Three Day Millionaire: Grimsby is the subject of a movie again – but this time the town is celebrated, rather than mocked
The town of Grimsby in North East Lincolnshire is synonymous with fish, a tumultuous political landscape, and the butt of jokes about poverty and the working classes.
Many will remember the Sacha Baron Cohen film about the town, The Brother’s Grimsby, which relentlessly mocked the town and its people – it left a sour taste in the mouths of Grimbarians, especially as it was filmed in Essex on a set made to look rubbish-strewn and poverty-stricken.
Meanwhile, there are numerous documentaries and shows that depict Grimsby as an end-of-the-road (the A180 and A46 to be precise) town with no prospects, full of poverty, and as having a fishing industry clinging to life support (only last week an Icelandic fish processing centre in the town was threatened with closure, with operators citing Brexit and the pandemic as reasons).
But this view of the town has been flipped on its head by filmmakers Jack Spring and Paul Stephenson, who used Grimsby as a backdrop for new comedy-drama film Three Day Millionaire.
Before we go any further, I must admit to having a conflict of interest here – I grew up in the town. I spent the best part of 20 years in Grimsby and will always have a deep love for the region. I was excited to see a depiction of Grimsby closer to the one I knew.
The film, which features British stars such as former Corrie actors James Burrows and Sam Glen, Gangs Of London legend Colm Meaney, as well as TikToker Grace Long, follows trawler men on shore leave for three days, who have a fat wedge of cash in their pocket, and the town of Grimsby, and everyone in it, at their disposal.
But while the lads go out and drink and snort their hard-earned wages, a plot to dismantle the town’s once powerful fishing industry and replace it with coffee shops and fancy restaurants is under way – led by politicians and yuppie London developers.
What follows is the townsmen doing anything they can to protect Grimsby’s heritage – and their jobs.
“It’s a lazy trope, isn’t it?”, director Jack Spring told Sky News of films that mocks the town.
“There have been previous pieces of media that used the Grimsby name in a very lazy, slapstick, kind of assumptive way.
“We wanted to tell the story of the town’s real identity, rather than just the lazy tropes of ‘it’s not a nice area’ or ‘it’s got nothing’.”
Sam Glen, James Burrows and Michael Kinsey in Three Day Millionaire. Pic: Signature Entertainment
‘It’s about identity’
What the town’s “real” identity is, is different, depending on who you ask – a fishing giant, an industrial firepower, a market town, a political hotbed or a leader in the green revolution.
“The whole film, when you strip it back, is about identity in the towns like Grimsby, almost echoed in every northern industrial town that, at some point, had the same thing happen to it,” Spring explained.
“And holding onto that identity, and that’s perhaps stopping it forming its new one.
“Grimsby is now one of the UK leaders in the renewable energy space and the offshore wind farms and… big companies coming to town and creating new jobs – but it’s taken an awful long time.
“It’s only really in the last kind of five years maybe that you can really say that Grimsby has found its new identity and is kind of on the up.”
But it’s not just the town’s identity explored in the film – there are wider themes of opportunity and levelling up.
Writer Paul Stephenson, who hails from Hull, just over the River Humber from Grimsby, told Sky News that when he was growing up he was told: “If you were a bloke, you would be a plumber; if you were a girl, you’re going to be a hairdresser.
“And if you were talking about art or creativity or self-expression, you’re probably somewhere in between.”
It’s something he reflects in his writing, with two of the characters talking about their lack of prospects in the town, but still feeling guilty about leaving – which from experience is still a real mindset for many in their home towns.
‘We wanted to tell the story of the town’s real identity, rather than just the lazy tropes,’ says director Jack Spring. Pic: Signature Entertainment
Who is levelling up for – locals or billionaires?
Gentrification isn’t always a welcome idea in these working class industrial towns, as shown by the film, with generational livelihoods being turfed out, in favour of easy access shopping, new coffee shops, and flats overlooking the river.
Stephenson explains his rationale: “Cookie cutter retail parks that just pop up in every town – is that what we’re really asking for, or is somebody else asking for it? The billionaires who can get the thing through planning and get the buildings put there?
“And, some people will welcome that, but if retail is the way forward to give our towns identity, there will be people like the guys in our film who will say no to that.”
A sense echoed by actor in the film Sam Glen, who comes from Oldham – who suggests when it comes to levelling up, sometimes a step back is needed.
“My local theatre in Oldham just lost its (Arts Council) funding, and it’s supposed to be a levelling-up town,” he told Sky News.
“In terms of access to arts, in those cultural cold spots, in terms of funding literally being from all angles for those places… these organisations just come in and, yeah, just read the room.
“I think if it’s not fancy new apartments, every sector is getting slashed in different ways in these towns.”
TikToker Grace Long stars alongside Glen in Three Day Millionaire. Pic: Signature Entertainment
‘It was a joy and privilege’ to film in the town
So how did Grimsby react to the best and brightest of British filmmaking swooping into the town to make a film?
“People were resistant,” Glen said.
“There was a feeling of like fear because… every time a film crew appears in this town, they kind of know where it’s leading to in terms of the story that it’s trying to tell.”
Director Spring added: “But everyone was great. The whole town really opened the door to outsiders.
“It was during COVID, so we were knocking on people’s doors saying, ‘Hi, can we come and look at your bathroom? We’re making a film’, and what a weird request, but people would let us in.
“It was a genuine joy and privilege to spend a couple of months there doing this.”
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In fact, the town was so enamoured by the attention, hundreds signed up to be extras, and when the premiere was held in neighbouring Cleethorpes, at the country’s largest independent cinema, (Grimsby’s Odeon has been left empty for almost 20 years) thousands of tickets were shifted.
Three Day Millionaire is out now in selected cinemas, or available to buy digitally.
Entertainment
Cara Delevingne reveals how Topshop inspired her fashion sense – as brand relaunches in London
Fashion brand Topshop celebrated its relaunch with its first catwalk in seven years.
The company’s website promised everyone was invited as models strutted down a runway on Trafalgar Square in front of noughties fashion icons Cara Delevingne and Adwoa Aboah and the London Mayor Sir Sadiq Khan.
The label has been operating on the online fashion platform ASOS after ceasing to operate as a standalone business in 2020.
Topshop held a catwalk in Trafalgar Square. Pic: PA
A model on the catwalk
Its previous owner, Sir Philip Green’s Arcadia group, collapsed into administration and all of Topshop’s physical stores – including the Oxford Circus flagship in London’s West End – closed soon after.
Delevingne told Sky News she was “totally blown away” by the relaunch event.
“It was like nostalgia mixed with something eclectic but also something brand new,” she said.
“For me, it really brings back a time of exploration of my own fashion sense because I think for me at Topshop I got to discover so much.”
The model, who is working on a capsule collection for next year, has already unveiled a choice edit in this year’s show and said her relationship with Topshop precedes her fame.
She said: “I would go in and my friends would be like ‘you would look good in that’ and I would go ‘no, that’s not really me’, and then you’d try it on and be like ‘oh maybe I can explore more’.
“They really have everything for everyone, and I feel like they brought that back.”
The runway showcased highlights from its Autumn-Winter 2025 collection, as well as an early preview of pieces set to drop later this season, including showstopper gowns, the classic white tee, and an aloe vera-coloured faux fur coat that surely should not have been on display – to prevent just about everyone rushing to buy it.
Topshop’s relaunch was staged at Trafalgar Square
Models in front of the National Gallery in London’s Trafalgar Square. Pic: PA
Reclaiming the high street
But sharp tailoring and statement outerwear suggest the brand is ready to reclaim the high street.
Must-have denim pieces completed the womenswear line-up while the Topman collection screamed modern utility by blending refined formal wear with sharp new silhouettes.
Casual pieces are grounded by authentic denim in deep indigos, which stood out on Trafalgar Square’s magnificent stone steps.
Topshop’s relaunch comes as the high street continues to struggle and as the UK operation of Chinese fashion giant Shein announced pre-tax profits of £38.3m for the year, up some £14m from 2023.
‘Top end of the market’
Moses Rashid, global marketing director at Topshop/Topman said they are competing in a different space.
Topshop has been operating on the online fashion platform ASOS after ceasing to operate as a standalone business in 2020
“We’re at the top end of the market. We’re about elevation. We pride ourselves on the quality of the product,” he said.
Those products are being designed in north London, and managing director Michelle Wilson said the aim is to stay that way.
“We are a British brand, we want to be a positive force for fashion. We want to bring London to the world. It’s fundamental to who we are as a brand, our style is very much London-driven.”
The majority Danish-owned company has suggested it will slow fashion down by opening physical stores where customers can touch the products, browse collections and try things on, though the flagship on Oxford Circus is unlikely to return because a Swedish fast furniture brand has since occupied the space.
Designer Wayne Hemingway has previously collaborated with Topshop and said the relaunch must be more than nostalgia.
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“They can’t rely on their old customers because their old customers have now got kids of their own to spend their money on, and they’ve got mortgages and all of those things of what being an adult means.
“They’ve got to have designers, marketeers, people who understand – who are on the pulse – who understood, number one, what was a success back then, and also a young generation of people who are there saying, ‘this is what our generation needs’, and who are bright and can help deliver that. They can’t rely on the past.”
Taylor Swift has revealed the release date for her new album, The Life Of A Showgirl.
The pop megastar announced her 12th studio album earlier this week but didn’t give many details.
Now, in social media posts and an appearance on boyfriend Travis Kelce’s sports podcast, Swift revealed just what fans can expect from the new album.
Taylor Swift and boyfriend Travis Kelce on the New Heights podcast. Pic: New Heights
The Life of Showgirl, written during the European leg of her record-breaking Eras tour, will be released on 3 October.
It consists of 12 songs, including the title track that features pop star Sabrina Carpenter.
The full track list is:
1. The Fate Of Ophelia
2. Elizabeth Taylor
3. Opalite
4. Father Figure
5. Eldest Daughter
6. Ruin The Friendship
7. Actually Romantic
8. Wi$h Li$t
9. Wood
10. Cancelled!
11. Honey
12. The Life Of A Showgirl (featuring Sabrina Carpenter)
Long-time collaborators Max Martin and Shellback, two Swedish producers who worked with Swift on some of her biggest hits, joined the pop star for this album.
Within four hours of posting the full podcast episode on YouTube, it had already gathered 4.7m views.
The cover of Taylor Swift’s newly announced album. Pic: Republic Records
The back cover of Taylor Swift’s 12th studio album The Life Of A Showgirl. Pic: Republic Records
‘The hardest-working star in pop’
The album follows last year’s The Tortured Poets Department, which was released during the Eras tour.
That tour, with shows on five continents and in 51 cities, raked in more than $2.2bn (£1.62bn) and was the highest-grossing tour of all time.
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“This album is about what was going on behind the scenes in my inner life during this tour, which was so exuberant and electric and vibrant,” Swift said during her podcast appearance.
Sky News culture and entertainment reporter Gemma Peplow said after her globe-trotting tour and a swathe of re-releases over recent years, the new album cemented Swift’s reputation “as the hardest-working star in pop”.
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