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Marilyn Monroe biopic Blonde is leading the way in this year’s Razzies, closely followed by Good Mourning, a stoner comedy directed, produced, written and starring rapper Machine Gun Kelly.

Celebrating the worst of cinematic under-achievements, the annual Golden Raspberry Awards calls itself the “ugly cousin” of the Oscars and reveals its winners the night before the biggest awards in entertainment.

A scene from Monroe's 1953 film Gentlemen Prefer Blondes. Pic: Netflix
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Blonde. Pic: Netflix

Netflix movie Blonde, starring Ana de Armas, received eight nominations including worst picture, worst supporting actors and worst director. Summing up the film, the parody awards show, said “movie-goers liked even less than critics did”.

They go on: “Called a ‘biopic that’s not a biopic,’ by its makers, it ‘explores’ the exploitation of Marilyn Monroe…by continuing to exploit her posthumously”.

Good Mourning received seven nods, including worst actor, worst screen couple and worst screenplay, with Razzies calling it: “A laugh-free stoner comedy achieving the rare feat of scoring a perfect ZERO on Rotten Tomatoes”.

Starring Machine Gun Kelly, whose real name is Colson Baker, alongside his real-life fiancé Megan Fox, the movie also has a cameo from comedian Pete Davidson.

Davidson’s performance in the film has seen him nominated in the worst supporting actor category. He also got a worst actor nod – albeit only for his voice – for his role in kids animated film Marmaduke.

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Two-time Oscar winning actor Tom Hanks has the dubious honour of multiple nominations. He got a worst actor nod for his portrayal of toymaker Geppetto in Guillermo del Toro’s Pinocchio.

Pinocchio got six nods overall, with Razzies calling it: “Disney’s wholly unnecessary (and oddly creepy) live action/CGI remake”.

Director Machine Gun Kelly and cast member Megan Fox attend a premiere for the film Good Mourning in West Hollywood, California, U.S. May 12, 2022. REUTERS/Mario Anzuoni
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Machine Gun Kelly and Megan Fox at a Good Mourning premiere

Hanks also received a worst supporting actor nod for his part of talent manager Colonel Parker in Baz Luhrmann’s Elvis.

Calling his performance “widely derided”, they said pole position in the supporting actor category was currently held by: “Tom Hanks’ latex-laden, ludicrously accented portrayal of Col Tom Parker in the otherwise critically acclaimed Elvis”.

In the worst couple category, Hanks, “his Latex-laden face” and “ludicrous accent” are also listed as one of the nominations.

Jared Leto stars as an accidental vampire in Sony's Morbius
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Jared Leto in Morbius. Pic: Sony

Accidental vampire movie Morbius – which Razzies called “the year’s most ridiculed movie” – collected five nods, including worst actor for its star, Jared Leto, and supporting actress Adria Arjona.

And, in what Razzies called a “buy one, get one free”, both 365 Days sequels – 365 Days: This Day and The Next 365 Days got nominated for worst remake / rip-off / sequel.

The Netflix erotic thriller is based on books by Polish author Blanka Lipinska, with the movies previously accused of “glamourising rape”.

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The 43rd annual Razzie Awards will be held on Saturday 11 March in LA.

Here’s a complete list of the Razzie nominations:

WORST PICTURE

Blonde

Disney’s Pinocchio

Good Mourning

The King’s Daughter

Morbius

WORST ACTOR

Colson Baker (aka Machine Gun Kelly) Good Mourning

Pete Davidson (Voice Only) Marmaduke

Tom Hanks (As Geppetto) Disney’s Pinocchio

Jared Leto / Morbius

Sylvester Stallone / Samaritan

WORST ACTRESS

Ryan Kiera Armstrong / Firestarter

Bryce Dallas Howard / Jurassic Park: Dominion

Diane Keaton / Mack & Rita

Kaya Scodelario / The King’s Daughter

Alicia Silverstone / The Requin

WORST REMAKE/RIP-OFF/SEQUEL

Blonde

BOTH 365 Days Sequels – 365 Days: This Day & The Next 365 Days [a Razzie BOGO]

Disney’s Pinocchio

Firestarter

Jurassic World: Dominion

WORST SUPPORTING ACTRESS

Adria Arjona / Morbius

Lorraine Bracco (Voice Only) Disney’s Pinocchio

Penelope Cruz / The 355

Bingbing Fan / The 355 & The King’s Daughter

Mira Sorvino / Lamborghini: The Man Behind the Legend

WORST SUPPORTING ACTOR

Pete Davidson (Cameo Role) Good Mourning

Tom Hanks / Elvis

Xavier Samuel / Blonde

Mod Sun / Good Mourning

Evan Williams / Blonde

WORST SCREEN COUPLE

Colson Baker (aka Machine Gun Kelly) & Mod Sun / Good Mourning

Both Real Life Characters in the Fallacious White House Bedroom Scene / Blonde

Tom Hanks & His Latex-Laden Face (and Ludicrous Accent) ELVIS

Andrew Dominik & His Issues with Women / Blonde

The Two 365 Days Sequels (both Released in 2022)

WORST DIRECTOR

Judd Apatow / The Bubble

Colson Baker (aka Machine Gun Kelly) & Mod Sun / Good Mourning

Andrew Dominik / Blonde

Daniel Espinosa / Morbius

Robert Zemeckis / Disney’s Pinocchio

WORST SCREENPLAY

Blonde / Written for the Screen by Andrew Dominik, Adapted from the Bio-Novel by Joyce Carol Oates

Disney’s Pinocchio / Screenplay by Robert Zemeckis & Chris Weitz (Not Authorized by the Estate of Carlo Collodi)

Good Mourning / ‘Written’ by Machine Gun Kelly & Mod Sun

Jurassic World: Dominion / Screenplay by Emily Carmichael & Colin Treverrow, Story by Treverrow & Derek Connolly

Morbius / Screen Story and Screenplay by Matt Sazama & Burk Sharpless

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Adele bids tearful farewell to Las Vegas residency as star admits she doesn’t know when she’ll perform next

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Adele bids tearful farewell to Las Vegas residency as star admits she doesn't know when she'll perform next

Adele has bid a tearful farewell to her Las Vegas residency show, as the Someone Like You star admitted she doesn’t know when she’ll perform again next.

The British singer-songwriter, 36, launched Weekends with Adele at Caesars Palace in November 2022 and performed her 100th show there on Saturday.

Her mammoth run of sell-out shows at the venue, which seats around 4,000 people, has been a success but has taken its toll.

In July, Adele said she would be taking a “big break” from music after her current run of shows.

Videos posted online from her concert on Saturday show the singer getting tearful as she bid Vegas goodbye.

“It’s been wonderful and I will miss it terribly and I will miss you terribly,” she said.

She added: “I don’t know when I next want to perform again.”

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Adele has performed every Friday and Saturday across the residency, with plenty of memorable moments.

One included when she burst into tears after spotting Celine Dion at a performance.

Adele is known to idolise the Canadian singer.

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Speaking at the beginning of September, during a show in Germany, Adele told fans she wouldn’t see them “for an incredibly long time”.

“I just need a rest and I have spent the last seven years building a new life for myself, and I want to live it now,” she added.

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Denzel Washington’s sons talk about family, secrets, identity, and The Piano Lesson

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Denzel Washington's sons talk about family, secrets, identity, and The Piano Lesson

John David Washington says he felt like he had to conceal his desire to act because of the external expectations of him being the child of Denzel and Pauletta Washington.

He tells Sky News it took some time for him to pursue an acting career, choosing football instead to assert his “independence” and create his own “identity” separate from his famous family.

“I’ve been wanting to do this my whole life… but I was hiding it,” he said.

“I had to conceal that passion based on my relationship to the world and more specifically, my folks being in the industry, so I chose ball.

“I loved ball, but I was sort of hiding my love for the arts under a helmet – literally an American football helmet – and so when I wanted to become an actor, when I decided to pursue it, that was a big shock to some people.”

The 40-year-old actor says when he decided to pursue an acting career, he kept the decision quiet.

“Some people didn’t know I was even pursuing it professionally until I got a job,” he said.

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Danielle Deadwyler as Berniece and John David Washington as Boy Willie in The Piano Lesson. Pic: David Lee/ Netflix 2024
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John David with fellow actor Danielle Deadwyler. Pic: David Lee/ Netflix

Since switching to acting, John David has starred in a number of notable roles including the protagonist in Christopher Nolan’s Tenet, Ron Stallworth in BlacKkKlansman and Joshua in The Creator.

He also led the stage revival of the 2022 Tony-nominated play The Piano Lesson on Broadway alongside Samuel L Jackson.

“He [Jackson] originated the role [I play] in 1987 at Yale with Lloyd Richards and August Wilson,” John David said.

“So it was of great importance for us to learn from both he and Michael Potts about August Wilson. It was a great blessing for me, I think, for all of us to have him present on set.”

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The Piano Lesson is the third August Wilson play to be adapted for the screen by Denzel Washington’s production company Mundy Lane Entertainment.

It is part of a pledge made by the Gladiator II actor to make all 10 of the playwright’s works into films.

The Netflix project is directed by another Washington family member, Malcolm, and stars most of the cast from the Broadway revival.

The Piano Lesson (L-R): Actor Ray Fisher, writer-director Malcolm Washington, and his brother and star John David Washington on set. Pic: Katia Washington/ Netflix 2024
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The Piano Lesson is Malcolm Washington’s directorial debut. Pic: Katia Washington/ Netflix

Set in 1936 Pittsburgh in the aftermath of the Great Depression, the film centres on a family heirloom, a piano, that is etched with the carvings of their family history made by their enslaved ancestor.

Malcolm says he started reading the play for the first time during the pandemic and immediately wanted to be involved in the film adaptation.

“I think with this movie, reclamation of story and identity is so central to the theme and it’s something that’s central to my life where I both acknowledge the fertile ground that I was raised on and who I am today.

“That’s what Wining Boy [played by Michael Potts] really is trying to do, he’s trying to build on that legacy, so that’s a story that really resonated with me.”

The filmmaker added: “I take all the gifts that my ancestors laid in front of me, and I’m trying to build something for the next generation to pass down – all of their gifts, plus mine to the next generation and let them build on it.”

John David Washington in The Piano Lesson. Pic: David Lee/Netflix
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Malcolm has dedicated his directorial debut to his mother, Pauletta Washington. Pic: David Lee/Netflix

Malcolm says his goal was to put family at the forefront of the production. By dedicating his feature debut to “Mama”, he is acknowledging the dedication and sacrifices that mothers make for the growth of their families.

“There’s so much pointing to my mother in particular, who inspired this adaptation so much. I see so much of her life in Berniece’s character [played by Danielle Deadwyler] – and that became a guiding light for me in this adaptation,” he said.

“As we made this thing and started reconnecting with our ancestors, my mum became like a kind of representative of them.

“She’s the matriarch of our family. She tells me about my grandparents and great-grandparents and the line that I come from, and I see them in her.

“And when the movie ends, I want people to kind of have that moment of reflection for their own lives. So in dedicating it to her, I was trying to dedicate it to all mums everywhere.”

The Piano Lesson is now available on Netflix.

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Blockbuster Wicked lands largest opening weekend of 2024 at Vue

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Blockbuster Wicked lands largest opening weekend of 2024 at Vue

Blockbuster Wicked has landed the largest opening weekend of 2024 at Vue International.

The film, starring Oscar-nominated actress Cynthia Erivo and Grammy-winning pop star Ariana Grande as Elphaba and Glinda, surpassed both Gladiator II and Paddington In Peru.

It has also had the largest opening weekend for a stage musical adaptation in the cinema chain’s history.

A boss for Vue International said it had seen a “sea of pink and green” over the weekend.

Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film.
Pic: PA
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Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film. Pic: PA

Pic: PA
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Pic: PA

Cinemagoers in London's Leicester Square Vue on the opening night of Wicked. 
Pic: PA
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Pic: PA

Released on Friday, Wicked is up 60% on Les Miserables’ opening weekend in 2012 and three times larger than the 2022 film adaptation of Matilda.

Founder and chief executive of Vue International Tim Richards said: “Vue has seen a sea of pink and green over the opening weekend of Wicked, which has shown continued high demand for the big screen experience.

“We saw record-breaking pre-sales for Wicked, followed by a chart-topping opening weekend – the biggest for 2024.”

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The film is the first of two parts, with the second expected in November next year.

Wicked and Gladiator II – known together as Glicked – have reportedly failed to beat out Barbenheimer, Barbie and Oppenheimer, in its own opening weekend last summer.

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Glicked brought in £215m in worldwide ticket sales – with Wicked making the majority of that.

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