Davine Lee still has the birthday present she bought for her friend Molly five years ago, an unwrapped box containing a hoodie featuring her favourite TV show, that remains sitting untouched at home.
She learned of her friend’s death, at the age of 14, after seeing her empty chair at school and wondering where she might be.
Hearing the news, nothing made sense.
Warning: Some readers may find the content in this story distressing.
Molly Russell, a seemingly happy teenager from Harrow, northwest London, was found dead in her bedroom in November 2017, just a day after rehearsing with Davine for a show she had been picked to play a lead role in.
It later emerged she had viewed masses of content related to suicide, depression and anxiety online.
In a landmark ruling at an inquest in September, a coroner ruled she died not from suicide, but from “an act of self-harm while suffering from depression and the negative effects of online content”.
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Dealing with the death of a friend in this way, especially at such a young age, is a particularly complex form of grief to process.
“To have to lose a friend at that age, it’s scarring,” Davine quietly explains. “Losing Molly… it’s something we won’t ever be able to forget or entirely move on from…
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“I’ve still got her birthday present from 2017 – it would have been her 15th birthday, and of course she never made it to that birthday. That present still sits in my room, I’m just really not sure what to do with it. I obviously can’t give it to her but it feels in some way like I can still hold on to her through that.”
With permission from the Russell family, this is Davine’s first media interview, speaking exclusively to Sky News. Now 20 and at university, she says she was moved to speak publicly for the first time to highlight the importance of bringing the Online Safety Bill back before parliament. Reliving that time, she hopes, might prompt anyone struggling to see how much they would be missed.
“It was shocking to see that it was that bad,” says Davine, referring to the graphic material that was shown at Molly’s inquest. “I want people to know that what happened to Molly isn’t an isolated event and the content that she was being pushed, it still exists.”
‘Poor mental health can hide almost in plain sight’
Image: Davine, now 20, wants social media companies to be held responsible for harmful content
Molly and Davine had been friends since they started secondary school together and shared a love of singing and musicals. They starred together in school productions of Les Miserables and Beauty And The Beast.
“[Molly] had just been given like one of the lead roles for the show we were doing that year… she was still doing the things she loved… either depression or poor mental health can hide almost in plain sight in that sense,” says Davine.
Recalling the horrific day that she and her school friends were told what had happened, she remembers the teachers ushering them all into a room. Then came the news that Molly had died.
“My first thought was like, ‘no’. It was like an instant sense of doubt, like, ‘no, Molly wouldn’t’. It just didn’t even make sense.”
Davine says she was told the news with other students. They were all in tears. “And that’s a sound I can’t forget, the sound of that many children just in such emotion.
“To attend a funeral at that age for someone who is a friend… we were just trying to get through each day.”
The coroner’s ruling: How content ‘romanticised’ self-harm
Molly’s family would later learn that alone in her room, social media algorithms had been feeding her a weight of disturbing content.
The coroner at her inquest ruled the content she had viewed “romanticised” self-harm, “normalised” her depression, and that some content “discouraged” the teenager from seeking “help” – ultimately contributing to her death.
Davine wants to highlight that Molly was not an isolated case, and that young people being drawn into looking at dark content on social media is a huge and damaging issue.
On Instagram, many of the hashtags Molly searched for have now been blocked. However, Sky News’ data and forensics unit found that while these blocks have been made and some content removed, the autofill device or misspellings can still lead users to some content, which Molly viewed; this was shown to her inquest but is too distressing to publish here.
A spokesperson for Meta, which owns Instagram, responded to Sky News to say the company is committed to protecting young people.
“We’ve already been working on many of the recommendations outlined in [the coroner’s] report, including new parental supervision tools that let parents see who their teens follow and limit their time on Instagram,” the spokesperson said.
“We also automatically set teens’ accounts to private when they join, nudge them towards different content if they’ve been scrolling on the same topic for some time and have controls designed to limit the types of content teens see.
“We don’t allow content that promotes suicide or self-harm, and we find 98% of the content we take action on before it’s reported to us. We’ll continue working hard, in collaboration with experts, teens and parents, so we can keep improving.”
‘I felt so unwell I couldn’t work’: Former social media moderator speaks anonymously
Sky News has spoken anonymously to a former social media moderator who described managing harmful content on social media platforms as “an impossible task”.
Working for one of the world’s leading social media companies for a year during the pandemic, her job was to carry out a secondary viewing of content that had been flagged as potentially problematic, including posts that could be “extremely violent, homophobic”, or even show paedophilia.
“But there was probably one video in particular that affected me the most,” she said. This was footage of someone taking their own life.
She said she would watch and tag at least 1,000 videos a day. “It more just upset you about the world – seeing so much, sorry to say it, s**t, really. Things that people would do to themselves or others, it gives you a lack of belief in the world, really.”
After a year, she says that mentally and physically she could not carry on. “I felt so unwell that I literally couldn’t work, and I had to call my GP to advise me not to do it anymore.
“The effect it had on me the most was the sleep. I couldn’t sleep because I was so stressed. I was dreaming about some of the videos I could have incorrectly tagged.
“I won’t go into personally exactly what happened, but it wasn’t far off from Molly [Russell]. I can recognise feelings in how I felt seeing all of this content coming at me.”
The enormity of the task of policing all the content was just too much, she says. “The system there was just chaos… no one really knew what was happening.”
“We’re just a lot of young [people], like a lot of [people who have] just finished their degree… sat there trying to figure out how to judge all this content with no legal background.”
The rise of potentially harmful online content
Research by mental health charity Young Minds shared exclusively with Sky News suggests disturbing content is a growing problem.
It found that more than a fifth (22%) of young people are automatically shown distressing content by social media platforms, based on their previous online activity, at least once a week.
Nearly all young people (89%) who have had mental health problems said social media helps drive harmful behaviours, and more than half (52%) of that group said they had sought out content which they knew might make them distressed or uncomfortable.
The government has been accused of dragging its feet when it comes to introducing legislation to regulate social media firms but now, after years of delay, the online safety bill is back before parliament next week – proposing fines for tech companies of up to 10 % of their global turnover if they fail to protect users from harmful content – and criminalising posts that encourage self-harm.
But critics such as Baroness Claire Fox want the bill to be scrapped.
“The danger is that we – on the back of a very emotional response to something like the tragedy of Molly Russell – bring in a piece of legislation that doesn’t just protect children but actually infantilises adults and treats them like children,” she told Sky News. “And if you’re a free speech campaigner, as I am, this bill is a major, serious censorship tool.”
To those campaigning for better protections against potentially dangerous social media algorithms, Molly’s case embodies the horrific consequences of doing nothing.
The long-term impact and the ‘crisis’ in children’s mental health
Image: Pic: Russell family
Olly Parker, from Young Minds, says: “I’m kind of a researcher in this field, but I’m also a father as well and it absolutely terrifies me.
“I don’t think we’re really going to see what the long-term impacts of this are maybe until 10, 15 years down the line. But one thing we are seeing is a real crisis in children in young people’s mental health. So every month right now we see record numbers of young people being referred to their GPs and doctors for more mental health support.”
When the online safety bill returns to parliament, Molly Russell’s friends and family hope it will be the first step towards holding big tech responsible for the content on their platforms.
“It’s big news that they now want to criminalise harmful content and anyone responsible for that but at the same time it does feel like it’s been an awfully long journey,” says Davine. “But I think it’s good to appreciate that we’re here now.”
But while it is something to place hope in, it can never bring back Molly.
“She was so loved by all of us,” Davine says. “I think she genuinely believed we would be better off without her… I think if she saw how much pain we were going through, I don’t think she would have made that choice.”
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org. Alternatively, letters can be mailed to: Freepost SAMARITANS LETTERS
Bridgerton creator Shonda Rhimes says filming the drama and its spin-off Queen Charlotte in England has prompted her to consider relocating to the UK.
The US producer, who is behind some of the most popular TV dramas of the past two decades, told Sky News working in Britain had been a “really welcoming experience”, adding: “I’ve been spending a little bit more time over here and I’m going to try to spend even more if I can swap my kids into a British school.
“I’m trying to figure that part out, but I do really love being here and it’s always been such a great experience.”
Image: Rege-Jean Page and Phoebe Dynevor as Simon Basset and Daphne Bridgerton in Bridgerton. Pic: Netflix
Rhimes’ vast contribution to television has been recognised at this year’s Edinburgh TV festival, where she was given its inaugural fellowship award for the global impact of her shows.
Her first huge hit was Grey’s Anatomy. The medical drama, which began in 2005, is now in its 22nd season.
Image: Shonda Rhimes created Grey’s Anatomy. Pic: ABC/Kobal/Shutterstock
But finding an abandoned novel in a hotel room would motivate her to write Bridgerton, the drama that has become the biggest show on Netflix.
While its steamier scenes are often what garner most attention, she says after reading the books, she came to see it as a “workplace drama”.
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“These are women in their workplace because, in a world in which they have no power, they have no ability to do anything else; their only value is who they marry and their only worth is focused into that,” she adds.
‘Bizarre’ criticism
Image: Rhimes says she is thinking about moving to the UK
Rhimes agrees there is something inherently condescending about the way critics use terms like “guilty pleasure” to describe her dramas.
“There are certain people for whom the world of women will never be considered as serious or as complex or as interesting as the world of men,” she says.
Rhimes says she finds some of the reaction to her decision to reflect a diverse range of actors in Bridgerton’s cast “bizarre” after critics accused the show’s makers of “pandering to woke culture”.
Image: Bridgerton has been one of Netflix’s most popular shows. Pic: Netflix
She said: “The idea that I am writing the show looking like I look, that it wouldn’t occur to me that there should be more people in the show who look like me, I feel like that’s an obvious point. Why would I write something that doesn’t include me in any way?”
Given the thousands of episodes of drama she’s written over the years, she’s all too aware that it’s likely artificial intelligence is probably being used to scrape her scripts.
“There’s a danger of AI learning from my episodes, maybe it will learn to be better at what it does, but, most importantly, I don’t think that there’s any substitute for that germ of creativity that comes from a human imagination, I really don’t.”
As for what she enjoys watching on TV, her eyes light up when I mention having heard she’s a massive fan of a certain British sci-fi classic.
“Oh my God, I’ve loved Doctor Who forever! Forever!” she says, describing writer Russell T Davies’ work as “amazing”.
She adds: “For a while, people were like ‘what’s wrong with you?’ because they didn’t know the show. I fell in love with the David Tennant years, and I haven’t been able to let it go because of the writing.”
I ask if she’s ever considered a crossover episode.
She laughs: “I don’t know if there’s a Bridgerton meets Doctor Who…, but I would work with Russell at any time.”
US rapper Lil Nas X has been arrested and taken to hospital after being found walking in his underwear on a Los Angeles street and allegedly charging at officers and punching one.
Police said in a statement that officers responded shortly before 6am on Thursday (2pm UK time) following reports of a naked man, according to Sky’s US partner NBC News.
The LA force said that as officers went to the 11000 block of Ventura Boulevard in Studio City, the man rushed towards them.
“He was transported to a local hospital for a possible overdose and placed under arrest for battery on a police officer,” police said.
A law enforcement source confirmed to NBC News that the suspect was Montero Lamar Hill, also known as Lil Nas X.
The Old Town Road rapper punched an officer twice in the face during the encounter, according to the NBC source.
Officers were unsure whether he was on any substances or in mental distress, the source said.
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A representative for Hill did not immediately respond to a request for comment.
NBC News cited TMZ footage where Hill was seen walking down the middle of Ventura Boulevard at 4am on Thursday in a pair of white briefs and cowboy boots.
Actor Noel Clarke has lost his High Court libel case against the publisher of The Guardian, over a series of news articles which featured claims from a number of women.
The first article, published in April 2021, said some 20 women who knew Clarkein a professional capacity had come forward with allegations of sexual misconduct.
The 49-year-old actor, writer and director, best known for his 2006 film Kidulthood and starring in Doctor Who, sued the publisher and vehemently denied “any sexual misconduct or wrongdoing” – but the court has found Guardian News and Media (GNM) successfully defended the legal action on the grounds of truth and public interest.
Image: Noel Clarke outside court during the trial in April. Pic: PA
The meanings of all eight of the newspaper’s publications were found to be “substantially true”, the judge, Mrs Justice Steyn, said in a summary of the findings.
“I have accepted some of Mr Clarke’s evidence… but overall I find that he was not a credible or reliable witness,” she said.
In her ruling, the judge also said suggestions that more than 20 witnesses, “none of whom are parties or have a stake in this case, as [Clarke] does” had come to court to lie was “inherently implausible”.
From the evidence heard, it was “clear that women have been speaking about their experiences of working with Mr Clarke for many years”, she said.
‘A deserved victory for women who suffered’
Lucy Osborne and Sirin Kale, the journalists who carried out the investigation, told Sky News they had always been confident in everything published.
“I think that this is not a problem that’s going to go away,” said Osborne. “This kind of behaviour very much still happens in the TV and film industry and other industries. So I do hope this judgment gives other women the confidence to speak out about what they’ve experienced.”
Image: Clarke rose to fame with his 2006 film Kidulthood. Pic: PA
Guardian editor-in-chief Katharine Viner described the ruling as “a deserved victory for those women who suffered because of the behaviour of Noel Clarke”.
She continued: “Going to court is difficult and stressful, yet more than 20 women agreed to testify in the High Court, refusing to be bullied or intimidated.
“This is also a landmark judgment for Guardian journalism, and for investigative journalism in Britain… The judgment is clear that our investigation was thorough and fair, a template for public interest journalism.”
Clarke’s response
Clarke described the result as disappointing and maintained he believes the newspaper’s reporting was “inaccurate and damaging”.
“I have never claimed to be perfect,” he said. “But I am not the person described in these articles. Overnight I lost everything.”
He said he wanted to thank witnesses who supported his case, as well as his family, “who never stopped believing there was something worth fighting for”.
What happened during the trial?
The trial took place from early March to early April 2025, hearing evidence from multiple witnesses who made accusations against Clarke, including that he had allegedly shared nude photographs of them without their consent, groped them, and asked them to look at him when he was exposed.
Clarke also gave evidence over several days. At one stage, the actor appeared visibly emotional as he claimed the publisher had “smashed my life” with its investigation.
His lawyer told the court he had been made a “scapegoat” and was an “easy target”, as a star at the height of his success when the media industry “zealously sought to correct itself” following the #MeToo movement.
The actor had been handed the outstanding British contribution to cinema award at the BAFTAs just a few weeks before the report was published. Following the article, BAFTA announced it had suspended his membership.
But lawyers for The Guardian told how newspaper’s investigation was “careful and thorough”, saying it had been carried out “conscientiously” by the journalists involved.
In March 2022, police said the actor would not face a criminal investigation over the allegations.