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Prince Harry has described the “feeding frenzy” surrounding his relationship with Meghan in the couple’s much-anticipated documentary series – with the duchess saying the press would always “find a way to destroy” her.

The first three episodes of the couple’s six-part Netflix series Harry & Meghan were released on Thursday morning, with the Royal Family no doubt braced for potential bombshell revelations as the tell-all take on royal life streams across the world.

Harry & Meghan – follow live updates as series airs around the world

Opening the series is a written statement, describing the show as a “first hand account of Harry & Meghan’s story told with never before seen personal archive”, and saying that members of the Royal Family declined to comment on its content. However, Sky News understands that no royals or palace households were approached about the documentary.

Key talking points from first three episodes:

  • ‘Hunter v prey’: Harry describes media ‘feeding frenzy’
  • Meghan: ‘No matter what I did, they were still going to find a way to destroy me’
  • Duchess reveals death threat while living in Toronto
  • ‘Rite of passage’: Royal Family allegedly dismissive of concerns
  • Couple reveal relationship started on Instagram
  • ‘One of biggest mistakes of my life’: Harry addresses wearing Nazi costume
  • Couple’s 2017 engagement interview was like ‘orchestrated reality show’

In the second episode, the Duke of Sussex talks about paparazzi interest in their relationship and social media harassment, and refers to his mother, Diana.

“To see another woman in my life, that I love, go through this feeding frenzy, that’s hard,” he says. “It is basically the hunter versus the prey.”

Car chases and disguises

Netflix series Harry & Meghan is promoted with a second trailer
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Pic: Netflix

Dating Meghan “became a combination of car chases, anti-surveillance driving and disguises, which isn’t a particularly healthy way to start a relationship but we always came at it with as much humour as possible”, he says.

“Whenever we saw each other we would give each other a massive hug and try and have as much of a normal life as possible.”

Meghan also describes paparazzi following her and how she received a death threat while she was in Toronto.

“I would say to the police, if any other woman in Toronto said to you I have six grown men who are sleeping in their cars around my house who follow me everywhere that I go and I feel scared, wouldn’t you say that it was stalking?

“And they said yes, but there’s really nothing we can do because of who you’re dating. I was like, so I’m just supposed to live like this? And then I got a death threat and things changed because I needed to have security.”

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In another clip, she says she was assured the press interest would die down after the couple got married.

“At that point I was still very much believing what I was being told which was, it’ll pass, it’ll get better, it’s just what they do right at the very beginning,” she says.

“But truth be told no matter how hard I tried, no matter how good I was, no matter what I did, they were still going to find a way to destroy me.”

‘The difference here is the race element’

Undated handout photo issued by Netflix of the Duke and Duchess of Sussex released for a new documentary called "Harry and Meghan" - the Sussexes' behind the scenes. The Duke and Duchess of Sussex's controversial documentary has aired on Netflix. The first three episodes of the six-part Harry & Meghan series began streaming at 8am on Thursday 
PIC:NETFLIX
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Pic: Netflix

Earlier on in the series, in the first episode, Harry speaks of his concerns for his family.

“It’s the nature of being born into [the Royal Family],” he says. “The level of hate that has been stirred up in the last three years, especially at my wife, and my son, I’m genuinely concerned for the safety of my family.”

He later speaks about the Royal Family’s response to his fears, saying some members of the family asked why the Duchess of Sussex should be “protected” when they questioned newspaper headlines about her.

Speaking in episode two, Harry says: “The direction from the Palace was don’t say anything.

“But what people need to understand is, as far as a lot of the family were concerned, everything that she was being put through, they had been put through as well.

“So it was almost like a rite of passage, and some of the members of the family were like ‘my wife had to go through that, so why should your girlfriend be treated any differently? Why should you get special treatment? Why should she be protected?'”

“I said: ‘The difference here is the race element’.”

Meeting through Instagram – and Meghan doing her ‘homework’

Harry and Meghan Netflix documentary trailer. Pic: Netflix
Image:
Pic: Netflix

As well as the heavier topics, the series also delves into how the couple met, and how Meghan, an actress at the time, shared the news with her family.

Her mother Doria Ragland recalls the moment she found out her daughter was dating royalty.

“She told me, ‘Mummy I’m going out with Prince Harry’, and I started whispering, ‘Oh my God’. She says, ‘you can’t tell anyone’, so from the beginning it was very sort of, ‘Oh my God, nobody can know’.”

Harry reveals they actually met through Instagram.

“I was just scrolling through my feed and someone who was a friend had this video of the two of them, like a Snapchat, with dog ears. That was the first thing – I was like, ‘who is THAT?!'”

Meghan says a friend emailed her to set them up, calling Harry “Prince Haz”. She did her “homework”, looking through his own Instagram feed, and was impressed by all his pictures of environmental shots and the time he spent in Africa, she says.

Earlier on in the series, Harry says they have both made sacrifices for their relationship.

“I think this love story’s just getting started,” he says. “She sacrificed everything that she ever knew, the freedom that she had, to join me in my world, and then pretty soon after that I ended up sacrificing everything that I know to join her in her world.”

‘I am my mother’s son’

Undated handout photo issued by Netflix of the Duke and Duchess of Sussex released for a new documentary called "Harry and Meghan" - the Sussexes' behind the scenes. The Duke and Duchess of Sussex's controversial documentary has aired on Netflix. The first three episodes of the six-part Harry & Meghan series began streaming at 8am on Thursday 
PIC:NETFLIX
Image:
Pic: Netflix

Speaking about his mother and seemingly referencing her marriage to Charles, he says: “I think for so many people in the family, especially the men, there could be a temptation or an urge to marry someone who would fit the mould as opposed to someone you are destined to be with.

“The difference between making a decision with your head or your heart. And my mum certainly made most of her decisions if not all of them from her heart. And I am my mother’s son.”

Harry also addresses the time he wore a Nazi costume to a private party in 2005. “It was probably one of the biggest mistakes of my life,” he says. “I felt so ashamed afterwards. All I wanted to do was make it right.

“I sat down and spoke to the chief rabbi in London, which had a profound impact on me. I went to Berlin and spoke to a holocaust survivor. I could have just ignored it and got on and probably made the same mistakes over and over again in my life, but I learnt from that.”

Harry and Meghan signed lucrative deals, thought to be worth more than £100 million, with Netflix and Spotify, after quitting as senior working royals in 2020 following family rifts and struggles with royal life.

Following their bombshell interview with Oprah Winfrey in 2021, this docuseries, directed by Oscar-nominated Liz Garbus, is billed as a Netflix global event, with Harry and Meghan sharing “the other side of their high-profile love story”.

However, the couple faced criticism even before the episodes were released as it emerged a photo and footage shown in two preview trailers, apparently to illustrate hounding by the paparazzi, were from events they were not associated with.

The first trailer included a photograph actually taken at a Harry Potter premiere, while the second included video footage from a Katie Price court hearing.

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UK content creators demand formal recognition from the government

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UK content creators demand formal recognition from the government

The UK’s YouTubers, TikTok creators and Instagram influencers have been surveyed en masse for the first time ever, and are demanding formal recognition from the government.

The creator economy in the UK is thought to employ around 45,000 people and contribute over £2bn to the country in one year alone, according to the new research by YouTube and Public First.

But, despite all that value, its workers say they feel underappreciated by the authorities.

Max Klyemenko, famous for his Career Ladder videos, wants the government to take creators like himself more seriously. Pic: Youtube
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Max Klyemenko, famous for his Career Ladder videos, wants the government to take creators like himself more seriously. Pic: Youtube

“If you look at the viewership, our channel is not too different from a big media company,” said Max Klymenko, a content creator with more than 10 million subscribers and half a billion monthly views on average.

“If you look at the relevancy, especially among young audiences, I will say that we are more relevant. That said, we don’t really get the same treatment,” he told Sky News.

Fifty-six per cent of the more than 10,000 creators surveyed said they do not think UK creators have a “voice in shaping government policies” that affect them.

Only 7% think they get enough support to access finance, while just 17% think there is enough training and skills development here in the UK.

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Nearly half think their value is not recognised by the broader creative industry.

The creative industries minister, Sir Chris Bryant, said the government “firmly recognises the integral role that creators play” in the UK’s creative industries and the fact that they help “to drive billions into the economy” and support more than 45,000 jobs.

“We understand more can be done to help creators reach their full potential, which is why we are backing them through our new Creative Industries Sector Plan,” he said.

Ben Woods said the government needs to "broaden its lens" to include creators
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Ben Woods said the government needs to “broaden its lens” to include creators

“The UK has got a fantastic history of supporting the creative industries,” said Ben Woods, a creator economy analyst, Midia Research who was not involved in the report.

“Whether you look at the film side, lots of blockbuster films are being shot here, or television, which is making waves on the global stage.

“But perhaps the government needs to broaden that lens a little bit to look at just what’s going on within the creator economy as well, because it is highly valuable, it’s where younger audiences are spending a lot of their time and [the UK is] really good at it.”

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According to YouTube, formal recognition would mean creators are factored into official economic impact data reporting, are represented on government creative bodies, and receive creator-specific guidance from HMRC on taxes and finances.

For some, financial guidance and clarity would be invaluable; the ‘creator’ job title seems to cause problems when applying for mortgages or bank loans.

Podcaster David Brown owns a recording studio for creators
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Podcaster David Brown owns a recording studio for creators

“It’s really difficult as a freelancer to get things like mortgages and bank accounts and credit and those types of things,” said podcaster David Brown, who owns a recording studio for creators.

“A lot of people make very good money doing it,” he told Sky News.

“They’re very well supported. They have a lot of cash flow, and they are successful at doing that job. It’s just the way society and banking and everything is set up. It makes it really difficult.”

The creative industries minister said he is committed to appointing a creative freelance champion and increasing support from the British Business Bank in order to “help creators thrive and drive even more growth in the sector”.

The government has already pledged to boost the UK’s creative industries, launching a plan to make the UK the number one destination for creative investment and promising an extra £14bn to the sector by 2035.

These influencers want to make sure they are recognised as part of that.

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Chief rabbi condemns BBC’s ‘mishandled response’ to anti-IDF chanting at Glastonbury – as band issues new statement

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Chief rabbi condemns BBC's 'mishandled response' to anti-IDF chanting at Glastonbury - as band issues new statement

The chief rabbi has described the BBC’s response to anti-IDF chanting at Glastonbury as “belated and mishandled” – as the rap duo involved, Bob Vylan, said the UK government needed to talk about its “criminal inaction”.

Sir Ephraim Mirvis said “vile Jew-hatred” had been aired at the Somerset music festival and it was a “time of national shame”.

Confidence in the BBC’s “ability to treat antisemitism seriously” has been brought to a “new low”, he said in a post on X, adding that “outright incitement to violence and hatred” appeared to be acceptable if it was couched as “edgy political commentary”.

Ordinary people had not only failed to see incitement “for what it is” but had cheered it, chanted it, and celebrated it, he said. “Toxic Jew-hatred is a threat to our entire society,” he added.

Bob Vylan, posting a new statement on Instagram on Tuesday, said they were “not for the death of Jews, Arabs or any other race or group of people”.

Rather, they said they were for the “dismantling of a violent military machine” – the Israel Defence Forces.

Bob Vylan chanted “death to the IDF” at Glastonbury. As many as 95% of the IDF are thought to be Jewish.

The group said it was a “distraction from the story” and that whatever “sanctions” it received sanctions it received would also be a distraction.

Their US visas have been revoked and United Talent Agency, their US representatives, have dropped them.

Bob Vylan with their MOBO award in London in November 2022. Pic: Reuters
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Bob Vylan with their MOBO award in London in November 2022. Pic: Reuters

Referring to the war in Gaza, they claimed the UK government does not want them to “ask why they remain silent in the face of this atrocity”, to “ask why they aren’t doing more to stop the killing” and to “feed the starving”.

They added: “The more time they talk about Bob Vylan, the less time they spend answering for their criminal inaction.

“We are being targeted for speaking up. We are not the first, we will not be the last, and if you care for the sanctity of human life and freedom of speech, we urge you to speak up, too.”

It has emerged that Tim Davie, the BBC’s director-general, was at Glastonbury when the duo led chants of “Death to the IDF”, which were broadcast live.

The prime minister’s spokesman, asked if the PM had confidence in Mr Davie, said Sir Keir Starmer has “confidence in the BBC”, adding: “The position of the director-general is a matter for the BBC’s board.”

Speaking in the Commons, Culture Secretary Lisa Nandy said “accountability” was important and it was something she had “impressed upon the BBC leadership”.

She added: “When you have one editorial failure, it’s something that must be gripped. When you have several, it becomes a problem of leadership.”

She said she’d called Mr Davie after Bob Vylan’s set had been broadcast to find out why it had aired, and why the feed had not been cut.

“I expect answers to these questions without delay,” she said.

Secretary of State for Culture, Media, and Sport Lisa Nandy arrives in Downing Street, London, for a Cabinet meeting. Picture date: Tuesday May 13, 2025.
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Lisa Nandy, the culture secretary, has claimed there is a ‘problem of leadership’ at the BBC. File pic: PA

Avon and Somerset Police has begun a criminal investigation and is reviewing footage of both Bob Vylan and Kneecap’s performances at Glastonbury.

The force said a senior detective had been appointed – and it had been contacted by people from around the world.

“We… recognise the strength of public feeling,” it said.

During Kneecap’s set, one member suggested starting a “riot” outside his bandmate’s forthcoming court appearance, before clarifying that he meant “support”.

Moglai Bap and Mo Chara of Kneecap perform at Glastonbury. Pic: Reuters
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Moglai Bap and Mo Chara of Kneecap performing at Glastonbury. Pic: Reuters

Bob Vylan’s US visas have been revoked. They had been due to go on tour.

US deputy secretary of state Christopher Landau said action had been taken “in light of their hateful tirade at Glastonbury, including leading the crowd in death chants”.

“Foreigners who glorify violence and hatred are not welcome visitors to our country,” he added.

Bob Vylan have also been dropped by United Talent Agency, their US representatives.

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During Bob Vylan’s set, the duo performed in front of a screen that showed several messages, including one that claimed Israel’s actions in Gaza amounted to “genocide”.

The war in Gaza began after Hamas militants attacked Israel on 7 October 2023 and killed 1,200 people and took about 250 hostage.

Israel’s offensive in Gaza has led to the deaths of more than 56,500 people, according to the Hamas-run health ministry, which does not differentiate between civilians and combatants.

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Media watchdog Ofcom has said the BBC “clearly has questions to answer” over the live stream from Glastonbury.

A BBC spokesperson said: “The director-general was informed of the incident after the performance and at that point he was clear it should not feature in any other Glastonbury coverage.”

The broadcaster respects freedom of expression but “stands firmly against incitement to violence”, they said.

They added: “The antisemitic sentiments expressed by Bob Vylan were utterly unacceptable and have no place on our airwaves…

“The team were dealing with a live situation, but with hindsight we should have pulled the stream during the performance. We regret this did not happen.”

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Criminal investigation launched into Glastonbury performances of Kneecap and Bob Vylan

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Criminal investigation launched into Glastonbury performances of Kneecap and Bob Vylan

A criminal investigation has been launched into the Glastonbury performances of Kneecap and Bob Vylan.

Police announced the decision on Monday afternoon after reviewing video footage and audio of both sets, which took place on Saturday.

It comes after the BBC said it regretted the decision not to pull the live stream for Bob Vylan’s Glastonbury performance, during which frontman Bobby Vylan shouted anti-IDF (Israel Defence Forces) chants.

The punk-rap duo have also had US visas revoked and been dropped by their US representative, United Talent Agency.

Later on Monday, as the story had made headlines throughout the day, drummer Bobbie Vylan released a video statement on Instagram, saying politicians who have spent time criticising the band should be “utterly ashamed” for giving “room” to this over other issues.

He also addressed what was said on stage, saying: “Regardless of how it was said, calling for an end to the slaughter of innocents is never wrong. To civilians of Israel, understand this anger is not directed at you, and don’t let your government persuade you that a call against an army is a call against the people.”

Moglai Bap and Mo Chara of Kneecap perform at Glastonbury. Pic: Reuters
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Moglai Bap and Mo Chara of Kneecap perform at Glastonbury. Pic: Reuters

In a statement, Avon and Somerset Police said that after reviewing footage of both performances, further enquiries are required and a criminal investigation is now being undertaken.

“A senior detective has been appointed to lead this investigation,” a spokesperson said. “This has been recorded as a public order incident at this time while our enquiries are at an early stage.”

The force said the investigation will be “evidence-led and will closely consider all appropriate legislation, including relating to hate crimes”.

“We have received a large amount of contact in relation to these events from people across the world and recognise the strength of public feeling,” it added. “There is absolutely no place in society for hate.”

What happened?

Bob Vylan performing on the West Holts Stage, during the Glastonbury Festival at Worthy Farm in Somerset. Yui Mok/PA Wire
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Bob Vylan performing on the West Holts Stage, during the Glastonbury Festival at Worthy Farm in Somerset. Yui Mok/PA Wire

During Bob Vylan’s set, the duo performed in front of a screen that showed several messages, including one that said Israel’s actions in Gaza amount to “genocide”.

Bobby Vylan also led chants of “death to the IDF”.

The set was live streamed by the BBC as part of its Glastonbury coverage, but has not been made available on demand.

Politicians including the prime minister have criticised the performance. Glastonbury organiser Emily Eavis said the chants “crossed a line” and that there was no place at the festival for “antisemitism, hate speech or incitement to violence”.

A BBC spokesperson said the broadcaster respected freedom of expression “but stands firmly against incitement to violence”.

They added: “The antisemitic sentiments expressed by Bob Vylan were utterly unacceptable and have no place on our airwaves…

“The team were dealing with a live situation, but with hindsight we should have pulled the stream during the performance. We regret this did not happen.”

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What’s the Glastonbury controversy?

Media watchdog Ofcom said it was in talks with the BBC and that the broadcaster “clearly has questions to answer” over the stream.

Irish-language rap trio Kneecap were on stage afterwards. Before their appearance at the festival, there had been calls for Glastonbury to remove them from the bill – as rapper Liam Og O hAnnaidh (who performs as Mo Chara) is facing a terror charge, accused of displaying a flag in support of the proscribed group Hezbollah at a gig in London last November.

Glastonbury organisers kept them on the line-up, but the BBC chose not to stream their set live. An edited version was later made available on demand.

On stage, the band led chants of “f*** Keir Starmer”.

O hAnnaidh’s bandmate Naoise O Caireallain (Moglai Bap) said they would “start a riot outside the courts” for O hAnnaidh’s next appearance, before clarifying: “No riots, just love and support, and support for Palestine.”

Hundreds of people turned out in protest for his first court appearance earlier this month.

After the police investigation was announced, Culture Secretary Lisa Nandy criticised the “appalling and unacceptable” scenes at Glastonbury and said the government would not tolerate antisemitism.

She said she had called BBC director-general Tim Davie after the broadcast of Bob Vylan’s set to find out why it had aired, and why the feed had not been cut.

“I expect answers to these questions without delay,” she said.

Ms Nandy said she had spoken to members of the Jewish community, including attendees at Glastonbury, who said they were concerned by imagery and slogans and ended up creating their own “safe space”.

Christopher Landau, the US deputy secretary of state, said the band had been banned from the US ahead of a tour later this year due to their “hateful tirade” at the festival.

Bob Vylan were set to perform in Chicago, Brooklyn and Philadelphia in the autumn. They are due to perform at Radar Festival in Manchester on Saturday and Boardmasters, a surfing and music festival in Newquay, Cornwall, in August.

Sharing a statement on Instagram after the Glastonbury set, Bobby Vylan said: “Teaching our children to speak up for the change they want and need is the only way that we make this world a better place.

“As we grow older and our fire starts to possibly dim under the suffocation of adult life and all its responsibilities, it is incredibly important that we encourage and inspire future generations to pick up the torch that was passed to us.”

The war in Gaza, which has continued for more than 18 months, began after Hamas militants launched attacks in Israel on 7 October 2023, killing 1,200 people and taking roughly 250 hostages.

More than 860 Israeli soldiers have been killed since the war began, more than 400 of them during the fighting in Gaza.

Israel’s offensive in Gaza has devastated the enclave and killed around 56,500 people, according to the Hamas-run health ministry, which does not differentiate between civilians and combatants, but says more than half of the dead are women and children.

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