‘Feminists can’t tell us what to do with our bodies’: Sex workers fight council strip club ban in Edinburgh
Strippers in Edinburgh have told Sky News the council’s decision to ban sexual entertainment venues (SEVs) will financially devastate them, as the clubs and the union launch a judicial review to challenge the shutdown of the city’s clubs.
Three Edinburgh clubs (Baby Dolls, The Western and Burke and Hare) and the United Sex Workers (USW) union argue the council vote to limit the number of licensed venues to zero from April 2023 will force the industry underground, making it riskier for the women.
‘It should be my choice’
Edinburgh dancer Sasha told Sky News the choice should be hers to make.
“I think it is our right to choose that and I don’t think it’s right for feminists to tell women what they should and shouldn’t be doing with their bodies, what jobs they should do, and what jobs they shouldn’t do,” she said.
Sasha is an Edinburgh-based stripper
Sasha added that working as a stripper means good money and flexible shifts that helps her as a mother.
“As a parent, I just find it very flexible and there’s a potential for it to be well paid, so it ticks a lot of boxes for me. Particularly the flexibility, the money is never guaranteed, but the flexibility is great.”
Sasha doesn’t believe changing what she does is an option.
“It’s not that easy, we’ve been doing what we’re doing, most of us, for years – and that’s our trade, it’s our industry and that’s what we want to continue doing to make money.”
‘Epitome of the patriarchy’
However, for those campaigning for the ban of strip clubs, they say the choice to do this work shouldn’t be available.
Former Labour councillor and writer Susan Dalgety believes the council’s decision is right for women.
“As a feminist, I think that men paying us for sexual favours is the worst kind of exploitation of our bodies,” she said.
Former Edinburgh Labour councillor Susan Dalgety
“And it is the epitome of the patriarchy that men are much more powerful in society than women, and that all we are there for is either to reproduce the next generation or for the sexual entertainment of men.
“All Edinburgh is doing is saying that in our city we do not want to legitimise sexual entertainment. It’s living pornography.
“It is young women taking their clothes off and dancing sexually for the pleasure of men.”
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Ms Dalgety’s views have changed. As a young councillor, she believed such clubs should exist and be properly regulated for the safety of women.
In the 1990s, she voted to licence saunas “knowing full well that they were brothels”.
“Edinburgh was the epicentre of the AIDS epidemic in the UK in the late 1980s and early 1990s, and it was spread through the drug using community,” she said.
“So it was in the heterosexual community and sex workers, unfortunately, were at a much higher risk of it,” Ms Dalgety said, adding the policy choice back then was “a public health decision”, but now she thinks the very existence of any sexual entertainment venue is problematic.
Forcing women into dangerous conditions
Mina from the USW union told Sky News that exploitation isn’t found in the clubs; instead, it is in forcing women into working minimum wage jobs.
“The patriarchy exists across all aspects of society, so clearly stripping is not free from that. However, it is the dancer’s decision to choose that form of work, they’re not being exploited,” she said.
Mina from the United Sex Workers union
“United Sex Workers take the position that shutting down legal, regulated place of work for dancers who are primarily women would force them to work more dangerous conditions, especially in a cost of living crisis.
“Sex workers are not to be blamed for exploitation of actual violence because it splits women into particles of good and bad. And it’s never that simple, and it’s not fair.”
Previously, sex workers have told Sky News that the cost of living crisis means they are unable to say no to dangerous clients.
Decision is for ‘prevention of crime and disorder’
In a statement, Edinburgh City Council told Sky News the decision to close down the strip clubs was for the “preservation of public safety and the prevention of crime and disorder” and that “SEVs can still apply for a licence and a committee would consider them against the agreed policy”.
The judicial review decision is expected to take several weeks, possibly months.
Entertainment
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John David Washington says he felt like he had to conceal his desire to act because of the external expectations of him being the child of Denzel and Pauletta Washington.
He tells Sky News it took some time for him to pursue an acting career, choosing football instead to assert his “independence” and create his own “identity” separate from his famous family.
“I’ve been wanting to do this my whole life… but I was hiding it,” he said.
“I had to conceal that passion based on my relationship to the world and more specifically, my folks being in the industry, so I chose ball.
“I loved ball, but I was sort of hiding my love for the arts under a helmet – literally an American football helmet – and so when I wanted to become an actor, when I decided to pursue it, that was a big shock to some people.”
The 40-year-old actor says when he decided to pursue an acting career, he kept the decision quiet.
“Some people didn’t know I was even pursuing it professionally until I got a job,” he said.
John David with fellow actor Danielle Deadwyler. Pic: David Lee/ Netflix
Since switching to acting, John David has starred in a number of notable roles including the protagonist in Christopher Nolan’s Tenet, Ron Stallworth in BlacKkKlansman and Joshua in The Creator.
He also led the stage revival of the 2022 Tony-nominated play The Piano Lesson on Broadway alongside Samuel L Jackson.
“He [Jackson] originated the role [I play] in 1987 at Yale with Lloyd Richards and August Wilson,” John David said.
“So it was of great importance for us to learn from both he and Michael Potts about August Wilson. It was a great blessing for me, I think, for all of us to have him present on set.”
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The Piano Lesson is the third August Wilson play to be adapted for the screen by Denzel Washington’s production company Mundy Lane Entertainment.
It is part of a pledge made by the Gladiator II actor to make all 10 of the playwright’s works into films.
The Netflix project is directed by another Washington family member, Malcolm, and stars most of the cast from the Broadway revival.
The Piano Lesson is Malcolm Washington’s directorial debut. Pic: Katia Washington/ Netflix
Set in 1936 Pittsburgh in the aftermath of the Great Depression, the film centres on a family heirloom, a piano, that is etched with the carvings of their family history made by their enslaved ancestor.
Malcolm says he started reading the play for the first time during the pandemic and immediately wanted to be involved in the film adaptation.
“I think with this movie, reclamation of story and identity is so central to the theme and it’s something that’s central to my life where I both acknowledge the fertile ground that I was raised on and who I am today.
“That’s what Wining Boy [played by Michael Potts] really is trying to do, he’s trying to build on that legacy, so that’s a story that really resonated with me.”
The filmmaker added: “I take all the gifts that my ancestors laid in front of me, and I’m trying to build something for the next generation to pass down – all of their gifts, plus mine to the next generation and let them build on it.”
Malcolm has dedicated his directorial debut to his mother, Pauletta Washington. Pic: David Lee/Netflix
Malcolm says his goal was to put family at the forefront of the production. By dedicating his feature debut to “Mama”, he is acknowledging the dedication and sacrifices that mothers make for the growth of their families.
“There’s so much pointing to my mother in particular, who inspired this adaptation so much. I see so much of her life in Berniece’s character [played by Danielle Deadwyler] – and that became a guiding light for me in this adaptation,” he said.
“As we made this thing and started reconnecting with our ancestors, my mum became like a kind of representative of them.
“She’s the matriarch of our family. She tells me about my grandparents and great-grandparents and the line that I come from, and I see them in her.
“And when the movie ends, I want people to kind of have that moment of reflection for their own lives. So in dedicating it to her, I was trying to dedicate it to all mums everywhere.”
The Piano Lesson is now available on Netflix.
Blockbuster Wicked has landed the largest opening weekend of 2024 at Vue International.
The film, starring Oscar-nominated actress Cynthia Erivo and Grammy-winning pop star Ariana Grande as Elphaba and Glinda, surpassed both Gladiator II and Paddington In Peru.
It has also had the largest opening weekend for a stage musical adaptation in the cinema chain’s history.
A boss for Vue International said it had seen a “sea of pink and green” over the weekend.
Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film. Pic: PA
Pic: PA
Pic: PA
Released on Friday, Wicked is up 60% on Les Miserables’ opening weekend in 2012 and three times larger than the 2022 film adaptation of Matilda.
Founder and chief executive of Vue International Tim Richards said: “Vue has seen a sea of pink and green over the opening weekend of Wicked, which has shown continued high demand for the big screen experience.
“We saw record-breaking pre-sales for Wicked, followed by a chart-topping opening weekend – the biggest for 2024.”
The film is the first of two parts, with the second expected in November next year.
Wicked and Gladiator II – known together as Glicked – have reportedly failed to beat out Barbenheimer, Barbie and Oppenheimer, in its own opening weekend last summer.
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Glicked brought in £215m in worldwide ticket sales – with Wicked making the majority of that.
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