Allowing Kanye West to start tweeting again would be “dangerous for Jews” and “dangerous for my children”, David Baddiel has told Sky News.
The Jewish author and comedian also said he considers the musician to be racist.
West is currently suspended from Twitter for tweeting an image of a swastika hours after praising Nazi dictator Adolf Hitler.
The musician, 45, posted the grossly offensive image only two weeks after being allowed back on the site following a previous ban.
Baddiel said he understood why Twitter owner Elon Musk might consider another reprieve for the rapper.
“Kanye being let back onto that platform seems to be part of Elon Musk trying to make (it) less dominated by the progressive left,” Baddiel told the Beth Rigby Interviews programme.
“I’m not bothered about those arguments. I’m bothered about what is dangerous for Jews. What is dangerous for my children.
“I do think it’s dangerous. I think it’s actively dangerous.”
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Beth Rigby Interviews… David Baddiel
Regarding West’s motivation, Baddiel said antisemitism is “often seen by people as punching up”.
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He continued: “So they don’t see it as racism, because what they see is that Jews are powerful.
“So Kanye will say things like, Jews are in control of the music business, I’m finally throwing off the shackles of how Jews won’t let me speak about this, because they’re in control.”
West has previously accused record producer Sean “Diddy” Combs of being controlled by “the Jewish people” in a post on Instagram.
Baddiel went on: “It comes from a sense of, this is a rebel yell against a race that is controlling us, and the problem with that is it doesn’t sound like a far-right person saying ‘look at these scum, I’m just going to kill them’.
“It sounds like someone fighting the good fight. And that is actually what Hitler, who Kanye has said he’s an admirer of, that is also how Hitler sounded to some people.”
In an interview with the conspiracy theorist, Alex Jones, West said: “I like Hitler.”
West retains the ability to influence people, Baddiel said. “Kanye, because he’s a brilliant hip hop artist, has got a really powerful voice,” he pointed out.
Asked whether West is racist, Baddiel said: “I think what he said is antisemitic. And I think antisemitism is racism. Yes.”
Image: Jason Lee, pictured here in 1999, received an apology from David Baddiel over portrayals on the TV show Fantasy Football League
Baddiel also discussed his recent apology to the ex-footballer Jason Lee, for the way he portrayed him in sketches in his 1990s television series Fantasy Football League.
“As I became more aware of racism directed against me, as well as being hurt or upset by that, or thinking this is weird, this clearly really racist thing – that I am guilty of the same thing,” he said.
“And that brought it home to me over time, over much too much time, that I should apologise to Jason Lee.
“When I (made a) documentary, I thought I should go and film a face-to-face apology. And thankfully Jason was up for doing that, and it was really difficult. He didn’t in any way let me off.”
Baddiel said he “felt terrible”, “totally felt terrible”.
He told Beth Rigby: “At the end of it, I went up to him, and I just said, look, sorry again, and thank you for seeing me.
“And he just shook my hand and said, no, it’s done now.
“Meaning we’ve done it now, and we can move on. Which is important for me, and important for him.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.