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In Kate Winslet’s new film, she stars as the mother of a teenage girl – played by her own daughter Mia Threapleton – who is struggling with issues related to what seems to be an addiction to her mobile phone.

I Am Ruth is part of Channel 4‘s I Am series – a female-led drama anthology of standalone programmes, developed and written by director Dominic Savage in collaboration with the leading actress in each film.

The subject matter of Winslet‘s is particularly prescient right now, with the controversial Online Safety Bill making headlines as it goes through parliament. It is aimed at protecting youngsters in the wake of the deaths of teenagers including Molly Russell, who died after viewing suicide and self-harm content in 2017.

Kate Winslet and her daughter Mia Threapleton star in I Am Ruth. Pic: Channel 4
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Pic: Channel 4

Like all parents, the Oscar-winning star worries about her own children’s relationship with technology.

“We all do – my youngest is about to turn nine and I do worry,” she told Sky News. “But it’s very, very hard, isn’t it, as a parent? Saying ‘No, you can’t have that, hey, stop looking at that, don’t look at it’ – because we’re doing it.

“Social media has always worried me – I think that there are extraordinary benefits to it for some people, but you have to be quite robust, I think, to know how to use it wisely and carefully.”

Winslet believes the pandemic exacerbated issues that already existed for children.

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“Young people, I think especially because of COVID, it just got really out of control – loneliness and insecurity and just building a basic level of self-esteem for so many of these children. During COVID that self-esteem they were sort of searching for almost online in some way, and that’s desperately sad.

“And I think that everyone in some way can resonate with that story, and that idea resonates with most parents today who have teenagers – it’s incredibly hard.”

Read more:
Friend of 14-year-old who died from self-harm hits out at social media
Online safety bill might not be too little, but it is certainly too late

Kate Winslet stars in I Am Ruth. Pic: Channel 4
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Pic: Channel 4

‘None of us as parents have a manual’

I Am Ruth sees Winslet’s character, Ruth, clearly unprepared for how to deal with her daughter as she withdraws, refusing to speak to her mother or arguing with her on the rare occasions she does leave her bedroom.

The actress hopes viewers might recognise aspects of the characters or what they’re going through. “It’s important to me to create space for people to talk about things that are really uncomfortable,” she said.

“Sometimes I am aware that being a little bit in the public eye and being someone who does have a little bit of a history with hopefully inspiring women and making women feel celebrated and seen and part of a wider conversation, I was aware that in doing something like this, we had to really get it right because hopefully people will watch and will listen and will feel that they can start to open up and have those conversations.

“So I definitely felt the responsibility. It was never a burden, but I just felt that we’ve really got to get this right. Like how the character looks, for example, we could not dress her up at all, we had to go very much the opposite.

“And also setting this in a middle-class world was really important to me – I said to Dominic [Savage], we can only do this if we don’t set it in a lower socioeconomic environment because I feel that often when stories like that are told on television or on film, that typically they are set in a more lower-class environment and I don’t think that’s right, and I don’t think that’s accurate in terms of now.

“I think it is the middle classes who are struggling and coming across these issues and I think it’s taking their breath away and none of us as parents have a manual. Sometimes we do look our children in the eye and just think, ‘oh, my God, I don’t know what to do’.”

Read more:
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Kate Winslet was named best actress in a limited or anthology series at the 2021 Emmy Awards. Pic: AP
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Winslet won an Emmy in 2021 for her performance in the hit series Mare Of Easttown. Pic: AP

‘We know how to push each other’s buttons’

The film was built around improvisation; the actors discussed scenes before filming but there was no exacting script. With Winslet and her daughter acting together, she says there were times when the fictional story tipped over into reality.

“There was always going to be an inevitable area of crossover just because we’ve all gone through something with our children. And obviously, when you put Mia and I together, we know how to push each other’s buttons and are not afraid to raise our voice to one another, even though it’s a really uncomfortable thing to do.”

The lines between reality and drama were also blurred in other parts of the production, giving the film a unique authenticity.

“There’s a scene in I Am Ruth when we sit down with a doctor who was actually a real doctor, who was really called Doctor Susie, and that was really her surgery. And the first time Mia and I met her was when the cameras were rolling and we walked into that room, so it was a really real visceral experience for both of us.

“But when she says, I’m going to get a referral to CAMHS [children and adolescent mental health services], my character says ‘I don’t know what that is’ – because some people don’t know.

“I think giving that little bit of education, throwing things into the conversation and hopefully making people feel as though they aren’t alone – this is a story that resonates, [parents] are sick of their children being obsessed and addicted to their phones, and at the same time, not knowing how to handle it.”

In developing this story and producing her hit drama Mare of Easttown, Winslet seems to be prioritising her career away from the camera as much as her acting.

“As a woman in her 40s, often women think this is the time when we kind of start to fade and decline a little bit – NO, you become more woman, more powerful, more important, your voice is stronger – get out there and use it…

“It’s a completely different ballgame because you’re constantly juggling everything, being aware of what’s going on, on set all the time and making sure everyone’s happy, as well as playing the character and raising the financing – it’s a lot, but the sense of achievement is enormous and always wanting to tell stories with a degree of integrity and certainly truth to me is absolutely paramount.”

I Am Ruth airs on Channel 4 later and will be available on catch up service All4

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Kneecap release new single ahead of Wide Awake headline show

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Kneecap release new single ahead of Wide Awake headline show

Kneecap have released a new single ahead of their headline performance at London’s Wide Awake festival, just days after one of their members was charged with a terror offence.

The rap trio from Belfast shared a link to the song – The Recap – which opens with Sky News presenter Wilfred Frost reporting about the counter terrorism police investigation – on Instagram, linking to their WhatsApp channel.

Kneecap performing in Belfast last year. Pic: PA
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Kneecap performing in Belfast last year. Pic: PA

Bandmembers Liam O hAnnaidh, Naoise O Caireallain and JJ O Dochartaigh, also thanked the 25,000 fans who had bought tickets for Friday night’s festival.

They also reference Conservative Party leader Kemi Badenoch, with whom they’ve had previous run-ins, writing: “Kemi Badenoch you might wanna sit down for this one, if you’ve any seats left.”

Last year, Kneecap won a discrimination case against the UK government in Belfast High Court after former business secretary Ms Badenoch tried to refuse them a £14,250 funding award when she was a minister.

Ms Badenoch has called for Kneecap to be banned and suggested they should be dropped from the Glastonbury Festival line-up. Some other politicians have made the same demand.

The track mocks Badenoch’s attempts to block their arts funding and the Conservative Party’s election loss. It features DJ Mozey.

It comes after O hAnnaidh, who performs under the stage name Mo Chara, was charged over the alleged display of a Hezbollah flag at a gig at the O2 Forum in Kentish Town, north London, in November last year, the Metropolitan Police said on Wednesday.

On Thursday, the band held a surprise gig at the 100 Club on Oxford Street, where O hAnnaidh could be seen in videos on social media arriving on stage with tape covering his mouth.

He then joked about being careful about what he said, adding that he wanted to thank his lawyer, saying: “I need to thank my lawyer, he’s here tonight as well.”

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Stars talk about risks of speaking out

In video footage posted to YouTube, the band led the audience in a chant of “free Mo Chara” and joked about the police presence at the venue.

Police said they attended to manage visitors to the sold-out event.

The band said on X that the central London event sold out in 90 seconds, with 2,000 people on the waiting list.

O hAnnaidh, 27, is due to appear at Westminster Magistrates’ Court on 18 June.

Formed in 2017, the group are known for their provocative lyrics in both Irish and English and proved a critical hit in the 2024 semi-fictionalised band origin story movie Kneecap, starring actor Michael Fassbender.

Their best-known tracks include Get Your Brits Out, Better Way To Live, featuring Grian Chatten from Fontaines DC, and 3Cag.

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The ‘scary spotlight’ on music stars amid Kneecap terror charge

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The 'scary spotlight' on music stars amid Kneecap terror charge

Before the amps are even switched on in Brockwell Park, there’s been a lot of noise about who should or shouldn’t be performing.

It’s where Irish hip-hop trio Kneecap are set to play their first major show since band member Mo Chara was charged for allegedly displaying a flag in support of the terrorist group Hezbollah at one of their gigs.

Before that, there had been calls for festivals to reconsider booking the band over their political stances, and several have done, which prompted artists like Brian Eno, the Mystery Jets and CMAT to sign an open letter accusing Westminster and the British media of a campaign to “remove Kneecap from the public eye”.

They put their names to wording that said “in a democracy, no political figures… have the right to dictate who does and does not play at music festivals.”

The band have since claimed they’re the victims of “political policing” designed to silence their views on Gaza.

So what’s the reality like for artists who are outspoken at a time when the world is so divided?

As some of the biggest names in music gathered in London for the Ivors, an annual celebration of songwriting, Self-Esteem – aka Rebecca Lucy Taylor – said the level of scrutiny can be “terrifying”.

‘The problem with the internet’

She told Sky News: “The problem with the internet is you say one thing, which gets scrutinised, and then you shit yourself, you really do… then you’re advised not to. And then you’re like ‘don’t advise me not to!’

“You second-guess anything you want to say any more… but any time I do that, I think ‘well that’s why you’ve got to say it then’.”

She said it can be frustrating that focus turns on to pop stars’ opinions instead of “the people doing the bad things”.

Read more:
Why are Kneecap controversial?

Self-Esteem - aka Rebecca Lucy Taylor - spoke to Sky News about the topic.
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Self-Esteem, aka Rebecca Lucy Taylor

‘Being a pop artist isn’t just about the music’

Former Little Mix singer Jade said: “To be a pop artist these days, it’s not just about music, it’s: ‘What’s your political stance?’

“I’ve always been quite vocal about those things, but in doing so you have even more of a scary spotlight on you, constantly assessing what your thoughts are as a human…it is scary.”

Trinidad-born London artist Berwyn, whose songs depict his struggles with UK immigration, says: “Silencing freedom of speech… is a road we don’t want to walk down.

“I’m not a politician, this is a very complicated issue, but I do absolutely believe in a human’s right to express themselves freely.”

But is that freedom of speech dependent on what side you’re coming from?

Berwyn speaking to Sky News
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Berwyn speaking to Sky News

‘Unethical investments’

Soon, an event called Mighty Hoopla will take place at Brockwell Park as part of its programme of six festivals this summer.

Artists performing at that are coming under increased pressure from pro-Palestine groups to quit because it’s owned by a company called Superstruct, which has links to an American investment firm called KKR.

Critics argue that any KKR-affiliated events should be a red flag to artists as campaigners claim it “invests billions of pounds in companies” that do things like “develop Israeli underground data centres”, and they say it has shares in companies that “advertise property on illegally occupied land in the West Bank”.

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Mighty Hoopla itself has said while it “cannot control investments made in our parent companies”, it wants to “state its clear opposition to KKR’s unethical investments”.

And Superstruct – which puts on over 80 festivals around the world – says while horrified by the crisis in Gaza: “We are aware that there is a significant amount of debate… around our festivals.

“Our owners, made up of our promoters and several investment firms, support us to achieve the highest standards… fans and artists rightly expect.”

They insist that operationally, Superstruct is independently run and all its “revenue and profits… remains entirely within our business… towards the ongoing development… of our festivals.”

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Even deciding where to perform can have political connotations for musicians these days.

As Tom Gray, a founding member of the rock band Gomez, now chair of the Ivors, explains: “The amount of commercial interest required to get a young artist into the public eye means they have to keep their head down a lot and that’s a terrible shame.

“It’s not just artistic expression, but personal human expression is one of the fundamental things that allows people to feel they have agency.”

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Kid Cudi says Sean ‘Diddy’ Combs broke into his house and ‘messed with his dog’

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Kid Cudi says Sean 'Diddy' Combs broke into his house and 'messed with his dog'

Kid Cudi has told a court Sean “Diddy” Combs broke into his home, “messed with” his dog and opened some of his Christmas presents during a break-in in December 2011.

The 41-year-old rapper was giving evidence on day nine of the trial, after briefly dating Diddy’s former girlfriend Cassie the same year.

Cassie and Diddy dated for 11 years, from 2007 to 2018, and Cassie has testified the rapper physically abused her during most of their relationship.

Cudi described Cassie phoning him early one morning, sounding “stressed, nervous and scared”, telling him Diddy had “found out about us”.

He said Diddy later called him from his home and told him, “I’m here waiting for you”.

After dropping Cassie at a West Hollywood hotel, Cudi said he returned to his home and found no one there, but said his dog had been locked in the bathroom.

He described his pet later becoming “jittery and on edge all the time”.

He also said someone had opened Christmas presents he’d bought for his family.

While Cudi, whose real name is Scott Mescudi, said he initially wanted “to fight” Diddy, he later thought through “the reality of the situation,” and called the police to report the break-in.

Earlier this week, Cassie finished giving four days of evidence, becoming emotional at times, and testifying that Combs had threatened to blow up Cudi’s car and hurt him after he learned she was dating him by looking at messages on her phone during a “freak off”.

Prosecutors say Combs, the founder of Bad Boy Records, forced women to take part in days-long, drug-fuelled sexual performances known as “Freak Offs” from 2004 to 2024, facilitated by his large retinue of staff.

Combs, 55, has pleaded not guilty.

The rapper faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.

Diddy and Cassie on a red carpet in 2016. Pic: zz/JMA/STAR MAX/IPx/AP
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Diddy and Cassie on a red carpet in 2016. Pic: zz/JMA/STAR MAX/IPx/AP

Sean ‘Diddy’ Combs trial: Day 9 – As it happened

The month after the break-in, Cudi’s Porsche was firebombed in his drive, with a hole cut into the roof and a Molotov cocktail dropped into the driver’s seat.

Cudi said he realised he had to talk to Diddy, before things “got out of hand,” meeting up with Diddy, who he said was weirdly “calm” and staring out the window with his hands behind his back “like a Marvel super villain”.

Cudi says Diddy told him he had still been dating Cassie during his relationship with her, with Cudi replying: “[Cassie] told me you were broke up and I took her word for it.”

Shaking hands at the end of the conversation, Cudi said he asked Diddy about “burning” his car, and Diddy replied, “I don’t know what you’re talking about”. Cudi later said he believed that to be a lie.

Cudi says he saw Diddy once a few years later at Soho House in Los Angeles with his daughter, and Diddy told him: “Man, I just want to apologise for all that bullshit”.

Sean "Diddy" Combs listens as George Kaplan (not seen) testifies at Combs' sex trafficking trial in New York City, New York, U.S., May 21, 2025 in this courtroom sketch. REUTERS/Jane Rosenberg
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Diddy sketched in court while listening to Kaplan’s testimony. Pic: Reuters/Jane Rosenberg

Read more:
Everything you need to know about the Sean Combs trial
The rise and fall of Sean ‘Diddy’ Combs

During his cross-examination, the defence suggested Cassie had been “living two different lives”, and “played” both Cudi and Combs.

Cudi concluded his time on the stand, saying his relationship with Cassie ended because he wanted “to give her space” and “the drama was too out of hand”.

Celebrity make-up artist Mylah Morales also gave evidence, describing a fight between Cassie and Diddy in 2010, which she says left Cassie with a “swollen eye, busted lip, and knots on her head”.

Former make up artist for Cassie Ventura, Mylah Morales testifies on the witness stand during Sean "Diddy" Combs' sex trafficking and racketeering trial in Manhattan federal court,Thursday, May 22, 2025, in New York. (Elizabeth Williams via AP)
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Celebrity make-up artist Mylah Morales. Pic: AP

Morales said while she had heard the row, she hadn’t physically seen it as she wasn’t in the room.

She told the court, “I feared for my life”, explaining that she took Cassie to her apartment for several days to recover, but that Cassie refused to go to hospital as she was afraid of Diddy’s reaction.

The defence attempted to damage Morales’s credibility by listing her TV appearances, which included programmes on CNN, and with Don Lemon and Piers Morgan, attempting to paint her as attention-seeking.

The day also saw Combs’s former assistant George Kaplan complete his testimony.

George Kaplan leaves Federal Court after testifying at the trial of Sean "Diddy" Combs, in New York, Thursday, May 22, 2025. (AP Photo/Richard Drew)
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George Kaplan, former assistant to Combs. Pic: AP

He talked about two occasions when he had been asked to carry cash for Diddy, who he said never paid for things himself in the moment, recalling one time in 2015 when he looked after $50,000, and another when he was asked to pick up $10,000.

Kaplan described seeing “regular” physical violence between Cassie and Diddy, including an incident in 2015 with whisky glasses on a private plane, when he heard glass breaking and saw Diddy standing over Cassie in the plane’s central aisle.

He says he also saw Diddy hurling “decorative apples” at another of his girlfriends, Gina, late the same year, handing in his notice the following month.

Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious BIG and Usher into household names, elevating hip-hop in American culture and becoming a billionaire in the process.

Diddy has been held in the Metropolitan Detention Center in Brooklyn since September and faces at least 15 years or possibly life in prison if convicted.

The trial is set to last for around six weeks in total and will go into its third week next week.

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