Harry and Meghan documentary: Paparazzi photo in trailer taken at Harry Potter premiere years before couple met
A photograph in a trailer for Harry and Meghan’s docuseries, apparently to illustrate paparazzi hounding the couple, was actually taken at a Harry Potter premiere and is not connected to the Royal Family, Sky News can confirm.
The image features in the first of two trailers released by Netflix to promote the upcoming Harry And Meghan series, which is released on Thursday.
In the clip, which features several photos of the couple looking happy and relaxed, the Duke of Sussex says that “no one sees what’s happening behind closed doors”.
After the paparazzi image is shown, he says: “I had to do everything I could to protect my family.”
The photograph, featured in the trailer in black and white, shows a big group of photographers holding up long lenses, looking eager to get a shot.
After questions were raised about where and when the image was taken, Sky News analysed the photograph and confirmed it was captured at the premiere of Harry Potter And The Deathly Hallows: Part Two in July 2011 – attended by stars including Daniel Radcliffe, Emma Watson and Rupert Grint, and author JK Rowling.
Harry and Meghan did not meet until five years later, in 2016.
A comparison of the paparazzi photo below with the image underneath, taken from a video feed of the Harry Potter premiere, shows the same photographer and a towel in both shots, among other matches.
The Harry Potter premiere photo is available on Alamy, an image website, and is the first to come up under the search term “paparazzi”.
Doug Seeburg, a photographer for The Sun, is in the shot.
Speaking to the newspaper, he said: “I remember going to the premiere. It was a huge event.
“Crowds and crowds of fans had turned out in the rain and camped overnight to see the actors. There were no members of the Royal Family there.”
He added: “In the Netflix trailer it’s implied the photographers, including me, were trying to get a shot of the royal couple – but that’s nonsense.”
Sky News has contacted representatives for both Netflix and the Sussexes for comment about the photograph.
In a second trailer for Harry & Meghan, the duke speaks of the “pain and suffering” of women marrying into the Royal Family and says that only he and his wife know “the full truth” about their story.
Netflix has promised the series will provide an “unprecedented and in-depth” look into the couple, who will “share the other side of their high-profile love story” over six episodes.
The first volume of the series will launch on Thursday, with the second volume to be released on 15 December, the same date as a Christmas carol service hosted by the Princess of Wales.
Diana’s marriage to Charles was ‘essentially arranged’, says Jemima Khan as she opens up about debut film
Filmmaker Jemima Khan has told Sky News she would have “benefitted” from being “introduced to suitable candidates” for marriage – and that Princess Diana’s marriage to Charles was “essentially arranged”.
Khan’s new film What’s Love Got To Do With It is her version of “rom-com Pakistan” – inspired by events in her own life, during her 10 years living in Lahore married to ex-husband and former prime minister Imran Khan.
The film centres around the protagonist Zoe – a filmmaker played by actress Lily James – as she navigates the modern dating world, parallel to her neighbour and childhood friend Kazim (Shazad Latif) as he pursues an arranged marriage with a bride from Pakistan.
Khan’s story explores “the pros and cons of both styles” – dating, and “whether it’s too much choice with apps”, or, conversely, “too little choice with arranged marriage”.
One motivation for the film was Khan’s friend Princess Diana.
The socialite – daughter of billionaire Sir James Goldsmith and sister of Conservative MP and government minister Zac Goldsmith – maintained a close friendship with Princess Diana, who visited her twice while she was living in Pakistan.
It was this relationship, Khan told Sky News, that showed her just how universal this style of marriage was cross-culturally.
“Their (King Charles and Princess Diana) marriage was essentially arranged”, Khan said.
“It used to happen here, even with our Royal Family.
“I know it can often seem like a really alien concept but most marriages even in the world today are arranged if you look at the global population.
“It wasn’t so long ago that it was kind of the norm even in the UK.”
Khan’s film attempts to dispel the myths surrounding arranged marriages, which she says are often categorised into a “love marriage good” versus “arranged marriage bad” binary.
“There’s a real issue where arranged marriage keeps getting conflated with forced marriage,” Khan said.
Before moving to Pakistan, she thought they were “quite a standard, fairly negative idea about arranged marriage, and how it fits into the modern world”.
However, upon relocating aged 21, she saw arranged marriages “up close” and changed her mind.
Khan says she saw “very successful and happy arranged marriages” – but, to her surprise, the same narrative was not reflected in popular culture.
Her debut feature film, therefore, is a “celebration of Pakistan… outside of dark politics. The joyful, colourful, hospitable, fun place that I know is part of Pakistani life”, she said.
Khan told Sky News that producing the film – which has been over a decade in the making – has forced her to reflect on her own life experiences and choices.
“As I get older, I think, if I had parents who could have agreed – and were functional and good at these things – I definitely could have benefitted from being introduced to suitable candidates.”
The 49-year-old added that this would be in the “new incarnation” of arranged marriage – which she, and by extension through the character Kazim, explore as “assisted marriage”.
This, Khan explains, “is basically an introduction of someone suitable and the couple then decide”.
The film, both implicitly and explicitly, challenges the very “real issue” of Islamophobia in film and TV.
Khan told Sky News that television where “Muslims are the good guys” is rare to come by.
“It’s always the Pakistani who’s the terrorist or the suicide bomber, or the fanatic.
“There’s that particular line (in the film)… “We’ve got to leave the airport… we have to leave early because I need to leave time to be randomly selected.
“I’m aware from experience of travelling with my kids, particularly to America where we have to leave extra time in between any flight connections because they have Pakistani names that are not Anglicised – Sulaiman and Kasim Khan – they do get taken off and questioned in a way that I don’t.
“It’s hard to make a film where Muslims are the good guys in America… where they’re much more familiar with Muslims playing the baddies. Islamophobia I think is a real issue. I think it’s every bit as big an issue as racism.”
‘What’s Love…’, is Khan’s personal homage to a culture – and its people – she says helped raise her.
What’s Love Got To Do With It will be released in UK cinemas on Friday 24 February.
Backstage With… Bryan Cranston on his latest series and forgiveness: ‘We’ve lost empathy’
Bryan Cranston has told Sky News’ Backstage podcast that he feels America has “lost empathy”.
The Breaking Bad star was speaking ahead of the release of the second series of his show, Your Honor, in which he plays Michael Desiato, a judge whose moral convictions are tested when his son kills another teenager in a hit-and-run.
Originally planned as a limited series, Cranston says he decided to sign on for a second and final season as the idea of exploring potential redemption and forgiveness for his character was too tempting to turn down, given the current climate in his home country.
“I felt that especially America – I can’t speak for any other culture or society – we’ve lost a level of empathy within our country,” he said. “We’ve become a coarser, harder, more judgemental, more divisive country; less congenial, less forgiving.
“I think that was in the back of my brain, thinking, wouldn’t it be interesting to have an entire second season that encompasses forgiveness, sadness, despair, suicidal thoughts, redemption; not only asking for forgiveness, but granting forgiveness.
“Where does all that play in a modern society? Because I believe that it is a sign of human strength, not weakness – to ask for forgiveness, to admit fault and take responsibility and accountability for your mistakes and your sins.
“And if you are granted forgiveness, that is also an act of high character, and I know there have been country leaders who might have thought elsewise, but I believe it is something that is a very profound experience.”
It’s easy to draw comparisons between Cranston’s character in Your Honor and the one he’s best known for – Breaking Bad’s Walter White.
Both start their shows as regular people with lives bound by the same morals that most of us live by; both see those morals decline until their lives are turned on their heads.
Cranston says this kind of character arc is something he looks for in a role.
“Any well-drawn character has to learn from that experience. So whether the character starts on a high and ends at a low, or starts on a low and ends on a high – or starts on a low, hits the high, goes back to a low or whatever the diagram becomes for that character’s journey – as long as they have movement, it is important.
“Stagnation is the enemy, apathy is the enemy, I’m not interested in characters that are not invested in something – a goal, have something that they’re hoping to achieve or become, or overcome perhaps; fears and the like. So it is movement that I look for when I take on characters.”
Your Honor explores the idea that any of us is capable of anything, when tested with the right circumstances. Cranston says the reality is that all of us blur the lines when it comes to what we think is right.
“Parents lie to their kids because you have to sometimes just to keep them in line, or don’t want to tell them the truth about this situation right now,” he said.
“That line moves and it’s always interesting, and I think what audiences look for in characterisation is that they resonate with what they’re seeing, what they’re witnessing.”
For Cranston, the work comes in making a character relatable.
“That’s my goal… if I feel that something is socially important, or that I personally went through something, or feel it’s an honest depiction of someone going through something, that’s when I think that audiences will invest in those characters; not just watch passively, but actually be actively involved in the outcome of a character’s life, and that’s when you know you’ve got them.
“That’s really an actor’s responsibility, is to take an audience by the hand and promise them a journey and you take them on a ride and it’s emotional and physical and it can wear them out and they’ll laugh and they’ll cry.
“And then you deposit them back in their seat and say: ‘Thank you for joining us, we hope that you feel it was a worthwhile journey’. And that’s it.”
Your Honor series 2 is streaming on Paramount+ – hear our review in the latest episode of Backstage, the film and TV podcast from Sky News
Julian Sands: ‘Intermittent’ aerial searches to continue after bad weather hampered earlier efforts
Aerial patrols are still being carried out “intermittently” in the search for missing British actor Julian Sands who went missing three weeks ago in California.
Normally, similar searches would be downgraded after 10 days, the San Bernardino County Sheriff’s Department said.
However, because bad weather has so far hampered efforts, it has been decided to extend the search period.
“Our Aviation Division continues to patrol that area, intermittently, in search of Mr Sands,” a spokesman said.
“Typically, we search for 10 days before downgrading to a passive search. In this case, with the weather precluding a continuous search, we extended those plans.
“While weather and mountain conditions continue to be an issue, we will resume ground searches once weather conditions permit and as the snow melts.”
Sands, 65, was reported missing on 13 January after he failed to return from a hike in the Mount Baldy region of the San Gabriel mountains.
Numerous searches for the actor have since been undertaken on foot and by air by both local and state-level agencies.
Authorities have previously used a Recco device, which is able to detect electronics and credit cards, in the hope of establishing a more exact area in which to focus search efforts.
Last weekend, Sand’s hiking partner and friend Kevin Ryan said it was obvious “something has gone wrong” but that the actor’s advanced experience and skill would “hopefully” see his safe return.
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