Daniel Craig is back in Knives Out sequel Glass Onion – and this time he’s investigating influencers
In his first film since his final outing as James Bond, Daniel Craig returns as stylish detective Benoit Blanc in murder mystery Glass Onion – a sequel to his 2019 hit Knives Out.
This time, it’s celebrities and influencers who are under suspicion as the movie takes a satirical look at the decadence of the very modern rich and famous.
But while the film jokes about online tropes and memes, its star says the virtual world is not somewhere he ever plans to have a profile. “Wild horses couldn’t drag me to a social media account,” Craig told Sky News.
The starry ensemble cast also includes Kathryn Hahn, Madelyn Cline, Edward Norton, Leslie Odom Jr, and Kate Hudson. Pic: John Wilson/Netflix
One of the messages of the film is thinking before we speak – which the actor says is a lesson for all of us, whether we’re online or not.
“I could learn it, we all could learn it; I mean, I’m not above any of it,” he said. “Probably one of the reasons I stay off social media is I would say things that I would regret and I don’t want to do that.
“I kind of want to try and have some thought before I speak – you’ll see in this interview that I don’t!”
Such was the success of the 2019 hit Knives Out that Netflix has picked up the franchise, reportedly paying £375m for this film and one more sequel.
The streaming platform has also broken form to show Glass Onion in all three of the America’s big cinema chains – something both Craig and writer-director Rian Johnson advocated for.
“I’m saying the obvious and we keep saying the obvious, but movies are a wonderful collective experience,” said Craig.
“It’s been something that’s important to us from the get-go and with the first movie, just seeing audiences experience it together and experience it together at home also – so there’s no wrong way to do it,” Johnson added.
Daniel Craig returns as stylish detective Benoit Blanc in murder mystery Glass Onion. Pic: John Wilson/Netflix
While Craig is returning, the rest of the very starry ensemble cast is new, and with filming taking place in a bubble during the pandemic the actors found themselves spending a lot of time together.
But despite so many A-listers being involved, there was seemingly no diva-like behaviour on – or off – set.
Kate Hudson, who plays Birdie Jay, a former supermodel turned fashion designer, thinks the casting was key.
“You want to bring that energy and that sort of sparkle with the characters and how we interact with each other to life,” she said.
“And that’s how you do it, you do that by bonding and creating environments that keep us close, which is what they did. And also casting people that are going to really like each other – that aren’t going to be disruptive.”
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Janelle Monae is another new addition to the cast. Pic: John Wilson/Netflix
Janelle Monae, who plays tech entrepreneur Andi Brand, credits Johnson with creating the right atmosphere.
“I was very shocked by just his calmness on set,” she said. “This is a big cast, a lot of personalities, things happen in production, technical difficulties, some things may not go as planned, and I never saw him lose his cool – and that helped us as the actors.
“And also, he would plan these murder mystery parties on the weekend so we’re filming a murder mystery whodunit, and then we’re playing like mafia, a murder mystery game just for fun, but all that stuff that we did outside of filming helped for us to just trust each other onscreen even more – and we really, really like each other.”
Glass Onion: A Knives Out Mystery is out on Netflix on 23 December
Entertainment
Eddie Redmayne says preparing for The Day of the Jackal role almost ended in off-set disaster
Eddie Redmayne says he nearly ended up in hot water off-set whilst filming new Sky Atlantic show The Day of the Jackal.
Speaking to Sky News about the challenges of modernising Frederick Forsyth’s acclaimed novel, the Oscar-winning actor said it took months of intensive preparation to play a character that assumes a range of different ages and nationalities.
“What’s interesting about the Jackal is in some ways he is an actor and this whole series was a kind of actor’s playground,” he explained.
“I am a sucker for process… so it was languages, it was prosthetics, different costumes… and then all the gun work as well… I had about three or four months prepping, and it was pretty fun.”
From the first episode, the actor was required to casually be able to construct a gun out of the internal workings of a wheelie case. While he’d already been given advanced weapons training, his eagerness to take props home to practice could have nearly ended in his arrest.
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Eddie Redmayne’s kids want him to play a ‘goodie’.
“There is a moment at which the Jackal constructs this rifle…it is a beautiful bit of prop design…and I’m a really shoddy prop actor, so in Budapest, I asked the prop master if I could take home this case with me to work on it in the hotel,” he said.
“I was in the midst of eating some goulash and I suddenly went ‘Argh’ as I realised that I had left this gigantic sniper’s rifle – and the hotel was basically the equivalent of Trafalgar Square – pointing out a window and it was about to be the turndown service.
The Jackal getting out of one of his disguises. Pic: Sky UK
Pic: Sky UK/ Carnival Film & Television Limited 2024
“I remember running down the corridor and the person that works in the hotel pushing down the towels [trolley] and some extra little toiletries and I just barged through the door and deconstructed this thing… otherwise that could have been a moment because it looked pretty persuasive.”
Keep up with all the latest news from the UK and around the world by following Sky News
Keeping the action mostly contained onscreen, the star acknowledges it is a risky gamble to attempt a modern reboot of a much-loved classic.
He explained: “I loved it since I was a kid and so when the scripts arrived in my inbox there was definitely a moment of trepidation.”
Lashana Lynch plays an intelligence officer hunting down the Jackal. Pic: Sky UK
Forsyth’s acclaimed novel has had many lives since it came out in the early 70s, but the 1973 film version is how most people will remember the cat and mouse thriller, including its leading man.
“The original film was very much a binary sense of good and evil,” Redmayne said.
“We live in a world now, certainly in social media, in which things dictate that there is a right and a wrong and the grey territory is harder to navigate, I suppose… the series makes some sort of gestures towards that.”
Redmayne alongside co-star Ursula Cobero. Pic: Sky UK/ Carnival Film & Television Ltd 2024
In the 10-part TV Sky Atlantic series, viewers will see that the Jackal is still an elite assassin carrying out a seemingly impossible hit. But, in this version, James Bond star Lashana Lynch plays an intelligence officer hunting him down.
The show takes in the rise of right-wing extremism, tech megalomaniacs and themes of assassination.
With the attempt on the life of Donald Trump, and a terrifying cycle of violence and assassination in the Middle East, there is something that feels eerily prescient about the timing of the modern reboot.
“What the series does [show] is that there’s ambiguity in everyone and I feel that that’s kind of where we’re at slightly in the world,” Redmayne said.
The Day Of The Jackal cast at the London premiere. Pic: PA
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For the actor, the final pulse-raising moment will be finding out what fans and his family make of the drama, not that he’ll be tuning in personally.
“Truth be told, nothing would pain me more than watching myself on screen, so I won’t be doing that… but I will be encouraging my family to watch it… it was my dad’s favourite film,” he said.
The Day of the Jackal is out on Sky Atlantic and NOW on 7 November.
It’s easy to see why Anora, the film currently creating a lot of awards buzz, is being described as a modern day Pretty Woman.
It tells the story of a young woman, a sex worker, who ends up falling in love with a very rich man; this time round, he’s the son of a Russian oligarch.
But the similarities end there. More than 30 years on from Richard Gere and Julia Roberts’ famous Hollywood ending, Anora takes the sugar-coating away from the realities of sex work.
Mikey Madison stars as Anora. Pic: Neon/Augusta Quirk
It is one of those rare films that has already impressed critics – taking the biggest prize at this year’s Cannes Film Festival and now leading the nominations at the Gotham Awards – but will also appeal to a wider audience looking for something fun and smart, too.
It is the latest story from writer-director Sean Baker, a filmmaker who often focuses on marginalised people and has covered sex work in several of his previous works, from a retired porn star in Red Rocket to a transgender sex worker in Tangerine, and a character who solicits sex work online in The Florida Project.
Anora took home the biggest prize at the Cannes Film Festival earlier this year. Pic: Neon
The theme was never intentional, he tells Sky News, but after discovering more about the industry he realised he wanted to tell these stories.
“I never imagined me making five films in a row focused on sex work,” he says. “It just happened to be that when I started doing research on the first one, I met sex workers, became friends with sex workers, and discovered that there were a million stories to be told in that world. And each one can be individual and very different, being that there’s so many aspects of sex work, so one led to the next.
“I don’t know if it will continue, I’m not sure, it has to happen organically though – I’d never want it to be a shtick of mine, you know, I want it to be something I’m inspired to do and there has to be a reason behind it.”
Pic: Neon
‘The sex work community is amazing’
Mikey Madison, who plays the lead character Anora – or Ani for short – is now tipped for best actress nominations come awards season next year.
She says she immersed herself in the world of her character when preparing for the role.
“I think that I went into the research not with much knowledge about sex work, and so I was able to learn a lot and educate myself in a way that I don’t know I would have if it weren’t for this film,” she says. “I’m so grateful to have that experience because the sex work community is amazing and I’ve made so many incredible friends.”
But that wasn’t the only prep Madison had to do. She’s listed in the credits as helping to choreograph her character’s dances, and she also had to learn Russian – though admits she’s out of practise again now.
“My Duolingo app has been bothering me trying to get me back into it. I think I just haven’t had a chance to practise any of it, but on the last handful of days of shooting, I was able to listen to pretty full conversations and understand what they were talking about. And at this point, I think it’s gone, but maybe I’ll be able to redevelop it.”
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When Anora competed at Cannes in May it won the Palme d’Or, the top prize for the best feature film.
Baker says the win was far more than just a tick off his bucket list.
“I think it was the bucket list! I mean, that was it,” he says. “It’s been incredible, it really has been, and I really didn’t expect it – we were just so happy to be in competition at Cannes, and next thing you know we’re at the awards ceremony, and next thing you know I’m up on stage and George Lucas is handing me the Palme d’Or.”
“So, yeah, it’s life changing.”
Anora is out in cinemas in the UK today
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