A fashion house says no animals were harmed in the making of a dress featuring an ultra-realistic lion’s head seen on Kylie Jenner’s shoulder and the catwalk at Paris fashion week.
Jennerarrived at Schiaparelli’s couture runway show in Paris wearing a dress from the designer’s collection featuring a fake lion’s head.
The gown, designed by Schiaparelli, prompted accusations of promoting animal cruelty and glamorising trophy hunting – but some animal rights activists came out in support of the collection.
A nearly identical version of the dress was later modelled on the runway by Irina Shayk.
Dresses featuring a faux-taxidermy snow leopard and a wolf modelled by Naomi Campbell were also seen in the show.
Schiaparelli posted a video of Jenner on Instagram, detailing the materials used to make the lion: “Hand sculpted foam, wool and silk faux fur… hand painted to look as life-like as possible.”
The brand added in capital letters: “NO ANIMALS WERE HARMED IN MAKING THIS LOOK.”
But Carrie Johnson, animal rights campaigner and wife of former prime minister Boris Johnson, described the designs as “grim”, writing on Instagram: “Real or fake this just promotes trophy hunting. Yuck.”
Image: A model wears a snow leopard creation as part of the Schiaparelli Haute Couture Spring-Summer 2023 collection. Pic: AP
‘Where there’s a will, there’s a way’
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However, animal rights charity PETA – which named Mrs Johnson as its “person of the year” in 2020 – came out in defence of the fake looks.
In a statement, PETA founder Ingrid Newkirk told Sky News: “Kylie’s look celebrates lions’ beauty and may be a statement against trophy hunting, in which lion families are torn apart to satisfy human egotism.
“These fabulously innovative three-dimensional animal heads show that where there’s a will, there’s a way.”
Image: Kylie Jenner poses for a photo in the fake lion gown. Pic: AP
Despite PETA’s stance, many people expressed their distaste with Schiaparelli’s designs on the brand’s Instagram page.
One commenter wrote: “No matter how you justify it to your models and celebrities – the faux animal couture is a huge problem with implications you don’t understand… Even though NO ANIMALS WERE HARMED the concept promotes wearing animals for fashion and a disgusting out of touch mentality the elite continue to suffer from.”
Another comment, which has received thousands of likes, said: “We have to stop showing animals as luxury ‘products’. They may be made from foam, but these are endangered species that have historically been killed for their pelts to be turned into garments.”
There were those who came to the brand’s defence however, with some saying the designs were art and were purposefully provocative.
One person wrote: “The whole point of haute couture is to be an art performance, a concept, shown on a person. It’s art, and the concept here is Dante’s inferno.”
Paris’s haute couture fashion week runs until Thursday, 26 January. The controversial Schiaparelli show kicked off the event on Tuesday.
Alan Yentob, the former BBC presenter and executive, has died aged 78.
A statement from his family, shared by the BBC, said Yentob died on Saturday.
His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.
“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”
Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.
He was also the director of BBC drama, entertainment, and children’s TV.
Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.
Image: Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.
The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.
In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.
“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”
BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Image: Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Image: Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Image: Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.