Chariots Of Fire director Hugh Hudson has died in London aged 86, a statement on behalf of his family said.
Hudson, described as a “beloved husband and father”, died on Friday at Charing Cross Hospital following a short illness.
The statement added: “He was best known for directing the Oscar winning film Chariots Of Fire. He is survived by his wife Maryam, his son Thomas and his first wife Sue.”
Image: Hugh Hudson
Nigel Havers, who starred in Chariots Of Fire, said he was “beyond devastated” by the news of Hudson’s death.
The film was based on the true story of two British athletes, Eric Liddell and Harold Abrahams, competing in the 1924 Olympics.
Liddle, played by Ian Charleson, is a devout Scottish Christian who runs for the glory of God, and even refuses to run a heat because his religious convictions prevent him from running on the Lord’s Day.
He eventually races in the 400m competition after a teammate offers up his place in a different heat, before overcoming the odds to beat his heavily favoured American rival.
Abrahams, played by Ben Cross, overcomes antisemitism to compete in the Games and, after a heavy defeat in the 200m competition, bounces back to win the 100m race.
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The film, released in 1981, was praised for its themes of dedication, sacrifice and determination to overcome adversity.
It was nominated for seven Oscars, winning four, including best film.
The film also won best original score for the iconic musicwhich accompanies the famous slow-motion running sequences in the film.
Its opening piano lines and use of the synthesizer are instantly recognisable to millions of movie fans
Hudson also directed the 1985 film Revolution, with Al Pacino, and the 1984 adventure film, Greystoke: The Legend of Tarzan, Lord of the Apes, based on the books by Edgar Rice Burroughs.
The last film he directed was in 2016, Altamira with actor Antonio Banderas.
Hudson also co-wrote the 2022 film, Tiger’s Nest, a story about a young orphan boy and a rescued tiger cub.
The creator of a new movie about the aftermath of sexual assault says comparisons with stars including Phoebe Waller-Bridge and Michaela Coel are flattering, but “aren’t ultimately helpful”.
Eva Victor, who rose to fame after creating viral comedy videos on X, wrote and directed their debut feature – Sorry, Baby – as well as playing the lead role.
They were encouraged to both write and then direct the movie by Oscar-winning filmmaker Barry Jenkins, after he saw Victor’s videos online.
Image: Eva Victor, who first gained attention for their viral comedy videos, has released their first feature, Sorry, Baby. Pic: A24
The film was warmly received at Sundance and Cannes, and its creator was hailed a “superstar”. But along with such accolades come inevitable comparisons.
Victor told Sky News: “The thing that that moved us so much about [Fleabag star Phoebe Waller-Bridge] and about Michaela Coel and about Greta Gerwig and those people is that it’s just a true voice.”
Image: Phoebe Waller-Bridge in 2024. Pic: PA
They admit “that part of the comparison means everything”, but go on: “I’m non-binary, so I use ‘they’ and ‘she’ pronouns and I think it’s interesting that we feel pretty binary about comparisons.
“People are pretty interested in putting me in a category of women. I mean, Denzel Washington directed himself. Albert Brooks directed himself. Jodie Foster directed after acting.
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“It’s an interesting conversation, and I think maybe comparisons aren’t ultimately so helpful. But also, I’m very honoured because they’re people I desperately look up to. Overall, it’s a very, very fine comparison.“
Image: Pic: A24
‘The bad thing’ at the heart of the movie
A triple threat, Victor studied acting and playwriting at Northwestern University, Illinois, before moving to New York in 2016 where they worked on the feminist satirical website Reductress. They later landed a role in Showtime drama series Billions.
A black comedy, Sorry, Baby tells the story of Agnes, a twenty-something New England literature student – and later academic – who is sexually assaulted by her college tutor.
Dubbed “the bad thing” in the movie, the assault – which occurs off camera – is a catalyst for the movie’s storyline but never becomes its focus.
Victor has called the writing of the project, “my soul on the page” – without speaking directly about whether any real-life experience inspired it – telling Sky News: “The process you go through privately, you’re exercising something very soul-forward. It’s very exposing.”
The impact of sexual assault around the world is something Victor calls “a big, big societal tragedy”. One in four women in England and Wales experiences sexual assault in their lifetime, according to the Office for National Statistics.
Victor says: “The reason I made the film was to try to make a film about an attempt at healing and much less about a kind of violence.”
They explain: “As someone who wanted to explore the intimate feelings of recovery from something like this, the only way through for me was to really think about Agnes and what is truthful to her story.”
Image: Pic: A24
‘Less about violence, and more about love’
Several instances in the film show the system failing to effectively deal with or even fully acknowledge the abuse – first a hospital, then a university – and those scenes are handled with a lightness of touch not always applied to trauma-based stories.
Victor says: “Humour in those scenes is used as a way for punching up people in power. And these institutions that create a really difficult, painful time for people.”
In the current climate, as convicted sex offender Harvey Weinstein faces his third trial, and music star P Diddy awaits sentencing – where does Victor think the MeToo movement stands now?
Despite the movie’s themes, Victor is reticent to become a mouthpiece for the movement.
Measuring their words carefully, Victor offers a note of optimism in their answer – much like the message of the movie – looking to the future with hope, albeit in an imperfect world.
“Ithink there’s rehabilitation that is necessary for everyone, and I’m less interested in violence and punishment and much more interested in finding love and trying to hold each other.”
Sorry, Baby is in UK cinemas now.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.
Bridgerton creator Shonda Rhimes says filming the drama and its spin-off Queen Charlotte in England has prompted her to consider relocating to the UK.
The US producer, who is behind some of the most popular TV dramas of the past two decades, told Sky News working in Britain had been a “really welcoming experience”, adding: “I’ve been spending a little bit more time over here and I’m going to try to spend even more if I can swap my kids into a British school.
“I’m trying to figure that part out, but I do really love being here and it’s always been such a great experience.”
Image: Rege-Jean Page and Phoebe Dynevor as Simon Basset and Daphne Bridgerton in Bridgerton. Pic: Netflix
Rhimes’ vast contribution to television has been recognised at this year’s Edinburgh TV festival, where she was given its inaugural fellowship award for the global impact of her shows.
Her first huge hit was Grey’s Anatomy. The medical drama, which began in 2005, is now in its 22nd season.
Image: Shonda Rhimes created Grey’s Anatomy. Pic: ABC/Kobal/Shutterstock
But finding an abandoned novel in a hotel room would motivate her to write Bridgerton, the drama that has become the biggest show on Netflix.
While its steamier scenes are often what garner most attention, she says after reading the books, she came to see it as a “workplace drama”.
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“These are women in their workplace because, in a world in which they have no power, they have no ability to do anything else; their only value is who they marry and their only worth is focused into that,” she adds.
‘Bizarre’ criticism
Image: Rhimes says she is thinking about moving to the UK
Rhimes agrees there is something inherently condescending about the way critics use terms like “guilty pleasure” to describe her dramas.
“There are certain people for whom the world of women will never be considered as serious or as complex or as interesting as the world of men,” she says.
Rhimes says she finds some of the reaction to her decision to reflect a diverse range of actors in Bridgerton’s cast “bizarre” after critics accused the show’s makers of “pandering to woke culture”.
Image: Bridgerton has been one of Netflix’s most popular shows. Pic: Netflix
She said: “The idea that I am writing the show looking like I look, that it wouldn’t occur to me that there should be more people in the show who look like me, I feel like that’s an obvious point. Why would I write something that doesn’t include me in any way?”
Given the thousands of episodes of drama she’s written over the years, she’s all too aware that it’s likely artificial intelligence is probably being used to scrape her scripts.
“There’s a danger of AI learning from my episodes, maybe it will learn to be better at what it does, but, most importantly, I don’t think that there’s any substitute for that germ of creativity that comes from a human imagination, I really don’t.”
As for what she enjoys watching on TV, her eyes light up when I mention having heard she’s a massive fan of a certain British sci-fi classic.
“Oh my God, I’ve loved Doctor Who forever! Forever!” she says, describing writer Russell T Davies’ work as “amazing”.
She adds: “For a while, people were like ‘what’s wrong with you?’ because they didn’t know the show. I fell in love with the David Tennant years, and I haven’t been able to let it go because of the writing.”
I ask if she’s ever considered a crossover episode.
She laughs: “I don’t know if there’s a Bridgerton meets Doctor Who…, but I would work with Russell at any time.”
US rapper Lil Nas X has been arrested and taken to hospital after being found walking in his underwear on a Los Angeles street and allegedly charging at officers and punching one.
Police said in a statement that officers responded shortly before 6am on Thursday (2pm UK time) following reports of a naked man, according to Sky’s US partner NBC News.
The LA force said that as officers went to the 11000 block of Ventura Boulevard in Studio City, the man rushed towards them.
“He was transported to a local hospital for a possible overdose and placed under arrest for battery on a police officer,” police said.
A law enforcement source confirmed to NBC News that the suspect was Montero Lamar Hill, also known as Lil Nas X.
The Old Town Road rapper punched an officer twice in the face during the encounter, according to the NBC source.
Officers were unsure whether he was on any substances or in mental distress, the source said.
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A representative for Hill did not immediately respond to a request for comment.
NBC News cited TMZ footage where Hill was seen walking down the middle of Ventura Boulevard at 4am on Thursday in a pair of white briefs and cowboy boots.