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A new trailer for the final episodes of Harry and Meghan’s Netflix documentary series accuses the palace of “feeding” stories about the duchess to the press to avoid other “less favourable” stories from being published.

Ahead of the final three episodes of Harry & Meghan airing on Thursday morning, the streaming platform has published another look-ahead clip – this time featuring snippets of interviews with Meghan, her friend Lucy Fraser, and lawyer Jenny Afia.

Harry & Meghan. The Netflix Global event continues December 15.
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https://www.youtube.com/watch?v=f9WMpiH8qd8

Ms Afia, a partner at the media law firm Schillings, is first to be featured, speaking as footage of Buckingham Palace is shown.

“There was a real kind of war against Meghan and I’ve certainly seen evidence that there was negative briefing from the palace against Harry and Meghan to suit other people’s agendas,” she says.

The trailer moves on to Ms Fraser, who says: “Meg became this scapegoat for the palace, and so they would feed stories on her whether they were true or not, to avoid other less favourable stories being printed.”

“You would just see it play out,” Meghan then says herself. “Like, a story about someone in the family would pop up for a minute and they go, ‘gotta make that go away’.

“But there is real estate on a website home page, there is real estate there on a newspaper front cover, and something has to be filled in there about someone royal.”

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The trailer finishes with Ms Afia addressing the media attention on Meghan’s relationship with her father, Thomas Markle.

“This barrage of negative articles about the breakdown of the relationship with her father was the final straw in a campaign of negative nasty coverage about her,” she says.

Neither Kensington Palace, which represents the Prince and Princess of Wales, nor Buckingham Palace have commented on the series or the most recent trailer, despite the allegations.

Sky News understands palace officials are currently focused on the Princess of Wales’s carol service, which is due to be filmed at Westminster Abbey on Thursday and will aim to shine a light on a congregation of almost 2,000 people who have been helping their communities across the UK, as well as remembering the Queen’s legacy.

‘They were happy to lie to protect my brother’

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Harry: ‘They were happy to lie to protect my brother’

A previous teaser released at the beginning of the week featured Harry saying “they were happy to lie to protect my brother”, referring to Prince William, against images of Buckingham Palace and newspaper headlines including: ‘Queen orders a hard Megxit’.

The final three episodes will air a week after the first three were made available to stream across the world. In these first episodes, viewers heard from Harry and Meghan talking about the pressure they felt from media interest in their lives, and how they did not feel supported by the Royal Family.

The couple signed lucrative deals, thought to be worth more than £100m, with Netflix and Spotify after quitting as senior working royals in 2020.

Read more:
Harry and Meghan’s bombshell documentary airs
Key revelations from first episodes
Harry and Meghan’s series has a peculiar feature that raises a difficult question

After their bombshell interview with Oprah Winfrey in 2021, this docuseries, directed by Oscar-nominated Liz Garbus, has been billed as a Netflix global event, with Harry and Meghan sharing “the other side of their high-profile love story”.

However, they have faced criticism, with one Conservative MP planning to bring forward legislation that could see the pair stripped of their royal titles.

The documentary’s claim that the Royal Family was approached for comment about the series has also been disputed, with a palace source saying they were not.

It also emerged that a clip of one of the first trailers for the series, included to apparently illustrate paparazzi hounding the couple, was actually taken as Katie Price arrived at court last year, and that a photo of photographers with long lenses was taken at a Harry Potter premiere years before they met.

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
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Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
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Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
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Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
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Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
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Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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