It was of course Beyonce’s night – making history and becoming the most decorated Grammy artist of all time (although she’s still waiting to win the best album prize despite multiple critically acclaimed and commercially successful records).
Queen Bey’s triumph aside, British pop duo Wet Leg smashed it and took home two awards less than two years after performing their first-ever gig; Viola Davis became only the 18th person in history to nab EGOT status (having an Emmy, Grammy, Oscar and Tony) and hip hop finally got a moment in the spotlight after being snubbed by the awards for years.
Image: Beyonce was the big winner of the 2023 Grammys
But aside from all that, what else got people talking on the night?
Harry Styles sparkles
He had three costume changes on the night – one of which has been likened to being “sucked into a box of Christmas decorations,” but Harry Styles had the last laugh, winning one of the biggest prizes of the night – best album.
Image: Harry Styles wore three different costumes
After starting his career working in a bakery aged 14 (W Mandeville bakery in Cheshire if you’re wondering) he has come a long way – helped of course by his worldwide fame earned on X Factor and beyond in One Direction.
While his stint in a manufactured boyband may have helped him become a household name and popular with teenage girls around the globe, it’s never a boon to musical credibility, so to finally nab such a major award is a big deal (he won his first Grammy for best pop vocal performance for Watermelon Sugar back in 2021, but winning one of the Grammy ‘big four’ gongs is on another level).
Taking it all in his stride, Styles said his winning album – Harry’s House – had been “from start to finish the greatest experience” of his life.
Following up on a stellar 2022 (he got nominated for a Mercury Prize and had chunky roles in two films), 2023 looks set to see Styles continue to shine.
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Ben Affleck looks bored and Adele gets a surprise
Do we love anything as much as seeing celebrities out and about with fellow celebrities? Like another species entirely, it’s compelling to see how stars from across the showbiz spectrum interact with one another in their own natural habitat – the awards ceremony.
Adele meeting Dwayne ‘The Rock’ Johnson was a thing of joy – leaving her laughing and blushing a year on from fangirling about how great he was.
Host Trevor Noah introduced the pair during his opening monologue, with Johnson appearing from nowhere to hug a delighted Adele and kiss her on the cheek. He later awarded her the Grammy for best pop solo performance.
Meanwhile, someone who seemed less overjoyed to be at the event was Ben Affleck, who despite being beside his new wife J Lo (who seemed to be having a wonderful time), looked somewhat miserable.
He trended on social media after being caught on camera with a blank look that appeared to show he’d rather be anywhere else than at the 65th Annual Grammy Awards.
Madonna’s appearance surprises
One of the performances of the night was from history-making singer Kim Petras – who became the first transgender woman to win best pop duo/group (alongside non-binary artist Sam Smith).
But it was the star who introduced her performance to the stage – Madonna – who got people talking.
Image: Madonna’s appearance drew plenty of attention
The 64-year-old superstar, known for her chameleon-like ability to re-invent herself at the drop of a hat – left many fans scratching their heads over her altered appearance, and questioning her ultra-smooth skin and plumped-up cheeks.
Introducing the performance dressed in a floor-length black skirt suit and with her hair in pigtail plaits, Madonna told the crowd: “If they call you shocking, scandalous, troublesome, problem, provocative… or… dangerous, you are definitely on to something.”
Later accepting the Grammy for her duet on Sam Smith’s Unholy, Kim Petras highlighted her status as a transgender woman and paid tribute to heroes like the late transgender singer Sophie and of course Madonna.
Madonna’s daughter Lourdes Leon was also at the event – having managed to rock up in time – just days after being refused entry to a Marc Jacobs fashion show after arriving late.
Dave Chappelle’s controversial album triumphs
In 2021 his comedy album caused walkouts at Netflix after his special, The Closer, sparked controversy with the comedian being accused of transphobia. This year it’s won a Grammy.
Image: Dave Chapelle’s controversial Netflix show won a Grammy
In his show, Chapelle said “gender was a fact” and shared his backing for Harry Potter author JK Rowling, who has also attracted criticism for her comments about biological sex.
Despite the backlash, he pipped fellow comedians Louis CK, Jim Gaffigan, Randy Rainbow and Patton Oswalt to the post in the best comedy album category, claiming the fourth Grammy of his career.
The show – which remained available to view on Netflix after the streaming service decided it did not cross “the line on hate” – also had two Primetime Emmy nominations.
Chapelle didn’t come along to collect his award, which was accepted on his behalf by presenter and record producer Babyface.
It’s not the first time a Grammy winner has raised eyebrows. Last year controversial comedian Louis CK (who was also nominated in the category this year) won a Grammy for his album Sincerely Louis CK, despite admitting to a string of sexual misconduct allegations made by numerous women.
The Prince Of Darkness nabs two gongs
His acceptance speech – delivered by producer Andrew Watt on his behalf – was short and sweet – “I love you all and f*** off. Perfectly on-brand for the Prince Of Darkness.
Calling the news “the hardest thing I’ve ever had to share,” he told his legion of fans he was no longer “physically capable” of performing planned shows in Europe and the UK.
The 74-year-old former Black Sabbath singer has had extensive spinal surgery and other treatment over the past four years, after a fall at home in 2019 aggravated injuries he suffered in a near-fatal quad bike crash in 2003. And in 2020, he revealed he has Parkinson’s disease.
He won best metal performance for Degradation Rules and best rock album for Patient Number 9, taking his lifetime Grammy wins to five.
Perhaps the worthiest win of the night
While many were chuffed to see Ozzy get a gong, the real heart-warming win of the night was that of Shervin Hajipour – the Iranian singer who was awarded best song for social change.
The 25-year-old singer was seen wiping away a tear on an online video after he was announced as the recipient of the new special merit award by first lady Jill Biden.
His song, Baraye, which translates as “For” in English, has become an anthem for young Iranians protesting against Iran’s ruling theocracy, which have been sweeping the Islamic Republic for months.
Not at the event, he is currently banned from leaving the country and is on bail facing charges of “propaganda against the regime” and “instigating the violence”, due to the content of his song. If found guilty he could face up to six years in prison.
Reacting on Instagram, Hajipour simply wrote: “We won.” His fans were more emphatic, with German politician Hannah Neumann summing up the mood in her Twitter post: “Beyoncé may have won 32 #GRAMMYs- but this one surely is the most important one this year.”
And possibly the most genuinely shocked Grammy winner in the history of the event
Blues singer Bonnie Raitt may not be a household name – but that didn’t stop her beating Beyonce, Adele, Taylor Swift, Harry Styles and Kendrick Lamar to one of the most prestigious prizes of the night.
Images of the 73-year-old guitarist looking beyond shocked went viral, as she found out her song Just Like That had taken the prize.
The touching break-up song was inspired by a story of a heart transplant and written in the style of the late singer-songwriter John Prine.
After getting over her shock, she thanked the voters, saying: “I don’t write a lot of songs, but I’m proud that you appreciate this one”.
Her win marks the first time a song written by a solo songwriter has been victorious since Rehab by the late Amy Winehouse won in 2008.
From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.
But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTAwin – and one of the ceremony’s biggest cheers from the audience – earlier this year.
Image: Danny Dyer as Lee Campbell in Mr Bigstuff
Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.
Image: Ryan Sampson (right) created the series and stars alongside Dyer
Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.
Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.
“Absolute legend,” he says.
Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.
“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”
Image: Dyer at the BAFTAs earlier this year. Pic: PA
Dyer reveals his screensaver
After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.
His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.
But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.
“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”
Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.
In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.
He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.
Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.
“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”
‘Love in the air’ at Oasis gig
But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.
“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.
“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”
Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW
A brief scuffle broke out at London’s Royal Opera House after a performer unfurled a Palestinian flag during a show.
The incident took place during a performance of Il Trovatore on Saturday.
During the final night of the 11-night run of the show, a performer held up the flag on stage.
In video footage, shared online, someone backstage could be seen attempting to take it off the performer. The performer grabs it back following a brief scuffle.
A spokesperson for the Royal Ballet and Opera said: “The display of the flag was an unauthorised action by the artist.
“It was not approved by the Royal Ballet and Opera and is a wholly inappropriate act.”
The reaction to the flag was mixed, with some people heard applauding and cheering, while another audience member was heard saying “oh my God”.
One poster on X, who claimed to have been a member of the audience, said: “Extraordinary scenes at the Royal Opera House tonight.
“During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible.”
Performers show support for Palestinians
A number of performers have shown support for Palestinians amid the Israel-Hamas war in Gaza.
During Glastonbury Festival, numerous acts offered messages of support during their sets, including Kneecap, Bob Vylan, Wolf Alice, and Amyl And The Sniffers.
During her band’s set, Wolf Alice singer Ellie Rowsell told the crowd at the Other Stage: “Whilst we have the stage for just a little bit longer, we want to express our solidarity with the people of Palestine.
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BBC ‘regrets’ not pulling Bob Vylan live performance
Bob Vylan were widely criticised after leading on-stage chants of “death to the IDF” (Israel Defence Forces).
The performance was live-streamed by the BBC, sparking a backlash against the broadcaster – which later issued an apology.
The investigation into Kneecap was later dropped, with the police saying there was insufficient evidence to provide a realistic prospect of conviction for any offence”.
The chief executive of tech firm Astronomer has resigned after a video appearing to show two of its senior members of staff embracing at a Coldplay concert went viral.
The tech firm said chief executive Andy Byron had tendered his resignation, and that the board of directors had accepted it.
“As stated previously, Astronomer is committed to the values and culture that have guided us since our founding,” the company said in a statement.
“Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met.
“The board will begin a search for our next chief executive as co-founder and chief product officer Pete DeJoy continues to serve as interim CEO.”
The firm previously said Mr Byron, who was alleged to be the man in the clip, had been placed on leave, but stopped short of confirming it was him in the video.
In the viral clip, the pair are shown on a screen with their arms around each other during the British band’s concert at the Gillette Stadium, in Boston, Massachusetts, on 16 July.
Once both of them realised they were being projected, the man quickly ducked out of view while the woman turned to hide her face from the camera.
Image: Woman hides her face
Appearing to poke fun at the couple, Coldplay lead singer Chris Martin is heard on the clip saying: “Either they’re having an affair or they’re just very shy.”
The awkward encounter sent the internet into a frenzy, with the video gaining millions of views on social media and reports emerging that the two were executives from New York-based tech company Astronomer.
In a previous statement on Friday, the company addressed the viral moment, saying in a post on X that it had launched a “formal investigation” into the matter.
“The Board of Directors has initiated a formal investigation into this matter, and we will have additional details to share very shortly,” it said.