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Strippers in Edinburgh have told Sky News the council’s decision to ban sexual entertainment venues (SEVs) will financially devastate them, as the clubs and the union launch a judicial review to challenge the shutdown of the city’s clubs.

Three Edinburgh clubs (Baby Dolls, The Western and Burke and Hare) and the United Sex Workers (USW) union argue the council vote to limit the number of licensed venues to zero from April 2023 will force the industry underground, making it riskier for the women.

‘It should be my choice’

Edinburgh dancer Sasha told Sky News the choice should be hers to make.

“I think it is our right to choose that and I don’t think it’s right for feminists to tell women what they should and shouldn’t be doing with their bodies, what jobs they should do, and what jobs they shouldn’t do,” she said.

Sasha is an Edinburgh-based stripper
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Sasha is an Edinburgh-based stripper

Sasha added that working as a stripper means good money and flexible shifts that helps her as a mother.

“As a parent, I just find it very flexible and there’s a potential for it to be well paid, so it ticks a lot of boxes for me. Particularly the flexibility, the money is never guaranteed, but the flexibility is great.”

Sasha doesn’t believe changing what she does is an option.

“It’s not that easy, we’ve been doing what we’re doing, most of us, for years – and that’s our trade, it’s our industry and that’s what we want to continue doing to make money.”

‘Epitome of the patriarchy’

However, for those campaigning for the ban of strip clubs, they say the choice to do this work shouldn’t be available.

Former Labour councillor and writer Susan Dalgety believes the council’s decision is right for women.

“As a feminist, I think that men paying us for sexual favours is the worst kind of exploitation of our bodies,” she said.

Former Edinburgh Labour councillor Susan Dalgety
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Former Edinburgh Labour councillor Susan Dalgety

“And it is the epitome of the patriarchy that men are much more powerful in society than women, and that all we are there for is either to reproduce the next generation or for the sexual entertainment of men.

“All Edinburgh is doing is saying that in our city we do not want to legitimise sexual entertainment. It’s living pornography.

“It is young women taking their clothes off and dancing sexually for the pleasure of men.”

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Ms Dalgety’s views have changed. As a young councillor, she believed such clubs should exist and be properly regulated for the safety of women.

In the 1990s, she voted to licence saunas “knowing full well that they were brothels”.

“Edinburgh was the epicentre of the AIDS epidemic in the UK in the late 1980s and early 1990s, and it was spread through the drug using community,” she said.

“So it was in the heterosexual community and sex workers, unfortunately, were at a much higher risk of it,” Ms Dalgety said, adding the policy choice back then was “a public health decision”, but now she thinks the very existence of any sexual entertainment venue is problematic.

Forcing women into dangerous conditions

Mina from the USW union told Sky News that exploitation isn’t found in the clubs; instead, it is in forcing women into working minimum wage jobs.

“The patriarchy exists across all aspects of society, so clearly stripping is not free from that. However, it is the dancer’s decision to choose that form of work, they’re not being exploited,” she said.

Mina of United Sex Workers
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Mina from the United Sex Workers union

“United Sex Workers take the position that shutting down legal, regulated place of work for dancers who are primarily women would force them to work more dangerous conditions, especially in a cost of living crisis.

“Sex workers are not to be blamed for exploitation of actual violence because it splits women into particles of good and bad. And it’s never that simple, and it’s not fair.”

Previously, sex workers have told Sky News that the cost of living crisis means they are unable to say no to dangerous clients.

Decision is for ‘prevention of crime and disorder’

In a statement, Edinburgh City Council told Sky News the decision to close down the strip clubs was for the “preservation of public safety and the prevention of crime and disorder” and that “SEVs can still apply for a licence and a committee would consider them against the agreed policy”.

The judicial review decision is expected to take several weeks, possibly months.

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Danny Dyer on Mr Bigstuff, Oasis, and his surprising screensaver

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Danny Dyer on Mr Bigstuff, Oasis, and his surprising screensaver

From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.

But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTA win – and one of the ceremony’s biggest cheers from the audience – earlier this year.

Danny Dyer in Mr Bigstuff
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Danny Dyer as Lee Campbell in Mr Bigstuff

Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.

The Campbell brothers in the Bafta-winning series
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Ryan Sampson (right) created the series and stars alongside Dyer

Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.

Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.

“Absolute legend,” he says.

Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.

“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”

Danny Dyer in the press room after winning the Male Performance in a Comedy Programme Award for 'Mr Bigstuff' during the 2025 BAFTA Television Awards with P&O Cruises at Southbank Centre's Royal Festival Hall, London. Picture date: Sunday May 11, 2025.
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Dyer at the BAFTAs earlier this year. Pic: PA

Dyer reveals his screensaver

After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.

His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.

But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.

“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”

Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.

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In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.

He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.

Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.

“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”

‘Love in the air’ at Oasis gig

But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.

“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.

“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”

Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW

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Scuffle breaks out on stage of Royal Opera House after performer unfurls Palestinian flag

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Scuffle breaks out on stage of Royal Opera House after performer unfurls Palestinian flag

A brief scuffle broke out at London’s Royal Opera House after a performer unfurled a Palestinian flag during a show.

The incident took place during a performance of Il Trovatore on Saturday.

During the final night of the 11-night run of the show, a performer held up the flag on stage.

In video footage, shared online, someone backstage could be seen attempting to take it off the performer. The performer grabs it back following a brief scuffle.

A spokesperson for the Royal Ballet and Opera said: “The display of the flag was an unauthorised action by the artist.

“It was not approved by the Royal Ballet and Opera and is a wholly inappropriate act.”

The reaction to the flag was mixed, with some people heard applauding and cheering, while another audience member was heard saying “oh my God”.

One poster on X, who claimed to have been a member of the audience, said: “Extraordinary scenes at the Royal Opera House tonight.

“During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible.”

Performers show support for Palestinians

A number of performers have shown support for Palestinians amid the Israel-Hamas war in Gaza.

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During Glastonbury Festival, numerous acts offered messages of support during their sets, including Kneecap, Bob Vylan, Wolf Alice, and Amyl And The Sniffers.

During her band’s set, Wolf Alice singer Ellie Rowsell told the crowd at the Other Stage: “Whilst we have the stage for just a little bit longer, we want to express our solidarity with the people of Palestine.

“No-one should ever be afraid to do that.”

Following their performances, both Kneecap and Bob Vylan faced investigation by Avon and Somerset Police.

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BBC ‘regrets’ not pulling Bob Vylan live performance

Bob Vylan were widely criticised after leading on-stage chants of “death to the IDF” (Israel Defence Forces).

The performance was live-streamed by the BBC, sparking a backlash against the broadcaster – which later issued an apology.

The investigation into Kneecap was later dropped, with the police saying there was insufficient evidence to provide a realistic prospect of conviction for any offence”.

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Chief executive of Astronomer Andy Byron resigns after Coldplay concert video

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Chief executive of Astronomer Andy Byron resigns after Coldplay concert video

The chief executive of tech firm Astronomer has resigned after a video appearing to show two of its senior members of staff embracing at a Coldplay concert went viral.

The tech firm said chief executive Andy Byron had tendered his resignation, and that the board of directors had accepted it.

“As stated previously, Astronomer is committed to the values and culture that have guided us since our founding,” the company said in a statement.

“Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met.

“The board will begin a search for our next chief executive as co-founder and chief product officer Pete DeJoy continues to serve as interim CEO.”

The firm previously said Mr Byron, who was alleged to be the man in the clip, had been placed on leave, but stopped short of confirming it was him in the video.

In the viral clip, the pair are shown on a screen with their arms around each other during the British band’s concert at the Gillette Stadium, in Boston, Massachusetts, on 16 July.

Once both of them realised they were being projected, the man quickly ducked out of view while the woman turned to hide her face from the camera.

Woman hides her face
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Woman hides her face

Appearing to poke fun at the couple, Coldplay lead singer Chris Martin is heard on the clip saying: “Either they’re having an affair or they’re just very shy.”

The awkward encounter sent the internet into a frenzy, with the video gaining millions of views on social media and reports emerging that the two were executives from New York-based tech company Astronomer.

In a previous statement on Friday, the company addressed the viral moment, saying in a post on X that it had launched a “formal investigation” into the matter.

“The Board of Directors has initiated a formal investigation into this matter, and we will have additional details to share very shortly,” it said.

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The company also said Mr Byron had not commented on the matter after a fake statement claiming to be from him began circulating online.

Astronomer said another named member of staff was “not at the event” and that “no other employees were in the video”.

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