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When Adele was named the winner of the Brits’ inaugural artist of the year award last year, she addressed the changes that had been made to create the gender-neutral prize.

“I understand why the name of this award has changed but I really love being a woman and being a female artist,” she told the audience at the O2 Arena. “I’m really proud of us.”

The first recipient of the Brit Awards‘ artist of the year prize – a merging of the best male and best female prizes to make space for non-binary acts, after questioning from Sam Smith and others – happened to be female, but also happened to be Adele, one of the world’s biggest music stars, riding high following the release of a much-anticipated comeback album after several years out of the spotlight.

Adele receives the award for Song of the Year at the Brit Awards at the O2 Arena in London, Britain, February 8, 2022 REUTERS/Peter Cziborra

She was pretty much a dead cert. With the future Mercury Prize winner Little Simz nominated alongside her, the line-up was a mix of male and female stars, and it seemed to be a step forward for progress.

Fast-forward 12 months and the landscape is different. When this year’s best artist shortlist was revealed to be an all-male line-upHarry Styles, Stormzy, George Ezra, Fred Again and Central Cee – the criticism came instantly; Brits organisers were quick to respond and point out it is an industry problem.

“While it’s disappointing there are no nominations in the artist of the year category, we also have to recognise that 2022 saw fewer high-profile women artists in cycle with major releases as was the case in 2021,” a spokesperson said. “These trends based around the release schedule are a feature of the music industry, but if, over time, a pattern emerges, then this puts the onus on the industry to deal with this important issue.”

From Florence & The Machine to Charli XCX – who was eligible?

10 June 2022, Berlin: Singer Florence Leontine Mary Welch of the English band "Florence + the Machine" performs on stage at the Tempelhof Sounds Festival on the grounds of the former Berlin Tempelhof Airport. Photo by: Britta Pedersen/picture-alliance/dpa/AP Images

To be eligible for this year’s best artist award, an act must have achieved at least one top 40 album or two top 20 singles, released between 10 December 2021 and 9 December 2022.

Florence & The Machine, Charli XCX, Rina Sawayama, Mabel, Ella Henderson, Becky Hill, Beth Orton, Emeli Sande, KT Tunstall, Beabadoobee, Nina Nesbitt and Shygirl were all eligible; Kae Tempest, who is non-binary, was also eligible.

However, female artists make up just 12 of the 71 eligible acts, or just under 17% – indicating, as Brits organisers have pointed out, that the problem is bigger than their ceremony alone. The treatment of female artists in the industry is an issue that has been put under the spotlight most recently by Raye, who has finally released her debut album after years of being held back.

But as microcosms of the wider industries they represent, awards ceremonies do tend to lay these problems bare. Take Little Mix’s win for best group in 2021, for example, when they became the first female band to win the award – ever – more than 40 years since the Brits began.

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Everything you need to know about the Brits this year
‘It’s been a real wild journey’: Raye on the fight for her debut album

Sky News contacted representatives for the female and non-binary acts eligible for best artist this year, but none of the stars were available for comment.

You can’t really argue with the now Grammy best album winner and Mercury-nominated Styles, nor chart-topper and Glastonbury headliner Stormzy. And of course, it’s subjective, but there has been plenty of debate surrounding the other slots.

Overall, female artists – or groups featuring women – make up 42% of the nominations. And of course, they could well dominate the winners’ list on the night – last year, female artists picked up 10 of the 15 (66.67%) of the prizes available; Adele winning three of these.

‘They’re trying to even the playing field’

The Nova Twins: Amy Love (left) and Georgia South. Pic: Federica Burelli
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The Nova Twins: Amy Love (left) and Georgia South. Pic: Federica Burelli

This year’s Brits ceremony takes place on Saturday, held on a weekend for the first time.

Alt-rock duo Nova Twins, who are nominated for two awards – best group and best rock/alternative act – say that as two young black women, they have had to overcome being pigeonholed as hip-hop or RnB musicians to make the music they really want to make, and that there is “100%” misogyny in the industry.

Speaking to Sky News about the gender-neutral award, guitarist and singer Amy Love praised Brits organisers for trying to “even the playing field” – but said: “At the same time, if you’re going to do that, then make sure you’re including everyone… otherwise it becomes just a male category again.”

She continued: “There’s been improvements [but] the conversation still needs to be had and we just hope that people can reflect, so then the following year it won’t happen again.

“And that’s all it is, it’s just a conversation. I think people get so used to jumping down each other’s throats and then nothing gets done because it turns into anger. But if you just talk, analyse, you know, recognise what’s going on, hopefully the following year it could be fixed.”

“You acknowledge the good done in other areas,” said South, highlighting their own nominations and those of fellow female duo Wet Leg – who tie with Styles for most nods this year.

More women being recognised for “heavy” music is “a win”, she added. “But then we can also keep pushing.”

There’s always controversy around an awards show…

Mo Gilligan is hosting the Brits for the second time this year. Pic: John Marshall/ JM Enternational
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Mo Gilligan is hosting the Brits for the second time this year. Pic: John Marshall/ JM Enternational

Comedian Mo Gilligan, who is hosting the ceremony for the second time this year, tells Sky News there is “always some kind of controversy” surrounding an awards show; he points to the Oscars, where black actresses have yet again missed out on the best actress shortlist. “They are holding the mantle for controversy.

However, he says it is important not to let any controversy overshadow things for the artists caught up in it through no fault of their own.

“But for me, it’s letting the powers that be that are upstairs in a boardroom to be the ones who can really sort out this kind of stuff, whereas for me, it’s just [about] making sure I give people their moment, really. And I never want to feel like I’m throwing my opinion on someone’s biggest moment in their career.”

However, he says the conversations “should be” happening. “I think that’s what music’s all about.”

What have others said?

All Saints perform at the Brit Awards 1998. (L-R) Nicole Appleton, Melanie Blatt, Shaznay Lewis and Natalie Appleton.
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All Saints won two gongs at the Brit Awards in 1998. (L-R) Nicole Appleton, Melanie Blatt, Shaznay Lewis and Natalie Appleton

All Saints star Shaznay Lewis, who won two Brit Awards for the band’s hit song Never Ever in 1998 – best single and best video – wrote about the issue for the Radio Times; in her article, she welcomed the category change as a “welcome and wonderful step” for recognising talent regardless of gender, but said that “progressive ideas should benefit everyone”.

She continued: “How can that be the case if we do not acknowledge female artists, who are symbols of empowerment to millions of young aspiring women?”

Next year, three-time Brit winner Smith will be eligible for a nomination for the first time since the changes in the category, following the release of their album Gloria.

Speaking about the lack of female nominees in an interview with The Sunday Times, the star said it was a “shame”, and continued: “Things are moving forward, but it’s obvious it’s not there yet. From seeing that [best artist] list, there is still a long way to go.”

They continued: “It’s incredibly frustrating… It feels like it should be easy to do. [The Brits] just have to celebrate everyone because this is not just about artists getting awards. Awards are for kids watching on TV, thinking, ‘I can make music like this’. When I was young, if I’d seen more queer people at these awards it would have lit my heart. Awards are there to inspire.”

What about the other categories?

Lizzo poses for photographers upon arrival at Brit Awards 2020 in London, Tuesday, Feb. 18, 2020.(Photo by Vianney Le Caer/Invision/AP)
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Lizzo pictured at the Brits in 2020 – she is due to perform this year. Pic: Vianney Le Caer/Invision/AP

Across the other major categories – song of the year, best new artist, best group, international group, international artist, international song, and best album – there is more of a mix.

Internationally, with Taylor Swift, Beyonce and Lizzo in the mix, women outnumber the men – Kendrick Lamar and Burna Boy – as they do in the best new British artist category, 60% to 40%.

The British song of the year category is male-dominated – with two thirds (66.67%) of the artists featured being male, a quarter female (25%), and one non-binary (8.33%). And with The 1975, Wet Leg, Styles, Stormzy and Fred Again up for best album, the split in this category is 80% male, 20% female.

For international song, the nominees are 50% male, 50% female.

Girl band FLO have already been announced as this year’s rising star recipients – the award is always announced ahead of the ceremony – and the other two acts shortlisted, Cat Burns and Nia Archives, are also female; a sign perhaps that more female stars could be up for the big awards in future years.

In the genre categories, there is more gender balance, but these have received criticism of their own. While the new best pop and RnB category is more inclusive in terms of gender, it isn’t in terms of genre; with Cat Burns, Charli XCX, Dua Lipa, Harry Styles and Sam Smith in the running, there is a distinct lack of RnB.

Brits voting explained

Rhian Teasdale, left, and Hester Chambers of Wet Leg pose in the press room with the awards for best alternative music performance for "Chaise Lounge" and best alternative music album for "Wet Leg" at the 65th annual Grammy Awards on Sunday, Feb. 5, 2023, in Los Angeles. (AP Photo/Jae C. Hong)
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Wet Leg, who won two Grammys earlier in February, are up for four awards at the Brits

YolanDa Brown, chair of the BPI, which runs the awards, and Damian Christian, chair of the 2023 Brits committee, released a lengthy statement about this year’s awards and the voting process behind them.

The awards are reviewed annually, they said, and the decision to bring in the artist of the year award was made “following extensive industry consultation, and informed by the belief that it was time to progress to judging artists solely on the quality and popularity of their work, rather than on who they are, or how they choose to identify”.

Read more:
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The Brits Voting Academy is made up of around 1,200 music industry experts. This year, some 52% of those who voted identified as women, while 31% were “members who are black, Asian or minority ethnic”, Brown and Christian said.

Sectors represented included artists, producers, record labels, publishers, managers, retailers, live promoters, and journalists and media workers.

Is any of this likely to come up on the night?

With artists such as Charli XCX, Sawayama and Hill, who missed out on the best artist shortlist, up for other awards, they may well have something to say should they win in their categories.

And whichever man wins best artist could also take a stand, too. In fact in 2020, when he won the award for best male artist, before the changes, Stormzy paid tribute to the women in his team – after only four nominations out of a possible 25 in mixed categories went to women that year.

“To be the best male, I have got the most incredible females in my team,” he said. “You lot are the greatest, the best male is nothing without the best females. I love you guys.”

So keep an eye on those speeches.

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Malcolm-Jamal Warner, who played The Cosby Show’s Theo, drowns in Costa Rica

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Malcolm-Jamal Warner, who played The Cosby Show's Theo, drowns in Costa Rica

Malcolm-Jamal Warner, who played The Cosby Show character Theo, has drowned in Costa Rica, according to authorities.

The country’s Judicial Investigation Department said the 54-year-old actor drowned on Sunday afternoon off a beach on the Caribbean coast.

It is understood he was swimming at Playa Grande de Cocles in Limon province when he was pulled underwater by a current.

“He was rescued by people on the beach,” according to the department’s early report, but emergency workers from Costa Rica’s Red Cross found him without any signs of life and he was taken to the morgue.

Warner was on holiday with his family at the time, according to US celebrity news site People.

The Cosby Show aired from 1984 to 1992 on NBC in the US and is regarded as a groundbreaking show for its portrayal of a successful black middle-class family. It was also shown on Channel 4 in the UK at around the same time.

 Malcolm-Jamal Warner in September 2017
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Malcolm-Jamal Warner in September 2017. Pic: Reuters

Its star, Bill Cosby, played a doctor named Cliff Huxtable, with Warner in the role of Theo, his only son.

The NBC sitcom was the most popular show in America for much of its run between 1984 and 1992.

Warner played the role for eight seasons in all 197 episodes, winning an Emmy nomination for supporting actor in a comedy in 1986.

For many, the lasting image of the character, and of Warner, is of him wearing a badly-botched mock designer shirt sewn by his sister Denise, played by Lisa Bonet.

Warner ‘proud’ of show despite Cosby claims

The legacy of The Cosby Show has been tarnished after Cosby was jailed in 2018 following a conviction for sexual assault.

He was released in 2021 after his conviction was overturned.

Dozens of women had accused Cosby of sexual assault or rape before the trial.

Pic: Getty
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Warner, back centre, with the rest of the cast of The Cosby Show. Pic: Getty

Following his release from prison, Cosby was found liable for sexually assaulting a woman at the Playboy Mansion in 1975 when she was a teenager.

Warner told the Associated Press in 2015: “My biggest concern is when it comes to images of people of colour on television and film… We’ve always had ‘The Cosby Show’ to hold up against that. And the fact that we no longer have that, that’s the thing that saddens me the most because in a few generations the Huxtables will have been just a fairy tale.”

In 2023, Warner told People in an interview: “I know I can speak for all the cast when I say The Cosby Show is something that we are all still very proud of.”

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Malcolm-Jamal Warner, left, on stage with singer Stevie Wonder, centre, and Bill Cosby, at awards show in 2011. Pic: AP
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Warner (left) on stage with Stevie Wonder and Bill Cosby at an awards show in 2011. Pic: AP

Warner wins a Grammy

Following his career on The Cosby Show, Warner later appeared on the sitcom Malcolm & Eddie, co-starring with comedian Eddie Griffin in the series on the UPN network from 1996 to 2000.

In the 2010s he starred opposite Tracee Ellis Ross as a family-blending couple for two seasons on the BET sitcom Read Between The Lines.

He also had a role as OJ Simpson’s friend Al Cowlings in American Crime Story and was a series regular on Fox’s The Resident.

Films he has appeared in include the 2008 rom-com Fool’s Gold with Matthew McConaughey and Kate Hudson.

A poet and a musician, Warner won a Grammy for best traditional R&B performance for the song Jesus Children with Robert Glasper and Lalah Hathaway. He was also nominated for best spoken word poetry album for Hiding In Plain View.

Warner was married with a daughter, but chose to not publicly disclose their names.

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Danny Dyer on Mr Bigstuff, Oasis, and his surprising screensaver

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Danny Dyer on Mr Bigstuff, Oasis, and his surprising screensaver

From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.

But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTA win – and one of the ceremony’s biggest cheers from the audience – earlier this year.

Danny Dyer in Mr Bigstuff
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Danny Dyer as Lee Campbell in Mr Bigstuff

Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.

The Campbell brothers in the Bafta-winning series
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Ryan Sampson (right) created the series and stars alongside Dyer

Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.

Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.

“Absolute legend,” he says.

Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.

“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”

Danny Dyer in the press room after winning the Male Performance in a Comedy Programme Award for 'Mr Bigstuff' during the 2025 BAFTA Television Awards with P&O Cruises at Southbank Centre's Royal Festival Hall, London. Picture date: Sunday May 11, 2025.
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Dyer at the BAFTAs earlier this year. Pic: PA

Dyer reveals his screensaver

After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.

His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.

But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.

“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”

Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.

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In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.

He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.

Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.

“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”

‘Love in the air’ at Oasis gig

But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.

“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.

“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”

Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW

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Scuffle breaks out on stage of Royal Opera House after performer unfurls Palestinian flag

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Scuffle breaks out on stage of Royal Opera House after performer unfurls Palestinian flag

A brief scuffle broke out at London’s Royal Opera House after a performer unfurled a Palestinian flag during a show.

The incident took place during a performance of Il Trovatore on Saturday.

During the final night of the 11-night run of the show, a performer held up the flag on stage.

In video footage, shared online, someone backstage could be seen attempting to take it off the performer. The performer grabs it back following a brief scuffle.

A spokesperson for the Royal Ballet and Opera said: “The display of the flag was an unauthorised action by the artist.

“It was not approved by the Royal Ballet and Opera and is a wholly inappropriate act.”

The reaction to the flag was mixed, with some people heard applauding and cheering, while another audience member was heard saying “oh my God”.

One poster on X, who claimed to have been a member of the audience, said: “Extraordinary scenes at the Royal Opera House tonight.

“During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible.”

Performers show support for Palestinians

A number of performers have shown support for Palestinians amid the Israel-Hamas war in Gaza.

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During Glastonbury Festival, numerous acts offered messages of support during their sets, including Kneecap, Bob Vylan, Wolf Alice, and Amyl And The Sniffers.

During her band’s set, Wolf Alice singer Ellie Rowsell told the crowd at the Other Stage: “Whilst we have the stage for just a little bit longer, we want to express our solidarity with the people of Palestine.

“No-one should ever be afraid to do that.”

Following their performances, both Kneecap and Bob Vylan faced investigation by Avon and Somerset Police.

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BBC ‘regrets’ not pulling Bob Vylan live performance

Bob Vylan were widely criticised after leading on-stage chants of “death to the IDF” (Israel Defence Forces).

The performance was live-streamed by the BBC, sparking a backlash against the broadcaster – which later issued an apology.

The investigation into Kneecap was later dropped, with the police saying there was insufficient evidence to provide a realistic prospect of conviction for any offence”.

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