‘We cannot let Faye’s life end here’: The campaign to save a young star fighting a rare brain tumour
When the fatigue set in and the sensation in parts of her left side started flickering away, Faye Fantarrow thought she knew what was coming. At 20, the leukaemia she had survived twice as a child had returned for a third time, she feared.
“Just” the leukaemia, she says, knowing cancer is never a “just”. But having survived it twice before, at least she knew what to expect. Or thought she did.
Blood tests, however, came back normal, she says. No leukaemia. It was not until she had scans and eventually a biopsy that doctors were able to give her a diagnosis: an aggressive glioma brain tumour, believed to be an incredibly rare consequence of previous radiotherapy she had undergone as a teenager.
This was back in August. Since then Faye, from Sunderland, has had further radiotherapy to try and shrink several growths. But there is no cure in the UK.
An up-and-coming singer and musician, spotted on social media and subsequently signed by Eurythmics star Dave Stewart earlier in 2022, she was made aware of a lifeline – a trial at the City of Hope hospital in the city of Duarte in Los Angeles County, California; a complex treatment, at a total cost of £450,000.
Now, her friends and family, as well as other musicians, are doing everything possible to try to raise the money. Three-and-a-half weeks since a fundraising page was set up, donations have reached just over £121,000. A huge amount, but there is still a way to go.
“We cannot let Faye’s life end here,” her sister Abigail says on the fundraising webpage. “She is the brightest star you could ever find on the darkest night, she is strong, independent and talented… please donate… please help to help Faye fight.”
“It’s daunting but the security blanket I have around me because of the people who are putting money in and just not giving up on me – it doesn’t seem as daunting,” says Faye.
The fight is now on to raise the money for treatment in California.
Surviving leukaemia
Faye was just eight when she was diagnosed with acute lymphoblastic leukaemia, a form of blood cancer, for the first time. She underwent two-and-a-half years of chemotherapy that took away her hair and mobility, but as a child, she says a lack of proper awareness cushioned her from the situation, making her illness in some ways harder for her family.
And in a strange way, her cancer led to her life changing in a positive way; given a Brave Heart award for children facing illness or adversity, she chose an acoustic guitar, paving the way for her career as a singer-songwriter.
The leukaemia returned when she was 13 and this time, she would have to have a bone marrow transplant – a long, difficult process, but one she came through once again.
‘And then Mr Dave Stewart got in touch…’
Faye signed to Dave Stewart’s Bay Street Records label earlier in 2022
Aged 15, Faye started playing the guitar seriously and began writing her own songs the following year. Aged 17, her music was played by BBC Introducing for the first time. And in 2021, she was named the winner of the Alan Hull award for songwriting – a prize given annually in the North East in memory of the Lindisfarne founder.
After years of cancer dominating her life, Faye was well and her music career was taking off. “And then Mr Dave Stewart got in touch,” she says.
Having first followed her on Instagram, Stewart later messaged the singer and began mentoring her, at first adding some production work to her demos remotely, then inviting her to record with him in London. Then they went to the Bahamas to record an EP.
“Things were going so well… and then I decided to mess everything up,” Faye jokes, referring to the tumour. But this is the hardest thing about being diagnosed now, she says. “I’m more aware of it now and obviously it’s affected my career as well. I don’t want this to undermine my career and everything I’ve worked to build.”
‘She’s a national treasure already’
Stewart and his Eurythmics bandmate Annie Lennox have both donated: Pic: AP/Chris Pizzello
Stewart, also from Sunderland, has shared Faye’s story, calling her “an amazing young artist”. He has donated £50,000, and his Eurythmics bandmate Annie Lennox has also donated £10,000.
“Faye is a brilliant young artist, a singer-songwriter in a class of her own,” Stewart told Sky News. “Unique writers like Faye come few and far between and I knew the minute I heard her voice she was extraordinary.
“We spent an amazing time together recording her new EP this summer only to be hit with this devastating news no more than a few weeks after we finished recording.
“I cannot express enough how much I believe in Faye and her talents as a singer and performer, but it’s her astute observations of the world around her put in the words that makes me believe she deserves to be heard for a long, long time.
“At only 20 years old she’s a national treasure in my mind already and hopefully she will become one in yours, too.”
‘I can look towards a future’
Faye now suffers from seizures as a result of her tumours. She says she has good days and bad days. But she remains upbeat, saying she feels “euphoric” thinking about performing again following treatment in California; she is not thinking of it as a case of if, but when.
The treatment she needs is called CAR T-cell therapy, which is a type of immunotherapy – a “complex and specialist treatment”, according to Cancer Research UK. T cells are a type of white blood cell.
“With this treatment, a specialist collects and makes a small change to your T cells. After a few weeks, you have a drip containing these cells back into your bloodstream. The CAR T-cells then recognise and attack the cancer cells,” the charity says on its website.
“It is available as a possible treatment for some children with leukaemia and some adults with lymphoma. People with other types of cancer might have it as part of a clinical trial.”
Faye says the NHS has been “amazing” so far, but now she needs to get to the US.
“If anybody can give whatever they can, I’m eternally grateful for that,” she says. “I’m aware of the current climate… so even if it’s just sharing the story, talking about it. I’m fortunate enough that I have this option and people are getting behind me, that I can look towards a future. Even if it’s just talking about it, I can’t express the gratitude for that alone.”
But Faye’s mum puts it simply. “£450,000 seemed an insurmountable amount. But then I thought, well, if we can reach 450,000 people and they all just give a pound, then we can do it. And that’s all we ask. If someone can give a pound, then we can do it.”
You can donate to the Fight For Faye fundraiser here.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Read more:
Is this every actor’s bucket list job?
Pic: Steve Tanner/Black Bear
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
Entertainment
Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.
Wes Anderson is a rarity in Hollywood, with an unswayed distinct aesthetic which has every big name in Hollywood pleading to be in his next project.
Fronted by Benicio del Toro, his new film The Phoenician Scheme sees the return of numerous previous collaborators including Tom Hanks, Jeffrey Wright and Scarlett Johansson, but also adds new faces to the Anderson universe.
It is set in the 1950s and follows a ruthless yet charismatic European business tycoon called Zsa-Zsa Korda who, in Anderson’s own words, “has very little obligation to honour the truth.”
Looking to solidify his own legacy, without much thought for his 10 children, the slaves he wants to use or the land he wants to exploit, Sza-Sza chases multiple deals so he can build his career-defining project, Korda Land and Sea Phoenician Infrastructure Scheme.
Director Wes Anderson on set. Pic: Roger Do Minh/TPS Productions/Focus Features
‘A motivation pill
The Phoenician Scheme was partly inspired by the life of Anderson’s father-in-law, whom he dedicated the film to, Lebanese businessman Fouad Malouf.
Del Toro tells Sky News it was a gift to play a truly unique character.
“It’s like taking a motivation pill,” he says.
“You’re motivated because it’s Wes Anderson, you’re motivated because of the script and the story and the character. It’s unpredictable, original. [There’s] one hell of an arc, and it’s full of contradictions.”
Director Wes Anderson on set. Pic: Roger Do Minh/TPS Productions/Focus Features
Always an actor in mind – well, mostly…
Michael Cera, who plays Bjorn, says he had a “sense of dread” joining the cast. His role was written with him in mind, something he still can’t believe is true.
“[Anderson] has got every actor at his disposal, you’d imagine,” he says.
With production pushed back due to an actors’ strike, Cera feared the project might “fall apart”.
“I was not really at ease until we were there,” he admits.
Every detail is meticulously planned in the Anderson film universe – from the art on the walls (original works from Renoir and Magritte in this case), to the intricate backstory of a character collecting fleas in a plastic bag as a child.
While most roles are written by the Fantastic Mr Fox filmmaker with certain actors in mind – the exception this time is Liesl, the daughter of the business tycoon.
Michael Cera as Bjorn and Benicio del Toro as Zsa-Zsa Korda. Pic: Focus Features
The dream phone call
After months of an audition process, Mia Threapleton got the call to play the straight-talking nun who is beckoned by her father to inherit the family business after his sixth near-death experience.
The 24-year-old daughter of Kate Winslet got the news via a call from her agent while she was on the train – and was in such disbelief she told her to call them back.
“I didn’t believe them – and she laughed at me [and said] ‘of course I’m not lying to you, this is true’. And then I sat on the floor and I cried.”
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Del Toro believes it was Threapleton’s screen test where she stood out as an “inventive” actor who thought on her feet that got her the part, having fashioned part of a makeshift nun costume with a napkin from a lunch tray.
“I said, ‘is there anyone who got any hairpins?’ And I pinned it to my head.”
Ticking a Wes Anderson film off the bucket list is a goal for many actors. Threapelton says she still hasn’t come to terms with achieving it so early in her career.
The Phoenician Scheme is in cinemas now.
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