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In Kate Winslet’s new film, she stars as the mother of a teenage girl – played by her own daughter Mia Threapleton – who is struggling with issues related to what seems to be an addiction to her mobile phone.

I Am Ruth is part of Channel 4‘s I Am series – a female-led drama anthology of standalone programmes, developed and written by director Dominic Savage in collaboration with the leading actress in each film.

The subject matter of Winslet‘s is particularly prescient right now, with the controversial Online Safety Bill making headlines as it goes through parliament. It is aimed at protecting youngsters in the wake of the deaths of teenagers including Molly Russell, who died after viewing suicide and self-harm content in 2017.

Kate Winslet and her daughter Mia Threapleton star in I Am Ruth. Pic: Channel 4
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Pic: Channel 4

Like all parents, the Oscar-winning star worries about her own children’s relationship with technology.

“We all do – my youngest is about to turn nine and I do worry,” she told Sky News. “But it’s very, very hard, isn’t it, as a parent? Saying ‘No, you can’t have that, hey, stop looking at that, don’t look at it’ – because we’re doing it.

“Social media has always worried me – I think that there are extraordinary benefits to it for some people, but you have to be quite robust, I think, to know how to use it wisely and carefully.”

Winslet believes the pandemic exacerbated issues that already existed for children.

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“Young people, I think especially because of COVID, it just got really out of control – loneliness and insecurity and just building a basic level of self-esteem for so many of these children. During COVID that self-esteem they were sort of searching for almost online in some way, and that’s desperately sad.

“And I think that everyone in some way can resonate with that story, and that idea resonates with most parents today who have teenagers – it’s incredibly hard.”

Read more:
Friend of 14-year-old who died from self-harm hits out at social media
Online safety bill might not be too little, but it is certainly too late

Kate Winslet stars in I Am Ruth. Pic: Channel 4
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Pic: Channel 4

‘None of us as parents have a manual’

I Am Ruth sees Winslet’s character, Ruth, clearly unprepared for how to deal with her daughter as she withdraws, refusing to speak to her mother or arguing with her on the rare occasions she does leave her bedroom.

The actress hopes viewers might recognise aspects of the characters or what they’re going through. “It’s important to me to create space for people to talk about things that are really uncomfortable,” she said.

“Sometimes I am aware that being a little bit in the public eye and being someone who does have a little bit of a history with hopefully inspiring women and making women feel celebrated and seen and part of a wider conversation, I was aware that in doing something like this, we had to really get it right because hopefully people will watch and will listen and will feel that they can start to open up and have those conversations.

“So I definitely felt the responsibility. It was never a burden, but I just felt that we’ve really got to get this right. Like how the character looks, for example, we could not dress her up at all, we had to go very much the opposite.

“And also setting this in a middle-class world was really important to me – I said to Dominic [Savage], we can only do this if we don’t set it in a lower socioeconomic environment because I feel that often when stories like that are told on television or on film, that typically they are set in a more lower-class environment and I don’t think that’s right, and I don’t think that’s accurate in terms of now.

“I think it is the middle classes who are struggling and coming across these issues and I think it’s taking their breath away and none of us as parents have a manual. Sometimes we do look our children in the eye and just think, ‘oh, my God, I don’t know what to do’.”

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Kate Winslet was named best actress in a limited or anthology series at the 2021 Emmy Awards. Pic: AP
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Winslet won an Emmy in 2021 for her performance in the hit series Mare Of Easttown. Pic: AP

‘We know how to push each other’s buttons’

The film was built around improvisation; the actors discussed scenes before filming but there was no exacting script. With Winslet and her daughter acting together, she says there were times when the fictional story tipped over into reality.

“There was always going to be an inevitable area of crossover just because we’ve all gone through something with our children. And obviously, when you put Mia and I together, we know how to push each other’s buttons and are not afraid to raise our voice to one another, even though it’s a really uncomfortable thing to do.”

The lines between reality and drama were also blurred in other parts of the production, giving the film a unique authenticity.

“There’s a scene in I Am Ruth when we sit down with a doctor who was actually a real doctor, who was really called Doctor Susie, and that was really her surgery. And the first time Mia and I met her was when the cameras were rolling and we walked into that room, so it was a really real visceral experience for both of us.

“But when she says, I’m going to get a referral to CAMHS [children and adolescent mental health services], my character says ‘I don’t know what that is’ – because some people don’t know.

“I think giving that little bit of education, throwing things into the conversation and hopefully making people feel as though they aren’t alone – this is a story that resonates, [parents] are sick of their children being obsessed and addicted to their phones, and at the same time, not knowing how to handle it.”

In developing this story and producing her hit drama Mare of Easttown, Winslet seems to be prioritising her career away from the camera as much as her acting.

“As a woman in her 40s, often women think this is the time when we kind of start to fade and decline a little bit – NO, you become more woman, more powerful, more important, your voice is stronger – get out there and use it…

“It’s a completely different ballgame because you’re constantly juggling everything, being aware of what’s going on, on set all the time and making sure everyone’s happy, as well as playing the character and raising the financing – it’s a lot, but the sense of achievement is enormous and always wanting to tell stories with a degree of integrity and certainly truth to me is absolutely paramount.”

I Am Ruth airs on Channel 4 later and will be available on catch up service All4

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Black Sabbath, Elton John and Rod Stewart among music giants paying tribute to Ozzy Osbourne

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Black Sabbath, Elton John and Rod Stewart among music giants paying tribute to Ozzy Osbourne

Black Sabbath have paid tribute to their former frontman Ozzy Osbourne after the megastar died at the age of 76.

Osbourne’s death on Tuesday morning was announced in a statement, which said he died surrounded by his family.

His death came just weeks after he reunited with his Black Sabbath bandmates – Tony Iommi, Terence “Geezer” Butler and Bill Ward – and performed a huge farewell concert for fans.

The band paid tribute to him on Instagram by sharing an image of Osbourne on stage at the farewell gig in Birmingham and writing “Ozzy Forever”.

Ozzy Osbourne’s life in pictures

Iommi, the band’s lead guitarist, said he was in disbelief at the news.

“It’s just such heartbreaking news that I can’t really find the words, there won’t ever be another like him. Geezer, Bill and myself have lost our brother.”

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Watch: Ozzy’s last concert

Butler, Black Sabbath’s bassist and primary lyricist, thanked Osbourne for “all those years – we had some great fun”.

He said: “Four kids from Aston – who’d have thought, eh? So glad we got to do it one last time, back in Aston. Love you.”

Ozzy Osbourne salutes the crowd with his wife Sharon during the 46th Annual Grammy Awards. Pic: AP
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Osbourne with his wife Sharon during the 46th Annual Grammy Awards. Pic: AP

Sir Elton John described Osbourne as his “dear friend” and a “huge trailblazer” who “secured his place in the pantheon of rock gods”.

“He was also one of the funniest people I’ve ever met,” the singer wrote on Instagram.

Ronnie Wood, of The Rolling Stones, wrote: “I am so very sad to hear of the death of Ozzy Osbourne. What a lovely goodbye concert he had at Back To The Beginning in Birmingham.”

Born John Michael Osbourne on 3 December 1948 in Aston, Birmingham, he became known as the godfather of heavy metal.

The self-styled Prince of Darkness pioneered the music genre with Black Sabbath before going on to have huge success in his own right.

He was famous for hits including Iron Man, Paranoid, War Pigs, Crazy Train and Changes, both with the band and as a solo star.

Legendary American heavy metal band Metallica shared an image of them with Osbourne from 1986 along with an emoji of a broken heart.

Posting on Instagram, Sir Rod Stewart said: “Sleep well, my friend. I’ll see you up there – later rather than sooner.”

Queen guitarist Sir Brian May said he was “grateful I was able to have a few quiet words” with Osbourne after his farewell show at Villa Park three weeks ago.

He said the world will miss the singer’s “unique presence and fearless talent”.

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Ozzy Osbourne obituary: Heavy metal, reality TV, and biting bats – the wild life of Birmingham’s Prince Of Darkness

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Ozzy Osbourne obituary: Heavy metal, reality TV, and biting bats – the wild life of Birmingham's Prince Of Darkness

“You’ve no idea how I feel – thank you from the bottom of my heart,” an emotional Ozzy Osbourne told fans as he performed from a throne on stage at his beloved Villa Park, reunited with Black Sabbath, less than three weeks ago.

It was an exit on his own terms by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries including Slayer, Metallica and Guns’n’Roses, all inspired by his music.

With Black Sabbath, Osbourne was at the forefront of heavy metal. As Ozzy, he was one of the biggest rock stars in the world. Nowhere was this more evident than at the Back To The Beginning in his home city, where 40,000 fans gathered to see the show billed as his “final bow”.

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Ozzy’s final show

“Without Sabbath, there would be no Metallica,” frontman James Hetfield told the crowd in Birmingham.

It was a sentiment echoed by many of the other acts who performed on stage. Announced by his wife Sharon earlier this year, the show was a chance for the performer to reunite with Black Sabbath and say thank you and farewell to fans after years of health problems, including Parkinson’s disease, which had forced him to cancel recent tour shows.

Other celebrities, from Sir Elton John to Dolly Parton, sent video messages of support. Fans knew it would be his last performance, but could not have known his death, at the age of 76, would come so soon.

It was a truly metal goodbye.

Pic: Everett/Shutterstock
BLACK SABBATH, Ozzy Osbourne (back centre), c 1970s
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Black Sabbath in the 1970s. Pic: Everett/Shutterstock

‘I think there’s a wild man in everybody’

John Michael Osbourne was born in Solihull in December 1948 and grew up in the Aston area of the West Midlands city.

As a teenager, he was bullied at school. Drink and drugs later became a way to escape his fears, he said in interviews, and after leaving school at 15, he worked several jobs, including labouring and in an abattoir.

It was hearing The Beatles, he said, that made him want to be a musician.

“I think there’s a wild man in everybody,” he says in a resurfaced interview clip. “Ozzy Osbourne and John Osbourne is two different people. John Osbourne is talking to you now.” His eyes widen a little manically, he grins, the voice cranks up. “But if you want to be Ozzy Osbourne, it’s like… it just takes over you.”

(L-R) Tony Iommi, Ozzy Osbourne and Geezer Butler of Black Sabbath pose with their award for Best Metal Performance at the 2014 Grammys
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(L-R) Tony Iommi, Ozzy Osbourne and Geezer Butler of Black Sabbath at the Grammys in 2014

In 1967, he was recruited to the band that two years later would become Black Sabbath, inspired by a film of the same title. This was a line-up of four working-class schoolfriends – Tony Iommi, Bill Ward and Geezer Butler, alongside Ozzy – who twisted heavy blues into something darker, creating a sound and otherworldly image that felt new, exciting and rebellious.

A self-titled debut album was released in 1970 and made the Top 10 in the UK. The follow-up, Paranoid, released just seven months later, topped the charts after the single of the same name became their big breakthrough. The album also included the unforgettable Iron Man and the anti-war protest song War Pigs – its unmistakeable riff inspiring the Arctic Monkeys’ 2014 single, Arabella.

Black Sabbath went on to release six more albums with Osbourne at the helm before he was fired in 1979 due to his drinking and substance use, something he claimed was no better or worse than other members at the time.

Ozzy Osbourne in 1978. Pic: Andrew Kent/Retna/Mediapunch/Shutterstock
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Osbourne in 1978. Pic: Andrew Kent/Retna/Mediapunch/Shutterstock

In 1980, he returned with his debut solo album, Blizzard Of Oz, and the lead single Crazy Train. As a solo artist, he went on to release 13 studio albums – the last being Patient Number 9, in 2022 – and had hits with songs including Mr Crowley, Diary Of A Madman, No More Tears, Bark At The Moon and Shot In The Dark.

His first UK number one was a re-recording of the Black Sabbath ballad Changes, as a duet with his daughter, Kelly, in 2003, and his collaborations over the years included everyone from Alice Cooper (Hey Stoopid in 1991) and Post Malone (Take What You Want in 2019) to, in a somewhat unusual move, Hollywood star Kim Basinger for a re-recording of the dance hit Shake Your Head by Was (Not Was) in 1992.

With Black Sabbath and as a solo star, he is estimated to have sold 100 million records throughout his career – for context, this is reportedly on a par with Sir Paul McCartney’s solo sales – so the numbers speak for themselves.

Kelly Osbourne, from left, Ozzy Osbourne, and Sharon Osbourne in 2020. Pic: AP
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With daughter Kelly Osbourne and wife Sharon in 2020. Pic: AP

Biting the bat

Osbourne was also a huge personality and played up to his hellraising image – the Prince of Darkness.

The most famous Ozzy story goes like this.

The singer was on stage in Des Moines, Iowa, 1982, when the bat appeared. He assumed it was a toy. So, like any good hellraiser would do, he bit its head off.

Pic: Chris Pizzello/Invision/AP
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Pic: Chris Pizzello/Invision/AP

For more than 40 years, he found himself jokily fielding questions about bats. What do they taste like? (Salty). What happened afterwards? (Headline news, painful rabies shots). Do you have any pets? (Yes. They’re all dead).
“I get a lot of weird people at my concerts,” he told David Letterman in 1982, of how the animal came to appear in front of him. “It’s rock ‘n’ roll, y’know”.

He was sometimes irritated by the bat connection. But he also played up to the image, recounting the story in interviews, offering plush bat toys among his merch, and appearing as himself, biting a bat, in the 2000 Adam Sandler comedy Little Nicky, about the son of Satan.

Known for catapulting raw meat at fans during gigs, there were plenty of other tales of darkness and debauchery. Osbourne’s wild persona and on-stage theatrics always went hand-in-hand with the music.

From Prince of Darkness to reality TV

He was famously managed by his wife, Sharon, whom he first met when her dad, Don Arden, was managing Black Sabbath. As well as the music, Sharon and Ozzy together founded the Ozzfest festival tours in 1996 – and in 2002 came his second act.

It’s hard to imagine it now, but before the perfectly coiffed Kardashians it was a scruffy 50-something rocker from Birmingham and his family who ruled the Hollywood reality TV scene. As with his music, he was a pioneer – this time round of a new era of addictive viewing.

The Osbournes followed the lives of Ozzy and Sharon and two of their children, Kelly and Jack (their eldest daughter, Aimee, famously had nothing to do with the show), and the family fallouts and sunny California culture clash proved to be a ratings winner. The MTV series catapulted the metal star to global mainstream celebrity heights.

His marriage to Sharon was tumultuous but the pair always stayed together, and they renewed their wedding vows in 2017. Sharon was the driving force behind Ozzy’s successes, to him eventually getting clean, and behind his farewell show.

Metallica frontman James Hetfield. Pic: Ross Halfin
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Metallica frontman James Hetfield was among those who paid tribute at his final gig earlier in July. Pic: Ross Halfin

Despite weathering the storm of drink and drug use, Osbourne’s air of indestructibility was challenged when a quad bike accident left him with a broken collar bone and ribs, as well as short-term memory loss, in 2003.

The 2020 documentary Biography: The Nine Lives Of Ozzy Osbourne, had summed up with its title the performer’s seeming ability to defy the odds. However, the health problems started to mount up. Scheduled tours were postponed, and in 2023 he told fans holding on to tickets that he had come to the realisation he was “not physically capable” of dealing with life on the road.

But there was one gig he couldn’t miss – a surprise appearance to close the Commonwealth Games in his home city in 2022, just weeks after undergoing surgery.

Now, fans will remember the shows they did get to see, the music that ushered in a new genre – and especially his most recent gig, which was said to have raised around £140m for charities. Just a few days afterwards, his new memoir, Last Rites, was announced. It will be released in October.

Ozzy Osbourne's star as he is inducted into the 'Birmingham Walk of Stars' on Broad Street in central Birmingham.
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Ozzy Osbourne’s star on the ‘Birmingham Walk of Stars’

During his career, Osbourne was inducted into the UK Music Hall of Fame and the US Rock And Roll Hall Of Fame – twice for both, with Black Sabbath and as a solo artist. “Countless artists from many genres have credited Ozzy as a major influence, including Metallica, Lita Ford, Rage Against The Machine, and Busta Rhymes,” reads his US citation. “With his longevity, impact, and iconic persona, Ozzy Osbourne is a phenomenon unlike any other.”

He also has a star on the Hollywood Walk Of Fame – as well as in Birmingham’s Broad Street – an Ivor Novello, and five Grammy wins from 12 nominations.

But other honours, such as the NME’s Godlike Genius award, and Classic Rock’s Living Legend, also give a sense of how much his personality played a part in why he is so beloved by fans and critics alike. In the Nine Lives documentary, daughter Kelly describes him as “the most irresistible mad man you will ever meet in your life”.

Osbourne’s was an unlikely journey from Birmingham to LA. He was a working-class hero of heavy metal, a reality TV favourite – forever the Prince of Darkness.

“People say to me, if you could do it all again, knowing what you know now, would you change anything?” he once said. “I’m like, f*** no… If I’d done normal, sensible things, I wouldn’t be Ozzy.”

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Christina Aguilera on bringing Burlesque to the stage and her rise to fame

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Christina Aguilera on bringing Burlesque to the stage and her rise to fame

Christina Aguilera has told Sky News it is “magical” to see her hit film Burlesque being brought to London’s West End – and also opened up about her rise to fame in the late 1990s.

The US star topped the US and UK charts with Genie In A Bottle in 1999, before finding an even bigger audience with her acclaimed album Stripped and hits including Dirrty, Beautiful and Fighter in the early 2000s.

Christina Aguilera is a producer for the stage adaptation of Burlesque. Pic: Hayden Coens @daydreamsmedia
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Christina Aguilera is a producer for the stage adaptation of Burlesque. Pic: Hayden Coens @daydreamsmedia

In 2010, she starred in Burlesque alongside Cher, Julianne Hough and Stanley Tucci, and now, 15 years later, is a producer for the stage version of the show alongside the film’s original director and writer, Steven Antin.

Speaking ahead of the show’s gala night, Aguilera told Sky News presenter Leah Boleto she has enjoyed taking a backseat and seeing the fresh interpretation of her character – a small-town girl turned into a star.

Christina Aguilera is a producer for the stage adaptation of Burlesque The Musical, on at London's Savoy Theatre. Pic: Pamela Raith
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Burlesque The Musical. Pic: Pamela Raith Photography

“It’s just so beautiful to see the talent that’s on this stage and to absorb it and appreciate the fresh takes on things,” she said. “I love actually taking a step back and a backseat… it’s beautiful to see the reinvention.

“When you’re in it, you focus on the choreography, all these different elements, that being able to take a backseat and being more of a visionary of the bigger picture, it’s really a special thing.”

Aguilera said she had been “blown away” by Jess Folley, who plays her character Ali in the show, and has fully embraced the “powerhouse vocals” as well as the vulnerability needed for the role.

“She just is doing such a magnificent, magnificent job and likewise inspires me as well,” she said.

Jess Folley stars in Burlesque The Musical. Pic: Pamela Raith Photography
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Jess Folley stars as Ali, the role originally played by Aguilera, in Burlesque The Musical. Pic: Pamela Raith Photography

Aguilera said she would love to see her film co-star Cher popping by to see the show in London.

“She’s always welcome to grace us with her incredible, iconic presence. And I’m just so grateful that I had the time to be with her. I mean, looking back, it’s just – did that even happen?”

Aguilera arrived on the scene at the same time as Britney Spears, at a time when young female pop stars were celebrated, sexualised and scrutinised.

After the success of her debut album, she took a different direction with Stripped – embracing her sexuality and famously taking on a less girlish image with chaps, a nose stud and black streaks in her hair for the Dirrty video, and opening up about her life and emotions through songs such as Fighter and Beautiful.

Christina Aguilera at the MTV Video Awards in New York in 2002. Pic: Star Max via AP Images
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Aguilera at the MTV Video Awards in New York in 2002. Pic: Star Max via AP Images

She also took on the patriarchy in Can’t Hold Us Down, a duet with Lil’ Kim, and performed on the hit cover of Lady Marmalade alongside Lil’ Kim, Maya and Pink for Moulin Rouge!

“I always want to stay true to authenticity,” she said. “And for me, with that first album it was wonderful to get my foot in the door…

“It’s important to me that I stepped out on my own and reflected all sides of me as a woman, embracing my sexuality and sensuality, and my body… Dirrty, I just loved those chaps and everything about that was just so fun and raw.”

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So would she do it all again, then? Or would she prefer to be an artist starting out now?

“The ’90s, it was a pretty special time in music. And it was a time when you could still like go to Virgin records or like wherever and look at the CDs, look at the packaging. And, you know, sometimes the authenticity is missed.”

However, the good thing about social media now is that it has given stars the means to tell their own stories, she adds. “You have an opportunity now to really present yourself in ways that it’s not just about the music, to become more the narrator in real time… this is what it is like, be your own voice rather than reading about yourself in an article.”

But still, she wouldn’t swap. “It has to stay where it was.”

Burlesque The Musical is showing at The Savoy theatre in London now

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