Filmmaker Jemima Khan has told Sky News she would have “benefitted” from being “introduced to suitable candidates” for marriage – and that Princess Diana’s marriage to Charles was “essentially arranged”.
Khan’s new film What’s Love Got To Do With It is her version of “rom-com Pakistan” – inspired by events in her own life, during her 10 years living in Lahore married to ex-husband and former prime minister Imran Khan.
The film centres around the protagonist Zoe – a filmmaker played by actress Lily James – as she navigates the modern dating world, parallel to her neighbour and childhood friend Kazim (Shazad Latif) as he pursues an arranged marriage with a bride from Pakistan.
Khan’s story explores “the pros and cons of both styles” – dating, and “whether it’s too much choice with apps”, or, conversely, “too little choice with arranged marriage”.
Image: Khan’s new film stars Lily James and Shazad Latif Pic: YouTube
One motivation for the film was Khan’s friend Princess Diana.
The socialite – daughter of billionaire Sir James Goldsmith and sister of Conservative MP and government minister Zac Goldsmith – maintained a close friendship with Princess Diana, who visited her twice while she was living in Pakistan.
It was this relationship, Khan told Sky News, that showed her just how universal this style of marriage was cross-culturally.
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Image: Princess Diana going to dinner with Jemima Khan during a solo visit to Pakistan in 1996 Pic: AP
“Their (King Charles and Princess Diana) marriage was essentially arranged”, Khan said.
“It used to happen here, even with our Royal Family.
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“I know it can often seem like a really alien concept but most marriages even in the world today are arranged if you look at the global population.
“It wasn’t so long ago that it was kind of the norm even in the UK.”
Khan’s film attempts to dispel the myths surrounding arranged marriages, which she says are often categorised into a “love marriage good” versus “arranged marriage bad” binary.
Image: The newly married Prince and Princess of Wales kiss on the balcony of Buckingham Palace after their wedding ceremony in 1981
“There’s a real issue where arranged marriage keeps getting conflated with forced marriage,” Khan said.
Before moving to Pakistan, she thought they were “quite a standard, fairly negative idea about arranged marriage, and how it fits into the modern world”.
However, upon relocating aged 21, she saw arranged marriages “up close” and changed her mind.
Khan says she saw “very successful and happy arranged marriages” – but, to her surprise, the same narrative was not reflected in popular culture.
Her debut feature film, therefore, is a “celebration of Pakistan… outside of dark politics. The joyful, colourful, hospitable, fun place that I know is part of Pakistani life”, she said.
Image: Imran and Jemima Khan on their wedding day in Richmond, southwest London, on June 1995. Pic: AP
Khan told Sky News that producing the film – which has been over a decade in the making – has forced her to reflect on her own life experiences and choices.
“As I get older, I think, if I had parents who could have agreed – and were functional and good at these things – I definitely could have benefitted from being introduced to suitable candidates.”
The 49-year-old added that this would be in the “new incarnation” of arranged marriage – which she, and by extension through the character Kazim, explore as “assisted marriage”.
This, Khan explains, “is basically an introduction of someone suitable and the couple then decide”.
Image: Filmmaker Jemima Khan pictured with her ex-husband, Imran Khan Pic: AP
The film, both implicitly and explicitly, challenges the very “real issue” of Islamophobia in film and TV.
Khan told Sky News that television where “Muslims are the good guys” is rare to come by.
“It’s always the Pakistani who’s the terrorist or the suicide bomber, or the fanatic.
“There’s that particular line (in the film)… “We’ve got to leave the airport… we have to leave early because I need to leave time to be randomly selected.
Image: Emma Thompson plays Cath, Zoe’s mum. Pic: YouTube
“I’m aware from experience of travelling with my kids, particularly to America where we have to leave extra time in between any flight connections because they have Pakistani names that are not Anglicised – Sulaiman and Kasim Khan – they do get taken off and questioned in a way that I don’t.
“It’s hard to make a film where Muslims are the good guys in America… where they’re much more familiar with Muslims playing the baddies. Islamophobia I think is a real issue. I think it’s every bit as big an issue as racism.”
‘What’s Love…’, is Khan’s personal homage to a culture – and its people – she says helped raise her.
What’s Love Got To Do With It will be released in UK cinemas on Friday 24 February.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.
Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.
Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.
Image: Tom Cruise said ‘I wish you well on the next journey’. Pic: AP
Image: Val Kilmer in 2017. Pic: AP
His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.
Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.
“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.
“I wish you well on the next journey.”
The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.
Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.
Image: Tom Cruise at Caesars Palace on Thursday. Pic: AP
Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.
He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.
Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.
He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.
In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.
The couple had two children before divorcing in 1996.