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Raye is gaining her power back. Not just from the industry that made her feel “mediocre” for so many years, but over past traumas she kept bottled up for a long time.

“Some of my closest friends didn’t even know some of the stuff I’m discussing on my album,” she tells Sky News. “It’s probably the most honest I’ve been. It’s deep and it’s real.”

Raye, real name Rachel Keen, is only 25 but already a music industry veteran; a platinum-selling performer and a songwriter with credits for everyone from Charli XCX and Little Mix to John Legend and Beyonce.

She was just 15 when she released her first song and 17 when all her dreams came true, in the form of a four-album contract with record label Polydor. But after years of what seemed to be a successful career as a vocalist collaborating mainly on other artists’ dance hits, in 2021 she posted a string of tweets claiming the label was holding her back from releasing her own album.

“I’m done being a polite pop star,” she wrote, her frustration and anger palpable. The singer says after years of “trying to make it work”, she had reached the point where she had nothing to lose. “You get to that breaking point, really.”

Shortly after her tweets, it was announced she and Polydor were parting ways, with the label saying the decision had been “amicable and mutual” and wishing her “all the very best for the future”.

Raye has claimed her first number one with Escapism. Pic: Official Charts
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Raye claimed her first number one with Escapism at the beginning of 2023. Pic: Official Charts

Fast-forward 18 months or so and Raye is in a very different place; now an independent artist, earlier in January she topped the UK charts for the first time with viral hit Escapism. In February, the debut album she fought so hard to make, My 21st Century Blues, will finally be released. No longer pigeonholed or stifled, this is the real Raye, she says, and it’s been a long time coming.

“The album is discussing a lot of different topics… the deepest depths of really ugly stories about assaults and body dysmorphia and environmental anxiety. I think there’s no limit on what I’ve really spoken on in terms of my perspective on my blues as a woman in the 21st Century.”

‘It’s things I’ve been silent about for so long’

Always outspoken, Raye is not an artist who sticks to trotting out lines of approved PR-speak when she’s being interviewed, and this candidness is evident throughout her music. “Being real and transparent is really important to me, to skip out metaphors and similes and cut straight to the point of what I’m talking about,” she says. “Some of these things I haven’t also entirely healed from.

“It’s definitely going to be a rollercoaster for sure, but one that I’m making the decision to go on. That’s kind of the artist I like to be, transparent, honest. I think that’s what I’m like in real life.”

One song, Ice Cream Man, deals with sexual assault. “It’s things I’ve been silent about for so long and swallowed for so long and self-managed for so long in non-constructive ways,” she says.

“I’ve written pretty transparently about sexual violence… multiple things that occur in a life that you just bury, bury down, hide in a box, don’t tell anyone. And it just festers and manipulates itself into something quite ugly.”

As with Escapism, a dark electro banger about using alcohol, drugs and casual sex as coping mechanisms for dealing with emotional pain, the album is a contrast of often melancholy or dark lyrics, with beats that will fill a dance floor, as well as a range of genres.

“You’ve got songs with a contrasting sonic landscape,” she says. “I find it really exciting to tell a story and then the music feel the opposite so I think there’s a lot of juxtaposition there.”

Irony in its ‘most hilarious and ridiculous form’

Escapism’s success feels ironic to Raye. “With the previous music, not in a bad way, but it was more about the song than about the artist. The big dance songs or whatever, they don’t necessarily say anything about me as a person. I never necessarily wanted to be someone who did huge, huge hits, but without depth and substance or discussing things I’m passionate about, or breaking a couple of rules.

“Escapism is such a personal story. It’s kind of dark. It’s extremely explicit and honest and raw… I really told myself on the beginning of this next chapter, I’m not creating music with the intent or purpose to sell loads of copies, it’s about integrity and telling these uncomfortable stories that I think are really important.

“I had all the preparation in the world for building a small, steady fanbase bit by bit, and to not expect anything in terms of mainstream reflection. So this is like irony in its most hilarious and ridiculous form, that this is the biggest song of my entire career.”

Read more on Raye:
‘I was right to back myself’: Raye rises to first number one
Raye speaks out after leaving record label

Despite it not necessarily being the plan, she admits topping the charts does feel like vindication.

“[I feel] like anything is possible and I was right to back myself,” she says. “Never give up on your dreams. For someone who [felt] so, like, mediocre and… such a disappointment, actually, for so long, to just receive all the affirmation in the world that I was right to back my music is just…”

She doesn’t need to finish the sentence. “For someone who puts words together for a living, I don’t necessarily really have the best words to describe how crazy this is.”

‘Fear is the driving factor of secrets’

Emboldened, Raye says artists need to speak out more about the inner workings of the industry. And despite moves to improve diversity and equality making headlines in recent years, she says misogyny is still rife.

“We do need to be telling these stories more,” she says. “I think things that happen in the darkness have so much more power than they do when they’re brought out to the light, you know? Fear is the driving factor of secrets, and truths and stories being withheld. But there is still that very sad view that women need to be guided and controlled and taught and given instructions to follow and meet these requirements.”

She sighs. “I don’t know… I think it’s probably the same for all artists but especially for women, especially for everything I’ve witnessed in 10 years in the industry. I think a lot needs to change, but I don’t think anything will truly be equal and fair until we’ve got the same amount of female CEOs as we do male CEOs, we’ve got the same amount of female staff working a video shoot as male staff, the same amount of female A&Rs, and the same amount of, you know, different ethnicities in these same roles.

“Balance overall is so important, and until we have that, there’s always going to be issues and problems when you have men deciding what they think is best for women.”

Read more from Sky News Entertainment:

Self Esteem on not being cool, not having her bum pinched, and not being completely skint
‘We cannot let Faye’s life end here’: Campaign to save young star fighting rare brain tumour
How deafness helped artist James Vickery find his musical sound

Raye is releasing her debut album, My 21st Century Blues
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‘Seven years old, wide-eyed with a dream’: The album cover for My 21st Century Blues

Raye is looking to the future. She says she has had little communication with her former label bosses since she left, but wants to make it clear it wasn’t all bad. There were “some great people there who really believed in me… but obviously it came down to the big people making big decisions”, she says.

I ask her about the artwork for My 21st Century Blues; it features a little girl, dressed for the workplace but teetering in red stilettos hanging off her heels, standing atop a pile of instruments and recording equipment bearing the names of her songs, grabbing hands reaching out from inside. It feels poignant.

“That’s actually my baby sister on top of that big structure we built,” says Raye. “But that little girl up there is me, you know, seven years old, wide-eyed with a dream, not realising what the next 10 or 15 years of my life would be like.

“All the different life – in the industry and out of the industry – that I’ve had to navigate, process, understand, learn in my transition to being a woman, to being an artist, to being an independent artist. It’s been a real wild journey.”

Raye’s debut album, My 21st Century Blues, is out from 3 February

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MasterChef presenter John Torode says allegation he used racist language upheld in report

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MasterChef presenter John Torode says allegation he used racist language upheld in report

MasterChef presenter John Torode says an allegation he used “racial language” was upheld in a report as part of a review into the behaviour of his former co-presenter Gregg Wallace.

The report, led by law firm Lewis Silkin, found 45 out of 83 allegations against Wallace were substantiated.

There were also two standalone allegations made against other people.

In a statement posted on his Instagram page, Torode said he was one of those people, but added that he had “no recollection of the incident” and said he “did not believe that it happened”.

He commented: “Following publication of the executive summary of the investigation into Gregg Wallace while working on MasterChef, I am aware of speculation that I am one of the two other individuals against whom an allegation has been upheld.

“For the sake of transparency, I confirm that I am the individual who is alleged to have used racial language on one occasion.

“The allegation is that I did so sometime in 2018 or 2019, in a social situation, and that the person I was speaking with did not believe that it was intended in a malicious way and that I apologised immediately afterwards.

“I have absolutely no recollection of any of this, and I do not believe that it happened.

“However, I want to be clear that I’ve always had the view that any racial language is wholly unacceptable in any environment. I’m shocked and saddened by the allegation as I would never wish to cause anyone any offence.”

This breaking news story is being updated and more details will be published shortly.

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Gregg Wallace: Over half of allegations against MasterChef presenter substantiated, including one of unwanted physical contact

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Gregg Wallace: Over half of allegations against MasterChef presenter substantiated, including one of unwanted physical contact

An investigation into Gregg Wallace’s “inappropriate behaviour” on MasterChef has found that more than half of the allegations against him have been substantiated, including one of “unwanted physical contact”.

MasterChef’s production company Banijay UK shared a summary of its report into historical allegations of misconduct against the 60-year-old presenter, carried out by independent law firm Lewis Silkin over seven months.

The report also said the number of sustained allegations made Wallace’s return to MasterChef “untenable”.

The investigation heard evidence from 78 witnesses, including 41 complainants.

There were 83 allegations against Wallace, and 45 of them were substantiated. All were related to MasterChef.

While the majority of the substantiated allegations related to inappropriate sexual language and humour, a smaller number of allegations of other inappropriate language and being in a state of undress were also substantiated.

One allegation of unwanted physical contact was substantiated.

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Nearly all the allegations against Wallace were related to behaviour which is said to have occurred between 2005 and 2018, with just one substantiated allegation taking place post-2018.

Wallace and Anne-Marie Sterpini in 2014
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Wallace and Anne-Marie Sterpini in 2014

Ahead of the publication of the summary, Wallace had said he had been “cleared of the most serious and sensational accusations” made against him.

Additionally, the report summary found that there were also 10 standalone allegations about other people between 2012 and 2018/2019, two of which were substantiated. Those people were not named in the summary.

The investigation found that complaints had previously been raised with the production company between 2005 and 2024.

Gregg Wallace on MasterChef. Pic: BBC/ Shine TV 2024
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Gregg Wallace on MasterChef. Pic: BBC/ Shine TV 2024

While the report flagged inadequate reporting procedures prior to 2016, when Endemol merged with Shine ahead of Banijay acquiring Endemol Shine in 2020, it said there were significant improvements to HR processes and training after 2016.

While the investigation said some formal action was taken by the BBC in 2017, it also noted the corporation held no information regarding concerns raised over Wallace centrally, resulting in issues being addressed as a first offence.

Sky News has tried to contact Gregg Wallace for contact today.

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Man arrested for alleged sexual assault ‘on set of EastEnders’

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Man arrested for alleged sexual assault 'on set of EastEnders'

A man has been arrested on suspicion of assault and sexual assault – which reportedly took place on the set of EastEnders.

The alleged incident happened on the set of the BBC soap at Elstree Studios in Hertfordshire, according to The Sun newspaper.

Hertfordshire Police confirmed a man in his 50s was arrested after the report in Eldon Avenue, Borehamwood, on 7 May.

The man is accused of sexual assault and common assault in relation to two victims, the force said.

The suspect is on bail while inquiries continue, police added.

EastEnders said in a statement: “While we would never comment on individuals, EastEnders has on-site security and well-established procedures in place to safeguard the safety and welfare of everyone who works on the show.”

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