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Thirteen years on, James Cameron’s mega-budget Avatar sequel opens in cinemas next week, hoping to illicit that same appetite in cinemagoers for the 3D magic of the first.

While the medium has fallen out of favour, it remains Cameron’s preferred choice of viewing.

But not only will cinemagoers need 3D glasses – coming in at a whopping three hours and 10 minutes, it also requires stamina.

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With production costs totalling around £285m (up there with the most expensive films ever made), to make it worth Disney’s while, the epic has to at least end up making it into the top five highest grossing movies of all time.

To do so, it needs audiences to want to see it more than once, which perhaps isn’t too unreasonable when you factor in that a huge amount of the money generated in both of Cameron’s previous blockbusters – Titanic and the first Avatar – came from cinemagoers paying to see the film’s multiple times.

But in a cost of living crisis do we have the cash now?

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The film sees Sam Worthington return to the role of Na’vi leader Jake Sully and is rooted around the family he now has with warrior Neytiri, played by Zoe Saldana.

“The movie’s mighty,” Worthington told Sky News.

“It’s a mighty film, and very heart-wrenching.

“We all went through a pandemic together as a whole world, and that’s a connection that we all have to each other… and it’s about us being connected as individuals – I think that’s very important to relate to and really take to heart.”

Thanks to the magic of motion capture, Sigourney Weaver returns, playing Jake Sulley’s adoptive teenage daughter.

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‘I needed to see it twice’

“It’s an experience so immersive and also takes your breath away,” she told Sky News, adding that she will need to see the film once more to get the full experience from it.

The sequel also features Kate Winslet in the cast as the matriarch of an ocean-bound clan.

Sigourney Weaver in Avatar: The Way Of Water. Pic: 20th Century Studios
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Sigourney Weaver in Avatar: The Way Of Water. Pic: 20th Century Studios

For the Oscar-winning actress it was a chance to work, once again, with the filmmaker who put her on the Titanic:

“He (Cameron) asked and I said yes. Why on earth would I not?,” she told Sky News.

“Also, my children would never have allowed me to. They were like… just do it.”

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Kate Winslet on accepting Avatar role

Cameron, who overtook his own movie, Titanic, with Avatar as the highest grossing film ever in 2009, has already set the wheels in motion for the next films in the franchise – and spent much of the last decade preparing.

“It was a lot of time spent working on the script for four movies, production design for four movies, a bunch of new technology we needed,” he said.

“And then we started at full tilt five years ago… and then we shot two movies, actually part of the third one.”

Kate Winslet (L) in Avatar. Pic: 20th Century Studios
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Kate Winslet (L) in Avatar. Pic: 20th Century Studios

Cameron also describes his new sci-fi epic as a “love letter to the oceans”.

“A lot of people [in 2009] picked up on the messaging around the rainforest and around the plight of indigenous cultures around the world.

“We have that in spades now because nothing has really got that much better – in the meantime, this one is my love letter to the oceans and a cry for people everywhere to be responsible for guardianship of the oceans.”

Right now the Na’vi’s survival might just depend on what happens off-screen more than on.

Avatar: The Way of Water is in cinemas on 16 December.

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
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Eline Van der Velden said she wanted the character to ‘have her own creative path’

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Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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Creator of AI actress Tilly Norwood addresses claims she’ll ‘steal jobs’ from real stars

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Read more:
How AI music is fooling most of us
Tom Hollander ‘not scared’ of AI star

Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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