Harvey Weinstein had been charged with raping and sexually assaulting two women and committing sexual battery against two others.
After a month of evidence from 44 witnesses in Los Angeles, a jury has found Weinstein guilty of one count of rape.
He was found not guilty of sexual battery by restraint of another woman.
The jury was also unable to reach verdicts on allegations linked to two other women.
Currently two years into a 23-year sentence for previous convictions on rape and sexual assault charges in New York, Weinsteinwas held in jail throughout his latest trial.
The 70-year-old was charged with crimes against four of the witnesses who testified.
Three of the women – a model, a model/actress, and a massage therapist – gave evidence anonymously.
Filmmaker Jennifer Siebel Newsom, the wife of California governor Gavin Newsom, waived her right to anonymity.
The jury were unable to reach verdicts on charges relating to Newsom.
Four other women who are not involved with the charges also told the court that Weinstein sexually assaulted them.
Here are the key moments from the trial:
The defence
Weinstein’s lawyer told the trial that the prosecution case relied entirely on asking them to trust women whose evidence showed they were untrustworthy.
In his closing arguments, Alan Jackson said: “‘Take my word for it’. Five words that sum up the entirety of the prosecution’s case.”
Image: Weinstein’s lawyer Alan Jackson argued the prosecution case was ‘smoke and mirrors’. Pic: AP
Everything else prosecutors presented “was smoke and mirrors”, he argued.
Mr Jackson urged jurors to look past the drama and emotion of the testimony of the four women, and focus on the factual evidence.
He said jurors were being asked to “believe us because we’re mad, believe us because we cried”, adding: “Well fury does not make fact. And tears do not make truth.”
Mr Jackson said the stories of two women who Weinstein was alleged to have sexually assaulted on consecutive days in 2013 “simply never happened”.
The defence lawyer also said the alleged rape and assault of the other two women in 2005 and 2010 were “100% consensual” encounters that the women engaged in for the sake of career advancement that they later became “desperate to relabel” as non-consensual.
“These were women with whom Harvey had transactional relationships and transactional sex,” he said.
Mr Jackson argued that the women were willing to exchange sex for favours or status when the incidents happened in 2005 and 2010, but after the #MeToo explosion around Weinstein with stories in the New York Times and the New Yorker in 2017, they were regretful.
“They played the game. They hate it now, unequivocally,” he said. “But what about then? What about before the 2017 dogpile started on Mr Weinstein?”
He stressed the importance of the judge’s instruction, that if jurors found any significant thing a witness said was untrue, they should consider disbelieving everything the witness said.
The prosecution
Prosecutors, closing their case, branded Weinstein a “predator” and a “degenerate rapist”.
Deputy district attorney Marlene Martinez emphasised the similarities between his accusers’ testimony.
“They all describe the same conduct by the same man,” she said.
After arranging to meet with a woman at a hotel he would find a way to get them to his suite where he would then go from “charming and complimentary to aggressive and demanding”.
Ms Martinez said: “For this predator, hotels were his trap.
“Confined within those walls, victims were not able to run from his hulking mass.
“People were not able to hear their screams, they were not able to see them cower.”
She urged jurors to complete Weinstein’s fall from grace by convicting him in California.
She said: “It is time for the defendant’s reign of terror to end.
“It is time for the kingmaker to be brought to justice.”
Image: Prosecutors branded Weinstein a ‘predator’ and a ‘degenerate rapist’
‘I was kind of hysterical through tears’
The first of Weinstein’s accusers, a model and actress who was in LA for a film festival at the time she was raped by the producer in 2013, told the court he knocked on her hotel room door and she let him in.
She said Weinstein forced her to perform oral sex on her hotel bed. “I was kind of hysterical through tears,” she said. “I kept saying ‘no, no, no’.”
She said she physically feared Weinstein, who outweighed her by 100 pounds or more, and considered running or hitting or biting him.
She said by the time Weinstein took her into the bathroom to rape her, she had stopped physically resisting, though still objected verbally. “I would just freeze, like my body wouldn’t listen.”
He was found guilty of three counts, including rape.
Woman testifies for second time
Just one woman who gave evidence during the New York trial has testified in LA. The model, who was aspiring to be a screenwriter, had set up a meeting with Weinstein about a script she was working on in 2013, the court heard.
She described Weinstein as a “monster”, and said he led her into a bathroom, quickly took off his suit and got briefly in the shower, then stepped out and blocked her from leaving.
“I was disgusted,” she said. “I had never seen a big guy like that naked.”
She said she backed up against a sink and turned away from him. He then unzipped her dress and groped her with one hand as he masturbated with the other, the court heard.
The jury did not reach a verdict on this count.
Masseuse tells court ‘I was in shock’
A massage therapist accused Weinstein of sexually assaulting her in 2010, when she was 28, after he hired her to go to his hotel room for a treatment.
When she was in the bathroom washing her hands following the massage, she said Weinstein entered, blocked the door, and began masturbating in front of her.
She began to cry as she told the court: “I was terrified.” Weinstein blocked the door and pushed her against a wall and groped her breasts before finishing, the court heard.
“I was in shock. I felt frozen, I felt paralysed,” she said.
The jury found Weinstein not guilty of sexual battery.
Filmmaker cries as she tells of alleged rape
Image: Jennifer Siebel Newsom. Pic: AP
In an emotional testimony, Ms Siebel Newsom, 48, told the court she was 31 when she was allegedly attacked by Weinstein during what she thought was a business meeting to try to build her career in 2005.
Spending two-and-a-half hours on the witness stand, she was in tears as she told the court she found herself unexpectedly alone with the Hollywood mogul in a hotel suite.
Asked to describe her feelings after Weinstein allegedly emerged from the bathroom in a robe and began groping her while he masturbated, she said: “Horror! Horror! I’m trembling. I’m like a rock, I’m frigid. This is my worst nightmare.”
Ms Siebel Newsom said she told Weinstein that “this was not why I came here” as she physically tried to back away.
Alan Yentob, the former BBC presenter and executive, has died aged 78.
A statement from his family, shared by the BBC, said Yentob died on Saturday.
His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.
“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”
Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.
He was also the director of BBC drama, entertainment, and children’s TV.
Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.
Image: Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.
The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.
In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.
“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”
BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Image: Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Image: Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Image: Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.