When the fatigue set in and the sensation in parts of her left side started flickering away, Faye Fantarrow thought she knew what was coming. At 20, the leukaemia she had survived twice as a child had returned for a third time, she feared.
“Just” the leukaemia, she says, knowing cancer is never a “just”. But having survived it twice before, at least she knew what to expect. Or thought she did.
Blood tests, however, came back normal, she says. No leukaemia. It was not until she had scans and eventually a biopsy that doctors were able to give her a diagnosis: an aggressive glioma brain tumour, believed to be an incredibly rare consequence of previous radiotherapy she had undergone as a teenager.
This was back in August. Since then Faye, from Sunderland, has had further radiotherapy to try and shrink several growths. But there is no cure in the UK.
An up-and-coming singer and musician, spotted on social media and subsequently signed by Eurythmics star Dave Stewart earlier in 2022, she was made aware of a lifeline – a trial at the City of Hope hospital in the city of Duarte in Los Angeles County, California; a complex treatment, at a total cost of £450,000.
Now, her friends and family, as well as other musicians, are doing everything possible to try to raise the money. Three-and-a-half weeks since a fundraising page was set up, donations have reached just over £121,000. A huge amount, but there is still a way to go.
“We cannot let Faye’s life end here,” her sister Abigail says on the fundraising webpage. “She is the brightest star you could ever find on the darkest night, she is strong, independent and talented… please donate… please help to help Faye fight.”
“It’s daunting but the security blanket I have around me because of the people who are putting money in and just not giving up on me – it doesn’t seem as daunting,” says Faye.
The fight is now on to raise the money for treatment in California.
Surviving leukaemia
Faye was just eight when she was diagnosed with acute lymphoblastic leukaemia, a form of blood cancer, for the first time. She underwent two-and-a-half years of chemotherapy that took away her hair and mobility, but as a child, she says a lack of proper awareness cushioned her from the situation, making her illness in some ways harder for her family.
And in a strange way, her cancer led to her life changing in a positive way; given a Brave Heart award for children facing illness or adversity, she chose an acoustic guitar, paving the way for her career as a singer-songwriter.
The leukaemia returned when she was 13 and this time, she would have to have a bone marrow transplant – a long, difficult process, but one she came through once again.
‘And then Mr Dave Stewart got in touch…’
Image: Faye signed to Dave Stewart’s Bay Street Records label earlier in 2022
Aged 15, Faye started playing the guitar seriously and began writing her own songs the following year. Aged 17, her music was played by BBC Introducing for the first time. And in 2021, she was named the winner of the Alan Hull award for songwriting – a prize given annually in the North East in memory of the Lindisfarne founder.
After years of cancer dominating her life, Faye was well and her music career was taking off. “And then Mr Dave Stewart got in touch,” she says.
Having first followed her on Instagram, Stewart later messaged the singer and began mentoring her, at first adding some production work to her demos remotely, then inviting her to record with him in London. Then they went to the Bahamas to record an EP.
“Things were going so well… and then I decided to mess everything up,” Faye jokes, referring to the tumour. But this is the hardest thing about being diagnosed now, she says. “I’m more aware of it now and obviously it’s affected my career as well. I don’t want this to undermine my career and everything I’ve worked to build.”
‘She’s a national treasure already’
Image: Stewart and his Eurythmics bandmate Annie Lennox have both donated: Pic: AP/Chris Pizzello
Stewart, also from Sunderland, has shared Faye’s story, calling her “an amazing young artist”. He has donated £50,000, and his Eurythmics bandmate Annie Lennox has also donated £10,000.
“Faye is a brilliant young artist, a singer-songwriter in a class of her own,” Stewart told Sky News. “Unique writers like Faye come few and far between and I knew the minute I heard her voice she was extraordinary.
“We spent an amazing time together recording her new EP this summer only to be hit with this devastating news no more than a few weeks after we finished recording.
“I cannot express enough how much I believe in Faye and her talents as a singer and performer, but it’s her astute observations of the world around her put in the words that makes me believe she deserves to be heard for a long, long time.
“At only 20 years old she’s a national treasure in my mind already and hopefully she will become one in yours, too.”
‘I can look towards a future’
Faye now suffers from seizures as a result of her tumours. She says she has good days and bad days. But she remains upbeat, saying she feels “euphoric” thinking about performing again following treatment in California; she is not thinking of it as a case of if, but when.
The treatment she needs is called CAR T-cell therapy, which is a type of immunotherapy – a “complex and specialist treatment”, according to Cancer Research UK. T cells are a type of white blood cell.
“With this treatment, a specialist collects and makes a small change to your T cells. After a few weeks, you have a drip containing these cells back into your bloodstream. The CAR T-cells then recognise and attack the cancer cells,” the charity says on its website.
“It is available as a possible treatment for some children with leukaemia and some adults with lymphoma. People with other types of cancer might have it as part of a clinical trial.”
Faye says the NHS has been “amazing” so far, but now she needs to get to the US.
“If anybody can give whatever they can, I’m eternally grateful for that,” she says. “I’m aware of the current climate… so even if it’s just sharing the story, talking about it. I’m fortunate enough that I have this option and people are getting behind me, that I can look towards a future. Even if it’s just talking about it, I can’t express the gratitude for that alone.”
But Faye’s mum puts it simply. “£450,000 seemed an insurmountable amount. But then I thought, well, if we can reach 450,000 people and they all just give a pound, then we can do it. And that’s all we ask. If someone can give a pound, then we can do it.”
Kneecap have released a new single ahead of their headline performance at London’s Wide Awake festival, just days after one of their members was charged with a terror offence.
Image: Kneecap performing in Belfast last year. Pic: PA
Bandmembers Liam O hAnnaidh, Naoise O Caireallain and JJ O Dochartaigh, also thanked the 25,000 fans who had bought tickets for Friday night’s festival.
They also reference Conservative Party leader Kemi Badenoch, with whom they’ve had previous run-ins, writing: “Kemi Badenoch you might wanna sit down for this one, if you’ve any seats left.”
Last year, Kneecap won a discrimination case against the UK government in Belfast High Court after former business secretary Ms Badenoch tried to refuse them a £14,250 funding award when she was a minister.
Ms Badenoch has called for Kneecap to be banned and suggested they should be dropped from the Glastonbury Festival line-up. Some other politicians have made the same demand.
The track mocks Badenoch’s attempts to block their arts funding and the Conservative Party’s election loss. It features DJ Mozey.
It comes after O hAnnaidh, who performs under the stage name Mo Chara, was charged over the alleged display of a Hezbollah flag at a gig at the O2 Forum in Kentish Town, north London, in November last year, the Metropolitan Police said on Wednesday.
On Thursday, the band held a surprise gig at the 100 Club on Oxford Street, where O hAnnaidh could be seen in videos on social media arriving on stage with tape covering his mouth.
He then joked about being careful about what he said, adding that he wanted to thank his lawyer, saying: “I need to thank my lawyer, he’s here tonight as well.”
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Stars talk about risks of speaking out
In video footage posted to YouTube, the band led the audience in a chant of “free Mo Chara” and joked about the police presence at the venue.
Police said they attended to manage visitors to the sold-out event.
The band said on X that the central London event sold out in 90 seconds, with 2,000 people on the waiting list.
O hAnnaidh, 27, is due to appear at Westminster Magistrates’ Court on 18 June.
Formed in 2017, the group are known for their provocative lyrics in both Irish and English and proved a critical hit in the 2024 semi-fictionalised band origin story movie Kneecap, starring actor Michael Fassbender.
Their best-known tracks include Get Your Brits Out, Better Way To Live, featuring Grian Chatten from Fontaines DC, and 3Cag.
Before that, there had been calls for festivals to reconsider booking the band over their political stances, and several have done, which prompted artists like Brian Eno, the Mystery Jets and CMAT to sign an open letter accusing Westminster and the British media of a campaign to “remove Kneecap from the public eye”.
They put their names to wording that said “in a democracy, no political figures… have the right to dictate who does and does not play at music festivals.”
So what’s the reality like for artists who are outspoken at a time when the world is so divided?
As some of the biggest names in music gathered in London for the Ivors, an annual celebration of songwriting, Self-Esteem – aka Rebecca Lucy Taylor – said the level of scrutiny can be “terrifying”.
‘The problem with the internet’
She told Sky News: “The problem with the internet is you say one thing, which gets scrutinised, and then you shit yourself, you really do… then you’re advised not to. And then you’re like ‘don’t advise me not to!’
“You second-guess anything you want to say any more… but any time I do that, I think ‘well that’s why you’ve got to say it then’.”
She said it can be frustrating that focus turns on to pop stars’ opinions instead of “the people doing the bad things”.
Former Little Mix singer Jade said: “To be a pop artist these days, it’s not just about music, it’s: ‘What’s your political stance?’
“I’ve always been quite vocal about those things, but in doing so you have even more of a scary spotlight on you, constantly assessing what your thoughts are as a human…it is scary.”
Trinidad-born London artist Berwyn, whose songs depict his struggles with UK immigration, says: “Silencing freedom of speech… is a road we don’t want to walk down.
“I’m not a politician, this is a very complicated issue, but I do absolutely believe in a human’s right to express themselves freely.”
But is that freedom of speech dependent on what side you’re coming from?
Image: Berwyn speaking to Sky News
‘Unethical investments’
Soon, an event called Mighty Hoopla will take place at Brockwell Park as part of its programme of six festivals this summer.
Artists performing at that are coming under increased pressure from pro-Palestine groups to quit because it’s owned by a company called Superstruct, which has links to an American investment firm called KKR.
Critics argue that any KKR-affiliated events should be a red flag to artists as campaigners claim it “invests billions of pounds in companies” that do things like “develop Israeli underground data centres”, and they say it has shares in companies that “advertise property on illegally occupied land in the West Bank”.
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Mighty Hoopla itself has said while it “cannot control investments made in our parent companies”, it wants to “state its clear opposition to KKR’s unethical investments”.
And Superstruct – which puts on over 80 festivals around the world – says while horrified by the crisis in Gaza: “We are aware that there is a significant amount of debate… around our festivals.
“Our owners, made up of our promoters and several investment firms, support us to achieve the highest standards… fans and artists rightly expect.”
They insist that operationally, Superstruct is independently run and all its “revenue and profits… remains entirely within our business… towards the ongoing development… of our festivals.”
Even deciding where to perform can have political connotations for musicians these days.
As Tom Gray, a founding member of the rock band Gomez, now chair of the Ivors, explains: “The amount of commercial interest required to get a young artist into the public eye means they have to keep their head down a lot and that’s a terrible shame.
“It’s not just artistic expression, but personal human expression is one of the fundamental things that allows people to feel they have agency.”
Kid Cudi has told a court Sean “Diddy” Combs broke into his home, “messed with” his dog and opened some of his Christmas presents during a break-in in December 2011.
The 41-year-old rapper was giving evidence on day nine of the trial, after briefly dating Diddy’s former girlfriend Cassie the same year.
Cassie and Diddy dated for 11 years, from 2007 to 2018, and Cassie has testified the rapper physically abused her during most of their relationship.
Cudi described Cassie phoning him early one morning, sounding “stressed, nervous and scared”, telling him Diddy had “found out about us”.
He said Diddy later called him from his home and told him, “I’m here waiting for you”.
After dropping Cassie at a West Hollywood hotel, Cudi said he returned to his home and found no one there, but said his dog had been locked in the bathroom.
He described his pet later becoming “jittery and on edge all the time”.
He also said someone had opened Christmas presents he’d bought for his family.
While Cudi, whose real name is Scott Mescudi, said he initially wanted “to fight” Diddy, he later thought through “the reality of the situation,” and called the police to report the break-in.
Earlier this week, Cassie finished giving four days of evidence, becoming emotional at times, and testifying that Combs had threatened to blow up Cudi’s car and hurt him after he learned she was dating him by looking at messages on her phone during a “freak off”.
Prosecutors say Combs, the founder of Bad Boy Records, forced women to take part in days-long, drug-fuelled sexual performances known as “Freak Offs” from 2004 to 2024, facilitated by his large retinue of staff.
Combs, 55, has pleaded not guilty.
The rapper faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.
Image: Diddy and Cassie on a red carpet in 2016. Pic: zz/JMA/STAR MAX/IPx/AP
The month after the break-in, Cudi’s Porsche was firebombed in his drive, with a hole cut into the roof and a Molotov cocktail dropped into the driver’s seat.
Cudi said he realised he had to talk to Diddy, before things “got out of hand,” meeting up with Diddy, who he said was weirdly “calm” and staring out the window with his hands behind his back “like a Marvel super villain”.
Cudi says Diddy told him he had still been dating Cassie during his relationship with her, with Cudi replying: “[Cassie] told me you were broke up and I took her word for it.”
Shaking hands at the end of the conversation, Cudi said he asked Diddy about “burning” his car, and Diddy replied, “I don’t know what you’re talking about”. Cudi later said he believed that to be a lie.
Cudi says he saw Diddy once a few years later at Soho House in Los Angeles with his daughter, and Diddy told him: “Man, I just want to apologise for all that bullshit”.
Image: Diddy sketched in court while listening to Kaplan’s testimony. Pic: Reuters/Jane Rosenberg
During his cross-examination, the defence suggested Cassie had been “living two different lives”, and “played” both Cudi and Combs.
Cudi concluded his time on the stand, saying his relationship with Cassie ended because he wanted “to give her space” and “the drama was too out of hand”.
Celebrity make-up artist Mylah Morales also gave evidence, describing a fight between Cassie and Diddy in 2010, which she says left Cassie with a “swollen eye, busted lip, and knots on her head”.
Image: Celebrity make-up artist Mylah Morales. Pic: AP
Morales said while she had heard the row, she hadn’t physically seen it as she wasn’t in the room.
She told the court, “I feared for my life”, explaining that she took Cassie to her apartment for several days to recover, but that Cassie refused to go to hospital as she was afraid of Diddy’s reaction.
The defence attempted to damage Morales’s credibility by listing her TV appearances, which included programmes on CNN, and with Don Lemon and Piers Morgan, attempting to paint her as attention-seeking.
The day also saw Combs’s former assistant George Kaplan complete his testimony.
Image: George Kaplan, former assistant to Combs. Pic: AP
He talked about two occasions when he had been asked to carry cash for Diddy, who he said never paid for things himself in the moment, recalling one time in 2015 when he looked after $50,000, and another when he was asked to pick up $10,000.
Kaplan described seeing “regular” physical violence between Cassie and Diddy, including an incident in 2015 with whisky glasses on a private plane, when he heard glass breaking and saw Diddy standing over Cassie in the plane’s central aisle.
He says he also saw Diddy hurling “decorative apples” at another of his girlfriends, Gina, late the same year, handing in his notice the following month.
Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious BIG and Usher into household names, elevating hip-hop in American culture and becoming a billionaire in the process.
Diddy has been held in the Metropolitan Detention Center in Brooklyn since September and faces at least 15 years or possibly life in prison if convicted.
The trial is set to last for around six weeks in total and will go into its third week next week.