The Specials frontman Terry Hall dies aged 63
The Specials frontman Terry Hall has died aged 63 following a brief illness, the band has announced.
Writing on Twitter, the band said: “It is with great sadness that we announce the passing, following a brief illness, of Terry, our beautiful friend, brother and one of the most brilliant singers, songwriters and lyricists this country has ever produced.
“Terry was a wonderful husband and father and one of the kindest, funniest, and most genuine of souls.
“His music and his performances encapsulated the very essence of life… the joy, the pain, the humour, the fight for justice, but mostly the love.
“He will be deeply missed by all who knew and loved him and leaves behind the gift of his remarkable music and profound humanity.
“Terry often left the stage at the end of The Specials’ life-affirming shows with three words…’Love Love Love’.”
The statement also called on everyone to “respect the family’s privacy at this very sad time”.
Bandmate Neville Staple said he was “deeply saddened” to hear about the death of Hall – adding that they had only just confirmed some joint musical projects for 2023.
“In the music world, people have many ups and downs, but I will hang onto the great memories of Terry and I, making history fronting The Specials and Fun Boy Three together. Rest easy Terry Hall.”
Thousands of fans paid their respects online, with fellow singer and songwriter, Midge Ure, describing Hall’s death as “dreadful news”.
Singer/songwriter and Strictly Come Dancing star Matt Goss said he was “in shock” over Hall’s death.
The Amy Winehouse Foundation said Hall’s death was “truly sad news”, sharing a picture of him with the Back to Black singer.
Radio DJ Jo Whiley also paid her respects, tweeting how she has “always been a fan” of Hall.
The Specials were formed by Jerry Dammers, Lynval Golding and Horace Panter in Hall’s home city of Coventry in 1977.
Hall, together with Neville Staple, Roddy Byers and John Bradbury joined a year later.
The band were originally called the Automatics before eventually settling on The Specials in 1978.
The Specials (L-R) Terry Hall, Horace Panter, Neville Staple, Lynval Golding, John Bradbury and Roddy Byers
They quickly achieved popularity with their ska and rocksteady style, credited for providing a musical backdrop to economic recession, urban decay and societal fractures in the early 1980s.
The band produced a string of iconic hit records, including Too Much Two Young and Ghost Town, which both hit number one in 1980 and 1981 respectively.
The Specials decided to go their separate ways in 1981, with Hall, Golding and Staple going on to form the band Fun Boy Three, which achieved four top 10 singles.
Two years later Hall departed to form The Colourfield before taking on a series of solo and collaborative projects, including working with singer Lily Allen.
But The Specials announced in 2008 they would reunite for a number of tour dates with the promise of new music to come.
In September that year, Hall and five other bandmates performed a surprise slot at Bestival music festival under the name Very “Special” Guests – to the delight of fans.
The group kicked off a tour to mark their 30th anniversary in 2009, later supporting The Rolling Stones during a concert at Coventry’s Ricoh Arena in 2018.
Horace Panter (left) and Terry Hall pictured in 2019
In 2019 The Specials released their first album of new material in 37 years, Encore, which went straight to number one in the official UK album chart.
The album featured the politically-themed lead single, Vote for Me, described by some fans as a follow-up to Ghost Town.
Hall told The Big Issue magazine in 2019: “I find myself in awe of the mess, nightly listening to politicians giving their opinion and thinking, ‘I don’t necessarily trust any of you, really’.
“It’s pretty sad. I grew up aligned to a party, the Labour Party, quite strongly. Until Tony Blair made Noel Gallagher prime minister, I knew exactly where I stood.”
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John David Washington says he felt like he had to conceal his desire to act because of the external expectations of him being the child of Denzel and Pauletta Washington.
He tells Sky News it took some time for him to pursue an acting career, choosing football instead to assert his “independence” and create his own “identity” separate from his famous family.
“I’ve been wanting to do this my whole life… but I was hiding it,” he said.
“I had to conceal that passion based on my relationship to the world and more specifically, my folks being in the industry, so I chose ball.
“I loved ball, but I was sort of hiding my love for the arts under a helmet – literally an American football helmet – and so when I wanted to become an actor, when I decided to pursue it, that was a big shock to some people.”
The 40-year-old actor says when he decided to pursue an acting career, he kept the decision quiet.
“Some people didn’t know I was even pursuing it professionally until I got a job,” he said.
John David with fellow actor Danielle Deadwyler. Pic: David Lee/ Netflix
Since switching to acting, John David has starred in a number of notable roles including the protagonist in Christopher Nolan’s Tenet, Ron Stallworth in BlacKkKlansman and Joshua in The Creator.
He also led the stage revival of the 2022 Tony-nominated play The Piano Lesson on Broadway alongside Samuel L Jackson.
“He [Jackson] originated the role [I play] in 1987 at Yale with Lloyd Richards and August Wilson,” John David said.
“So it was of great importance for us to learn from both he and Michael Potts about August Wilson. It was a great blessing for me, I think, for all of us to have him present on set.”
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The Piano Lesson is the third August Wilson play to be adapted for the screen by Denzel Washington’s production company Mundy Lane Entertainment.
It is part of a pledge made by the Gladiator II actor to make all 10 of the playwright’s works into films.
The Netflix project is directed by another Washington family member, Malcolm, and stars most of the cast from the Broadway revival.
The Piano Lesson is Malcolm Washington’s directorial debut. Pic: Katia Washington/ Netflix
Set in 1936 Pittsburgh in the aftermath of the Great Depression, the film centres on a family heirloom, a piano, that is etched with the carvings of their family history made by their enslaved ancestor.
Malcolm says he started reading the play for the first time during the pandemic and immediately wanted to be involved in the film adaptation.
“I think with this movie, reclamation of story and identity is so central to the theme and it’s something that’s central to my life where I both acknowledge the fertile ground that I was raised on and who I am today.
“That’s what Wining Boy [played by Michael Potts] really is trying to do, he’s trying to build on that legacy, so that’s a story that really resonated with me.”
The filmmaker added: “I take all the gifts that my ancestors laid in front of me, and I’m trying to build something for the next generation to pass down – all of their gifts, plus mine to the next generation and let them build on it.”
Malcolm has dedicated his directorial debut to his mother, Pauletta Washington. Pic: David Lee/Netflix
Malcolm says his goal was to put family at the forefront of the production. By dedicating his feature debut to “Mama”, he is acknowledging the dedication and sacrifices that mothers make for the growth of their families.
“There’s so much pointing to my mother in particular, who inspired this adaptation so much. I see so much of her life in Berniece’s character [played by Danielle Deadwyler] – and that became a guiding light for me in this adaptation,” he said.
“As we made this thing and started reconnecting with our ancestors, my mum became like a kind of representative of them.
“She’s the matriarch of our family. She tells me about my grandparents and great-grandparents and the line that I come from, and I see them in her.
“And when the movie ends, I want people to kind of have that moment of reflection for their own lives. So in dedicating it to her, I was trying to dedicate it to all mums everywhere.”
The Piano Lesson is now available on Netflix.
Blockbuster Wicked has landed the largest opening weekend of 2024 at Vue International.
The film, starring Oscar-nominated actress Cynthia Erivo and Grammy-winning pop star Ariana Grande as Elphaba and Glinda, surpassed both Gladiator II and Paddington In Peru.
It has also had the largest opening weekend for a stage musical adaptation in the cinema chain’s history.
A boss for Vue International said it had seen a “sea of pink and green” over the weekend.
Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film. Pic: PA
Pic: PA
Pic: PA
Released on Friday, Wicked is up 60% on Les Miserables’ opening weekend in 2012 and three times larger than the 2022 film adaptation of Matilda.
Founder and chief executive of Vue International Tim Richards said: “Vue has seen a sea of pink and green over the opening weekend of Wicked, which has shown continued high demand for the big screen experience.
“We saw record-breaking pre-sales for Wicked, followed by a chart-topping opening weekend – the biggest for 2024.”
The film is the first of two parts, with the second expected in November next year.
Wicked and Gladiator II – known together as Glicked – have reportedly failed to beat out Barbenheimer, Barbie and Oppenheimer, in its own opening weekend last summer.
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Glicked brought in £215m in worldwide ticket sales – with Wicked making the majority of that.
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