Four Lionesses have been recognised in the New Year Honours list, which also sees Queen guitarist Brian May and artist Grayson Perry knighted.
The honours are the first to be issued by King Charles.
Lionesses make the list – but not all of them
Captain Leah Williamson is among four of England’s Euro 2022-winning side to be named in the list, being made an OBE while her teammates Lucy Bronze, Beth Mead and Ellen White are all made MBEs.
The decision to only include a handful of the squad was questioned after previous lists honoured all members of triumphant national teams.
In 2003, all 31 England players used in the Rugby World Cup were included on that year’s New Year Honours list, while the 2005 Ashes-winning England cricket team were also universally recognised. However, in 2011 only three cricketers who played key roles in the Ashes-winning side made the cut.
Asked why not all the Lionesses were included, Sir Hugh Robertson, chairman of the honours sports committee, told a press conference: “What we’ve tried to do is stick to the principle of the honours system which is to recognise excellence and to recognise extraordinary contributions.”
Queen guitarist knighted for services to music and charity
Musician and animal welfare campaigner Brian Mayhas been appointed a Knight Bachelor.
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The guitarist famously played God Save The Queen on the roof of Buckingham Palace during the Golden Jubilee, before performing again at the Platinum Jubilee two decades later.
He told Sky News he’s “pretty happy” his royal journey will “end up with a sword on my shoulder”.
He described the knighthood as a “kind of challenge”, saying: “I think that’s the way I regard it, to do good in the world and do better than I’ve done before.”
Sir Brian co-founded the Save Me animal welfare organisation, and said of all his achievements, he was “probably most proud of the tiny things that we have achieved for animals. It’s an ongoing thing, and I’m hoping the knighthood will help”.
Dame Mary Quant made a Companion of Honour
Fashion designer Dame Mary Quant, who is widely credited with popularising the mini skirt, has been appointed a member of the Order of the Companions of Honour.
The 92-year-old was granted the special award which is given to those who have made a major contribution to the arts, science, medicine or government.
Dame Mary joins an illustrious list of recipients including broadcaster Sir David Attenborough, actress Dame Judi Dench, former Beatle Sir Paul McCartney and singer-songwriter Sir Elton John.
In 2014, she was made a dame for services to British fashion in the Queen’s New Year Honours list and she was made an OBE in 1966.
Grayson Perry knighted for services to arts
Turner Prize-winning artist and TV presenter Grayson Perry has been knighted for services to the arts.
One of the UK’s most renowned artists, the 62-year-old has turned his hand to pottery, sculptures, tapestries as well as writing and documentary presenting, and is known for cross-dressing and his commentary on gender and society.
Countdown star Rachel Riley made an MBE for Holocaust campaign work
TV presenter and mathematician Rachel Riley has been recognised for her efforts to raise awareness of the Holocaust and combat antisemitism.
The 36-year-old Oxford University graduate was a vocal critic of Labour’s handling of alleged antisemitism within the party and Jeremy Corbyn’s conduct while leader.
In January 2019, she made a speech at a Westminster reception for the Holocaust Educational Trust addressing the abuse she received on social media as a public figure. She has also worked with the Centre for Countering Digital Hate to combat online abuse.
Frank Skinner thought honour may have been ‘administrative error’
Broadcaster and comedian, Frank Skinner, whose real name is Christopher Graham Collins, has been recognised for his services to entertainment.
The 65-year-old said he had not yet told those closest to him that he has been made an MBE because he thought it may have been “some sort of administrative error”.
He said: “I deal mainly in laughs and applause and they disappear into the air quite quickly.
“So getting a proper medal that you can hold on to and polish regularly feels (it) has given my career a sense of permanence that I like.”
Actor David Harewood made OBE after raising awareness of mental health
Actor and broadcaster David Harewood, who found widespread fame playing CIA director David Estes in the US drama series Homeland, has been honoured for his services to drama and charity.
In 2019, Harewood created a one-off BBC documentary titled Psychosis And Me, which saw him retrace his steps and delve into his breakdown after being sectioned aged 23.
He has spoken about experiencing racism as a child and the subsequent intrusive feelings that followed him into adulthood.
This is England star Stephen Graham made OBE for services to drama
Stephen Graham has been honoured for services to drama across a three-decade career, that saw him win plaudits playing Irish, English and American criminals and police officers in various blockbuster Hollywood films and hit TV dramas.
He is perhaps best known for his role of short-fused English nationalist Andrew “Combo” Gascoigne in the 2006 film This Is England, which he later reprised in the Channel 4 This Is England series.
“You either hold a weapon or you hold a guitar,” says Raji El-Jaru, Gaza’s biggest rockstar.
Months before war broke out last year, hundreds of people packed into a concert hall to hear his band perform their distinct blend of pounding guitar riffs and impassioned lyrics.
“We’ll scream our pain; can you hear the call?” he sang to the rapt crowd. “Knock, knock, are you listening at all?”
Not long after that gig, Israeli airstrikes rained on Gaza City, tearing down buildings and displacing hundreds of thousands of people.
Focused on survival rather than music, the five members of Osprey V – believed to be Gaza’s first rock band – went from dreaming of gigging in Europe to wondering if they would ever play together again.
Formed back in 2015, the group are all self-taught and cite Metallica and Linkin Park among their influences. Raji, 32, explains that he has always seen rock music as the obvious way to resist oppression. “We are the voice of the voiceless, spreading love instead of hatred and violence.”
“It’s a matter of time now,” Volodymyr says, talking about when his name will be called to join Ukraine’s armed forces.
A DJ who goes by the moniker Lostlojic, before the full-scale invasion in 2022 he was flying around Europe playing his brand of electronic music but now he’s back in Kyiv, his hometown, performing to raise money for his friends on the frontline.
In the early days after the invasion there was discussion about whether club nights should continue, says 35-year-old Volodymyr, but people needed a break from thinking about war – not least the soldiers on leave from the battlefield.
“Many of my friends who are musicians are in the armed forces. They have no time to do their favourite thing. Once every few months they create some tracks, send them to me, and I play them out.”
Last weekend there was a day to celebrate the Ukrainian language, and Volodymyr incorporated samples of Ukrainian speech into his songs to mark it – an assertion of an identity that is under threat.
“Everything is about politics, you can’t be an artist without it.”
“One of the things that music can do is unify people,” says Ruth Daniel. “It’s a way to give people a space to share what they’re going through.”
She is head of In Place Of War, an organisation that helps foster music and creativity in conflict zones. When bombs are falling all around you, she believes, music can act as a form of escapism and creative resistance.
Speaking to Sky News from the recent WOMEX (Worldwide Music Expo) conference in Manchester, she described how smartphones and social media make it easier than ever for those in conflict zones to write tracks and find an audience.
“I’ve seen people making music studios on the edge of checkpoints, making their own instruments, doing hip hop on street corners and making music with car sound systems.”
“It was at a house – they basically turned the kitchen into a club. I remember leaving and there were lines and lines of police and army [soldiers] pointing guns.
“For me, the best music comes out of situations of difficulty. It’s not just art for art’s sake, it’s art with purpose and meaning.”
Mo Aziz once performed to tens of thousands of people in stadiums across Sudan as part of the popular group Igd al-Jalad. But the group’s music criticised the then-government and they were banned from performing amid a crackdown on expression.
He came to the UK as a refugee in 2017, and this year released an album calling for peace in his homeland and hoping to raise the profile of Sudanese music – traditionally a blend of African and Arabic influences.
Since the struggle for power between the army and a large militia group erupted into armed conflict in April 2023, more than 20,000 people have been killed in Sudan. There are firefights on the streets of Khartoum and a humanitarian crisis.
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Mo’s mother and brother fled to Egypt, making a fortnight-long journey to escape the conflict, as the fighting led to millions being displaced.
“I was devastated,” he said. “I lost three friends as a result of the bombing in Khartoum, including one member of Igdal-Jalad.”
This unfolded as Mo was working on his album and master’s degree at Liverpool Hope University.
“I hope to show what’s happening in Sudan as well as uplift Sudanese music and put it on the international scene,” he said. “I will always dedicate my work to peace and human rights.”
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Meanwhile, British-Sudanese folk singer-songwriter Saeed Gadir described the music scene in Khartoum as a “ghost town”.
“It’s really been decimated, there’s no one there. It’s a huge part of my writing,” says Saeed, who’s known as The Halfway Kid and whose new album Myths In Modern Life talks about growing up in a Sudanese migrant family.
And while he doesn’t see himself as always being explicitly political, his music is nonetheless politicised by the stories he tells and feelings he seeks to share with his audiences, he says.
“Even if you’re in London, you might get an insight into what it might feel like if there’s a coup back home.”
Sometimes there is no safe way to explore music in a dangerous place, sometimes the bombs are falling around you even as amps are plugged in and microphones set up.
That was the case in 1994, before the internet gave musicians the power to appear virtually to their fans. Back then, legendary metal singer Bruce Dickinson and his band Skunkworks were smuggled into Sarajevo during the Bosnian War while the city was under siege. The gig they played instantly became historic.
“I’d never seen devastation like it in a modern city. There wasn’t a single building that wasn’t a burnt-out shell,” Dickinson, best known as the lead singer of Iron Maiden, told the 2017 documentary Scream For Me Sarajevo.
The siege of Sarajevo was the longest in modern history, lasting nearly four years. More than 11,000 people, including over 1,000 children, were killed.
“I went out there and was just, like, how can I ever be as big as their lives need me to be for them?” recalled Dickinson.
“You could have given everything and you just felt like it wasn’t ever gonna be enough.”
All over the world, the musical tradition of building community – and resistance – in some of the world’s most dangerous places is thriving, thanks in part to social media and the ability to reach audiences around the world with live streams.
“Especially in places where people can’t get out or people can’t go in,” Ruth says. “And so that becomes the most important way of sharing people’s culture and identities.”
Still unable to return home, Raji has continued his work on Osprey V. A new video, produced in the Gaza Strip, is out soon and he hopes it will be a wakeup call to the West.
“We are normal people just like you,” he says. “We have families, we drink coffee, we wear Adidas. But we are suffering from endless wars.”
Life in between filming the first and second series of The Old Man has been vastly different for Jeff Bridges.
The Oscar-winning actor led the first season of the action thriller at 70, seemingly healthy and ready to take on the world. However, unbeknown to him at the time, he had undiagnosed non-Hodgkin lymphoma and a 9×12 inch tumour in his stomach, which would require intense treatment.
Rather than the often used language of “fighting” the cancer, Bridges described himself as being “in surrender mode” as he not only went through chemotherapy but also contracted COVID-19.
However, he set himself the goal of walking his daughter down the aisle, which he did in 2021, and has since said his tumour has been reduced to “the size of a marble”.
Now, The Big Lebowski actor has returned to the small screen for the second season of Disney+ show The Old Man, which tells the story of a former CIA operative on the run and also stars Conclave’s John Lithgow and Blink Twice actress Alia Shawkat.
Despite a vast career in film, this is Bridges’ first time leading a TV series – a format he saw his father Lloyd Bridges excel in when he was a child.
“With movies, you have a beginning, middle and an end,” he tells Sky News. “You know where you’re going. That’s not the case in the series, it’s exciting.”
The American actor says he makes an effort to instil “joy” and kindness on his sets, crediting his father’s love for the art of acting for why he remains so positive.
“I mean, he taught me all the basics of acting and he, unlike a lot of parents who are in showbiz, wanted all his kids to go into showbusiness. He loved it so much.”
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Bridges has appeared on screen since he was just six months old and would leave school to join his father on the set of his series.
“The way he approached his work with such joy [was admirable] and that was the main thing I learned from him… Whenever he came on the set, that joy was kind of contagious and everybody would say, hey, this is kind of fun, what we’re doing to get to play, dance, pretend here with all these great folks and we can have a good time.”
Bridges says he was lucky to work with his father a few times as an adult and that the ability to create a relaxing and fun environment that allowed artists to flourish was something he wanted to replicate in his own work.
On set, he meets with every creative taking part in his films and shows, from costume designers to the production team.
“That’s such an important aspect of my work, getting a perspective from their take… all these things start to come together and they have a cumulative effect on how your character comes off, and they’re thinking of it from a completely different point of view.
“That’s very valuable to me, you know, to hear the history, why the person got that particular piece of clothing and what not.”
Season two of The Old Man is available to stream on Disney+ from 6 November.
An appeals court has upheld a ruling that Ed Sheeran’s hit song Thinking Out Loud did not illegally copy the Marvin Gaye classic, Let’s Get It On.
The 2nd US Circuit Court of Appeals in Manhattan, New York, agreed with a lower-court judge’s dismissal of a lawsuit filed by Structured Asset Sales (SAS), which owns rights to the 1973 Gaye song that previously belonged to the late co-writer Ed Townsend.
SAS had made the allegations against Sheeran, his record label Warner Music, and music publisher Sony Music Publishing.
It comes after a separate copyright lawsuit filed by heirs of Townsend over alleged similarities between the tracks. Sheeran won that case in May 2023, following a jury trial.
SAS sued Sheeran in 2018, four years after the release of his number one hit. US District Judge Louis Stanton dismissed the case following the verdict in the heirs’ case last year – concluding the musical elements allegedly copied were too common to merit copyright protection.
The appeals court has now agreed, saying Thinking Out Loud and Let’s Get It On are not similar enough for Sheeran to have infringed on copyright, and protecting the elements could stifle creativity.
SAS owner, investment banker David Pullman, said the company was reviewing all of its options following the decision.
Gaye, who died in 1984, collaborated with Townsend, who died in 2003, to write Let’s Get It On, which topped the Billboard charts in the year it was released. The track has been used in numerous films and adverts, and garnered hundreds of millions of streams and radio plays in the past 50 years.
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Sheeran, who is from Suffolk, is one of the most successful modern music stars in the world. Thinking Out Loud, which won a Grammy for song of the year in 2016, is among his biggest hits.
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Sky News has contacted representatives for the star for comment on the latest ruling.
After the result in 2023, he spoke outside court, saying he was “unbelievably frustrated baseless claims like this are allowed to go to court at all”.
He added: “We’ve spent the last eight years talking about two songs with dramatically different lyrics, melodies and four chords which are also different and used by songwriters every day, all over the world.”
During that hearing, he was accused by two lesser-known songwriters of ripping off part of one of their songs for his 2017 track. However, the High Court judge ruled that Sheeran “neither deliberately nor subconsciously” copied a hook from the song.
Following that ruling, Sheeran released a video statement hitting out at “baseless” copyright claims that are “damaging” to the industry.