Lockwood & Co: Joe Cornish on his first TV project since The Adam And Joe Show

Published

2 years ago

January 29, 2023

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Many will remember Joe Cornish as one of the hosts of cult TV series The Adam And Joe Show – which saw the two friends recreating films out of toys, performing pranks, and getting Adam’s dad to review music videos.

But it’s now more than two decades since the programme ended and Cornish has since established himself as a writer and director, working on Steven Spielberg‘s The Adventures of Tintin, Marvel‘s Antman and his own directorial feature debut Attack The Block – which starred John Boyega in his breakout role – and more recently The Kid Who Would Be King.

Now, he’s returned to TV with an adaptation of the young adult supernatural book series Lockwood & Co, for Netflix. And while it might feel to some as if Cornish takes his time between projects, he insists he’s not slacking.

“This is me in rapid-fire mode,” he laughs, pointing out to Sky News’ Backstage podcast that the gap between Attack The Block (2011) and The Kid Who Would Be King (2019) is far greater than the three years between the latter and his current show.

“It takes a while to make these things – to get the money to write them, to film them, to post-produce them, so give me a break,” he jokes. “I’m going as fast as I can!”

Lockwood & Co is about three young paranormal investigators, set in a version of London where an invasion of ghosts is causing misery to many, and children are used to fight against them.

It’s certainly not the first time Cornish has worked with a younger cast.

“I love it, I love the energy that younger actors bring,” he says. “I love the excitement of coming to work every day – this part of the process is incredible, the process of the cast and crew screening, the premieres, it’s so exciting and it brings this really youthful energy to everything, I guess.

“And I’m less scared of directing them than I am of very experienced actors because remember: actors make three films a year, directors only make a film every three years if they’re lucky, so it makes me feel like the wise old man, which I kind of am I suppose – old, maybe not so wise.”

Lockwood & Co is something Cornish has been interested in for a while; he read the first of Jonathan Stroud’s books a decade ago, describing it as “really brilliant and unique in these core ideas it has”, but after a bidding war another studio bought the rights and his career took him elsewhere.

Some 10 years later, the rights became available again – and now with several more books in the series – and after a phone call to Stroud himself the wheels were in motion for the show to go into production with Cornish at the helm.

“They’re right in my wheelhouse, they have all the things I love and they just have these really brilliant original ideas at the core,” he says of the stories. “The first of which is ghosts can kill you by touching you.”

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He continues: “The second is quite an old-school supernatural idea that young people are more sensitive to ghosts and the supernatural than older people; the third is that these agencies build up that employ the young people to fight the ghosts; the fourth is that ghosts can be repelled with iron and salts and these fairly sort of old-school analogue methods.

“So I’d never come across a ghost story with this new set of rules that turned it into an action-adventure story. Also, the central characters of Lockwood – Lucy, George – are so compulsive.”

While this was a fresh take on the supernatural for Cornish, it certainly wasn’t his first, though he’ll be hoping it’s better received than his first one was.

“I tried to make a Super8 film at school when I was 13,” he admits. “It was called Yesyes, because that’s [one theory] why a Ouija board is called Ouija board – Oui (French) – Yes, Ja (German) – Yes.

“I thought that was a very clever title! But we never finished it because no one cared about it as much as I did. They all got bored.”

Lockwood & Co is out on Netflix, hear more about the show in the latest episode of Backstage – the film and TV podcast from Sky News

Entertainment

Glastonbury 2025 line-up revealed

Published

9 hours ago

March 6, 2025

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The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.

Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.

The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.

Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.

The announcement comes after Sir Rod Stewart was booked for the Sunday teatime legend slot and Young was confirmed as a headliner earlier this year.

Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.

The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.

The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.

The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.

Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.

Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.

They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.

The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.

The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.

2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.

Entertainment

Sabrina Carpenter and Charli XCX BRIT Awards appearances spark hundreds of Ofcom complaints

Published

1 day ago

March 5, 2025

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Sabrina Carpenter and Charli XCX BRIT Awards appearances spark hundreds of Ofcom complaints

Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.

US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.

The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.

She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.

Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.

But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.

Ofcom said some of the complaints were also aimed at British pop sensation Charli XCX, who dominated the night by winning five awards, including album of the year.

Some viewers took issue with her outfit – a black see-through dress.

The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”

Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”

Entertainment

Why is Noel Clarke suing The Guardian?

Published

1 day ago

March 5, 2025

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Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.

Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.

They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.

Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.

What will the trial cover?

Clarke is suing GNM for libel, sometimes also referred to as defamation.

It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.

Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.

He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.

“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”

The Guardian is defending the claim on the basis of truth and public interest.

It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.

“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”

The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.

The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.

His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.

Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.

The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.

What has happened since the articles were published?

A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.

However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.

His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.

ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.

The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.

Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.

He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.

‘Rising star’

Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.

Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.

He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.

It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.