Kate Winslet on I Am Ruth and how film explores teenage phone addiction: ‘Social media has always worried me’
In Kate Winslet’s new film, she stars as the mother of a teenage girl – played by her own daughter Mia Threapleton – who is struggling with issues related to what seems to be an addiction to her mobile phone.
I Am Ruth is part of Channel 4‘s I Am series – a female-led drama anthology of standalone programmes, developed and written by director Dominic Savage in collaboration with the leading actress in each film.
The subject matter of Winslet‘s is particularly prescient right now, with the controversial Online Safety Bill making headlines as it goes through parliament. It is aimed at protecting youngsters in the wake of the deaths of teenagers including Molly Russell, who died after viewing suicide and self-harm content in 2017.
Pic: Channel 4
Like all parents, the Oscar-winning star worries about her own children’s relationship with technology.
“We all do – my youngest is about to turn nine and I do worry,” she told Sky News. “But it’s very, very hard, isn’t it, as a parent? Saying ‘No, you can’t have that, hey, stop looking at that, don’t look at it’ – because we’re doing it.
“Social media has always worried me – I think that there are extraordinary benefits to it for some people, but you have to be quite robust, I think, to know how to use it wisely and carefully.”
Winslet believes the pandemic exacerbated issues that already existed for children.
“Young people, I think especially because of COVID, it just got really out of control – loneliness and insecurity and just building a basic level of self-esteem for so many of these children. During COVID that self-esteem they were sort of searching for almost online in some way, and that’s desperately sad.
“And I think that everyone in some way can resonate with that story, and that idea resonates with most parents today who have teenagers – it’s incredibly hard.”
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Pic: Channel 4
‘None of us as parents have a manual’
I Am Ruth sees Winslet’s character, Ruth, clearly unprepared for how to deal with her daughter as she withdraws, refusing to speak to her mother or arguing with her on the rare occasions she does leave her bedroom.
The actress hopes viewers might recognise aspects of the characters or what they’re going through. “It’s important to me to create space for people to talk about things that are really uncomfortable,” she said.
“Sometimes I am aware that being a little bit in the public eye and being someone who does have a little bit of a history with hopefully inspiring women and making women feel celebrated and seen and part of a wider conversation, I was aware that in doing something like this, we had to really get it right because hopefully people will watch and will listen and will feel that they can start to open up and have those conversations.
“So I definitely felt the responsibility. It was never a burden, but I just felt that we’ve really got to get this right. Like how the character looks, for example, we could not dress her up at all, we had to go very much the opposite.
“And also setting this in a middle-class world was really important to me – I said to Dominic [Savage], we can only do this if we don’t set it in a lower socioeconomic environment because I feel that often when stories like that are told on television or on film, that typically they are set in a more lower-class environment and I don’t think that’s right, and I don’t think that’s accurate in terms of now.
“I think it is the middle classes who are struggling and coming across these issues and I think it’s taking their breath away and none of us as parents have a manual. Sometimes we do look our children in the eye and just think, ‘oh, my God, I don’t know what to do’.”
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Winslet won an Emmy in 2021 for her performance in the hit series Mare Of Easttown. Pic: AP
‘We know how to push each other’s buttons’
The film was built around improvisation; the actors discussed scenes before filming but there was no exacting script. With Winslet and her daughter acting together, she says there were times when the fictional story tipped over into reality.
“There was always going to be an inevitable area of crossover just because we’ve all gone through something with our children. And obviously, when you put Mia and I together, we know how to push each other’s buttons and are not afraid to raise our voice to one another, even though it’s a really uncomfortable thing to do.”
The lines between reality and drama were also blurred in other parts of the production, giving the film a unique authenticity.
“There’s a scene in I Am Ruth when we sit down with a doctor who was actually a real doctor, who was really called Doctor Susie, and that was really her surgery. And the first time Mia and I met her was when the cameras were rolling and we walked into that room, so it was a really real visceral experience for both of us.
“But when she says, I’m going to get a referral to CAMHS [children and adolescent mental health services], my character says ‘I don’t know what that is’ – because some people don’t know.
“I think giving that little bit of education, throwing things into the conversation and hopefully making people feel as though they aren’t alone – this is a story that resonates, [parents] are sick of their children being obsessed and addicted to their phones, and at the same time, not knowing how to handle it.”
In developing this story and producing her hit drama Mare of Easttown, Winslet seems to be prioritising her career away from the camera as much as her acting.
“As a woman in her 40s, often women think this is the time when we kind of start to fade and decline a little bit – NO, you become more woman, more powerful, more important, your voice is stronger – get out there and use it…
“It’s a completely different ballgame because you’re constantly juggling everything, being aware of what’s going on, on set all the time and making sure everyone’s happy, as well as playing the character and raising the financing – it’s a lot, but the sense of achievement is enormous and always wanting to tell stories with a degree of integrity and certainly truth to me is absolutely paramount.”
I Am Ruth airs on Channel 4 later and will be available on catch up service All4
Entertainment
Denis Villeneuve: Director of next James Bond film announced – and says he’s a ‘diehard 007 fan’
The director of the next James Bond film has been announced.
Denis Villeneuve – a four-time Academy Award nominee who earned critical acclaim for the Dune Franchise and Blade Runner 2049 – said the role is a “massive responsibility”.
The Canadian filmmaker described himself as a “diehard” fan since childhood, adding that it is a “huge honour” to come on board.
“Some of my earliest movie-going memories are connected to 007. I grew up watching James Bond films with my father, ever since Dr No with Sean Connery,” Villeneuve said.
Sean Connery as James Bond. Pic: The Legacy Collection/THA/Shutterstock 1963
Reassuring fans, the director continued: “To me, he’s sacred territory. I intend to honour the tradition and open the path for many new missions to come.”
His appointment comes as the British spy franchise experiences a major overhaul, with Barbara Broccoli and Michael G Wilson handing over creative control to Amazon MGM Studios.
Daniel Craig as James Bond in Spectre. Pic: Columbia/Eon/Shutterstock
The Broccoli family have long been the force behind the Bond films, and now co-own the intellectual property.
Two recently appointed producers – Spider-Man’s Amy Pascal and Harry Potter’s David Heyman – said securing a director and developing a screenplay were top priorities before deciding who would succeed Daniel Craig in the role.
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Denis Villeneuve. Pic: Reuters
The head of Amazon MGM Studios, Mike Hopkins, described Villeneuve as a “cinematic master whose filmography speaks for itself”.
He added: “Denis has delivered compelling worlds, dynamic visuals, complex characters, and – most importantly – the immersive storytelling that global audiences yearn to experience in theatres.
“James Bond is in the hands of one of today’s greatest filmmakers and we cannot wait to get started on 007’s next adventure.”
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‘We watched Gavin And Stacey on repeat’: Richard E Grant goes on ’emotional’ tour in memory of his late wife
Prosecutors and defence lawyers have rested their cases in the sex-trafficking trial of Sean “Diddy” Combs, bringing more than six weeks of testimony against the hip-hop mogul to a close.
The high-profile trial has heard from more than 30 witnesses, including the rapper’s ex-girlfriend Cassie Ventura, as well as former employees of his company Bad Boy Entertainment, male escorts, law enforcement officers and hotel staff.
But one person jurors won’t hear from is Combs himself.
Confirming this to Judge Arun Subramanian, the rapper said he had discussed the issue of testifying “thoroughly” with his team and made the decision not to give evidence. He also thanked the judge and told him he was doing an “excellent job”.
Cassie Ventura was heavily pregnant when she testified at the start of the trial. Pic: Jane Rosenberg/ Reuters
After the prosecution rested, the defence team moved for the judge to acquit the 55-year-old – a fairly standard move – saying attorneys for the government had not provided evidence to prove any of the charges filed.
They then presented a brief case themselves, submitting more text messages as evidence to show Combs and his girlfriends were in loving, consensual relationships, and making a few stipulations about testimony, but calling no witnesses. This lasted for less than an hour.
They have previously conceded Combs has been violent in the past, something he is “not proud” of, but said this did not make him a sex trafficker.
Combs has remained in jail without bail since he was arrested in New York in September last year.
Throughout the trial, defence lawyers have made their case for exoneration through their questioning of witnesses called by the prosecution, including several who gave evidence reluctantly or after they were granted immunity to testify.
Prosecutors argue Combs coerced and forced Cassie and another former girlfriend, who testified under the pseudonym Jane, into “freak off” sex sessions with male escorts, and used his business empire to facilitate these, as well as drug use, and cover up bad behaviour.
Jurors have seen several clips of explicit footage. Pic: Jane Rosenberg/ Reuters
During the first week of the trial, Cassie, 38, spent four days giving evidence. Heavily pregnant at the time, she told jurors she felt pressured to take part in hundreds of “freak offs” with male sex workers as Combs watched.
She told the court they became so frequent during their relationship, which began in 2007 and ended in 2018, that they were “like a job”, and she had barely any time for her own career.
The singer and musician gave birth two weeks after her testimony, her friend and former stylist confirmed as he gave evidence himself in court.
Jane testified for six days about similar sexual performances, which Combs referred to as “hotel nights”, “wild king nights” or “debauchery” with her, the court heard. Like Cassie, she said she felt coerced into engaging in them because she loved the music star and wanted to please him.
Jane dated Combs on and off from early 2021 to his arrest in 2024.
Jurors have been shown several recordings of these sex sessions, lasting more than 40 minutes in total. The footage was shown on monitors and jurors used headphones, keeping it private from the media and members of the public in court.
In her opening statement, defence lawyer Teny Geragos called the videos “powerful evidence that the sexual conduct in this case was consensual and not based on coercion”.
Read more:
Everything you need to know about the trial
The rise and fall of Sean ‘Diddy’ Combs
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The trial also heard from Mia, another alleged victim who testified under a pseudonym. Mia was a former employee of Combs, who told the court he sexually assaulted her on several occasions in the years she worked for him.
She had never told anyone about the alleged abuse until the investigation into Combs, she said, telling the court she was ashamed. “I was going to die with this,” she said, becoming tearful on the stand. “I didn’t want anyone to know ever.”
The trial has been eventful, with one juror dismissed and replaced by an alternate after it emerged he had given conflicting evidence about where he lives. The judge said he had “serious concerns” that not being truthful about this could potentially mean he wanted to be on the jury for a particular reason.
And at one point, Combs was warned by the judge for nodding enthusiastically toward jurors during a section of cross-examination by his lawyers. The judge said he could be excluded from the trial if it happened again.
Court is not in session on Wednesday. The trial continues on Thursday, when closing statements from the legal teams will begin.
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