Spitting Image stages revival – and one politician who makes the cut is the ‘surprise hit of the show’

Published

2 years ago

February 10, 2023

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Jacob Rees-Mogg reimagined as a praying mantis, Priti Patel transformed into a bat and four Vladimir Putins – not many live shows can boast such a cast.

But Spitting Image Live: Idiots Assemble has a unique advantage – the lead cast are all puppets.

Comedians Al Murray and Matt Forde, the show’s co-writers, tell Sky News: “Suella Braverman is the surprise hit of the show… That puppet is disturbing in a very entertaining way.”

But showbiz is a fickle game, and while Vladimir Putin‘s current role in world politics means he has four puppets “to make what we’re doing with him work”, Kwasi Kwarteng (short-lived chancellor) and Nadhim Zahawi (ex-Conservative Party chairman) didn’t make the cut. Good calls, it turns out in political hindsight.

Murray explains: “You’ve got to be really sure who’s, for instance, the prime minister or the Chancellor of the Exchequer before you can commit to having them in the show because it costs thousands of pounds to have them caricatured and cast in latex.”

Described as “a show simultaneously inspired and appalled by real events”, Murray says they are currently on “version 3.5” of the script.

So, how do you create a topical rolling review, but avoid rewriting it every time there’s a cabinet reshuffle? And let’s face it, with three PMs and four chancellors last year alone, UK politics has been something of a revolving door of late.

Calling the production “an oil tanker” – as well as numerous puppets the show has 12 puppeteers (all of whom appear on stage during the show) and 12 voice artists, and tech-wise there are lighting and video AV setups as well as song and voice tracks – Murray acknowledges, “what you can’t be doing is rewriting a sketch about the budget”.

He goes on: “We’ve ended up developing a show that is essentially shockproof… We’ve got a role for the prime minister in the story. So, we’d swap him out rather than have to rewrite the entire thing [if he changed]. Had England won the World Cup, that would have affected what we’d written as well.”

Fellow comedian and co-writer Matt Forde chips in: “Yeah, there would have been one extra joke.”

The show can basically be switched around and updated as current affairs dictate, but without completely upending the storyline, or cast of key characters.

And there’s not just politics and football to worry about, there’s also the ever-changing fads of the world of showbiz. Celebrities who have the honour of making the cut include Taylor Swift, Stormzy and Tom Cruise. As for royalty, King Charles, Prince Harry and Meghan Markle also make it in.

Not just lumps of plastic, it’s like the stars are really there Forde explains: “The puppets are so good, even though they are grotesque recreations of these people, they look and feel alive. And there is a part of your brain that genuinely believes King Charles, Stormzy and Greta Thunberg are all on stage together and chatting to each other. It does some sort of weird trick to your brain where you actually think you’ve seen those people together, it’s brilliant.”

First filmed for TV at Central Independent Television (now ITV Central) in Birmingham 40 years ago, Spitting Image held politicians, the Royal Family and celebrities to account with its biting cultural and political satire over 18 series from 1984 to 1996.

Watched by more than 15 million viewers at its height, the multi award-winning show had no shortage of inspiration for colourful content, with Margaret Thatcher, Ronald Reagan and The Queen among those recreated in puppet form and lampooned for our viewing pleasure.

Comedy veterans including Harry Enfield, Steve Coogan, Paul Whitehouse and Alistair McGowan all worked on the programme, as did Red Dwarf creators Rob Grant and Doug Naylor.

The show’s creators Peter Fluck and Roger Law (both now part of the live show creative team) were originally political cartoonists, adapting their trade for TV.

Now, Murray says taking the show to the stage is just another level of the adaptation: “It’s not a comic doing an impression. It’s not an actor who doesn’t look like the King. You know, it’s a puppet. That’s a direct caricature of him.”

He says Forde’s Trump impression is “like having him there in front of you”.

So, what’s the trick to nailing the voice of a character?

Forde explains: “You need to hit upon a theme first, like some form of audio hook – like a sort of noise they would make, almost like a non-word noise. And then I think it’s about saying things that they could conceivably say. So, you sort of understand their vocal mannerisms… Keir Starmer has that slight blockage noise… With Trump you can just do these mad, rambling speeches.

“There’s a way of effectively capturing their essence through noise and the sorts of words they would say, and then it’s like a magic trick.”

Do they think any of the world leaders, celebrities or royalty lampooned in the show will object? Murray thinks not: “It would be daft to complain about this – it’s a Punch and Judy show.”

To prove the point, they’ve invited everyone featured in the show to come and see it, at least all those who are alive.

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With a tongue-in-cheek trigger warning on the show due to its “really naughty jokes”, Murray knows they are able to get away with more on stage with puppets than they would via conventional comedy.

“We have gone through a slightly sort of censorious vibe in the last few years,” he explains. “But now we’re not on television and we’ve not got to get this past BBC compliance or be worried about what the Daily Mail might say and all those factors that impinge on the kind of satire and comedy we get at the moment.”

With the evident success of the Spitting Image TV show, and more antics to dissect in politics and current affairs than ever before, why isn’t it still on our screens? Murray (who wrote for the two-series reboot in 2000) says it’s simply a case of cost, coming back again to the expense of the puppets at its heart.

“Spitting Image is an expensive show to write, shoot, produce, put on, and that is, to be honest, the beginning of the end of it.”

But he says TV’s loss is theatre’s gain: “When it came to TV in the first place in the 80s, it moved caricature on television and sort of rebadged caricature. And I think we’re doing that again by bringing it on stage. So, in a weird way, it feels like a better refresh than just doing it on the telly again.”

Idiots Assemble – Spitting Image Saves The World: Live on Stage is at the Birmingham Rep until Saturday 11 March.

Entertainment

Glastonbury 2025 line-up revealed

Published

9 hours ago

March 6, 2025

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The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.

Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.

The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.

Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.

The announcement comes after Sir Rod Stewart was booked for the Sunday teatime legend slot and Young was confirmed as a headliner earlier this year.

Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.

The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.

The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.

The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.

Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.

Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.

They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.

The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.

The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.

2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.

Entertainment

Sabrina Carpenter and Charli XCX BRIT Awards appearances spark hundreds of Ofcom complaints

Published

1 day ago

March 5, 2025

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Sabrina Carpenter and Charli XCX BRIT Awards appearances spark hundreds of Ofcom complaints

Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.

US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.

The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.

She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.

Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.

But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.

Ofcom said some of the complaints were also aimed at British pop sensation Charli XCX, who dominated the night by winning five awards, including album of the year.

Some viewers took issue with her outfit – a black see-through dress.

The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”

Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”

Entertainment

Why is Noel Clarke suing The Guardian?

Published

1 day ago

March 5, 2025

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Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.

Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.

They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.

Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.

What will the trial cover?

Clarke is suing GNM for libel, sometimes also referred to as defamation.

It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.

Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.

He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.

“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”

The Guardian is defending the claim on the basis of truth and public interest.

It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.

“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”

The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.

The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.

His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.

Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.

The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.

What has happened since the articles were published?

A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.

However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.

His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.

ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.

The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.

Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.

He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.

‘Rising star’

Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.

Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.

He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.

It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.