Raye on the fight to release debut album My 21st Century Blues: ‘It’s been a real wild journey’

Published

2 years ago

January 28, 2023

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Raye is gaining her power back. Not just from the industry that made her feel “mediocre” for so many years, but over past traumas she kept bottled up for a long time.

“Some of my closest friends didn’t even know some of the stuff I’m discussing on my album,” she tells Sky News. “It’s probably the most honest I’ve been. It’s deep and it’s real.”

Raye, real name Rachel Keen, is only 25 but already a music industry veteran; a platinum-selling performer and a songwriter with credits for everyone from Charli XCX and Little Mix to John Legend and Beyonce.

She was just 15 when she released her first song and 17 when all her dreams came true, in the form of a four-album contract with record label Polydor. But after years of what seemed to be a successful career as a vocalist collaborating mainly on other artists’ dance hits, in 2021 she posted a string of tweets claiming the label was holding her back from releasing her own album.

“I’m done being a polite pop star,” she wrote, her frustration and anger palpable. The singer says after years of “trying to make it work”, she had reached the point where she had nothing to lose. “You get to that breaking point, really.”

Shortly after her tweets, it was announced she and Polydor were parting ways, with the label saying the decision had been “amicable and mutual” and wishing her “all the very best for the future”.

Fast-forward 18 months or so and Raye is in a very different place; now an independent artist, earlier in January she topped the UK charts for the first time with viral hit Escapism. In February, the debut album she fought so hard to make, My 21st Century Blues, will finally be released. No longer pigeonholed or stifled, this is the real Raye, she says, and it’s been a long time coming.

“The album is discussing a lot of different topics… the deepest depths of really ugly stories about assaults and body dysmorphia and environmental anxiety. I think there’s no limit on what I’ve really spoken on in terms of my perspective on my blues as a woman in the 21st Century.”

‘It’s things I’ve been silent about for so long’

Always outspoken, Raye is not an artist who sticks to trotting out lines of approved PR-speak when she’s being interviewed, and this candidness is evident throughout her music. “Being real and transparent is really important to me, to skip out metaphors and similes and cut straight to the point of what I’m talking about,” she says. “Some of these things I haven’t also entirely healed from.

“It’s definitely going to be a rollercoaster for sure, but one that I’m making the decision to go on. That’s kind of the artist I like to be, transparent, honest. I think that’s what I’m like in real life.”

One song, Ice Cream Man, deals with sexual assault. “It’s things I’ve been silent about for so long and swallowed for so long and self-managed for so long in non-constructive ways,” she says.

“I’ve written pretty transparently about sexual violence… multiple things that occur in a life that you just bury, bury down, hide in a box, don’t tell anyone. And it just festers and manipulates itself into something quite ugly.”

As with Escapism, a dark electro banger about using alcohol, drugs and casual sex as coping mechanisms for dealing with emotional pain, the album is a contrast of often melancholy or dark lyrics, with beats that will fill a dance floor, as well as a range of genres.

“You’ve got songs with a contrasting sonic landscape,” she says. “I find it really exciting to tell a story and then the music feel the opposite so I think there’s a lot of juxtaposition there.”

Irony in its ‘most hilarious and ridiculous form’

Escapism’s success feels ironic to Raye. “With the previous music, not in a bad way, but it was more about the song than about the artist. The big dance songs or whatever, they don’t necessarily say anything about me as a person. I never necessarily wanted to be someone who did huge, huge hits, but without depth and substance or discussing things I’m passionate about, or breaking a couple of rules.

“Escapism is such a personal story. It’s kind of dark. It’s extremely explicit and honest and raw… I really told myself on the beginning of this next chapter, I’m not creating music with the intent or purpose to sell loads of copies, it’s about integrity and telling these uncomfortable stories that I think are really important.

“I had all the preparation in the world for building a small, steady fanbase bit by bit, and to not expect anything in terms of mainstream reflection. So this is like irony in its most hilarious and ridiculous form, that this is the biggest song of my entire career.”

Despite it not necessarily being the plan, she admits topping the charts does feel like vindication.

“[I feel] like anything is possible and I was right to back myself,” she says. “Never give up on your dreams. For someone who [felt] so, like, mediocre and… such a disappointment, actually, for so long, to just receive all the affirmation in the world that I was right to back my music is just…”

She doesn’t need to finish the sentence. “For someone who puts words together for a living, I don’t necessarily really have the best words to describe how crazy this is.”

‘Fear is the driving factor of secrets’

Emboldened, Raye says artists need to speak out more about the inner workings of the industry. And despite moves to improve diversity and equality making headlines in recent years, she says misogyny is still rife.

“We do need to be telling these stories more,” she says. “I think things that happen in the darkness have so much more power than they do when they’re brought out to the light, you know? Fear is the driving factor of secrets, and truths and stories being withheld. But there is still that very sad view that women need to be guided and controlled and taught and given instructions to follow and meet these requirements.”

She sighs. “I don’t know… I think it’s probably the same for all artists but especially for women, especially for everything I’ve witnessed in 10 years in the industry. I think a lot needs to change, but I don’t think anything will truly be equal and fair until we’ve got the same amount of female CEOs as we do male CEOs, we’ve got the same amount of female staff working a video shoot as male staff, the same amount of female A&Rs, and the same amount of, you know, different ethnicities in these same roles.

“Balance overall is so important, and until we have that, there’s always going to be issues and problems when you have men deciding what they think is best for women.”

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Raye is looking to the future. She says she has had little communication with her former label bosses since she left, but wants to make it clear it wasn’t all bad. There were “some great people there who really believed in me… but obviously it came down to the big people making big decisions”, she says.

I ask her about the artwork for My 21st Century Blues; it features a little girl, dressed for the workplace but teetering in red stilettos hanging off her heels, standing atop a pile of instruments and recording equipment bearing the names of her songs, grabbing hands reaching out from inside. It feels poignant.

“That’s actually my baby sister on top of that big structure we built,” says Raye. “But that little girl up there is me, you know, seven years old, wide-eyed with a dream, not realising what the next 10 or 15 years of my life would be like.

“All the different life – in the industry and out of the industry – that I’ve had to navigate, process, understand, learn in my transition to being a woman, to being an artist, to being an independent artist. It’s been a real wild journey.”

Raye’s debut album, My 21st Century Blues, is out from 3 February

Entertainment

Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

Published

22 hours ago

July 9, 2025

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

Actor Michael Madsen, who starred in Reservoir Dogs and Thelma & Louise, died from heart failure, his cardiologist has said.

The 67-year-old was found unresponsive in his home in Malibu, California, last Thursday and pronounced dead.

His doctor said heart disease and alcoholism will be listed as factors which contributed to the star’s death, reported NBC Los Angeles.

With no suspicious circumstances and the death listed as being from natural causes, the Los Angeles Sheriff’s Department considers the case closed.

In a career spanning more than 40 years, Madsen’s film credits include Free Willy, Donnie Brasco and Sin City.

He was also known for his collaborations with director Quentin Tarantino, including in Kill Bill: Vol. 2, The Hateful Eight and Once Upon A Time In Hollywood.

The Chicago-born actor also linked up with Tarantino when he played Mr Blonde in 1992’s Reservoir Dogs.

His sister, Oscar-nominated actress Virginia Madsen, paid tribute to her brother in a statement to Variety.

She wrote: “My brother Michael has left the stage.

“He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother – etched in contradiction, tempered by love that left its mark.”

Madsen was preparing to release a new book called Tears For My Father: Outlaw Thoughts And Poems.

A statement by managers Susan Ferris and Smith, and publicist Liz Rodriguez, said the book by “one of Hollywood’s most iconic actors” was currently being edited.

Entertainment

Fantasy v reality: Lena Dunham’s Too Much is a new spin on the London romcom

Published

1 day ago

July 9, 2025

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Fantasy v reality: Lena Dunham's Too Much is a new spin on the London romcom

Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.

Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.

“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.

“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”

The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.

Instead, her attention was taken by another, and possibly equally influential group of artists.

“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.

“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.

“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”

It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.

Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.

She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.

“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.

“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”

Too Much, her new Netflix series, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.

The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.

Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.

“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”

In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.

The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.

To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.

“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.

“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”

She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.

“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.

“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.

“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”

Too Much is out on Netflix now.

Entertainment

‘I will not go quietly,’ Gregg Wallace says amid reports he’s been sacked by the BBC

Published

2 days ago

July 8, 2025

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'I will not go quietly,' Gregg Wallace says amid reports he's been sacked by the BBC

Former MasterChef host Gregg Wallace has vowed he will “not go quietly”, amid reports that he has been sacked by the BBC.

It comes after the TV host faced an investigation, commissioned by MasterChef’s production company Banijay UK, into alleged inappropriate behaviour while working for the BBC.

In November, the 60-year-old stepped back from presenting the cooking show after accusations that he made sexual comments towards staff and celebrity guests on a range of programmes over 17 years.

Broadcaster Kirsty Wark, author and actor Emma Kennedy, and presenter Kirstie Allsopp, were among the high-profile figures who made claims of inappropriate behaviour against Wallace.

In a statement, released ahead of the publication of the summary of a report into the claims, the 60-year-old said he had been “cleared of the most serious and sensational accusations” made against him.

However, he said the report, carried out by independent law firm Lewis Silkin, had found him “primarily guilty of inappropriate language between 2005 and 2018”.

Wallace’s statement, published on Instagram, came hours before the BBC News reported that 50 more people had made claims to the corporation against the presenter, including allegations he groped one MasterChef worker and pulled his trousers down in front of another.

In his statement, Wallace labelled BBC News’s claims as “uncorroborated tittle-tattle”.

Wallace wrote: “I have taken the decision to speak out ahead of the publication of the Silkin’s report – a decision I do not take lightly.

“But after 21 years of loyal service to the BBC, I cannot sit in silence while my reputation is further damaged to protect others.

“I have now been cleared by the Silkin’s report of the most serious and sensational accusations made against me.

“The most damaging claims (including from public figures which have not been upheld) were found to be baseless after a full and forensic six-month investigation.

“To be clear, the Silkin’s report exonerates me of all the serious allegations which made headlines last year and finds me primarily guilty of inappropriate language between 2005 and 2018.”

‘I was hired as the cheeky greengrocer – now that’s a problem’

Wallace said he recognised that “some of my humour and language” was at times “inappropriate” and, for that, he apologised “without reservation”.

“But I was never the caricature now being sold for clicks,” Wallace, who also referred to his recent diagnosis of autism, added.

“I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges, and all.

“For over two decades, that authenticity was part of the brand. Now, in a sanitised world, that same personality is seen as a problem.”

Wallace: Complaints from ‘middle-class women of a certain age’

Shortly after the allegations first emerged, Wallace recorded a video where he dismissed his accusers as “middle-class women of a certain age”.

His remarks were met with huge criticism – including from Downing Street, where a spokesperson for the prime minister described them as “completely inappropriate and misogynistic”.

Wallace responded by posting a follow-up clip where he apologised and said he “wasn’t in a good space” when he posted the comments.

Wallace was replaced in the 20th season of MasterChef, which aired this spring, by restaurant critic and former I‘m A Celebrity contestant Grace Dent. Several Christmas episodes of the show were also pulled from the BBC’s 2024 festive schedule.

In April, Wallace spoke to the Daily Mail, denying all accusations against him and saying he had contemplated suicide following the allegations.

Wallace’s lawyers have previously called allegations that he engages in behaviour of a sexually harassing nature “entirely false”.

A spokesperson for the BBC said: “Banijay UK instructed the law firm Lewis Silkin to run an investigation into allegations against Gregg Wallace. We are not going to comment until the investigation is complete and the findings are published.”

A Banijay spokesperson told Sky News: “We won’t be commenting until our report is published.” They have signalled the report will be published later this week or next.

Banijay previously said Wallace is “committed to fully co-operating” with the external review.

Alongside MasterChef, Wallace presented Inside The Factory for BBC Two from 2015 to 2023.

He also featured on various BBC shows over the years, including Saturday Kitchen, Eat Well For Less, Supermarket Secrets, Celebrity MasterChef and MasterChef: The Professionals, as well as being a Strictly Come Dancing contestant in 2014.

More recently, Wallace has been promoting his health and lifestyle website, offering one-to-one coaching from both himself and a team of experts, which includes nutritionists and doctors, and his wife Anna in the role of recipe curator.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.