Lockwood & Co: Joe Cornish on his first TV project since The Adam And Joe Show
Many will remember Joe Cornish as one of the hosts of cult TV series The Adam And Joe Show – which saw the two friends recreating films out of toys, performing pranks, and getting Adam’s dad to review music videos.
But it’s now more than two decades since the programme ended and Cornish has since established himself as a writer and director, working on Steven Spielberg‘s The Adventures of Tintin, Marvel‘s Antman and his own directorial feature debut Attack The Block – which starred John Boyega in his breakout role – and more recently The Kid Who Would Be King.
Now, he’s returned to TV with an adaptation of the young adult supernatural book series Lockwood & Co, for Netflix. And while it might feel to some as if Cornish takes his time between projects, he insists he’s not slacking.
“This is me in rapid-fire mode,” he laughs, pointing out to Sky News’ Backstage podcast that the gap between Attack The Block (2011) and The Kid Who Would Be King (2019) is far greater than the three years between the latter and his current show.
“It takes a while to make these things – to get the money to write them, to film them, to post-produce them, so give me a break,” he jokes. “I’m going as fast as I can!”
Lockwood & Co is about three young paranormal investigators, set in a version of London where an invasion of ghosts is causing misery to many, and children are used to fight against them.
It’s certainly not the first time Cornish has worked with a younger cast.
Joe Cornish and author Jonathan Stroud on the set of Lockwood & Co. Pic: Netflix
“I love it, I love the energy that younger actors bring,” he says. “I love the excitement of coming to work every day – this part of the process is incredible, the process of the cast and crew screening, the premieres, it’s so exciting and it brings this really youthful energy to everything, I guess.
“And I’m less scared of directing them than I am of very experienced actors because remember: actors make three films a year, directors only make a film every three years if they’re lucky, so it makes me feel like the wise old man, which I kind of am I suppose – old, maybe not so wise.”
Ruby Stokes, Cameron Chapman and Ali Hadji-Heshmati star in the supernatural series. Pic: Netflix
Lockwood & Co is something Cornish has been interested in for a while; he read the first of Jonathan Stroud’s books a decade ago, describing it as “really brilliant and unique in these core ideas it has”, but after a bidding war another studio bought the rights and his career took him elsewhere.
Some 10 years later, the rights became available again – and now with several more books in the series – and after a phone call to Stroud himself the wheels were in motion for the show to go into production with Cornish at the helm.
“They’re right in my wheelhouse, they have all the things I love and they just have these really brilliant original ideas at the core,” he says of the stories. “The first of which is ghosts can kill you by touching you.”
Click to subscribe to Backstage wherever you get your podcasts
He continues: “The second is quite an old-school supernatural idea that young people are more sensitive to ghosts and the supernatural than older people; the third is that these agencies build up that employ the young people to fight the ghosts; the fourth is that ghosts can be repelled with iron and salts and these fairly sort of old-school analogue methods.
“So I’d never come across a ghost story with this new set of rules that turned it into an action-adventure story. Also, the central characters of Lockwood – Lucy, George – are so compulsive.”
While this was a fresh take on the supernatural for Cornish, it certainly wasn’t his first, though he’ll be hoping it’s better received than his first one was.
Read more:
The best films and TV shows of 2022 – and what to look out for in 2023
Backstage With… Good Luck To You, Leo Grande star Daryl McCormack
Backstage With… Christian Bale and The Pale Blue Eye cast
“I tried to make a Super8 film at school when I was 13,” he admits. “It was called Yesyes, because that’s [one theory] why a Ouija board is called Ouija board – Oui (French) – Yes, Ja (German) – Yes.
“I thought that was a very clever title! But we never finished it because no one cared about it as much as I did. They all got bored.”
Lockwood & Co is out on Netflix, hear more about the show in the latest episode of Backstage – the film and TV podcast from Sky News
Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.
The organisation has launched an indicative ballot among about 7,000 members working in film and TV.
Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.
It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.
The Hollywood strikes took place in 2023. File pic: AP
The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.
Video game actors in the US also protested over the use of AI, ending almost a year of industrial action earlier in 2025.
Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.
Another statutory ballot would have to be made before any industrial action is taken.
“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.
“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”
Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.
The union has no choice but to recommend members support industrial action, he said.
“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.
The hotly anticipated Spotify Wrapped is revealing our top tracks, artists and albums for 2025.
But how does the streaming service calculate personalised summaries of users’ listening habits and rank the UK’s hottest artists?
Here’s a look at how your data is used.
The platform describes the annual statistics as “a chance to look back on your year in sound”.
It says data is captured between January and mid-November on every account, although it mostly excludes anything streamed in private mode. (Don’t worry, your passion for the Spice Girls can be kept secret.)
Wrapped presents personalised listening statistics, which Spotify calls the “real story of your year of listening”, alongside global figures for comparison.
The streaming service says Minutes Listened reflects the actual time spent listening to audio on the platform.
Once a user streams at least 30 tracks, Spotify generates a list of Your Top Songs. Similarly, Your Top Artists ranks artists based on total minutes listening to a particular performer.
Other metrics identify the top genres users have played, as well as podcasts and audiobooks ranked by total minutes listened. And if you’ve listened to at least 70% of tracks on a record, you’ll see top albums too.
Spotify also creates Your Listening Age, a guesstimate of your age based on the era of the music “you feel most connected to”.
The streaming service says the statistic is calculated using a five-year span of music which users engaged with more than other listeners of a similar age.
Spotify has been summing up 2025’s most listened to tracks. Pic: Spotify
Swift vs Bunny
Pop superstar Taylor Swift has been named the UK’s most-streamed artist on Spotify for the third year in a row.
But she dropped out of the top spot in the global rankings, coming second to Puerto Rican superstar Bad Bunny, who secured more than 19.8 billion streams. Third were The Weeknd, followed by Drake and Billie Eilish.
Bad Bunny’s LP Debi Tirar Mas Fotos was the most listened-to album worldwide.
Read more from Sky News:
Sabrina Carpenter fury at video
Drake’s lawsuit dismissed
Spotify hikes UK prices
Spotify revealed Drake was the UK’s second most-listened to artist, followed by Sabrina Carpenter in third, The Weeknd in fourth and Billie Eilish in fifth.
Despite being the most listened-to artist, Swift failed to break into the UK’s top five most listened-to songs and albums of the year.
Alex Warren’s Ordinary was the most-streamed song, and Short ‘N’ Sweet, released by Carpenter last year, the top album.
-
Sports2 years agoStory injured on diving stop, exits Red Sox game
-
Sports3 years ago‘Storybook stuff’: Inside the night Bryce Harper sent the Phillies to the World Series
-
Sports2 years agoGame 1 of WS least-watched in recorded history
-
Sports3 years agoButton battles heat exhaustion in NASCAR debut
-
Sports3 years agoMLB Rank 2023: Ranking baseball’s top 100 players
-
Sports4 years ago
Team Europe easily wins 4th straight Laver Cup
-
Environment3 years agoJapan and South Korea have a lot at stake in a free and open South China Sea
-
Environment1 year agoHere are the best electric bikes you can buy at every price level in October 2024