Hogwarts Legacy: Why are people boycotting one of the biggest games of the year?
“It’s people like you that are making the world a worse place.”
That’s one of the milder pieces of feedback Maysa Pritilata has received for encouraging people not to buy the upcoming video game Hogwarts Legacy.
Widely expected to be one of the biggest games of the year so far when it launches this week, it gives players the chance to become their own witch or wizard in JK Rowling‘s fantasy world.
It’s the first release in more than a decade of a major new Harry Potter game. It’s also the first big new game in the franchise since Rowling’s stance on transgender rights became a subject of public debate.
Search for the game online and you don’t have to look far to find opposition among the excitement; a Twitter video encouraging people to boycott has amassed more than nine million views; gaming forum ResetEra has banned all mention of the game; major site GameSpot published an essay about Rowling’s “anti-transgender stance”; and a fundraiser asking people to donate to a trans charity instead of buying the game has amassed more than £6,000.
For Maysa, a trans woman whose article about Hogwarts Legacy for openDemocracy brought vitriol to her inbox, it makes the decision to boycott an easy one.
“I love video games,” she says.
“I’m not boycotting it because I think my money is going to seriously harm the publisher, Warner Bros, or Rowling.
“But why would I do it to myself? Why would I do it to other people, who would feel like I’m validating the game?”
JK Rowling stands to earn royalties from Hogwarts Legacy
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Since writing about her stance, Maysa’s inbox has regularly housed abusive messages from people who are excited about the game and support Rowling.
But not everyone who feels hurt by Rowling’s views can so easily brush her most famous creation aside.
“As a fandom, we have been looking forward to this game before it was even announced,” says Asher Chelder, a transgender Potter fan who admits his relationship with the franchise is “complicated”.
“I found a lot of solace in the series and it’s something I can’t shake. It’s part of who I am.”
Asher, who is part of the social media team at Potter fan site MuggleNet, is certainly not alone in his excitement.
But while many of those who have pre-ordered have done so out of pure anticipation, others say they’ve done so to spite the boycott movement or to show support for Rowling.
Asher says he was once one of “many LGBTQ people who looked up to Rowling”, whose views now “genuinely hurt people”.
The author is widely considered a champion of women’s rights, but has also been increasingly criticised for her stance on trans issues, especially since 2020, including her views on single-sex spaces and Scotland’s gender recognition reform bill.
Representatives for Rowling, who denies being transphobic, declined to comment when contacted by Sky News.
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Scotland’s gender bill explained
‘This is an important moment’
In the US, where Human Rights Watch has warned that a record number of anti-LGBTQ bills were filed by state politicians in 2022, there is also opposition to Hogwarts Legacy.
“This is an important moment to stand in solidarity with a very marginalised group with a large target on their back,” says game developer Brianna Wu, who received death threats in 2014 during the gamergate scandal – a misogynistic online campaign against women in the industry.
A former developer on Hogwarts Legacy, Troy Leavitt, left the project in 2021 after it emerged he had posted videos defending the campaign. He said he had resigned despite being “absolutely secure in my position”.
Fans can create their own witch or wizard. Pic: WB Games
Separating art from the artist
Warner has confirmed that Rowling was not directly involved in the creation of the game, but states they “collaborated closely” with her team on the project in an FAQ page on the game’s website.
Actor Sebastian Croft, who provides one of the voices players can choose for their character, claimed he did not know about her views when he accepted a role. He joins Potter film stars like Daniel Radcliffe and Emma Watson in speaking out against Rowling’s comments.
It comes after the publisher was accused of trying to distance itself from the author while promoting projects like last year’s reunion special and its studio tour attraction in Leavesden.
The latter saw Sky News blocked from asking Potter actor Tom Felton about Rowling at a media event. Warner subsequently said that was “wholly wrong”, hailing Rowling as “one of the world’s most accomplished storytellers”.
“We are proud to be the studio to bring her vision, characters, and stories to life now – and for decades to come,” a statement said.
Warner did not respond to multiple requests for comment about Hogwarts Legacy from Sky News.
Read more:
The PR attempt to separate JK Rowling from Harry Potter
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JK Rowling censorship row explained
‘No real way to erase her’
The dilemma is one grappled with on a daily basis by Asher and his colleagues at MuggleNet, the world’s oldest Potter fan site, which launched back in 1999.
It now hosts a page outlining its dedication to trans people, stating that Rowling’s views are “out of step with the message of acceptance and empowerment” in her books.
Creative director, Kat Miller, tells Sky News: “We are all cognisant of the fact that she created this world, and there’s no real way to erase her from that – and that’s not our goal.
“But… it’s not only her views that are bothersome, but the fact she doesn’t listen to people who are consistently telling her she’s causing harm.”
For Asher, distancing Rowling from her work makes it easier. He is still planning to play the game, but accepts that “people might hate” him, and that some LGBTQ people might not understand his actions. A view, he says, they have every right to.
“I’m just glad at the very least Rowling’s been separated from it as much as she can.”
Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.
The organisation has launched an indicative ballot among about 7,000 members working in film and TV.
Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.
It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.
The Hollywood strikes took place in 2023. File pic: AP
The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.
Video game actors in the US also protested over the use of AI, ending almost a year of industrial action earlier in 2025.
Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.
Another statutory ballot would have to be made before any industrial action is taken.
“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.
“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”
Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.
The union has no choice but to recommend members support industrial action, he said.
“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.
The hotly anticipated Spotify Wrapped is revealing our top tracks, artists and albums for 2025.
But how does the streaming service calculate personalised summaries of users’ listening habits and rank the UK’s hottest artists?
Here’s a look at how your data is used.
The platform describes the annual statistics as “a chance to look back on your year in sound”.
It says data is captured between January and mid-November on every account, although it mostly excludes anything streamed in private mode. (Don’t worry, your passion for the Spice Girls can be kept secret.)
Wrapped presents personalised listening statistics, which Spotify calls the “real story of your year of listening”, alongside global figures for comparison.
The streaming service says Minutes Listened reflects the actual time spent listening to audio on the platform.
Once a user streams at least 30 tracks, Spotify generates a list of Your Top Songs. Similarly, Your Top Artists ranks artists based on total minutes listening to a particular performer.
Other metrics identify the top genres users have played, as well as podcasts and audiobooks ranked by total minutes listened. And if you’ve listened to at least 70% of tracks on a record, you’ll see top albums too.
Spotify also creates Your Listening Age, a guesstimate of your age based on the era of the music “you feel most connected to”.
The streaming service says the statistic is calculated using a five-year span of music which users engaged with more than other listeners of a similar age.
Spotify has been summing up 2025’s most listened to tracks. Pic: Spotify
Swift vs Bunny
Pop superstar Taylor Swift has been named the UK’s most-streamed artist on Spotify for the third year in a row.
But she dropped out of the top spot in the global rankings, coming second to Puerto Rican superstar Bad Bunny, who secured more than 19.8 billion streams. Third were The Weeknd, followed by Drake and Billie Eilish.
Bad Bunny’s LP Debi Tirar Mas Fotos was the most listened-to album worldwide.
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Spotify revealed Drake was the UK’s second most-listened to artist, followed by Sabrina Carpenter in third, The Weeknd in fourth and Billie Eilish in fifth.
Despite being the most listened-to artist, Swift failed to break into the UK’s top five most listened-to songs and albums of the year.
Alex Warren’s Ordinary was the most-streamed song, and Short ‘N’ Sweet, released by Carpenter last year, the top album.
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