Filmmaker Jemima Khan has told Sky News she would have “benefitted” from being “introduced to suitable candidates” for marriage – and that Princess Diana’s marriage to Charles was “essentially arranged”.
Khan’s new film What’s Love Got To Do With It is her version of “rom-com Pakistan” – inspired by events in her own life, during her 10 years living in Lahore married to ex-husband and former prime minister Imran Khan.
The film centres around the protagonist Zoe – a filmmaker played by actress Lily James – as she navigates the modern dating world, parallel to her neighbour and childhood friend Kazim (Shazad Latif) as he pursues an arranged marriage with a bride from Pakistan.
Khan’s story explores “the pros and cons of both styles” – dating, and “whether it’s too much choice with apps”, or, conversely, “too little choice with arranged marriage”.
Image: Khan’s new film stars Lily James and Shazad Latif Pic: YouTube
One motivation for the film was Khan’s friend Princess Diana.
The socialite – daughter of billionaire Sir James Goldsmith and sister of Conservative MP and government minister Zac Goldsmith – maintained a close friendship with Princess Diana, who visited her twice while she was living in Pakistan.
It was this relationship, Khan told Sky News, that showed her just how universal this style of marriage was cross-culturally.
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Image: Princess Diana going to dinner with Jemima Khan during a solo visit to Pakistan in 1996 Pic: AP
“Their (King Charles and Princess Diana) marriage was essentially arranged”, Khan said.
“It used to happen here, even with our Royal Family.
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“I know it can often seem like a really alien concept but most marriages even in the world today are arranged if you look at the global population.
“It wasn’t so long ago that it was kind of the norm even in the UK.”
Khan’s film attempts to dispel the myths surrounding arranged marriages, which she says are often categorised into a “love marriage good” versus “arranged marriage bad” binary.
Image: The newly married Prince and Princess of Wales kiss on the balcony of Buckingham Palace after their wedding ceremony in 1981
“There’s a real issue where arranged marriage keeps getting conflated with forced marriage,” Khan said.
Before moving to Pakistan, she thought they were “quite a standard, fairly negative idea about arranged marriage, and how it fits into the modern world”.
However, upon relocating aged 21, she saw arranged marriages “up close” and changed her mind.
Khan says she saw “very successful and happy arranged marriages” – but, to her surprise, the same narrative was not reflected in popular culture.
Her debut feature film, therefore, is a “celebration of Pakistan… outside of dark politics. The joyful, colourful, hospitable, fun place that I know is part of Pakistani life”, she said.
Image: Imran and Jemima Khan on their wedding day in Richmond, southwest London, on June 1995. Pic: AP
Khan told Sky News that producing the film – which has been over a decade in the making – has forced her to reflect on her own life experiences and choices.
“As I get older, I think, if I had parents who could have agreed – and were functional and good at these things – I definitely could have benefitted from being introduced to suitable candidates.”
The 49-year-old added that this would be in the “new incarnation” of arranged marriage – which she, and by extension through the character Kazim, explore as “assisted marriage”.
This, Khan explains, “is basically an introduction of someone suitable and the couple then decide”.
Image: Filmmaker Jemima Khan pictured with her ex-husband, Imran Khan Pic: AP
The film, both implicitly and explicitly, challenges the very “real issue” of Islamophobia in film and TV.
Khan told Sky News that television where “Muslims are the good guys” is rare to come by.
“It’s always the Pakistani who’s the terrorist or the suicide bomber, or the fanatic.
“There’s that particular line (in the film)… “We’ve got to leave the airport… we have to leave early because I need to leave time to be randomly selected.
Image: Emma Thompson plays Cath, Zoe’s mum. Pic: YouTube
“I’m aware from experience of travelling with my kids, particularly to America where we have to leave extra time in between any flight connections because they have Pakistani names that are not Anglicised – Sulaiman and Kasim Khan – they do get taken off and questioned in a way that I don’t.
“It’s hard to make a film where Muslims are the good guys in America… where they’re much more familiar with Muslims playing the baddies. Islamophobia I think is a real issue. I think it’s every bit as big an issue as racism.”
‘What’s Love…’, is Khan’s personal homage to a culture – and its people – she says helped raise her.
What’s Love Got To Do With It will be released in UK cinemas on Friday 24 February.
An emergency vote on Israel’s participation in the Eurovision Song Contest has been called off following developments in the Middle East, the European Broadcasting Union (EBU) has said.
Contest organisers had scheduled “an extraordinary meeting of [its] general assembly to be held online” in early November after several countries said they would no longer take part in Eurovision if Israel participated.
The EBU said in a statement that following “recent developments in the Middle East” the executive board had agreed on Monday that there should be an in-person discussion among members “on the issue of participation in the Eurovision Song Contest 2026”.
It said the matter had now been added to the agenda of its winter general assembly, which will take place in December.
Further details about the session would be shared with EBU members in the coming weeks, it added.
It is not clear if a vote will still take place at a later date.
Austria is hosting next year’s show in Vienna. The country’s national broadcaster, ORF, told Reuters news agency it welcomed the EBU’s decision.
Sky News has contacted Israeli broadcaster KAN for comment.
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Will Eurovision boycott Israel?
Faced with controversy over the conflict in Gaza, Eurovision – which labels itself a non-political event – had said member countries would vote on whether Israel should or shouldn’t take part.
Slovenia and broadcasters from Spain, the Netherlands, Ireland and Iceland had all issued statements saying if Israel was allowed to enter, they’d consider boycotting the contest.
As one of the “Big Five” backers of Eurovision, Spain’s decision to leave the competition would have a significant financial impact on the event – which is the world’s largest live singing competition.
In September, a letter from EBU president Delphine Ernotte Cunci, said “given that the union has never faced a divisive situation like this before” the board agreed it “merited a broader democratic basis for a decision”.
On Monday, Palestinian militant group Hamas freed the last living Israeli hostages from Gaza, and Israel released busloads of Palestinian detainees, under a ceasefire deal aimed at bringing an end to the two-year war in the Middle East.
The war began when Hamas stormed into Israel on October 7 2023, killing around 1,200 people and taking 251 hostage.
Israel invaded Gaza in retaliation, with airstrikes and ground assaults devastating much of the enclave and killing more than 67,000, according to the Hamas-run health ministry.
Its figures do not differentiate between civilians and combatants but it says around half of those killed were women and children.
Actress Diane Keaton, who starred in films including The Godfather and Annie Hall, has died, reports have said.
People reported her death at the age of 79, citing a family spokesperson.
The magazine said she died in California with loved ones but no other details were immediately available, and representatives for Keaton did not immediately respond to inquiries from The Associated Press news agency.
Keaton’s death was also reported by the New York Times newspaper which said it has spoken to Dori Roth, who produced a number of Keaton’s most recent films, who confirmed she had died but did not provide any details about the circumstances.
With a long career, across a series of movies that are regarded as some of the best ever made, Keaton was widely admired.
She was awarded an Oscar, a BAFTA and two Golden Globe Awards, and was also nominated for two Emmys, and a Tony, as well as picking up a series of other Academy Award and BAFTA nominations.
Image: Diane Keaton, with her best actress Oscar for ‘Annie Hall’ in 1978. Pic: AP
Her best actress Oscar was for the Woody Allen film Annie Hall, which is said to be loosely based on her life.
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She appeared in several other Allen projects, including Manhattan, as well as all three Godfather movies, in which she played Kay, the wife and then ex-wife of Marlon Brando’s son Michael Corleone, played by Al Pacino, opposite him as he descends into a life of crime and replaces his father in the family’s mafia empire.
‘Brilliant, beautiful’
The unexpected news was met with shock around the world.
Her First Wives Club co-star Bette Midler wrote on Instagram: “The brilliant, beautiful, extraordinary Diane Keaton has died. I cannot tell you how unbearably sad this makes me.
“She was hilarious, a complete original, and completely without guile, or any of the competitiveness one would have expected from such a star. What you saw was who she was … oh, la, lala!”
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Actor Ben Stiller paid tribute on X, writing: “Diane Keaton. One of the greatest film actors ever. An icon of style, humor and comedy. Brilliant. What a person.”
Keaton was the kind of actor who helped make films iconic and timeless, from her “La-dee-da, la-dee-da” phrasing as Annie Hall, bedecked in the iconic necktie, bowler hat, vest and khakis, to her heartbreaking turn as Kay Adams, the woman unfortunate enough to join the Corleone family.
Keaton also frequently worked with Nancy Meyers, starting with 1987’s Baby Boom.
Their other films together included 1991’s Father of the Bride and its 1995 sequel, as well as 2003’s Something’s Gotta Give.
In 1996 she starred opposite Goldie Hawn and Midler in The First Wives Club, about three women whose husbands had left them for younger women.
More recently she collaborated with Jane Fonda, Mary Steenburgen and Candice Bergen on the Book Club films.
Keaton never married. She adopted a daughter, Dexter, in 1996 and a son, Duke, four years later.
Sky News has contacted Keaton’s agent for a comment.
Tom Hollander says he’s not worried about AI actors replacing real ones and thinks the creation of synthetic performers will only boost the value of authentic, live performance.
The 58-year-old plays entrepreneur Cameron Beck in The Iris Affair, a drama about the world’s most powerful quantum computer.
Dubbed “Charlie Big Potatoes” – it could eat ChatGPT for breakfast.
It’s a timely theme in a world where Artificial Intelligence is advancing at pace, and just last week, the world’s first AI starlet – Tilly Norwood – made her Hollywood debut.
Hollander is not impressed. He suggests rumours that Norwood is in talks with talent agencies are “a lot of old nonsense”, and questions the logistics of working with an AI actor, asking “Would it be, like a blue screen?”
Norwood – a pretty, 20-something brunette – is the creation of Dutch actor and comedian Eline Van der Velden and her AI production studio Particle6. It’s planning to launch its own AI talent studio, Xicoia, soon.
Hollander tells Sky News: “I’m perhaps not scared enough about it. I think the reaction against it is quite strong. And I think there’ll be some legal stuff. Also, it needs to be proven to be good. I mean, the little film that they did around her, I didn’t think was terribly interesting.”
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The sketch – shared on social media and titled AI Commissioner – poked fun at the future of TV development in a post-AI world.
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Stars including Emily Blunt, Natasha Lyonne and Whoopi Goldberg have objected to Norwood’s creation too, as has US actors’ union SAG-AFTRA.
Hollander compares watching an AI performer to watching a magic trick: “You know with your brain that you’re watching something that’s bullshit… If they don’t have to tell you, that would be difficult. But if they’ve told you it’s AI, then you’ll watch it with a different part of your brain.”
Image: Pic: Sky Atlantic
Always screen-ready, with no ego and low salary requirements, Norwood is being billed as a studio’s dream hire. In line with Hollywood’s exacting standards for female beauty, she’ll also never age.
Hollander’s Iris Affair co-star Niamh Algar, who plays genius codebreaker Iris Nixon in the show, doesn’t feel threatened by this new kid on the block, poking fun at Norwood’s girl-next-door persona: “She’s a nightmare to work with. She’s always late. Takes ages in her trailer.”
But Algar adds: “I don’t want to work with an AI. No.”
She goes on, “I don’t think you can replicate. She’s a character, she’s not an actor.”
Image: Pic: Sky Atlantic
Algar says the flaw in AI’s performance – scraped from the plethora of real performances that have come before it – is that we, as humans, are “excited by unpredictability”.
She says AI is “too perfect, we like flaws”.
Hollander agrees: “There’ll be a fight for authenticity. People will be going, ‘I refuse makeup. Give me less makeup, I want less makeup because AI can’t possibly mimic the blemishes on my face'”.
He even manages to pull a positive from the AI revolution: “It means that live performance will be more exciting than ever before…
“I think live performance is one antidote, and it’s certainly true in music, isn’t it? I mean, partly because they have to go on tour [to make money], but also because there’s just nothing like it and you can’t replace it.”
Algar enthusiastically adds: “Theatre’s going to kick off. It’s going to be so hot.”
Image: Pic: Sky Atlantic
As for using AI themselves, while Hollander admits he’s used it recently for “a bit of problem solving”, Algar says she tries to avoid it, worrying “part of my brain is going to go dormant”.
Indeed, the impact of technology on our brains is a source of constant inspiration – and torture – for The Iris Affair screenwriter Neil Cross.
Cross, who also created psychological crime thriller Luther, tells Sky News: “We are at a hinge point in history.”
He says: “I’m interested in what technological revolution does to people. I have 3am thoughts about the poor man who invented the like button.
“He came up with a simple invention whose only intention was to increase levels of human happiness. How could something as simple as a like button go wrong? And it went so disastrously wrong.
“It’s caused so much misery and anxiety and unhappiness in the human race entire. If something as simple as a small like button can have such dire, cascading, unexpected consequences, what is this moment of revolution going to lead to?”
Indeed, Cross says he lives in “a perpetual state of terror”.
Image: Supercomputer ‘Charlie Big Potatoes’. Pic: Sky Atlantic
He goes on: “I’m always going to be terrified of something. The world’s going to look very different. I think in 50 or 60 years’ time.
He takes a brief pause, then self-edits: “Probably 15 years’ time”.
With The Iris Affair’s central themes accelerating out of science fiction, and into reality, Cross’s examination of our instinctual fear of the unknown, coupled with our desire for knowledge that might destroy us is a powerful mix.
Cross concludes: “We’re in danger of creating God. And I think that’s the ultimate danger of AI. God doesn’t exist – yet.”
The Iris Affair is available from Thursday 16 October on Sky Atlantic and streaming service NOW