Singer Cheryl says she has a “healthy amount of nerves” about making her West End debut.
Speaking to Sky News ahead of her opening night in 2:22 – A Ghost Story, the Girls Aloud star said she has been baffled by how people have been shocked to hear she acts.
“To me it’s like another side of entertainment, it’s not a million miles away for me,” she said. “When I came to see the show it just felt right, I just felt like I could truly do that and enjoy it. And I have.”
Image: Pic: Helen Murray
Following in the footsteps of singer Lily Allenand former Love Islandhost Laura Whitmore, who are among several stars who have appeared in the hit play, audiences will see how Cheryl‘s character Jenny believes her new home is haunted.
But while the play may be frightening, theatreland’s newest leading lady certainly isn’t scared.
“It’s live so whatever happens on that stage happens on that stage, and [during previews] we’ve had a few things smashing, things leaking, a few disasters, but that’s just part of the experience of it,” she said.
“It’s more scary when you feel nothing, like when you’re halfway through a tour and your body is doing it but your mind is thinking nothing, that’s when you make mistakes… so a little amount of nerves are healthy and helpful.”
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Image: Cheryl stars as Jenny, the role originally played by Lily Allen (pictured) when the play opened in 2021
While tabloids have relished writing about the singer’s move into acting – speculating she’s receiving one of the biggest fees in West End history and paying paparazzi to secretly snap pictures of her on stage – she says her “coping mechanism” is to block it all out.
“I don’t look at any of that, I am having a ball,” she says.
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‘I can feel the energy’
Of course, it’s a little harder to ignore the army of Cheryl fans who have been out in force for all her preview performances.
“I can feel the energy… I’ve got some that have supported me for decades that are still coming to support and it’s the weirdest thing, I can sense them, I can feel the love,” she said.
However, the star concedes there are moments when she thinks: “Don’t start whooping!”
From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.
But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTAwin – and one of the ceremony’s biggest cheers from the audience – earlier this year.
Image: Danny Dyer as Lee Campbell in Mr Bigstuff
Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.
Image: Ryan Sampson (right) created the series and stars alongside Dyer
Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.
Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.
“Absolute legend,” he says.
Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.
“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”
Image: Dyer at the BAFTAs earlier this year. Pic: PA
Dyer reveals his screensaver
After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.
His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.
But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.
“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”
Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.
In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.
He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.
Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.
“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”
‘Love in the air’ at Oasis gig
But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.
“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.
“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”
Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW
A brief scuffle broke out at London’s Royal Opera House after a performer unfurled a Palestinian flag during a show.
The incident took place during a performance of Il Trovatore on Saturday.
During the final night of the 11-night run of the show, a performer held up the flag on stage.
In video footage, shared online, someone backstage could be seen attempting to take it off the performer. The performer grabs it back following a brief scuffle.
A spokesperson for the Royal Ballet and Opera said: “The display of the flag was an unauthorised action by the artist.
“It was not approved by the Royal Ballet and Opera and is a wholly inappropriate act.”
The reaction to the flag was mixed, with some people heard applauding and cheering, while another audience member was heard saying “oh my God”.
One poster on X, who claimed to have been a member of the audience, said: “Extraordinary scenes at the Royal Opera House tonight.
“During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible.”
Performers show support for Palestinians
A number of performers have shown support for Palestinians amid the Israel-Hamas war in Gaza.
During Glastonbury Festival, numerous acts offered messages of support during their sets, including Kneecap, Bob Vylan, Wolf Alice, and Amyl And The Sniffers.
During her band’s set, Wolf Alice singer Ellie Rowsell told the crowd at the Other Stage: “Whilst we have the stage for just a little bit longer, we want to express our solidarity with the people of Palestine.
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BBC ‘regrets’ not pulling Bob Vylan live performance
Bob Vylan were widely criticised after leading on-stage chants of “death to the IDF” (Israel Defence Forces).
The performance was live-streamed by the BBC, sparking a backlash against the broadcaster – which later issued an apology.
The investigation into Kneecap was later dropped, with the police saying there was insufficient evidence to provide a realistic prospect of conviction for any offence”.
The chief executive of tech firm Astronomer has resigned after a video appearing to show two of its senior members of staff embracing at a Coldplay concert went viral.
The tech firm said chief executive Andy Byron had tendered his resignation, and that the board of directors had accepted it.
“As stated previously, Astronomer is committed to the values and culture that have guided us since our founding,” the company said in a statement.
“Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met.
“The board will begin a search for our next chief executive as co-founder and chief product officer Pete DeJoy continues to serve as interim CEO.”
The firm previously said Mr Byron, who was alleged to be the man in the clip, had been placed on leave, but stopped short of confirming it was him in the video.
In the viral clip, the pair are shown on a screen with their arms around each other during the British band’s concert at the Gillette Stadium, in Boston, Massachusetts, on 16 July.
Once both of them realised they were being projected, the man quickly ducked out of view while the woman turned to hide her face from the camera.
Image: Woman hides her face
Appearing to poke fun at the couple, Coldplay lead singer Chris Martin is heard on the clip saying: “Either they’re having an affair or they’re just very shy.”
The awkward encounter sent the internet into a frenzy, with the video gaining millions of views on social media and reports emerging that the two were executives from New York-based tech company Astronomer.
In a previous statement on Friday, the company addressed the viral moment, saying in a post on X that it had launched a “formal investigation” into the matter.
“The Board of Directors has initiated a formal investigation into this matter, and we will have additional details to share very shortly,” it said.