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Christmas and New Year party season is one of the most lucrative times of the year for nightclubs.

But post-COVID pandemic many are continuing to struggle, with a third now being forced to close.

Those still open say a perfect storm is making it extremely difficult to operate.

Yuval Hen, founder of E1 nightclub in London, told Sky News he sometimes feels like a “punching bag”.

“We need to please a lot of different authorities, from police, council, the local community, the residents, the customers, the agents, the management – so many different bodies and they are all pulling in a different direction,” he said.

Nightclub owner Yuval Hem for Claire Gregory piece on nightclubs and venues still closing post-COVID
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Nightclub owner Yuval Hem

“It’s a constant battle, and now recently, after two years of COVID, where we were hoping for a big comeback of having fun, of parties, of bringing back our businesses to pay back our big loans that we were taking during COVID, we thought ‘this is our time’ and the economy [has] again gone.”

“And we have the living crisis started and the war in Russia and Ukraine and yeah, everything hit us so hard at the same time.”

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The night-time culture economy brings in £36.4bn – and also provides 425,000 jobs across the UK.

It’s also an essential part of the music industry’s eco-system, with even those at the top of their careers concerned by the impacts of closures.

Multi-award-winning singer-songwriter Craig David told Sky News clubs were an essential part of the machine that got him to where he is today.

“Grassroots is where I started my music, so I was in those clubs, I was in the social club practising and DJing,” he said.

craig david
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Craig David

“So for me working my way up from a young kid with aspirations and dreams to actually being able to perform, grassroots, the clubs are everything to me.

“I really hope that that maintains the same – there has to be balance. I know people want to change things, they want to update, they want to build new things and things move on but there has to be balance, because you can’t lose at the same time.”

Clubbers will also lose out as venues close their doors permanently, as they have provided a home for parts of British culture – and counterculture – for decades.

Empty nightclub to illustrate Claire Gregory piece on nightclubs and venues still closing post-COVID
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An empty nightclub

If clubs are left empty it will not just leave a hole in the industry but could also force music lovers underground.

Michael Kill, CEO of the Night Time Industries Association, said: “The worry that we have with everything is as we start to lose clubs and things like counterculture, electronic music, etc. If there are no spaces or platforms for people to perform, then they will find spaces for people to perform.

“We saw that in the late 80s when the freedom to dance movement came out and people decided that they weren’t willing to allow their nights to end in line with where that current government was asking the terminal hour to be.

“They went out and there were underground raves, that really sort of were counterproductive for government, for policing and when you talk about costs to operate the night-time economy, that really put so much pressure on everybody because it exploded at that period.”

Busy nightclub for Claire Gregory piece on nightclubs and venues still closing post-COVID
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Club 49 in Soho

“What we’re concerned about is we’re going to get to a point where clubs are going to be lost at such a level that people are just going to decide to start looking at other sites and places which are unregulated, potentially don’t have the safety protocols in place, the licences, the security…

“And that’s where there is a real fear.”

There are calls for the government to help the night-time economy by freezing alcohol duty, or helping with VAT bills, as without support it will be the last dance for many nightclubs.

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Glastonbury 2025 line-up revealed

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Glastonbury 2025 line-up revealed

The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.

Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.

The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.

Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.

The announcement comes after Sir Rod Stewart was booked for the Sunday teatime legend slot and Young was confirmed as a headliner earlier this year.

Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.

The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.

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The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.

The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.

Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.

Neil Young performing at the New Orleans Jazz & Heritage Festival last May. Pic: Amy Harris/Invision/AP
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Neil Young performing at the New Orleans Jazz & Heritage Festival last May. Pic: Amy Harris/Invision/AP

Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.

They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.

The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.

The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.

2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.

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Sabrina Carpenter and Charli XCX BRIT Awards appearances spark hundreds of Ofcom complaints

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Sabrina Carpenter and Charli XCX BRIT Awards appearances spark hundreds of Ofcom complaints

Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.

US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.

The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.

She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.

Sabrina Carpenter opened proceedings. Pic: Reuters
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Sabrina Carpenter performing her second song. Pic: Reuters

Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.

But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.

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Highlights from the 2025 BRIT Awards

Ofcom said some of the complaints were also aimed at British pop sensation Charli XCX, who dominated the night by winning five awards, including album of the year.

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Some viewers took issue with her outfit – a black see-through dress.

Read more:
Explore other celebrity looks at the BRIT Awards
Why is Noel Clarke suing The Guardian?

The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”

Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”

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Why is Noel Clarke suing The Guardian?

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Why is Noel Clarke suing The Guardian?

Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.

Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.

They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.

Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.

What will the trial cover?

Clarke is suing GNM for libel, sometimes also referred to as defamation.

It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.

Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.

He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.

“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”

The Guardian is defending the claim on the basis of truth and public interest.

At a premiere in London in 2013. Pic: PA
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At a premiere in London in 2013. Pic: PA

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It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.

“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”

The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.

The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.

His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.

Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.

The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.

EDITORIAL USE ONLY File photo dated 20/07/15 of actor Noel Clarke. Police have confirmed that no criminal investigation will be launched after sexual offence allegations were made against actor Noel Clarke. Issue date: Sunday March 27, 2022.
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In July 2015. Pic: PA

What has happened since the articles were published?

A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.

However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.

His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.

ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.

The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.

Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.

He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.

At the UK premiere of Kidulthood in London's Leicester Square in 2006. Pic: PA
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At the UK premiere of Kidulthood in London’s Leicester Square in 2006. Pic: PA

‘Rising star’

Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.

Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.

He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.

It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.

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