Composer Burt Bacharach – perhaps best known for his Oscar-winning song Raindrops Keep Fallin’ On My Head – has died aged 94.
Hailed as one of the greatest songwriters of the 20th century, he wrote more than 500 songs, which were performed by more than 1,200 different artists, across his seven-decade career.
Despite numerous collaborations, it was the songs he wrote in the 1960s and 1970s with lyricist Hal David and performed by singer Dionne Warwick that achieved the greatest recognition, establishing all three as musical stars in their own rights.
Image: Pic: Dezo Hoffman/Shutterstock
His music – which was often described as ‘easy listening’ or ‘elevator music’ thanks to its catchy melodies – was inspired by an early love of jazz.
But fans of his work would argue that although instantly memorable and addictively hummable, the mixed meters, complex melodies, unusual chord progression and asymmetrical rhythms mean his work was far from ‘easy’.
An accomplished pianist as well as a composer, Bacharach arranged, conducted, and produced the majority of his own songs.
A six-time Grammy Award winner and three-time Academy Award winner, his composing skill earned him comparisons with American music greats including George Gershwin, Cole Porter and Richard Rodgers.
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Early collaborations included Perry Como and Jerry Butler, going on to work with stars including Frank Sinatra, Cilla Black, Dusty Springfield, Tom Jones and the Carpenters.
Some of his biggest hits include the Oscar-winning Raindrops Keep Fallin’ on My Head, (They Long to Be) Close to You, Anyone Who Had A Heart, Always Something There To Remind Me, and What the World Needs Now Is Love.
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Hollywood also played its part in amplifying his career, with many of his songs going on to become soundtracks to major films.
Image: Pic: AP
The Look of Love, which was used in the 1967 spy parody of a James Bond film, Casino Royale, became a gold record for Dusty Springfield and Brazilian musician Sergio Mendes, and was also inducted into the Grammy Hall of Fame.
Many years later, the spoof movie would lead to cameo roles for Bacharach in all three Austin Powers films, with Mike Myers calling him a “lucky charm” for the films.
What’s New Pussycat? – which featured in the 1965 Woody Allen film of the same name – gave Welsh singer Tom Jones his second top 40 US hit and was also nominated for an Oscar for best original song the following year. It went on to be sung by stars including Barbra Streisand, The Four Seasons and The Wailers.
His mention in Monty Python’s The Meaning Of Life was proof of his rightful place in pop culture, as well as his reputation as a ladies man.
‘I did not want to disappoint my mother’
Born Burt Freeman Bacharach on 12 May 1928, in Kansas City, Missouri, his father was a newspaper columnist and his mother an amateur painter and pianist.
The family moved to New York when he was three. A Jewish family in a largely Catholic neighbourhood, Bacharach said in his 2013 autobiography, Anyone Who Had A Heart: My Life And Music, that he kept his faith to himself, and “didn’t want anybody to know about it”.
It was thanks to his mother’s love of music that Bacharach undertook piano lessons as a child. He hated them with a passion, but later told fans during gigs that he persevered as “I did not want to disappoint my mother”.
He went on to study music at Montreal’s McGill University, Quebec, Canada, before completing his training at Mannes School of Music, in New York, and at the Music Academy of the West in Montecito, California.
Not a fan of the classical music he would play in his classes, he would later sneak into jazz clubs as a teenager, with the style going on to influence his songwriting later in his career.
Drafted into the US army for two years in 1950 during the Korean War, and stationed in Germany, he got his first taste of working in music serving as a pianist at officer’s clubs and arranging music for dance bands.
Image: Burt Bacharach pictured at a media event in Sydney in June 2007
Hitting it off with big band singer and actor Vic Damone during his time in the military, he went on to work with him as a pianist and conductor following his discharge.
Touring with Hollywood royalty
From there he began to play with other artists, including actress Marlene Dietrich who is said to have called working with him “seventh heaven,” according to the 1989 biography Marlene.
Looking back on his time with her in his autobiography, Bacharach wrote: “We went to Russia, Israel, the Middle East. Going with Marlene was like going in with a conquering army.”
As the Hollywood star’s musical director, arranging and conducting her nightclub shows, he gained greater public prominence, however their working relationship came to an end in the early 1960s, when Bacharach decided to devote himself to his own songwriting full time.
Looking back to the start of his career, Bacharach said he initially thought songwriting was “so startlingly simple, I thought I could write five or six a day”.
However, after a year or so of working, and “about a thousand” rejection letters, he concluded: “It’s hard to be simple.”
Without doubt, his most enduring and fruitful professional relationship was with lyricist Hal David, who he met in 1957. In the early and mid-sixties alone, the pair wrote over 100 songs together.
Work with Hal David and Dionne Warwick
But it was in 1961, when they discovered Dionne Warwick who was working as a session singer, that their partnership really took off.
During their time creating songs for Warwick, they wrote 39 of her chart hits including Don’t Make Me Over, I’ll Never Fall In Love Again, Walk On By and Do You Know The Way To San Jose.
In 1969, Bacharach and David ventured into theatre, writing hit musical Promises, Promises, based on the 1960 film The Apartment. Their first and only Broadway show, it won them a Grammy.
Less auspicious was their soundtrack for the 1973 movie Lost Horizon, a massive flop which led to lawsuits between the pair and their professional breakup.
In turn, their parting of ways led Warwick to sue them for failure to honour their contract working with her on her music. It was finally settled out of court in 1979 for $5m (£4.1m).
In 1975, Bacharach worked briefly with David again, producing a Motown album together.
And in 1985, Warwick and Bacharach were reunited too, when she sang his hit That’s What Friends Are For.
Co-written with his then-wife Carole Bayer Sager, the track featured Elton John, Stevie Wonder, and Gladys Knight and went on to win a Grammy for Song of the Year.
Warwick described her relationship with Bacharach at the time as: “Not just friends. We’re family.”
The three would work together once more in 2000, on songs for film Isn’t She Great, based on the life of Valley Of The Dolls novelist Jacqueline Susann.
In the 1980s, Bacharach’s music inspired many of the songs coming out of the post-punk era, and in the 1990s his work was introduced to a whole new generation of fans thanks to a lounge music resurgence, led by bands including Divine Comedy and The Mike Flowers Pops.
Named the “Sexiest Man Alive” by People Magazine in 2000, the noughties saw remixes and samples of his work high in the charts on numerous occasions.
Image: Bacharach performing with the BBC Concert Orchestra in 2008
An American Idol
A guest vocal coach on American Idol, an entire episode was also dedicated to his hits in 2006.
More modern collaborations include Sheryl Crow, Elvis Costello, Noel Gallagher and hip-hop producer Dr Dre.
In June 2015, Bacharach played the main stage at Glastonbury Festival, 15 years after he had been forced to pull out of the event due to a shoulder injury.
Bacharach was awarded the Johnny Mercer Award, the highest honour in the Songwriters Hall of Fame In 1996.
Other honours include the George and Ira Gershwin Award for Musical Achievement from the University of California, Los Angeles, and a Grammy lifetime achievement award, where he was proclaimed music’s greatest living composer, in 2006.
A performer as well as a composer, Bacharach played concerts all over the world throughout his career, often accompanied by large orchestras.
Not known for his political songs, he made an exception in 2018 with Live To See Another Day, dedicated to the survivors of gun violence and with proceeds going to a charity run by the families of some of those killed in the 2012 Sandy Hook Elementary School shooting.
In late 2022, a New York dance troop celebrated Bacharach’s music in an evening of dance titled The Look Of Love, named after one of his biggest hits.
Even his pastime of horseracing – he was an owner and breeder of thoroughbreds for over 30 years – was influenced by his love of music, naming one of his champion horses Heartlight No. One after his Neil Diamond collaboration, inspired by film E.T.
Bacharach was married four times, first to TV actress Paula Stuart between 1953 and 1958, then to actress Angie Dickinson between 1965 and 1980.
Bacharach and Dickinson had one daughter together, Nikki, who took her own life in 2007, aged 40, after battling with Asperger’s Syndrome from a young age.
His third marriage to lyricist Carole Bayer Sager lasted from 1982 to 1991, and they adopted a son, Christopher.
His fourth and final marriage was to former ski-instructor Jane Hanson, 32 years his junior, with whom he has a son and a daughter – Oliver and Raleigh.
Bacharach is survived by ex-wives Dickinson and Bayer Sager, his wife Jane, and children Christopher, Oliver and Raleigh.
Christina Aguilera has told Sky News it is “magical” to see her hit film Burlesque being brought to London’s West End – and also opened up about her rise to fame in the late 1990s.
The US star topped the US and UK charts with Genie In A Bottle in 1999, before finding an even bigger audience with her acclaimed album Stripped and hits including Dirrty, Beautiful and Fighter in the early 2000s.
Image: Christina Aguilera is a producer for the stage adaptation of Burlesque. Pic: Hayden Coens @daydreamsmedia
In 2010, she starred in Burlesque alongside Cher, Julianne Hough and Stanley Tucci, and now, 15 years later, is a producer for the stage version of the show alongside the film’s original director and writer, Steven Antin.
Speaking ahead of the show’s gala night, Aguileratold Sky News presenter Leah Boleto she has enjoyed taking a backseat and seeing the fresh interpretation of her character – a small-town girl turned into a star.
Image: Burlesque The Musical. Pic: Pamela Raith Photography
“It’s just so beautiful to see the talent that’s on this stage and to absorb it and appreciate the fresh takes on things,” she said. “I love actually taking a step back and a backseat… it’s beautiful to see the reinvention.
“When you’re in it, you focus on the choreography, all these different elements, that being able to take a backseat and being more of a visionary of the bigger picture, it’s really a special thing.”
Aguilera said she had been “blown away” by Jess Folley, who plays her character Ali in the show, and has fully embraced the “powerhouse vocals” as well as the vulnerability needed for the role.
“She just is doing such a magnificent, magnificent job and likewise inspires me as well,” she said.
Image: Jess Folley stars as Ali, the role originally played by Aguilera, in Burlesque The Musical. Pic: Pamela Raith Photography
Aguilera said she would love to see her film co-star Cher popping by to see the show in London.
“She’s always welcome to grace us with her incredible, iconic presence. And I’m just so grateful that I had the time to be with her. I mean, looking back, it’s just – did that even happen?”
Aguilera arrived on the scene at the same time as Britney Spears, at a time when young female pop stars were celebrated, sexualised and scrutinised.
After the success of her debut album, she took a different direction with Stripped – embracing her sexuality and famously taking on a less girlish image with chaps, a nose stud and black streaks in her hair for the Dirrty video, and opening up about her life and emotions through songs such as Fighter and Beautiful.
Image: Aguilera at the MTV Video Awards in New York in 2002. Pic: Star Max via AP Images
She also took on the patriarchy in Can’t Hold Us Down, a duet with Lil’ Kim, and performed on the hit cover of Lady Marmalade alongside Lil’ Kim, Maya and Pink for Moulin Rouge!
“I always want to stay true to authenticity,” she said. “And for me, with that first album it was wonderful to get my foot in the door…
“It’s important to me that I stepped out on my own and reflected all sides of me as a woman, embracing my sexuality and sensuality, and my body… Dirrty, I just loved those chaps and everything about that was just so fun and raw.”
So would she do it all again, then? Or would she prefer to be an artist starting out now?
“The ’90s, it was a pretty special time in music. And it was a time when you could still like go to Virgin records or like wherever and look at the CDs, look at the packaging. And, you know, sometimes the authenticity is missed.”
However, the good thing about social media now is that it has given stars the means to tell their own stories, she adds. “You have an opportunity now to really present yourself in ways that it’s not just about the music, to become more the narrator in real time… this is what it is like, be your own voice rather than reading about yourself in an article.”
But still, she wouldn’t swap. “It has to stay where it was.”
Burlesque The Musical is showing at The Savoy theatre in London now
Malcolm-Jamal Warner, who played The Cosby Show character Theo, has drowned in Costa Rica, according to authorities.
The country’s Judicial Investigation Department said the 54-year-old actor drowned on Sunday afternoon off a beach on the Caribbean coast.
It is understood he was swimming at Playa Grande de Cocles in Limon province when he was pulled underwater by a current.
“He was rescued by people on the beach,” according to the department’s early report, but emergency workers from Costa Rica’s Red Cross found him without any signs of life and he was taken to the morgue.
Warner was on holiday with his family at the time, according to US celebrity news site People.
The Cosby Show aired from 1984 to 1992 on NBC in the US and is regarded as a groundbreaking show for its portrayal of a successful black middle-class family. It was also shown on Channel 4 in the UK at around the same time.
Image: Malcolm-Jamal Warner in September 2017. Pic: Reuters
Its star, Bill Cosby, played a doctor named Cliff Huxtable, with Warner in the role of Theo, his only son.
The NBC sitcom was the most popular show in America for much of its run between 1984 and 1992.
Warner played the role for eight seasons in all 197 episodes, winning an Emmy nomination for supporting actor in a comedy in 1986.
For many, the lasting image of the character, and of Warner, is of him wearing a badly-botched mock designer shirt sewn by his sister Denise, played by Lisa Bonet.
Warner ‘proud’ of show despite Cosby claims
The legacy of The Cosby Show has been tarnished after Cosby was jailed in 2018 following a conviction for sexual assault.
Warner told the Associated Press in 2015: “My biggest concern is when it comes to images of people of colour on television and film… We’ve always had ‘The Cosby Show’ to hold up against that. And the fact that we no longer have that, that’s the thing that saddens me the most because in a few generations the Huxtables will have been just a fairy tale.”
In 2023, Warner told People in an interview: “I know I can speak for all the cast when I say The Cosby Show is something that we are all still very proud of.”
Image: Warner (left) on stage with Stevie Wonder and Bill Cosby at an awards show in 2011. Pic: AP
Warner wins a Grammy
Following his career on The Cosby Show,Warner later appeared on the sitcom Malcolm & Eddie, co-starring with comedian Eddie Griffin in the series on the UPN network from 1996 to 2000.
In the 2010s he starred opposite Tracee Ellis Ross as a family-blending couple for two seasons on the BET sitcom Read Between The Lines.
He also had a role as OJ Simpson’s friend Al Cowlings in American Crime Story and was a series regular on Fox’s The Resident.
Films he has appeared in include the 2008 rom-com Fool’s Gold with Matthew McConaughey and Kate Hudson.
A poet and a musician, Warner won a Grammy for best traditional R&B performance for the song Jesus Children with Robert Glasper and Lalah Hathaway. He was also nominated for best spoken word poetry album for Hiding In Plain View.
Warner was married with a daughter, but chose to not publicly disclose their names.
From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.
But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTAwin – and one of the ceremony’s biggest cheers from the audience – earlier this year.
Image: Danny Dyer as Lee Campbell in Mr Bigstuff
Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.
Image: Ryan Sampson (right) created the series and stars alongside Dyer
Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.
Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.
“Absolute legend,” he says.
Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.
“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”
Image: Dyer at the BAFTAs earlier this year. Pic: PA
Dyer reveals his screensaver
After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.
His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.
But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.
“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”
Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.
In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.
He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.
Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.
“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”
‘Love in the air’ at Oasis gig
But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.
“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.
“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”
Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW