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Composer Burt Bacharach – perhaps best known for his Oscar-winning song Raindrops Keep Fallin’ On My Head – has died aged 94.

Hailed as one of the greatest songwriters of the 20th century, he wrote more than 500 songs, which were performed by more than 1,200 different artists, across his seven-decade career.

Despite numerous collaborations, it was the songs he wrote in the 1960s and 1970s with lyricist Hal David and performed by singer Dionne Warwick that achieved the greatest recognition, establishing all three as musical stars in their own rights.

Pic: Dezo Hoffman/Shutterstock
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Pic: Dezo Hoffman/Shutterstock

His music – which was often described as ‘easy listening’ or ‘elevator music’ thanks to its catchy melodies – was inspired by an early love of jazz.

But fans of his work would argue that although instantly memorable and addictively hummable, the mixed meters, complex melodies, unusual chord progression and asymmetrical rhythms mean his work was far from ‘easy’.

An accomplished pianist as well as a composer, Bacharach arranged, conducted, and produced the majority of his own songs.

A six-time Grammy Award winner and three-time Academy Award winner, his composing skill earned him comparisons with American music greats including George Gershwin, Cole Porter and Richard Rodgers.

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Early collaborations included Perry Como and Jerry Butler, going on to work with stars including Frank Sinatra, Cilla Black, Dusty Springfield, Tom Jones and the Carpenters.

Some of his biggest hits include the Oscar-winning Raindrops Keep Fallin’ on My Head, (They Long to Be) Close to You, Anyone Who Had A Heart, Always Something There To Remind Me, and What the World Needs Now Is Love.

Hollywood also played its part in amplifying his career, with many of his songs going on to become soundtracks to major films.

Pic: AP
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Pic: AP

The Look of Love, which was used in the 1967 spy parody of a James Bond film, Casino Royale, became a gold record for Dusty Springfield and Brazilian musician Sergio Mendes, and was also inducted into the Grammy Hall of Fame.

Many years later, the spoof movie would lead to cameo roles for Bacharach in all three Austin Powers films, with Mike Myers calling him a “lucky charm” for the films.

What’s New Pussycat? – which featured in the 1965 Woody Allen film of the same name – gave Welsh singer Tom Jones his second top 40 US hit and was also nominated for an Oscar for best original song the following year. It went on to be sung by stars including Barbra Streisand, The Four Seasons and The Wailers.

His mention in Monty Python’s The Meaning Of Life was proof of his rightful place in pop culture, as well as his reputation as a ladies man.

‘I did not want to disappoint my mother’

Born Burt Freeman Bacharach on 12 May 1928, in Kansas City, Missouri, his father was a newspaper columnist and his mother an amateur painter and pianist.

The family moved to New York when he was three. A Jewish family in a largely Catholic neighbourhood, Bacharach said in his 2013 autobiography, Anyone Who Had A Heart: My Life And Music, that he kept his faith to himself, and “didn’t want anybody to know about it”.

It was thanks to his mother’s love of music that Bacharach undertook piano lessons as a child. He hated them with a passion, but later told fans during gigs that he persevered as “I did not want to disappoint my mother”.

He went on to study music at Montreal’s McGill University, Quebec, Canada, before completing his training at Mannes School of Music, in New York, and at the Music Academy of the West in Montecito, California.

Not a fan of the classical music he would play in his classes, he would later sneak into jazz clubs as a teenager, with the style going on to influence his songwriting later in his career.

Drafted into the US army for two years in 1950 during the Korean War, and stationed in Germany, he got his first taste of working in music serving as a pianist at officer’s clubs and arranging music for dance bands.

Composer Burt Bacharach poses during a media event in Sydney June 28, 2007. Prolific song writer Bacharach is undertaking a tour of Australia with the Sydney Symphony orchestra. REUTERS/Tim Wimborne (AUSTRALIA)
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Burt Bacharach pictured at a media event in Sydney in June 2007

Hitting it off with big band singer and actor Vic Damone during his time in the military, he went on to work with him as a pianist and conductor following his discharge.

Touring with Hollywood royalty

From there he began to play with other artists, including actress Marlene Dietrich who is said to have called working with him “seventh heaven,” according to the 1989 biography Marlene.

Looking back on his time with her in his autobiography, Bacharach wrote: “We went to Russia, Israel, the Middle East. Going with Marlene was like going in with a conquering army.”

As the Hollywood star’s musical director, arranging and conducting her nightclub shows, he gained greater public prominence, however their working relationship came to an end in the early 1960s, when Bacharach decided to devote himself to his own songwriting full time.

Looking back to the start of his career, Bacharach said he initially thought songwriting was “so startlingly simple, I thought I could write five or six a day”.

However, after a year or so of working, and “about a thousand” rejection letters, he concluded: “It’s hard to be simple.”

Without doubt, his most enduring and fruitful professional relationship was with lyricist Hal David, who he met in 1957. In the early and mid-sixties alone, the pair wrote over 100 songs together.

Work with Hal David and Dionne Warwick

But it was in 1961, when they discovered Dionne Warwick who was working as a session singer, that their partnership really took off.

During their time creating songs for Warwick, they wrote 39 of her chart hits including Don’t Make Me Over, I’ll Never Fall In Love Again, Walk On By and Do You Know The Way To San Jose.

In 1969, Bacharach and David ventured into theatre, writing hit musical Promises, Promises, based on the 1960 film The Apartment. Their first and only Broadway show, it won them a Grammy.

Less auspicious was their soundtrack for the 1973 movie Lost Horizon, a massive flop which led to lawsuits between the pair and their professional breakup.

In turn, their parting of ways led Warwick to sue them for failure to honour their contract working with her on her music. It was finally settled out of court in 1979 for $5m (£4.1m).

In 1975, Bacharach worked briefly with David again, producing a Motown album together.

And in 1985, Warwick and Bacharach were reunited too, when she sang his hit That’s What Friends Are For.

Co-written with his then-wife Carole Bayer Sager, the track featured Elton John, Stevie Wonder, and Gladys Knight and went on to win a Grammy for Song of the Year.

Warwick described her relationship with Bacharach at the time as: “Not just friends. We’re family.”

The three would work together once more in 2000, on songs for film Isn’t She Great, based on the life of Valley Of The Dolls novelist Jacqueline Susann.

In the 1980s, Bacharach’s music inspired many of the songs coming out of the post-punk era, and in the 1990s his work was introduced to a whole new generation of fans thanks to a lounge music resurgence, led by bands including Divine Comedy and The Mike Flowers Pops.

Named the “Sexiest Man Alive” by People Magazine in 2000, the noughties saw remixes and samples of his work high in the charts on numerous occasions.

File photo dated 22/10/08 Burt Bacharach performing with the BBC Concert Orchestra, to launch the BBC Electric Proms series, at the Roundhouse, Chalk Farm Road, north London. Composer Burt Bacharach, whose orchestral pop style was behind hits like I Say A Little Prayer, has died aged 94. Issue date: Thursday February 9, 2023.
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Bacharach performing with the BBC Concert Orchestra in 2008

An American Idol

A guest vocal coach on American Idol, an entire episode was also dedicated to his hits in 2006.

More modern collaborations include Sheryl Crow, Elvis Costello, Noel Gallagher and hip-hop producer Dr Dre.

In June 2015, Bacharach played the main stage at Glastonbury Festival, 15 years after he had been forced to pull out of the event due to a shoulder injury.

Bacharach was awarded the Johnny Mercer Award, the highest honour in the Songwriters Hall of Fame In 1996.

Other honours include the George and Ira Gershwin Award for Musical Achievement from the University of California, Los Angeles, and a Grammy lifetime achievement award, where he was proclaimed music’s greatest living composer, in 2006.

A performer as well as a composer, Bacharach played concerts all over the world throughout his career, often accompanied by large orchestras.

Not known for his political songs, he made an exception in 2018 with Live To See Another Day, dedicated to the survivors of gun violence and with proceeds going to a charity run by the families of some of those killed in the 2012 Sandy Hook Elementary School shooting.

In late 2022, a New York dance troop celebrated Bacharach’s music in an evening of dance titled The Look Of Love, named after one of his biggest hits.

Even his pastime of horseracing – he was an owner and breeder of thoroughbreds for over 30 years – was influenced by his love of music, naming one of his champion horses Heartlight No. One after his Neil Diamond collaboration, inspired by film E.T.

Bacharach was married four times, first to TV actress Paula Stuart between 1953 and 1958, then to actress Angie Dickinson between 1965 and 1980.

Bacharach and Dickinson had one daughter together, Nikki, who took her own life in 2007, aged 40, after battling with Asperger’s Syndrome from a young age.

His third marriage to lyricist Carole Bayer Sager lasted from 1982 to 1991, and they adopted a son, Christopher.

His fourth and final marriage was to former ski-instructor Jane Hanson, 32 years his junior, with whom he has a son and a daughter – Oliver and Raleigh.

Bacharach is survived by ex-wives Dickinson and Bayer Sager, his wife Jane, and children Christopher, Oliver and Raleigh.

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‘Bad boys of magic’ Penn & Teller inducted into Magic Circle after 50 years of being barred

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'Bad boys of magic' Penn & Teller inducted into Magic Circle after 50 years of being barred

Penn & Teller have finally been inducted into the Magic Circle – after 50 years of being denied membership.

Rock stars of magic, Penn & Teller found fame in the mid-1980s, earning them fans on both sides of the pond, but their habit of explaining their tricks to the audience also earned them magical disapproval.

The duo were famously barred from the Magic Circle for exposing their tricks as part of their act, flying in the face of the organisation’s belief in keeping magical secrets from the public.

Formed in 1905, the Magic Circle currently has around 1,750 members from around the world, all of whom have passed an exam to join.

Penn & Teller’s famous fans include the King (who is also a Magic Circle member), while their critics include Donald Trump, who’s said to have put them on his “enemies list”.

The presentation took place on Friday, on the steps of the Palladium, in London’s West End, where Penn & Teller are currently performing their 50th Anniversary residency.

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Magic Circle president Marvin Berglas said: “In the past they may have been known as the bad boys of magic with their sometimes controversial and hard-hitting choice of material.

“There was criticism from some in the past for their apparently exposing magical secrets. However, for those in the know, the real magic was always with their original and artistic performances whereby audiences thought they understood how something may have been done only to be utterly amazed with an entirely different original method.

“For this – Penn and Teller are the kings. These days The Magic Circle is the place for a truly diverse group of creative minds and talented performers.”

Penn & Teller in 2010. Pic: AP
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Penn & Teller in 2010. Pic: AP

Penn & Teller said: “We’re honoured that the Magic Circle has invited us to be members, after we’ve violated its cardinal rule – don’t give away secrets – for five decades. This is going to be fun.”

Penn & Teller first performed together in August 1975, breaking into the mainstream in the mid-1980s, and touring with critically acclaimed shows throughout the 1990s and achieving TV success in both the US and UK.

They will be performing their 50th Anniversary Tour at The London Palladium until Wednesday, 24 September.

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US talk show hosts react to Jimmy Kimmel cancellation – as Trump issues threat

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US talk show titans come out fighting after Kimmel cancellation

US talk show host Stephen Colbert has condemned the cancellation of fellow late-night star Jimmy Kimmel as a “blatant assault on freedom of speech”, as America’s top late night presenters came out fighting.

He used the opening of Thursday night’s edition of his Late Show to address the pulling of Jimmy Kimmel Live over comments made about the assassination of the right-wing influencer Charlie Kirk.

Kimmel used his show earlier this week to accuse the Trump administration and its allies of “working very hard to capitalise on the murder of Charlie Kirk”, with the president among those to pin it on left-wing extremism.

Explainer: What did Jimmy Kimmel say about Charlie Kirk?

The move by Disney-owned ABC has been widely criticised, with the network accused of kowtowing to President Donald Trump, who celebrated the decision.

Speaking to reporters on board Air Force One on Thursday, Mr Trump suggested certain networks should have their licenses revoked over a lack of support for him.

“When a late-night hosts is on network television there is a licence,” he said. “I read somewhere that the networks were 97% against me… they give me only bad publicity or press. I mean [if] they’re getting a licence. I would think maybe their licence should be taken away.”

Also airing on Thursday night, Jon Stewart, host of Comedy Central’s Daily Show, appeared in a garish gold set, in parody of Mr Trump’s redesign of the White House, to tell viewers the episode would be “another fun, hilarious, administration-compliant show”.

Stewart, playing the role of an over-the-top, politically obsequious TV host under authoritarian rule, lavished praise on the president and satirised his criticism of US cities and his deployment of the National Guard to fight crime.

“Coming to you tonight from the real […] crime-ridden cesspool that is New York City. It is a tremendous disaster like no-one’s ever seen before. Someone’s National Guard should invade this place, am I right?” he said.

He then introduced his guest – Maria Ressa, a journalist and author of the book How To Stand Up To A Dictator.

Jon Stewart. Pic: Associated Press
Image:
Jon Stewart. Pic: Associated Press

Over at The Tonight Show, Jimmy Fallon told his audience he was “not sure what was going on” but that Kimmel is “a decent funny and loving guy and I hope he comes back”.

Fallon then promised viewers that in spite of people being “worried that we won’t keep saying what we want to say or that we will be censored”, he was going to cover the president’s recent trip to the UK “just like I normally would”.

He was then replaced by a voiceover describing Mr Trump as “incredibly handsome” and “making America great again”.

Jimmy Fallon on Thursday's Tonight Show. Pic: The Tonight Show X
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Jimmy Fallon on Thursday’s Tonight Show. Pic: The Tonight Show X

Seth Meyers also joined the fray.

“Donald Trump is on his way back from a trip to the UK,” he said at the top of his show Late Night, “while back here at home, his administration is pursuing a crackdown on free speech… and completely unrelated, I just wanted to say that I have always admired and respected Mr Trump.

“I have always believed he was a visionary, an innovator, a great president, and an even better golfer.”

Kimmel’s removal from the show he has hosted for two decades led to criticism that free speech was under attack.

But speaking on his visit to Britain, Donald Trump claimed he was suspended “because he had bad ratings”.

It came after fellow late-night host Colbert saw his programme cancelled earlier this year, which fans claimed was also down to his criticism of Mr Trump, who has since railed against Kimmel, Meyers, and Fallon.

He has posted on Truth Social that they should all be cancelled.

Jimmy Kimmel hosting last year's Oscars. Pic: AP
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Jimmy Kimmel hosting last year’s Oscars. Pic: AP

Figures from both the worlds of entertainment and politics lined up to lament ABC’s removal of Kimmel.

Chat show doyen David Letterman said people should not be fired just because they don’t “suck up” to what he called “an authoritarian” president.

During an appearance at The Atlantic Festival 2025 in New York on Thursday night, he added: “It’s no good. It’s silly. It’s ridiculous.

“I feel bad about this, because we all see where see this is going, correct? It’s managed media.”

Barack Obama on Jimmy Kimmel Live in 2016. Pic: Susan Walsh/AP
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Barack Obama on Jimmy Kimmel Live in 2016. Pic: Susan Walsh/AP

Former US president Barack Obama wrote on X: “After years of complaining about cancel culture, the current administration has taken it to a new and dangerous level by routinely threatening regulatory action against media companies unless they muzzle or fire reporters and commentators it doesn’t like.

“This is precisely the kind of government coercion that the First Amendment was designed to prevent, and media companies need to start standing up rather than capitulating it.”

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Norman Foster on ‘incredible’ masterplan for new Manchester United ground

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Norman Foster on 'incredible' masterplan for new Manchester United ground

Football and the royals are two subjects which have always attracted very outspoken fans. Now, aged 90, Lord Norman Foster is attempting to please both.

One of the one of the world’s most important living architects, he is known for being the vision behind some of the world’s most iconic designs – including London’s “Gherkin” building, the Millennium Bridge and the British Museum’s spectacular Great Court.

Arguably, however, two of his most talked about designs are yet to be built.

In June, his firm Foster + Partners was announced as having won the commission to build a national memorial in honour of the late Queen Elizabeth II.

Before that, in March, his firm’s vision for a new 100,000-seater stadium at Old Trafford was revealed, which he describes as “the project of a lifetime”.

A conceptual image of what the new Manchester United stadium could look like. Pic: Foster + Partners/PA
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A conceptual image of what the new Manchester United stadium could look like. Pic: Foster + Partners/PA

Pic: Foster + Partners/PA
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Pic: Foster + Partners/PA

‘A galvanising project’

“The fan base is incredible,” Lord Foster said of his excitement at being commissioned to work on the new ground.

For the renowned architect it is a homecoming of sorts, given Lord Foster’s working-class roots, having grown-up in Manchester.

Was he excited to be involved?

“You bet,” he exclaims.

“It’s a galvanising project… and so many things can naturally ride on the back of that sporting, emblematic kind of team.”

Set to cost around £2bn – with its three tall masts acting as a vast umbrella over Old Trafford – the design is part of a larger regeneration project which Lord Foster claims could be completed in five years.

The stadium design is part of a larger regeneration project.
Pic: Foster + Partners/PA
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The stadium design is part of a larger regeneration project.
Pic: Foster + Partners/PA

It is described as a “master plan that will create streets, squares, neighbourhoods and connect with the heart of Manchester.”

Asked whether it will feel unlike any other British stadium, he said: “Manchester United is different and therefore its stadium’s going to be different… and better, of course.”

And what of the QEII memorial?

He says his design to remember the late monarch in London’s St James’ Park will be “more of all the good things”.

His plans include a statue of Queen Elizabeth II standing next to her husband Prince Philip, and a semi-glass bridge which is a nod to her wedding tiara.

The royal gardens design. Pic: Foster+Partners and Malcolm Reading Consultants/PA
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The royal gardens design. Pic: Foster+Partners and Malcolm Reading Consultants/PA

As for those who’ve questioned whether maintaining its sparkle might prove to be problematic, Lord Foster insists it’ll be “less maintenance, more joy”.

He says his hope is “to address the many millions who traverse that [park], the daily commuters and many tourists, and to make that more human, to make it a better experience and a reminder of the legacy of the most extraordinary long-serving monarch”.

After collecting the London Design Festival’s prestigious lifetime achievement medal earlier this week, with six decades of experience under his belt, Lord Foster says he finds Britain’s inability to invest in infrastructure frustrating.

Lord Foster speaks at the awards ceremony
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Lord Foster speaks at the awards ceremony

“I lamented, like so many, the cancellation of HS2,” he says. The long-delayed rail route’s northern leg to Manchester was scrapped by Rishi Sunak in 2023.

“That was about levelling-up. It wasn’t about getting from one place in lightning speed, it was taking the burden off the regional network so it would serve local communities better.”

He says “connectivity is the answer to many of the social issues that we talk about”.

The tendency of politicians, he says, to prioritise short-term issues doesn’t help when it comes to seeing the bigger picture.

“There is not the awareness of the importance of design and planning… you do need a political awareness,” he says.

“The city is not static, it’s dynamic. It’s always changing, evolving, adapting to change, and it can do that well, or it can do it badly. But it needs planning, it needs anticipation.”

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