Kanye West cold be denied entry to Australia over his history of antisemitic remarks, according to a government minister.
It is understood the rapper – who now goes by the name Ye – was planning to visit the country to meet the family of his partner, Bianca Censori, who grew up in Melbourne.
Minister for Education Jason Clare condemned Ye’s “awful” antisemitic comments involving Hitler and the Holocaust, saying others who had made similar statements had been denied visas.
“People like that who’ve applied for visas to get into Australia in the past have been rejected,” Clare said in an interview on Channel Nine. “I expect that if he does apply he would have to go through the same process and answer the same questions that they did.”
In recent months, Ye has made a string of antisemitic remarks – including praising Hitler, tweeting a picture of a swastika and denying the Holocaust.
Opposition leader Peter Dutton, an immigration minister under a previous government, said on Tuesday that he would be inclined to ban Ye but that it was a decision for the government.
“His antisemitic comments are disgraceful, his conduct, his behaviour are appalling,” he told 3AW radio.
“He’s not a person of good character and the minister has the ability to stop somebody coming into our country of bad character.”
Peter Wertheim, co-chief executive officer of the Executive Council of Australian Jewry, met officials on Tuesday to argue in favour of banning the musician.
“We had a sympathetic hearing,” Wertheim said.
“We’ve made the case that this particular individual does not meet the character test and that it would be in the national interest not to grant him a visa and we set out our reasons in some detail in that letter.”
Eva Green gives evidence at High Court in lawsuit over collapsed film – saying she fell ‘deeply in love’ with the project
Hollywood actress Eva Green has told the High Court in London that she “fell deeply in love” with a film she was due to star in before the project collapsed – giving evidence for the first time in person after filing a lawsuit against producers.
The star, who is best known for her portrayal of Vesper Lynd in the James Bond film Casino Royale with Daniel Craig, was due to play the lead role in A Patriot, but the production was abandoned in October 2019.
Green, 42, is suing White Lantern Films and SMC Speciality Finance for the $1 million (about £808,000) fee she says is still owed, despite its cancellation.
White Lantern is bringing a counterclaim against the French actress, alleging she undermined the independent film’s production, made “excessive creative and financial demands”, and had expectations that were “incompatible” with the film’s low budget.
The producers have cited WhatsApp messages from Green in which she described one producer as a “f****** moron” who should be fired and another as “evil”. She also allegedly described funders for the movie as “a*seholes” and some proposed crew members as “sh*tty peasants”. The actress addressed these messages later in her evidence.
Entering the witness box at the High Court on Monday, the third day of the hearing, Green first told how making quality productions was her “religion” and said abandoning A Patriot would have been like abandoning her “baby”.
In her written evidence to the court, Green said she “fell in love” with the film, in which she was cast as soldier Kate Jones, after reading writer and director Dan Pringle’s “brave and daring” script.
“I believed and still do that the film had the capacity to really wake people up and help them to see that the devastation of our world would eventually trigger resource wars and massive migration,” she said in the statement.
Green added in court: “As I have said repeatedly, I fell deeply in love with this project – not only the role, but also the message of the film.
“I couldn’t imagine abandoning the film, as it would have been like abandoning my baby. It still feels that way.”
Producers say Green had ‘animosity’
Green said the script for the film was “one of the best scripts I have ever read” and that she was excited to play the role of a soldier, which she had never done before. She cited the film being about climate change as an issue “dear to my heart and important”.
The actress also discussed some of her other work, telling the court: “I don’t care about the money. I live to make good films, it’s my religion.”
Max Mallin, representing White Lantern, previously claimed Green had an “animosity” towards a vision for the film held by one of its executive producers, Jake Seal.
The barrister said that in exchanges on WhatsApp with her agent and the film’s director, Green claimed Seal was planning to make a “cheap B movie” and described him as “the devil” and “evil”.
Mr Mallin asked Green if she remembered sending a different text message, suggesting the film under Mr Seal would be a “B-sh*tty-movie”; she said she did.
Green told the court: “I never wanted this to be a B-movie but I realised more towards the end that it was going to happen.”
She continued: “I had several opportunities to walk away from this project but at the time I felt like I had an armour, the strong crew members around me.
“I thought we had these strange producers but a strong crew so we could still make something good quality, but I was probably naive.”
The move from Ireland
In her witness statement, Green said her initial confidence in the film dwindled following delays and its move from Ireland to a studio outside London, and that she felt she had been “deceived”.
Denying allegations that she was not prepared to go ahead with the film, she said: “In the 20 years that I have been making films, I have never broken a contract or even missed one day of shooting.
“Nor have I been late or done anything but give 100% heart, body and soul to every project I have ever been involved in.”
She added: “Why on earth would I sabotage a project that I loved and that I risked my reputation on? It makes no sense at all.”
‘Nothing against peasants’
Green also apologised for “inappropriate language” and “some horrible things” expressed by her in emails and texts in August and September 2019.
She said one message was an “emotional response” after finding out she had been “lied to” about the move from Ireland.
The actress also told the High Court she has “nothing against peasants” when questioned about the word being used in one of her messages.
“I have nothing against peasants, I didn’t want to work with a sub-standard crew,” she said. “I wanted to work with a high-quality crew who just wanted to be paid standard industry rates.”
A Patriot was also due to feature Game Of Thrones star Charles Dance and Twister star Helen Hunt, with Oscar winner Kathy Bates attached too at one point.
Green is due to finish giving evidence on Tuesday and a ruling on the case is expected at a later date.
Barrett Strong: I Heard It Through The Grapevine writer and Motown’s first star dies aged 81
Founding Motown artist Barrett Strong, who collaborated on classic songs such as I Heard It Through The Grapevine and Papa Was A Rollin’ Stone, has died at the age of 81.
Strong’s death was confirmed by the Motown Museum in a series of tweets paying tribute to his prolific career.
“Barrett was not only a great singer and piano player, but he, along with his writing partner Norman Whitfield, created an incredible body of work,” Motown founder Berry Gordy said in a statement. No further details have been released.
Strong was the pianist and lead singer on Motown Records’ breakthrough hit Money (That’s What I Want), released early in 1960 and later covered by artists including The Beatles and the Rolling Stones.
It came less than a year after he agreed to let his friend Gordy – then in the early days of building his recording empire in Detroit – manage him and release his music.
While he never again approached the success of Money on his own – and the song ironically led to arguments over money as he fought for acknowledgement as a co-writer – with Whitfield he formed a productive and eclectic songwriting team.
Amy Winehouse to Bruce Springsteen – the artists who covered Strong’s work
I Heard It Through The Grapevine was first recorded by Gladys Knight And The Pips in 1966, and Marvin Gaye’s release two years later became one of the label’s biggest sellers of all time. The track has been covered numerous times, by everyone from Creedence Clearwater Revival to Amy Winehouse, and also charted again in the 1980s thanks to being featured in the famous Levi’s Launderette advert.
The Barrett-Whitfield partnership also wrote Cloud Nine and Psychedelic Shack for The Temptations, as well as the protest anthem War – with its famous refrain: “War! What is it good for? Absolutely… nothing!” – for Edwin Starr.
“With War, I had a cousin who was a paratrooper that got hurt pretty bad in Vietnam,” Strong told LA Weekly in 1999. “I also knew a guy who used to sing with (Motown songwriter) Lamont Dozier that got hit by shrapnel and was crippled for life. You talk about these things with your families when you’re sitting at home, and it inspires you to say something about it.”
His other hits with Whitfield, who died in 2008, included I Can’t Get Next To You, That’s The Way Love Is, and the Grammy-winning chart-topper Papa Was A Rollin’ Stone.
Artists who covered their songs ranged from The Rolling Stones (Just My Imagination) and Aretha Franklin (I Wish It Would Rain) to Bruce Springsteen (War) and Al Green (I Can’t Get Next to You).
‘Songs outlive people’
Strong spent part of the 1960s recording for other labels, and left Motown again in the early 1970s and made a handful of solo albums, including Stronghold and Love Is You. In 2004, he was voted into the Songwriters Hall Of Fame, which cited him as “a pivotal figure in Motown’s formative years”.
The music of Strong and other Motown writers was later featured in the Broadway hit Ain’t Too Proud: The Life And Times Of The Temptations.
According to BMI (Broadcast Music Inc), there are more than 240 songs in his back-catalogue.
“Songs outlive people,” Strong told The New York Times in 2013. “The real reason Motown worked was the publishing. The records were just a vehicle to get the songs out there to the public.
“The real money is in the publishing, and if you have publishing, then hang on to it. That’s what it’s all about. If you give it away, you’re giving away your life, your legacy. Once you’re gone, those songs will still be playing.”
What most scares Sarah Michelle Gellar and how she moved on from ‘toxic’ Buffy set with new show Wolf Pack
Known for her iconic role as Buffy The Vampire Slayer, Sarah Michelle Gellar is once again taking on the supernatural with her new show Wolf Pack.
Having described some behaviour on the ’90s hit drama as toxic, she told Sky News that now she’s an executive producer, she wanted to use her influence to ensure the only monsters she fights are on screen.
“I needed to have a set that was communicative, that was collaborative, where everybody had a voice,” Gellar explained.
“And, you know, when I was growing up in this industry, we were told not to, and if we did, we were difficult.
“And I think this isn’t a Hollywood thing – when you’re new in a job, you don’t want to make waves, you accept a lot of stuff that should be unacceptable, and I needed to have the power to change that and to be on the set that I wanted to be on, and not just that I wanted to be on, that everybody wanted to be on.
“Look, we get to play make believe, it’s really fun, but there’s long hours involved and there’s dangerous stunts and there’s, you know, all sorts of things, and I needed it to be a safe place for everyone.”
On Wolf Pack, Gellar is no longer one of the youngest people on set. Her character is an investigator looking into a wildfire that has seemingly awakened a mysterious creature – and in the process changed the lives of two teenagers.
But learning from her own experiences, the star took practical action to ensure younger cast and crew on Wolf Pack were comfortable during filming.
She said: “I was like, here’s my cell phone, call me – and I think it was easier for them to speak to me if something was bothering them.”
She added: “It’s hard when it’s your producer, boss, network and everyone has a bottom line – I don’t have one, I’m here to make all of this work and work well.
“And by the way, not just for the actors – I said that to the crew, too, to the production assistants: If you’re too tired, and the hours are too long, let me know. There’s Uber now, there’s a really easy way for people not to get in car accidents when they’re working, it’s nothing to a production to call an Uber and guess what? If production won’t pay for it, I’ll get you an Uber.”
‘The scariest things in life emotionally scare us’
It’s 20 years since Buffy ended and Gellar says she was drawn back to the genre not by mythical creatures, but what they represent.
“To me, the scariest things in life are what emotionally scare us, and that’s what this monster is that metaphor for and really dealing with anxiety,” the actress explained.
“You know, that’s a word we throw around a lot right now, we’re all feeling it, we’re bombarded with news 24/7, and what it does and this constant stream of information.
“The idea is that anxiety is actually your body running at peak condition, but we don’t know what to do with that, so when you harness that, you can actually make that your superpower – and if we have the tools to really deal with anxiety, what would we be capable of?”
How star got through COVID
But she admits she nearly didn’t get involved with Wolf Pack at all – initially saying no when asked to look at the script, joking that it was “animal instinct” that took over when she eventually relented.
“The idea of the pack to me just really hit home. It was the right time, you know, we were just coming out of COVID where if it wasn’t for my pack, my pod, if you will, I wouldn’t have gotten through it,” Gellar said.
“And what it’s like when you don’t have that and how lonely that feels.
“I surprised myself when I said yes, it surprised Jeff [Davis – the show’s creator], it surprised my team – it was a very just emotional response to material that meant something to me.”
Wolf Pack is streaming now on Paramount +
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