Burt Bacharach obituary: Composer worked with stars including Dionne Warwick, Dusty Springfield and Tom Jones during seven-decade career
Composer Burt Bacharach – perhaps best known for his Oscar-winning song Raindrops Keep Fallin’ On My Head – has died aged 94.
Hailed as one of the greatest songwriters of the 20th century, he wrote more than 500 songs, which were performed by more than 1,200 different artists, across his seven-decade career.
Despite numerous collaborations, it was the songs he wrote in the 1960s and 1970s with lyricist Hal David and performed by singer Dionne Warwick that achieved the greatest recognition, establishing all three as musical stars in their own rights.
Pic: Dezo Hoffman/Shutterstock
His music – which was often described as ‘easy listening’ or ‘elevator music’ thanks to its catchy melodies – was inspired by an early love of jazz.
But fans of his work would argue that although instantly memorable and addictively hummable, the mixed meters, complex melodies, unusual chord progression and asymmetrical rhythms mean his work was far from ‘easy’.
An accomplished pianist as well as a composer, Bacharach arranged, conducted, and produced the majority of his own songs.
A six-time Grammy Award winner and three-time Academy Award winner, his composing skill earned him comparisons with American music greats including George Gershwin, Cole Porter and Richard Rodgers.
Early collaborations included Perry Como and Jerry Butler, going on to work with stars including Frank Sinatra, Cilla Black, Dusty Springfield, Tom Jones and the Carpenters.
Some of his biggest hits include the Oscar-winning Raindrops Keep Fallin’ on My Head, (They Long to Be) Close to You, Anyone Who Had A Heart, Always Something There To Remind Me, and What the World Needs Now Is Love.
Hollywood also played its part in amplifying his career, with many of his songs going on to become soundtracks to major films.
Pic: AP
The Look of Love, which was used in the 1967 spy parody of a James Bond film, Casino Royale, became a gold record for Dusty Springfield and Brazilian musician Sergio Mendes, and was also inducted into the Grammy Hall of Fame.
Many years later, the spoof movie would lead to cameo roles for Bacharach in all three Austin Powers films, with Mike Myers calling him a “lucky charm” for the films.
What’s New Pussycat? – which featured in the 1965 Woody Allen film of the same name – gave Welsh singer Tom Jones his second top 40 US hit and was also nominated for an Oscar for best original song the following year. It went on to be sung by stars including Barbra Streisand, The Four Seasons and The Wailers.
His mention in Monty Python’s The Meaning Of Life was proof of his rightful place in pop culture, as well as his reputation as a ladies man.
‘I did not want to disappoint my mother’
Born Burt Freeman Bacharach on 12 May 1928, in Kansas City, Missouri, his father was a newspaper columnist and his mother an amateur painter and pianist.
The family moved to New York when he was three. A Jewish family in a largely Catholic neighbourhood, Bacharach said in his 2013 autobiography, Anyone Who Had A Heart: My Life And Music, that he kept his faith to himself, and “didn’t want anybody to know about it”.
It was thanks to his mother’s love of music that Bacharach undertook piano lessons as a child. He hated them with a passion, but later told fans during gigs that he persevered as “I did not want to disappoint my mother”.
He went on to study music at Montreal’s McGill University, Quebec, Canada, before completing his training at Mannes School of Music, in New York, and at the Music Academy of the West in Montecito, California.
Not a fan of the classical music he would play in his classes, he would later sneak into jazz clubs as a teenager, with the style going on to influence his songwriting later in his career.
Drafted into the US army for two years in 1950 during the Korean War, and stationed in Germany, he got his first taste of working in music serving as a pianist at officer’s clubs and arranging music for dance bands.
Burt Bacharach pictured at a media event in Sydney in June 2007
Hitting it off with big band singer and actor Vic Damone during his time in the military, he went on to work with him as a pianist and conductor following his discharge.
Touring with Hollywood royalty
From there he began to play with other artists, including actress Marlene Dietrich who is said to have called working with him “seventh heaven,” according to the 1989 biography Marlene.
Looking back on his time with her in his autobiography, Bacharach wrote: “We went to Russia, Israel, the Middle East. Going with Marlene was like going in with a conquering army.”
As the Hollywood star’s musical director, arranging and conducting her nightclub shows, he gained greater public prominence, however their working relationship came to an end in the early 1960s, when Bacharach decided to devote himself to his own songwriting full time.
Looking back to the start of his career, Bacharach said he initially thought songwriting was “so startlingly simple, I thought I could write five or six a day”.
However, after a year or so of working, and “about a thousand” rejection letters, he concluded: “It’s hard to be simple.”
Without doubt, his most enduring and fruitful professional relationship was with lyricist Hal David, who he met in 1957. In the early and mid-sixties alone, the pair wrote over 100 songs together.
Work with Hal David and Dionne Warwick
But it was in 1961, when they discovered Dionne Warwick who was working as a session singer, that their partnership really took off.
During their time creating songs for Warwick, they wrote 39 of her chart hits including Don’t Make Me Over, I’ll Never Fall In Love Again, Walk On By and Do You Know The Way To San Jose.
In 1969, Bacharach and David ventured into theatre, writing hit musical Promises, Promises, based on the 1960 film The Apartment. Their first and only Broadway show, it won them a Grammy.
Less auspicious was their soundtrack for the 1973 movie Lost Horizon, a massive flop which led to lawsuits between the pair and their professional breakup.
In turn, their parting of ways led Warwick to sue them for failure to honour their contract working with her on her music. It was finally settled out of court in 1979 for $5m (£4.1m).
In 1975, Bacharach worked briefly with David again, producing a Motown album together.
And in 1985, Warwick and Bacharach were reunited too, when she sang his hit That’s What Friends Are For.
Co-written with his then-wife Carole Bayer Sager, the track featured Elton John, Stevie Wonder, and Gladys Knight and went on to win a Grammy for Song of the Year.
Warwick described her relationship with Bacharach at the time as: “Not just friends. We’re family.”
The three would work together once more in 2000, on songs for film Isn’t She Great, based on the life of Valley Of The Dolls novelist Jacqueline Susann.
In the 1980s, Bacharach’s music inspired many of the songs coming out of the post-punk era, and in the 1990s his work was introduced to a whole new generation of fans thanks to a lounge music resurgence, led by bands including Divine Comedy and The Mike Flowers Pops.
Named the “Sexiest Man Alive” by People Magazine in 2000, the noughties saw remixes and samples of his work high in the charts on numerous occasions.
Bacharach performing with the BBC Concert Orchestra in 2008
An American Idol
A guest vocal coach on American Idol, an entire episode was also dedicated to his hits in 2006.
More modern collaborations include Sheryl Crow, Elvis Costello, Noel Gallagher and hip-hop producer Dr Dre.
In June 2015, Bacharach played the main stage at Glastonbury Festival, 15 years after he had been forced to pull out of the event due to a shoulder injury.
Bacharach was awarded the Johnny Mercer Award, the highest honour in the Songwriters Hall of Fame In 1996.
Other honours include the George and Ira Gershwin Award for Musical Achievement from the University of California, Los Angeles, and a Grammy lifetime achievement award, where he was proclaimed music’s greatest living composer, in 2006.
A performer as well as a composer, Bacharach played concerts all over the world throughout his career, often accompanied by large orchestras.
Not known for his political songs, he made an exception in 2018 with Live To See Another Day, dedicated to the survivors of gun violence and with proceeds going to a charity run by the families of some of those killed in the 2012 Sandy Hook Elementary School shooting.
In late 2022, a New York dance troop celebrated Bacharach’s music in an evening of dance titled The Look Of Love, named after one of his biggest hits.
Even his pastime of horseracing – he was an owner and breeder of thoroughbreds for over 30 years – was influenced by his love of music, naming one of his champion horses Heartlight No. One after his Neil Diamond collaboration, inspired by film E.T.
Bacharach was married four times, first to TV actress Paula Stuart between 1953 and 1958, then to actress Angie Dickinson between 1965 and 1980.
Bacharach and Dickinson had one daughter together, Nikki, who took her own life in 2007, aged 40, after battling with Asperger’s Syndrome from a young age.
His third marriage to lyricist Carole Bayer Sager lasted from 1982 to 1991, and they adopted a son, Christopher.
His fourth and final marriage was to former ski-instructor Jane Hanson, 32 years his junior, with whom he has a son and a daughter – Oliver and Raleigh.
Bacharach is survived by ex-wives Dickinson and Bayer Sager, his wife Jane, and children Christopher, Oliver and Raleigh.
Entertainment
Upskirted, assaulted, accused of faking their music skills: Why female DJs need to be ‘bulletproof’
To see Koven’s Katie Boyle perform live is beyond impressive. Hailing from Luton, she is one of the most influential women in drum ‘n’ bass today, an artist who pioneered the art of singing live while DJing.
Although she’s now been doing it for 12 years, her vast knowledge doesn’t silence the trolls online.
“There is a real bad misogyny online against women,” she says of the industry, with plenty of critics refusing to “believe they’re doing what they say they’re doing, and that’s been quite a hard thing to combat”.
Koven is a duo. In the studio, Boyle collaborates with producer Max Rowat; live, she performs and mixes alone. They have just released their second album, Moments In Everglow.
Koven (L-R): Max Rowat and Katie Boyle
While both Boyle and Rowat are equally involved in making tracks, a minority of very vocal fans still refuse to accept she does anything other than sing.
“I will always be accused of the male half doing more on anything to do with technology,” says Boyle. “The amount of comments [I get] to say, ‘she didn’t make this’. No explanation as to why they think that it is, just purely because [I’m] a woman, which is just mad.”
Koven’s Katie Boyle says she has had some ‘awful incidences’
While Boyle loves performing live, there are moments, she admits, where being one of the few women on the scene can feel unsafe.
“I’ve had some awful incidences,” she says. “I had someone run on stage and completely grab me, hand down my top, down my trousers, while I was on the stage, which is crazy because you think that’s happening in front of an audience. I mean, this guy literally had to be plied off me.
“That was when I did think, ‘I need to bring someone with me to most places’. I didn’t feel safe travelling around by myself.”
‘You get trolled for everything’
DJ Paulette. Pic: Paulette
Sadly, Boyle isn’t alone. Over a 30-year career, DJ Paulette has scaled the heights of dance music fame, playing throughout Europe, with a residency back in the day at Manchester’s Hacienda.
“Let’s just say I have two towels on my rider and it’s not just because I sweat a lot,” she jokes, miming a whack for those around her.
“I’ve spent time in DJ booths where I’ve had a skirt on and people have been taking pictures up my skirt. People think upskirting is a joke… and I got fed up with it.” Wearing shorts, she says, she still ended with “people with their hands all over me”. Now, she sticks to trousers. “But we shouldn’t have to alter the way we look for the environment that we work in.”
She admits, in order to stick it out, she’s had to bulletproof herself. “You get trolled for everything, for the way you look – if you put on weight, if you’ve lost weight.”
Not only is the discourse towards female DJs different online, she says, she has also been repeatedly told by those working in the industry that because she’s a woman, she has a sell-by date.
“I went for dinner with three guys… one of them said to me, ‘you know Paulette there is no promoter or organiser who is ever going to employ a black female DJ with grey hair’, and they all laughed.
“That was them saying to me that my career was over, and I was in my 40s. At the time, I felt crushed… I think it really does take women who have a real steel will to make their way through.”
‘I will not stop talking about it’
DJ Jaguar at the International Music Summit in Ibiza. Pic: Ben Levi Suhling
As the great and the good of the dance world gather in Ibiza for the industry’s annual International Music Summit, with dance music more popular than ever there is of course much to party about.
But for BBC Radio 1 broadcaster and DJ Jaguar, one of this year’s summit’s cohosts, some serious conversations also need to be had.
“You can get off the plane and look at the billboards around Ibiza and it’s basically white men – David Guetta, Calvin Harris, and they are incredible artists in their own right – but the women headliners, there’s barely any visibility of them, it’s awful.”
She adds: “I will not stop talking about it because it is the reality.”
Trolling and safety are also big concerns. “You’re in these green rooms, there’s a lot of people there, drinking and doing other things… and I’ve walked into green rooms where I felt incredibly uncomfortable, especially when I was a bit younger. I was on my own, it’s like 2am, and you have to watch yourself.”
Male DJs don’t have the same stories
The International Music Summit in Ibiza
She says she has female friends who have had drinks spiked when they were DJing. But her male friends? “They don’t have the same stories to tell me.”
Creamfields, arguably the UK’s biggest dance festival, is emblematic of the gender imbalance. It remains one of the least representative festivals in terms of female artists, with last year’s line-up more than 80% male.
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Laila MacKenzie, founder of Lady Of The House, a community that supports and tries to encourage more women into dance music, says the talent pipeline problem isn’t helped by the current discourse online.
“There is a real damaging factor how people can be really nasty online and really nasty in the media and how that actually may discourage and demotivate women from stepping forward into their talent,” she says.
In reality, for so many women working within dance music, the trolling can be so unpleasant that it’s drowning out the good.
“There is so much positivity and so many lovely and supportive people,” says Boyle. “But unfortunately it feels like the negative and the toxic energy is just louder sometimes.”
In October 2016, Kim Kardashian was robbed at gunpoint – with jewellery worth millions of dollars stolen during the audacious heist in Paris.
It was the biggest robbery of an individual in France for more than 20 years – and made front pages around the world.
Now, almost a decade on, the case is finally coming to court.
Why has it taken so long? Will Kardashian give evidence? And who exactly are the “grandpa robbers” facing trial?
Here’s everything you need to know.
Kardashian at the Siran Presentation on the day of the robbery. Pic: Rex Features
What happened?
Two years after Kardashian and rapper Kanye West tied the knot in an ostentatious week-long celebration spanning Paris and Florence, the Kardashian-West clan were back in the French capital for Paris Fashion Week.
Her then husband had returned to the US to pick up his Saint Pablo tour – but Kardashian, along with her sister Kourtney and various members of their entourage, remained in Paris, staying in an exclusive set of apartments so discreet they’ve been dubbed the No Address Hotel.
Nestled on Tronchet Street, just a stone’s throw from Place de l’Opéra, and close to the fashionable Avenue Montaigne, the Hotel de Pourtalès is popular with A-list stars staying in the French capital.
A stay in the Sky Penthouse, the suite occupied by Kardashian, will currently set you back about £13,000 a night.
Kardashian was staying at the Hotel de Pourtales
On the evening of 3 October, after attending a fashion show with her sister, Kardashian remained in the apartment alone while the rest of her convoy – including her bodyguard Pascal Duvier – went out for the night.
At about 2.30am, three armed men wearing ski masks and dressed as police forced their way into the apartment block – and according to investigators, they threatened the concierge at gunpoint.
Two of them are alleged to have forced the concierge to lead them to Kardashian’s suite. He later told police they yelled at him: “Where’s the rapper’s wife?”
Kardashian said she had been “dozing” on her bed when the men then entered her room.
She has said she believes her social media posts provided the alleged robbers with “a window of opportunity”.
“I was Snapchatting that I was home, and that everyone was going out,” she said in the months after the incident.
The Keeping Up With The Kardashians star vividly described the attack in a police report, as reported in the French weekly paper Le Journal du Dimanche.
“They grabbed me and took me into the hallway. They tied me up with plastic cables and taped my hands, then they put tape over my mouth and my legs.”
She said they pointed a gun at her, asking specifically for her ring and also for money.
Police guard the entrance to the Hotel de Pourtalès the day after the robbery
Kardashian says they carried her into the bathroom and put her in the bathtub. She said she was wearing only a bathrobe at the time.
She had initially thought the robbers “were terrorists who had come to kidnap me”, according to a French police report taken in New York three months after the robbery.
Kardashian told officers: “I thought I was going to die.”
According to police, the robbers – who left the room after grabbing their haul, escaped on bicycles with items estimated to be worth about $10m (£7.5m), including a $4m (£3m) 18.88-carat diamond engagement ring from West.
After they had left, Kardashian said she escaped her restraints and went to find help. After speaking to detectives, she immediately returned to the US on a private jet and later hired a completely new security team.
Kardashian shows off her $4m ring on Instagram
What was stolen?
As well as her engagement ring, Kardashian said the thieves took her large Louis Vuitton jewellery box, which she said contained “everything I owned”.
In police reports given to the French authorities at about 4.30am on the night of the alleged robbery, Kardashian listed these items as having been stolen:
• Two diamond Cartier bracelets
• A gold and diamond Jacob necklace
• Diamond earrings by Lauren Schwartz
• Yanina earrings
• Three gold Jacob necklaces
• Little bracelets, jewels and rings
• A Lauren Schwartz diamond necklace
• A necklace with six little diamonds
• A necklace with Saint spelt out in diamonds
• A cross-shaped diamond-encrusted Jacob cross
• A yellow gold Rolex watch
• Two yellow gold rings
• An iPhone 6 and a BlackBerry
Police recovered only the diamond-encrusted cross that was dropped by the robbers while leaving.
It’s likely the gold in the haul was melted down and resold, while the diamond engagement ring that is now so associated with the robbery would be far too recognisable to sell on the open market.
Kardashian at the Siran Presentation on the day of the robbery. Pic: Rex Features
What will happen in court?
The hearing will begin at the Court of Appeal of Paris – the largest appeals court in France – on 28 April and is scheduled to last a month.
It will consist of a presiding judge, two professional assessors, and six main jurors.
The hearing involves more than 2,000 documents and there are four civil parties.
Kardashian at the Balenciaga show on the day of the robbery. Pic: Rex Features
Who is being tried?
There were initially 12 defendants in the case, but one person has died and another has a medical condition that prevents their involvement. This means 10 people – nine men and one woman – are standing trial.
Five of them, who were all aged between 60 and 72 at the time of the incident, face armed robbery and kidnapping charges. They are:
• Yunice Abbas
• Aomar Ait Khedache
• Harminv Ait Khedache
• Didier Dubreucq
• Marc-Alexandre Boyer
Abbas, 72, has admitted his participation in the robbery. In 2021, he published a book about the robbery, titled I Kidnapped Kim Kardashian. In 2021, a court ruled he would not benefit financially from the book.
Aomar Ait Khedache, 69, known to French crime reporters as “Old Omar”, has also admitted participating in the heist but denies the prosecution’s accusation that he was the ringleader.
The remaining five defendants are charged with complicity in the heist or the unauthorised possession of a weapon. They are:
• Florus Heroui
• Gary Mader
• Christiane Glotin
• François Delaporte
• Marc Boyer
Among those, Mader was a VIP greeter who worked for the car company Kardashian used in Paris, and Heroui was a bar manager who allegedly passed on information about Kardashian’s movements.
With many of the accused now ageing and with various serious health conditions, and some having spent time in jail following their arrest, all are currently free under judicial supervision.
If found guilty, those accused of the more serious crimes could face 10 years to life imprisonment.
Kardashian at the Off-White show three days before the robbery. Pic: Rex Features
Will Kardashian give evidence?
Yes.
Lawyer Michael Rhodes said Kardashian has “tremendous appreciation and admiration for the French judicial system” and “wishes for the trial to proceed in an orderly fashion in accordance with French law and with respect for all parties to the case”.
A trainee lawyer herself, Kardashian has become a high-profile criminal justice advocate in the US in recent years.
(R-L) Kanye West, Kim Kardashian, Kourtney Kardashian, Kris Jenner in the front row three days before the robbery. Pic: Rex Features
Why has it taken so long to come to court?
There was initially a manhunt after the robbery, with French police under pressure to prove that Paris’s security was not in question.
Just the year before in 2015, the capital had been shaken by terrorist attacks by Islamic militants, in which 130 people were killed, including 90 at a music event at the Bataclan theatre.
French police initially arrested 17 people in the Kardashian case in January 2017 – three months after the robbery – assisted by DNA traces found on plastic bands used to tie her wrists. Twelve people were later charged.
It was ordered to be sent to trial in 2021 – at a time when limited court proceedings were happening due to multiple COVID lockdowns, and France was holding its largest ever criminal trial over the November 2015 terror attacks.
Kardashian at the Givenchy show on the day of the robbery. Pic: Rex Features
What has Kardashian said about the incident?
Kardashian has described the robbery as a “life-changing” moment. She took three weeks away from filming her reality TV show Keeping Up With the Kardashians, and took a three-month break from social media.
In a March 2017 episode titled Paris, Kardashian first spoke publicly about her ordeal.
She described first hearing a noise in her apartment, and calling out, thinking it was her sister and assistant: “At that moment when there wasn’t an answer, my heart started to get really tense. Like, you know, your stomach just kind of like, knots up and you’re like, ‘OK, what’s going on?’ I knew something wasn’t quite right.”
She went on: “They asked for money. I said, ‘I don’t have any money’. They dragged me out to the hallway on top of the stairs. That’s when I saw the gun, clear as day. I was looking at the gun, looking down back at the stairs. I was like, I have a split second in my mind to make this quick decision.
“Either they’re going to shoot me in the back or if I make it [down the stairs] and the elevator does not open in time or the stairs are locked, there’s no way out.”
Three months later, she told a Forbes Power Women’s Summit she had changed her approach to posting on social media: “They had followed my moves on social media, and they knew my every move and what I had.”
She added: “It was definitely a huge, huge, huge lesson for me to not show off some of the things that I have. It was a huge lesson to me to not show off where I go.
“It’s just changed my whole life, but I think for the better.”
West and Kardashian at the Off-White show three days before the robbery. Pic: Rex Features
In October 2020, Kardashian told US interviewer David Letterman she feared she would be raped and murdered during the heist, and that her sister had been at the forefront of her mind during the incident.
Speaking on My Next Guest Needs No Introduction, Kardashian said: “I kept on thinking about Kourtney, I kept on thinking she’s going to come home and I’m going to be dead in the room and she’s going to be traumatised for the rest of her life if she sees me… I thought that was my fate.”
When speaking to French police about the impact the robbery had had on her three months after it, Kardashian said: “I think that my perception of jewellery now is that I am not as attached to it as I used to be. I don’t have the same feeling about it. In fact, I even think that it has become a bit of a burden to have the responsibility of such expensive jewels.
“There is nothing of sentimental value to compare with the act of going home and finding one’s children and one’s family.”
She went on to describe Paris as “not the right place” for her, and didn’t return to the French capital for two years following the robbery.
Kardashian has since said in a 2023 episode of Keeping Up With The Kardashians that she did not purchase any jewellery in the seven years following the robbery, kept no jewellery at her home and only wore items that are either borrowed or fake.
She said the realisation that material items don’t matter has made her “a completely different person in the best way”.
Entertainment
The Magic Circle’s first female member fooled them into believing she was a man – how did she do it?
How did one woman fool the most famous magic society on the planet?
Back in 1991, Sophie Lloyd pulled off the ultimate illusion, tricking the Magic Circle into thinking she was a man.
But over 30 years after being unceremoniously kicked out, the Circle has tracked down the former actress to apologise and reinstate her membership.
She told Sky News how returning feels like the society has “made good on something that was wrong”.
Sophie Lloyd, who tricked the Magic Circle into believing she was a man
How did she infiltrate that exclusive group that nowadays counts the likes of David Copperfield and Dynamo as members?
In March of that year, she took her entry exam posing as a teenage boy, creating an alter-ego called Raymond Lloyd.
“I’d played a boy before,” she explained, but “it took months of preparation” to secretly infiltrate the Circle’s ranks half a year before it would officially vote to let women in.
“Really, going back 30 years, men’s clubs were like, you know, just something you accepted.”
The men-only rule had been in place since the Circle was formed in 1905. The thinking behind it being that women just couldn’t keep secrets.
Aware of the frustration of female magicians at the time, Lloyd felt she was up for the challenge of proving women could be as good at magic as the men.
The idea was, in fact, born out of a double act, thought up by a successful magician called Jenny Winstanley who’d wanted to join herself but wasn’t allowed.
She recognised the hoax would probably only work with a much younger woman posing as a teenage boy, and met Lloyd through an acting class.
Sophie Lloyd as teenage magician Raymond Lloyd. Pic: Sophie Lloyd
Lloyd said: “We had to have a wig made… the main thing was my face, I had plumpers made on a brace to bring his jawline down.”
To hide her feminine hands, she did the magic in gloves, which she says “was so hard to do, especially sleight of hand.”
The biggest test came when she was invited for a drink with her examiner, where she had to fake having laryngitis.
“After the exam, which was 20 minutes, he invited Jenny and I – she played my manager – and I sat there for one hour and three quarters and had to say ‘sorry, I’ve got a bad voice’.”
Raymond Lloyd passed the test, and his membership certificate was sent through to Sophie.
Then, in October of the same year, when whispers started circulating that the society was going to open its membership to both sexes, she and Jenny decided to reveal all. It didn’t go down well.
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Rather than praise her performance, members were incandescent about the deception and, somewhat ironically, Raymond Lloyd was kicked out just before women members were let in.
Lloyd said: “We got a letter… Jenny was hurt… she was snubbed by people she actually knew, that was hurtful. However, things have really changed now…”
Three decades later the Magic Circle put out a nationwide appeal stating they wanted to apologise and Lloyd was recently tracked down in Spain.
While Jenny Winstanley died 20 years ago in a car crash, as well as Sophie receiving her certificate on Thursday, her mentor’s contribution to magic is being recognised at the special show that’s being held in both their honour at the Magic Circle.
Lloyd says: “Jenny was a wonderful, passionate person. She would have loved to be here. It’s for her really.”
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