be deputy, to remark: “We now have a dictatorship…”
Hancock and White were then charged with assigning their campmates to chores while remaining exempt and getting the chance to sleep inside the RV – a step up from the campsite.
Image: Hancock was stung by a scorpion on Sunday, but luckily it wasn’t deadly
Earlier in the episode, Hancock was stung by a scorpion which “unexpectedly” nipped him on the finger. He later told his fellow contestants: “It was so painful… It hurts a lot, and I’m feeling slightly dizzy.”
He was seen by a medic straight away, with TV presenter and property expert Scarlette Douglas later joking in the Bush Telegraph: “He looked like he wanted to cry.”
Please use Chrome browser for a more accessible video player
1:00
‘I’m looking for a little bit of forgiveness,’ says Hancock
Snakes and offal
Hancock was voted to become leader of the campsite after facing his fifth consecutive trial, House of Horrors, in which he had to crawl through a giant doll’s house full of pigeons, snakes and troughs full of offal, searching for stars to feed the camp.
Asked by co-host Declan Donnelly why he thought the public kept voting for him to take part in the gruelling trials, Hancock responded: “It must be the facial expressions.”
Facing his fear of snakes, the Tory MP located nine out of the 11 stars on offer, despite a snake attempting to strike him at eye level.
After returning triumphant to camp, he admitted: “I was absolutely shi**ing myself.”
The episode also saw former England footballer Jill Scott recalling playing football aged five and how her grandmother had predicted her success.
Attwood’s blood test
Image: Olivia Attwood. Pic: ITV
It comes after former Love Island contestant Olivia Attwood revealed she was forced to withdraw from the show after a routine blood test showed she was anaemic.
The test, which all the contestants undergo randomly throughout the show, also suggested low sodium and potassium levels, prompting staff to immediately take her to hospital.
Attwood, 31, disclosed the reason for her departure after only 24 hours in the Australian jungle in an interview with the Mail On Sunday.
However, she also said her tests at the hospital and back in the UK produced normal results.
Please use Chrome browser for a more accessible video player
0:58
Hancock drenched in slime
A show spokesman said: “As a precautionary measure, Olivia needed to leave the jungle to undergo some medical checks.
“Unfortunately, the medical team has advised it is not safe for Olivia to return to camp as there needs to be further investigation.
“She has been absolutely brilliant, and she’ll be very much missed on the show.”
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
More on The Who
Related Topics:
Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
Please use Chrome browser for a more accessible video player
1:59
Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”