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Prince Harry has said “you get used to lies” living in the Royal Family while Meghan discusses having suicidal thoughts, in the final episodes of their documentary series which have begun streaming across the world.

Palace aides will be preparing themselves for bombshells in the second part of Harry & Meghan, after a trailer included accusations that the royal household leaked negative stories as part of a “war against Meghan”.

In episode four, as shots of a walkabout by the couple in Liverpool are shown, Meghan tells how a group of women spoke to her about her father, following reports of the breakdown of their relationship in the press.

‘She never asked me to leave’, Harry says – live updates as final episodes drop

“It was the first time that I went, ‘Oh my God, people actually believe that stuff’, and then my entire centre was rocked to its core,” she says.

Harry & Meghan. The Netflix Global event continues December 15.
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https://www.youtube.com/watch?v=f9WMpiH8qd8
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Pic: Netflix
Duke and Duchess of Sussex in their Netflix documentary. Pic: Pic: Netflix/Prince Harry and Meghan, The Duke and Duchess of Sussex
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Pic: Netflix

Harry then comes into shot, saying: “The lies that’s one thing, you kind of get used to that when you live within this family, but what they were doing to her and the effect it was having on her – like, enough, enough of the pain, enough of the suffering.”

As shots of Diana and Charles are then shown, he continues: “No one sees what is happening behind closed doors. Back in the day my mum was in the back of the car going to engagements in floods of tears, and then my dad saying, ‘we’re almost there’ and 30 seconds to wipe the tears away, slap on some make-up, and the door opens and smile, everything is fine.”

Meghan’s mother and Harry speak of devastation hearing she contemplated suicide

In the same episode, Meghan talks about having suicidal thoughts – something she spoke about previously during the couple’s interview with Oprah in 2021.

“All of this will stop if I’m not here and that was the scariest thing about it, it was such clear thinking,” she says in the documentary.

Her mother, Doria Ragland, recalls finding out how her daughter was feeling: “I remember her telling me that she had wanted to take her own life and that really broke my heart because I knew that it was bad, but to constantly be picked at by these vultures, just picking away at her spirit that she would actually think of not wanting to be here, that’s not an easy one for a mum to hear. And I can’t protect her.”

Harry says he was “devastated” when he realised just how much his wife was struggling.

“I knew that she was struggling, we were both struggling, but I never thought it would get to that stage and the fact that it got to that stage, I felt angry and ashamed,” he says. “I didn’t deal with it particularly well. I dealt with it as institutional Harry as opposed to husband Harry, and what took over my feelings was my royal role.

“I had been trained to think, ‘what are people going to think if we don’t go to this event, we are gonna be late’, and looking back now I hate myself for it.”

‘Then one day this little organism comes in’

Meghan also says the couple’s former private secretary told her about the monarchy: “It is like a fish that is swimming perfectly. It is powerful, it is on the right current. Then one day this little organism comes in. This foreign organism. And the entire thing goes… What is that? What is it doing here? It doesn’t look like us. It doesn’t move like us. We don’t like it. Get it off of us.

“And she just explained that, you know, they’ll soon see, that it’s stronger, faster, even better with this organism as part of it. It will be hard at the beginning for them to adjust to this new thing but then it’ll be amazing.”

Meghan added: “And I was really hopeful that that was true.”

The final episodes of Harry & Meghan come a week after the first three aired, featuring the couple talking about the pressure they felt from press interest in their lives.

Netflix said the first episodes recorded 81.55 million viewing hours, translating to viewing in 28 million households.

The streaming platform has launched the series almost three years after the Sussexes revealed they intended to “step back as ‘senior’ members of the Royal Family and work to become financially independent”.

Harry & Meghan. The Netflix Global event continues December 15.
PIC:NETFLIX
Image:
Pic: Netflix
Harry & Meghan. The Netflix Global event continues December 15.
PIC:NETFLIX
https://www.youtube.com/watch?v=f9WMpiH8qd8
Image:
Pic: Netflix

They officially left the monarchy in March 2020 and went on to sign lucrative deals, thought to be worth more than £100m, with Netflix and Spotify, after quitting as senior working royals.

After their bombshell interview with Oprah Winfrey in 2021, this Netflix docuseries, directed by Oscar-nominated Liz Garbus, aims to show Harry and Meghan sharing “the other side of their high-profile love story”.

Read more:
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Before the first episodes were released, it emerged a photo and footage shown in two preview trailers, apparently to illustrate hounding by the paparazzi, were from events the couple were not associated with.

Neither Kensington Palace, which represents the Prince and Princess of Wales, nor Buckingham Palace have commented on the series.

Sky News understands palace officials are currently focused on the Princess of Wales’s carol service, which is due to be filmed at Westminster Abbey on Thursday.

The event will aim to shine a light on a congregation of almost 2,000 people who have been helping their communities across the UK, as well as remembering the Queen’s legacy.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.

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The BTO Kid: ‘I spent months in a coma – AI has given me a musical voice’

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The BTO Kid: 'I spent months in a coma - AI has given me a musical voice'

“AI has changed my life, absolutely,” Lucas Horne tells Sky News. “When I play my music, I’m happy because the words I know mean a lot to me can now be heard by everyone else.”

Lucas was 17 when, in December 2016, with no warning, he suffered a large, traumatic bleed across his brain.

He didn’t wake up until almost four months later.

Unknowingly, he had been living with a defect in the blood vessels known as an AVM (arteriovenous malformation), a ticking time bomb which had ruptured, and the next three years of his life were spent in recovery in a care home.

Lucas spent almost four months in a coma after suffering a brain bleed in 2016. Pic: Fanvue World AI Creator Awards
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Lucas spent almost four months in a coma after suffering a brain bleed in 2016. Pic: Fanvue World AI Creator Awards

He couldn’t walk and struggled to talk. Writing down his thoughts, almost like a diary, was something he says he wanted to do from very early on.

“During my care home days when I couldn’t really express myself very well – I still can’t – but I could write about it, it was an outlet for me,” he says. “Since I woke up, I’ve been writing… but for a long time I couldn’t record anything.”

Lucas, now 26, has spent years working on his physical recovery and speech. But when he was eventually physically able to record the songs he had been writing himself, he became frustrated by the way his voice had changed.

“It never sounded how I had [it in] my head,” he says. “I’m very monotone in how I speak, I struggle to really display emotion.”

And so he turned to AI (artificial intelligence). Now, Lucas is also known as The BTO Kid, and is one of 15 creators from around the world, shortlisted from more than 500 entries, for the inaugural Future Sound Awards – celebrating artificial intelligence in music.

DJ David Guetta is among the big-name artists who have embraced AI. Pic: Christoph Reichwein/picture-alliance/dpa/AP July 2025
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DJ David Guetta is among the big-name artists who have embraced AI. Pic: Christoph Reichwein/picture-alliance/dpa/AP July 2025

While some artists such as will.i.am, David Guetta, Grimes, Timbaland and even Sir Paul McCartney have embraced certain aspects of AI, it can be a controversial subject in the creative industries – with concerns raised by many in the about issues including copyright, human replacement, fakes, and regulation.

It was one of the issues behind the Hollywood actors’ and writers’ strikes in 2023 – and the more recent video game actor strike, which ended in June after nearly a year of industrial action.

Despite the criticism, AI isn’t going away. Last year was a “breakout” year for the technology in music, according to the International Music Summit’s latest annual business report, with 60m users using AI software.

Lucas says he is a perfect example of how the technology can be used for good.

“I’ve been able to use AI to express how I’m feeling,” he says. “It’s been big for me to create [music] that I’m proud of. I can see the arguments [against it], but from my view I know AI helped me create something I couldn’t before. I’m not Adele, but I have been able to make something that I’m proud of and that expresses my view point of what’s happened to me.”

Read more on AI in the music industry:
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Will.i.am starts Sky News interview with AI app

‘AI is lowering the barriers’

BTO stands for Beat The Odds and his shortlisted track is titled AI Gave Me A Voice. “I pinch myself every day because this just can’t be true,” is the opening line – which he says reflects how far he has come from the moment he woke up and discovered what had happened.

“That comes from reality. I do have moments where I think so much has happened that it must not be true… every line means something to me.”

Lucas, who lives in Nottingham, used the AI-powered music production platform TwoShot to create the track, using prompts on what he wanted for the sound alongside his lyrics, inspired by melodic rap.

“I think we’re gonna get quite a lot more people like me that can’t record music and have been given a voice through AI,” he says. “AI is lowering the barriers to entry for a lot of things.” Which can be a negative as well as a positive, he acknowledges. “We’ll have to see where it goes.”

Gallis is among 15 music creators shortlisted for the Future Sound Awards. Pic: Fanvue World AI Creator Awards
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Gallis is among 15 music creators shortlisted for the Future Sound Awards. Pic: Fanvue World AI Creator Awards

Launched by the Fanvue World AI Creator Awards, The Future Sound Awards aim to highlight the ethical use of AI in music, organisers say. Fanvue is a subscription creator platform with more than 180,000 users.

Some 15 artists from the US, Europe, Australia and Asia, as well as the UK, have been shortlisted for prizes, and the winners will be announced later in September.

Lucas is one of two British creators on the list, alongside Gallis, from Essex. The 31-year-old first dipped his toe into the waters of the music industry about 10 years ago, after joining the urban-pop boy band Mr Meanor, but says the industry was hard and “it all got a bit too much”.

He is now a tattoo artist and fine painter, but continued his songwriting and started to try out AI music production tools about 18 months ago.

Read more on AI in the music industry:
‘Regulate it before we’re all finished’
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UK Music organised a protest against AI copyright plans at Westminster earlier in the summer
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UK Music organised a protest against AI copyright plans at Westminster earlier in the summer

AI has ‘made me more creative’

As an artist, he says he had his own concerns about AI before he started using it himself, particularly after image generators started becoming prominent online.

“It was stealing the work that I was doing,” is how he describes his initial feelings. “But I ended up jumping on board with it and for me personally, it’s inspired me so much. It’s made me quicker at what I’m doing, it’s made me more creative. And I think it’s the same with music. I think it’s gonna, if anything, grow the industry.”

However, he says he agrees with criticism about the ethics of how some AI models are trained – following controversy about work by human music artists and authors being used without consent. “And trying to impersonate exactly someone else and using someone else’s voice, I don’t agree with that at all,” he adds.

Gallis’s shortlisted song, Chiropractor emerged from “friendly competition” with a community of creators he came across when he moved into AI, trading feedback and ratings. The genre is Trinibad, which he says there isn’t enough of “in the AI world”, and the track is designed to get people dancing.

“I mainly stick to urban music, but I like writing in a lot of different styles,” he says. “I’ve done house songs, I’ve done UK drill songs, Afrobeats, amapiano. I’m a bit of a vibes man so if it makes me dance and move and smile that’s when I really enjoy it.”

Narcis Marincat, head of AI at Fanvue, says the stories behind the selected songs show a “richness and human emotion” that appealed to him and other judges.

“The impact of AI in music continues to divide opinion,” he says. “But for the first time, via the Future Sound Awards, we’re able to show a different perspective on the positive impact of AI in music – uncovering the real people behind the technology and sharing their stories and music.”

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Burning Man: Dead body found ‘in a pool of blood’ at festival

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Burning Man: Dead body found 'in a pool of blood' at festival

A man has been found dead “in a pool of blood” at the Burning Man festival in Nevada, officials say.

The man’s body, described as a white adult, was found “lying on the ground” after 9pm on Saturday at the art and music festival in the Black Rock Desert, roughly 110 miles north of Reno, the Pershing County Sheriff’s Office said.

They said he was discovered while the festival’s large wooden effigy of a man at the centre of the festival was engulfed in flames – a tradition during the annual event.

Officials said a festival goer flagged down a sheriff’s deputy and reported seeing “a male subject lying in a pool of blood”.

The sheriff’s office set up a perimeter at the scene and has been treating it as a homicide, interviewing several participants.

The body, which has not been identified, was taken to a medical examiner’s office, while the festival continues until 6pm local time on Monday (2am Tuesday UK time).

“Although this act appears to be a singular crime, all participants should always be vigilant of their surroundings and acquaintances,” the sheriff’s office said.

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Officials say the crime scene is being preserved, but that the case is a “complicated investigation” as the makeshift Black Rock City where the event is located will be gone by the middle of the week.

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Burning Man organisers said they were cooperating with law enforcement and asked participants not to interfere with their investigation.

“The safety and well-being of our community are paramount,” their statement said, adding that support services, including a crisis support team, were available and participants had access to free Wi-Fi if they need to communicate with loved ones.

Burning Man is a celebration of self-expression that culminates in the ceremonial burning of its towering 40ft effigy.

Its origins can be traced back to the incineration of an eight-foot wooden “man” on San Francisco’s Baker Beach in 1986, which eventually evolved into an annual gathering in the Black Rock Desert.

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Hollywood star Rupert Everett spotted working behind bar of village pub

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Hollywood star Rupert Everett spotted working behind bar of village pub

Hollywood star Rupert Everett has been working behind the bar of his village pub in a bid to keep the doors open.

Everett, known for his roles in Another Country and My Best Friend’s Wedding, has joined a roster of volunteers working to save The Swan, a local pub in Enford, Wiltshire, that is currently under threat of closure.

The pub is staffed by a rotation of 30 people after it was initially closed when the previous licensee left.

“There has been an amazing effort by our community to keep this pub open,” said the 66-year-old Shrek voice actor.

“Times are hard for rural pubs and this is the heart and hub of the village. I think that it is important to express my support. I have recently joined CAMRA – the Campaign for Real Ale – as I know that real ale is the lifeblood of pubs both locally and nationally.

“Our small local breweries need our help, cask ale must survive – it is almost a uniquely British tradition.”

Steve Stringer, secretary of the Salisbury and South Wiltshire branch of CAMRA and an Enford resident, told local media: “I am excited that Rupert has chosen to support the campaign.

“As a lover of cask ales, it is only natural that he wishes to join us and to see him behind the bar serving the locals, shows his solidarity with the community effort.”

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