MP planning to bring forward legislation that could see Harry and Meghan stripped of royal titles
A Conservative MP says he is planning to bring forward legislation that could see the Duke and Duchess of Sussex stripped of their royal titles.
Isle of Wight MP Bob Seely said the short private members’ bill, which could be brought forward to the new year, would see MPs vote on a resolution that could give the Privy Council the power to downgrade the couple’s royal status.
It comes a day after the release of the couple’s “tell-all” documentary on Netflix, which has prompted anger from some royal fans.
Mr Seely said he had been thinking about the bill even before the documentary, saying there is a “political issue” with Harry’s comments, as he quit working as a senior royal more than two years ago.
He asked why Harry continued to use his title while “at the same time trash(ing) the institution of monarchy and his family”.
He told the PA news agency: “As well as trashing his family and monetising his misery for public consumption, he is also attacking some important institutions in this country.”
Meanwhile employment minister Guy Opperman told the BBC that the couple are “utterly irrelevant” to the progress of the UK and the Royal Family.
He said: “I think they are clearly a very troubled couple, which I think anybody looking at them can say is a sad state of affairs.
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Royal correspondent Laura Bundock looks at the Netflix documentary
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“That having been said, I agree that they are utterly irrelevant to this country and the progress of this country and the royal family that we all, I believe, support.”
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Meghan says ‘when family and family business are in direct conflict’.
In the documentary, Harry alleges the Royal Family has “unconscious bias”.
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King Charles avoids questions on Harry and Meghan’s Netflix docuseries
He says: “In this family, sometimes you are part of the problem rather than part of the solution. There is a huge level of unconscious bias.
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The Duke of Sussex says members of the Royal Family asked why the Duchess of Sussex should be ‘protected’
“The thing with unconscious bias, it is actually no one’s fault. But once it has been pointed out, or identified within yourself, you then need to make it right.”
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The series also uses footage from Princess Diana’s BBC Panorama interview, which Prince William has said should never be broadcast again.
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Sky’s Rhiannon Mills gives her analysis of Harry and Meghan’s docuseries
The Duke of Sussex appears to criticise the parenting he received from King Charles, saying he tried to cope with the loss of his mother, who died in a car crash in 1997, “without much support or help or guidance”.
He added that he was “literally brought up” by a “second family” of friends in Africa.
The Duke and Duchess signed lucrative deals with Netflix and Spotify – thought to be worth more than £100m – after deciding to quit the monarchy in early 2020.
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John David Washington says he felt like he had to conceal his desire to act because of the external expectations of him being the child of Denzel and Pauletta Washington.
He tells Sky News it took some time for him to pursue an acting career, choosing football instead to assert his “independence” and create his own “identity” separate from his famous family.
“I’ve been wanting to do this my whole life… but I was hiding it,” he said.
“I had to conceal that passion based on my relationship to the world and more specifically, my folks being in the industry, so I chose ball.
“I loved ball, but I was sort of hiding my love for the arts under a helmet – literally an American football helmet – and so when I wanted to become an actor, when I decided to pursue it, that was a big shock to some people.”
The 40-year-old actor says when he decided to pursue an acting career, he kept the decision quiet.
“Some people didn’t know I was even pursuing it professionally until I got a job,” he said.
John David with fellow actor Danielle Deadwyler. Pic: David Lee/ Netflix
Since switching to acting, John David has starred in a number of notable roles including the protagonist in Christopher Nolan’s Tenet, Ron Stallworth in BlacKkKlansman and Joshua in The Creator.
He also led the stage revival of the 2022 Tony-nominated play The Piano Lesson on Broadway alongside Samuel L Jackson.
“He [Jackson] originated the role [I play] in 1987 at Yale with Lloyd Richards and August Wilson,” John David said.
“So it was of great importance for us to learn from both he and Michael Potts about August Wilson. It was a great blessing for me, I think, for all of us to have him present on set.”
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The Piano Lesson is the third August Wilson play to be adapted for the screen by Denzel Washington’s production company Mundy Lane Entertainment.
It is part of a pledge made by the Gladiator II actor to make all 10 of the playwright’s works into films.
The Netflix project is directed by another Washington family member, Malcolm, and stars most of the cast from the Broadway revival.
The Piano Lesson is Malcolm Washington’s directorial debut. Pic: Katia Washington/ Netflix
Set in 1936 Pittsburgh in the aftermath of the Great Depression, the film centres on a family heirloom, a piano, that is etched with the carvings of their family history made by their enslaved ancestor.
Malcolm says he started reading the play for the first time during the pandemic and immediately wanted to be involved in the film adaptation.
“I think with this movie, reclamation of story and identity is so central to the theme and it’s something that’s central to my life where I both acknowledge the fertile ground that I was raised on and who I am today.
“That’s what Wining Boy [played by Michael Potts] really is trying to do, he’s trying to build on that legacy, so that’s a story that really resonated with me.”
The filmmaker added: “I take all the gifts that my ancestors laid in front of me, and I’m trying to build something for the next generation to pass down – all of their gifts, plus mine to the next generation and let them build on it.”
Malcolm has dedicated his directorial debut to his mother, Pauletta Washington. Pic: David Lee/Netflix
Malcolm says his goal was to put family at the forefront of the production. By dedicating his feature debut to “Mama”, he is acknowledging the dedication and sacrifices that mothers make for the growth of their families.
“There’s so much pointing to my mother in particular, who inspired this adaptation so much. I see so much of her life in Berniece’s character [played by Danielle Deadwyler] – and that became a guiding light for me in this adaptation,” he said.
“As we made this thing and started reconnecting with our ancestors, my mum became like a kind of representative of them.
“She’s the matriarch of our family. She tells me about my grandparents and great-grandparents and the line that I come from, and I see them in her.
“And when the movie ends, I want people to kind of have that moment of reflection for their own lives. So in dedicating it to her, I was trying to dedicate it to all mums everywhere.”
The Piano Lesson is now available on Netflix.
Blockbuster Wicked has landed the largest opening weekend of 2024 at Vue International.
The film, starring Oscar-nominated actress Cynthia Erivo and Grammy-winning pop star Ariana Grande as Elphaba and Glinda, surpassed both Gladiator II and Paddington In Peru.
It has also had the largest opening weekend for a stage musical adaptation in the cinema chain’s history.
A boss for Vue International said it had seen a “sea of pink and green” over the weekend.
Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film. Pic: PA
Pic: PA
Pic: PA
Released on Friday, Wicked is up 60% on Les Miserables’ opening weekend in 2012 and three times larger than the 2022 film adaptation of Matilda.
Founder and chief executive of Vue International Tim Richards said: “Vue has seen a sea of pink and green over the opening weekend of Wicked, which has shown continued high demand for the big screen experience.
“We saw record-breaking pre-sales for Wicked, followed by a chart-topping opening weekend – the biggest for 2024.”
The film is the first of two parts, with the second expected in November next year.
Wicked and Gladiator II – known together as Glicked – have reportedly failed to beat out Barbenheimer, Barbie and Oppenheimer, in its own opening weekend last summer.
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Glicked brought in £215m in worldwide ticket sales – with Wicked making the majority of that.
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