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Raye is gaining her power back. Not just from the industry that made her feel “mediocre” for so many years, but over past traumas she kept bottled up for a long time.

“Some of my closest friends didn’t even know some of the stuff I’m discussing on my album,” she tells Sky News. “It’s probably the most honest I’ve been. It’s deep and it’s real.”

Raye, real name Rachel Keen, is only 25 but already a music industry veteran; a platinum-selling performer and a songwriter with credits for everyone from Charli XCX and Little Mix to John Legend and Beyonce.

She was just 15 when she released her first song and 17 when all her dreams came true, in the form of a four-album contract with record label Polydor. But after years of what seemed to be a successful career as a vocalist collaborating mainly on other artists’ dance hits, in 2021 she posted a string of tweets claiming the label was holding her back from releasing her own album.

“I’m done being a polite pop star,” she wrote, her frustration and anger palpable. The singer says after years of “trying to make it work”, she had reached the point where she had nothing to lose. “You get to that breaking point, really.”

Shortly after her tweets, it was announced she and Polydor were parting ways, with the label saying the decision had been “amicable and mutual” and wishing her “all the very best for the future”.

Raye has claimed her first number one with Escapism. Pic: Official Charts
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Raye claimed her first number one with Escapism at the beginning of 2023. Pic: Official Charts

Fast-forward 18 months or so and Raye is in a very different place; now an independent artist, earlier in January she topped the UK charts for the first time with viral hit Escapism. In February, the debut album she fought so hard to make, My 21st Century Blues, will finally be released. No longer pigeonholed or stifled, this is the real Raye, she says, and it’s been a long time coming.

“The album is discussing a lot of different topics… the deepest depths of really ugly stories about assaults and body dysmorphia and environmental anxiety. I think there’s no limit on what I’ve really spoken on in terms of my perspective on my blues as a woman in the 21st Century.”

‘It’s things I’ve been silent about for so long’

Always outspoken, Raye is not an artist who sticks to trotting out lines of approved PR-speak when she’s being interviewed, and this candidness is evident throughout her music. “Being real and transparent is really important to me, to skip out metaphors and similes and cut straight to the point of what I’m talking about,” she says. “Some of these things I haven’t also entirely healed from.

“It’s definitely going to be a rollercoaster for sure, but one that I’m making the decision to go on. That’s kind of the artist I like to be, transparent, honest. I think that’s what I’m like in real life.”

One song, Ice Cream Man, deals with sexual assault. “It’s things I’ve been silent about for so long and swallowed for so long and self-managed for so long in non-constructive ways,” she says.

“I’ve written pretty transparently about sexual violence… multiple things that occur in a life that you just bury, bury down, hide in a box, don’t tell anyone. And it just festers and manipulates itself into something quite ugly.”

As with Escapism, a dark electro banger about using alcohol, drugs and casual sex as coping mechanisms for dealing with emotional pain, the album is a contrast of often melancholy or dark lyrics, with beats that will fill a dance floor, as well as a range of genres.

“You’ve got songs with a contrasting sonic landscape,” she says. “I find it really exciting to tell a story and then the music feel the opposite so I think there’s a lot of juxtaposition there.”

Irony in its ‘most hilarious and ridiculous form’

Escapism’s success feels ironic to Raye. “With the previous music, not in a bad way, but it was more about the song than about the artist. The big dance songs or whatever, they don’t necessarily say anything about me as a person. I never necessarily wanted to be someone who did huge, huge hits, but without depth and substance or discussing things I’m passionate about, or breaking a couple of rules.

“Escapism is such a personal story. It’s kind of dark. It’s extremely explicit and honest and raw… I really told myself on the beginning of this next chapter, I’m not creating music with the intent or purpose to sell loads of copies, it’s about integrity and telling these uncomfortable stories that I think are really important.

“I had all the preparation in the world for building a small, steady fanbase bit by bit, and to not expect anything in terms of mainstream reflection. So this is like irony in its most hilarious and ridiculous form, that this is the biggest song of my entire career.”

Read more on Raye:
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Despite it not necessarily being the plan, she admits topping the charts does feel like vindication.

“[I feel] like anything is possible and I was right to back myself,” she says. “Never give up on your dreams. For someone who [felt] so, like, mediocre and… such a disappointment, actually, for so long, to just receive all the affirmation in the world that I was right to back my music is just…”

She doesn’t need to finish the sentence. “For someone who puts words together for a living, I don’t necessarily really have the best words to describe how crazy this is.”

‘Fear is the driving factor of secrets’

Emboldened, Raye says artists need to speak out more about the inner workings of the industry. And despite moves to improve diversity and equality making headlines in recent years, she says misogyny is still rife.

“We do need to be telling these stories more,” she says. “I think things that happen in the darkness have so much more power than they do when they’re brought out to the light, you know? Fear is the driving factor of secrets, and truths and stories being withheld. But there is still that very sad view that women need to be guided and controlled and taught and given instructions to follow and meet these requirements.”

She sighs. “I don’t know… I think it’s probably the same for all artists but especially for women, especially for everything I’ve witnessed in 10 years in the industry. I think a lot needs to change, but I don’t think anything will truly be equal and fair until we’ve got the same amount of female CEOs as we do male CEOs, we’ve got the same amount of female staff working a video shoot as male staff, the same amount of female A&Rs, and the same amount of, you know, different ethnicities in these same roles.

“Balance overall is so important, and until we have that, there’s always going to be issues and problems when you have men deciding what they think is best for women.”

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Raye is releasing her debut album, My 21st Century Blues
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‘Seven years old, wide-eyed with a dream’: The album cover for My 21st Century Blues

Raye is looking to the future. She says she has had little communication with her former label bosses since she left, but wants to make it clear it wasn’t all bad. There were “some great people there who really believed in me… but obviously it came down to the big people making big decisions”, she says.

I ask her about the artwork for My 21st Century Blues; it features a little girl, dressed for the workplace but teetering in red stilettos hanging off her heels, standing atop a pile of instruments and recording equipment bearing the names of her songs, grabbing hands reaching out from inside. It feels poignant.

“That’s actually my baby sister on top of that big structure we built,” says Raye. “But that little girl up there is me, you know, seven years old, wide-eyed with a dream, not realising what the next 10 or 15 years of my life would be like.

“All the different life – in the industry and out of the industry – that I’ve had to navigate, process, understand, learn in my transition to being a woman, to being an artist, to being an independent artist. It’s been a real wild journey.”

Raye’s debut album, My 21st Century Blues, is out from 3 February

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Stalker who believed Strictly Come Dancing judge Shirley Ballas was his aunt avoids jail

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Stalker who believed Strictly Come Dancing judge Shirley Ballas was his aunt avoids jail

A man who stalked Strictly Come Dancing judge Shirley Ballas for six years has avoided jail.

Kyle Shaw, 37, got a 20-month suspended sentence and a lifetime restraining order on contacting Ballas, her mother, niece, and former partner.

Liverpool Crown Court heard that he thought Ballas was his aunt and “began a persistent campaign of contact”.

“He believed, and it’s evident from what he was told by his mother, that her late brother was his father,” said prosecutor Nicola Daley.

The court heard there was no evidence he was wrong, and “limited evidence” he was correct.

Ms Daley said Shaw’s messages had accused Ballas of being to blame for the death of her brother, who took his own life in 2003 aged 44.

He also set up social media accounts in his name.

Shaw had pleaded guilty to stalking the former dancer between August 2017 and November 2023 at a hearing in February.

Incidents included following Ballas’s 86-year-old mother, Audrey Rich, while she was shopping and telling her she was his grandmother.

The court heard in messages to Mrs Rich, Shaw had asked: “Where’s my dad?”

Ballas was so worried for her mother’s safety that she moved her from Merseyside to London.

Shaw outside court on the day of his sentencing. Pic: PA
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Kyle Shaw outside court on the day of his sentencing. Pic: PA

In October 2020, Ballas called police after Shaw messaged her and said: “Do you want me to kill myself, Shirley?”

Posts on X included one alongside an image of her home address that warned: “You ruined my life, I’ll ruin yours and everyone’s around you.”

Another referenced a book signing and said: “I can’t wait to meet you for the first time Aunty Shirley. Hopefully I can get an autograph.”

The court was told Ballas’s niece Mary Assall, former partner Daniel Taylor and colleagues from Strictly Come Dancing and ITV’s Loose Women were also sent messages.

‘I know where you live’

On one occasion in late 2023, Shaw called Mr Taylor and told him he knew where the couple lived and described Ballas’s movements.

The court heard the 64-year-old TV star become wary of socialising and stopped using public transport.

Prosecutor Ms Daley said: “She described having sleepless nights worrying about herself and her family’s safety and being particularly distressed when suggestions were made to her that she and her mother were responsible for her brother taking his own life.”

Man accused of stalking Shirley Ballas
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Ballas has been head judge on Strictly Come Dancing since 2017. Pic: PA

Shaw cried and wiped away tears as he was sentenced on Tuesday.

The judge said the stalking stemmed from his mother telling him Ballas’s brother, David Rich, was his biological father.

“I’m satisfied that your motive for this offending was a desire to seek contact with people you genuinely believed were your family,” he said.

“Whether in fact there’s any truth in that belief is difficult, if not impossible, to determine.”

Kyle Shaw leaves Liverpool Crown Court, where he is charged with stalking Strictly judge Shirley Ballas.
Pic: PA
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Shaw pictured at court in February. Pic: PA

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Defence lawyer John Weate said Shaw had been told the story by his mother “in his mid to late teens” and had suffered “complex mental health issues” since he was a child.

He added: “He now accepts that Miss Ballas and her family don’t wish to have any contact with him and, importantly, he volunteered the information that he has no intention of contacting them again.”

Shaw, of Whetstone Lane in Birkenhead, also admitted possessing cannabis and was ordered to undertake a rehab programme.

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Gary Glitter made bankrupt after failing to pay £500k compensation to victim

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Gary Glitter made bankrupt after failing to pay £500k compensation to victim

Gary Glitter has been made bankrupt after failing to pay more than £500,000 in damages to a woman he abused when she was 12 years old.

She sued the disgraced singer, whose real name is Paul Gadd, after he was found guilty of attacking her and two other schoolgirls between 1975 and 1980.

Glitter, 80, was jailed for 16 years in 2015 and released in 2023 but was recalled to prison less than six weeks later after breaching his parole conditions.

A judge awarded the woman £508,800, including £381,000 in lost earnings and £7,800 for future therapy and treatment, saying she was subjected to abuse “of the most serious kind”.

The court heard she had not worked for decades due to the trauma of being repeatedly raped and “humiliated” by the singer.

Gary Glitter has lost a parole board bid to be freed from jail.
Pic:Met Police/PA
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Glitter was jailed for 16 years in 2015. Pic: Met Police/PA

Glitter was made bankrupt last month at the County Court at Torquay and Newton Abbot, in Devon – the county where he is reportedly serving his sentence in Channings Wood prison, in Newton Abbot.

Richard Scorer, head of abuse law at Slater and Gordon, the law firm representing the woman, said: “We confirm that Gadd has been made bankrupt following our client’s application.

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“As he has done throughout, Gadd has refused to cooperate with the process and continues to treat his victims with contempt.

“We hope and trust that the parole board will take his behaviour into account in any future parole applications, as it clearly demonstrates that he has never changed, shows no remorse and remains a serious risk to the public.”

Glitter was first jailed for four months in 1999 after he admitted possessing around 4,000 indecent images of children.

He was expelled from Cambodia in 2002, and in March 2006 was convicted of sexually abusing two girls, aged 10 and 11, in Vietnam where he spent two-and-a-half years in prison.

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His sentence for the 2016 convictions expires in February 2031.

Glitter was automatically released from HMP The Verne, a low-security prison in Portland, Dorset, in February 2023 after serving half of his fixed-term determinate sentence.

But he was back behind bars weeks later after reportedly trying to access the dark web and images of children.

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Paul Mescal and Barry Keoghan revealed in line-up for Sam Mendes’ four Beatles films

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Paul Mescal and Barry Keoghan revealed in line-up for Sam Mendes' four Beatles films

Paul Mescal and Barry Keoghan will play Paul McCartney and Ringo Starr in the upcoming Beatles films – with a Stranger Things star also portraying one of the Fab Four.

The two Irish actors will be joined by London-born performers Harris Dickinson as John Lennon, and Joseph Quinn as George Harrison.

The cast for the Sam Mendes project was revealed at the CinemaCon event in Las Vegas, with all four appearing on stage and taking a bow together in Beatles style.

Paul Mescal, Joseph Quinn, Barry Keoghan and Harris Dickinson stand onstage to promote the upcoming "The Beatles" movies during a Sony Pictures presentation.
Pic: Reuters
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(L-R) Mescal, Quinn, Keoghan and Dickinson appeared together at the announcement. Pic: Reuters

Mendes is making four interconnected films – one from the perspective of each of the band members – and they are all set to be released “in proximity” to each other in April 2028.

It marks the first time The Beatles and the families of John Lennon and George Harrison have granted full life story and music rights for a scripted film.

Playing McCartney is another big role for 29-year-old Mescal, who recently starred in the Gladiator sequel and was nominated for an Oscar in 2023 for Aftersun.

Barry Keoghan – who also got an Oscar nod for The Banshees of Inisherin – will portray the other surviving Beatles member, Ringo Starr.

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The Beatles
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Pic: PA

Meanwhile, Stranger Things star Joseph Quinn, who appeared with long hair as Eddie Munson in the fourth series, takes up the role of George Harrison.

Harris Dickinson has the challenge of stepping into the shoes of perhaps the most famous Beatle, John Lennon.

The 28-year-old recently starred in erotic thriller Babygirl with Nicole Kidman and also appeared in satire Triangle of Sadness.

Mendes told the industry audience at CinemaCon there is “still plenty to explore” despite the Beatles’ rise having being well chronicled.

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The Oscar-winning British director is known for films including American Beauty, First World War movie 1917, and Bond outings Skyfall and Spectre.

Sony Pictures boss Tom Rothman said the close release of all four films in three years’ time will be “the first bingeable theatrical experience”.

“We are going to dominate the culture that month,” he added.

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