When Adele was named the winner of the Brits’ inaugural artist of the year award last year, she addressed the changes that had been made to create the gender-neutral prize.
“I understand why the name of this award has changed but I really love being a woman and being a female artist,” she told the audience at the O2 Arena. “I’m really proud of us.”
The first recipient of the Brit Awards‘ artist of the year prize – a merging of the best male and best female prizes to make space for non-binary acts, after questioning from Sam Smith and others – happened to be female, but also happened to be Adele, one of the world’s biggest music stars, riding high following the release of a much-anticipated comeback album after several years out of the spotlight.
She was pretty much a dead cert. With the future Mercury Prize winner Little Simz nominated alongside her, the line-up was a mix of male and female stars, and it seemed to be a step forward for progress.
“While it’s disappointing there are no nominations in the artist of the year category, we also have to recognise that 2022 saw fewer high-profile women artists in cycle with major releases as was the case in 2021,” a spokesperson said. “These trends based around the release schedule are a feature of the music industry, but if, over time, a pattern emerges, then this puts the onus on the industry to deal with this important issue.”
From Florence & The Machine to Charli XCX – who was eligible?
To be eligible for this year’s best artist award, an act must have achieved at least one top 40 album or two top 20 singles, released between 10 December 2021 and 9 December 2022.
Florence & The Machine, Charli XCX, Rina Sawayama, Mabel, Ella Henderson, Becky Hill, Beth Orton, Emeli Sande, KT Tunstall, Beabadoobee, Nina Nesbitt and Shygirl were all eligible; Kae Tempest, who is non-binary, was also eligible.
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However, female artists make up just 12 of the 71 eligible acts, or just under 17% – indicating, as Brits organisers have pointed out, that the problem is bigger than their ceremony alone. The treatment of female artists in the industry is an issue that has been put under the spotlight most recently by Raye, who has finally released her debut album after years of being held back.
But as microcosms of the wider industries they represent, awards ceremonies do tend to lay these problems bare. Take Little Mix’s win for best group in 2021, for example, when they became the first female band to win the award – ever – more than 40 years since the Brits began.
Sky News contacted representatives for the female and non-binary acts eligible for best artist this year, but none of the stars were available for comment.
You can’t really argue with the now Grammy best album winner and Mercury-nominated Styles, nor chart-topper and Glastonbury headliner Stormzy. And of course, it’s subjective, but there has been plenty of debate surrounding the other slots.
Overall, female artists – or groups featuring women – make up 42% of the nominations. And of course, they could well dominate the winners’ list on the night – last year, female artists picked up 10 of the 15 (66.67%) of the prizes available; Adele winning three of these.
‘They’re trying to even the playing field’
Image: The Nova Twins: Amy Love (left) and Georgia South. Pic: Federica Burelli
This year’s Brits ceremony takes place on Saturday, held on a weekend for the first time.
Alt-rock duo Nova Twins, who are nominated for two awards – best group and best rock/alternative act – say that as two young black women, they have had to overcome being pigeonholed as hip-hop or RnB musicians to make the music they really want to make, and that there is “100%” misogyny in the industry.
Speaking to Sky News about the gender-neutral award, guitarist and singer Amy Love praised Brits organisers for trying to “even the playing field” – but said: “At the same time, if you’re going to do that, then make sure you’re including everyone… otherwise it becomes just a male category again.”
She continued: “There’s been improvements [but] the conversation still needs to be had and we just hope that people can reflect, so then the following year it won’t happen again.
“And that’s all it is, it’s just a conversation. I think people get so used to jumping down each other’s throats and then nothing gets done because it turns into anger. But if you just talk, analyse, you know, recognise what’s going on, hopefully the following year it could be fixed.”
“You acknowledge the good done in other areas,” said South, highlighting their own nominations and those of fellow female duo Wet Leg – who tie with Styles for most nods this year.
More women being recognised for “heavy” music is “a win”, she added. “But then we can also keep pushing.”
There’s always controversy around an awards show…
Image: Mo Gilligan is hosting the Brits for the second time this year. Pic: John Marshall/ JM Enternational
Comedian Mo Gilligan, who is hosting the ceremony for the second time this year, tells Sky News there is “always some kind of controversy” surrounding an awards show; he points to the Oscars, where black actresses have yet again missed out on the best actress shortlist. “They are holding the mantle for controversy.
However, he says it is important not to let any controversy overshadow things for the artists caught up in it through no fault of their own.
“But for me, it’s letting the powers that be that are upstairs in a boardroom to be the ones who can really sort out this kind of stuff, whereas for me, it’s just [about] making sure I give people their moment, really. And I never want to feel like I’m throwing my opinion on someone’s biggest moment in their career.”
However, he says the conversations “should be” happening. “I think that’s what music’s all about.”
What have others said?
Image: All Saints won two gongs at the Brit Awards in 1998. (L-R) Nicole Appleton, Melanie Blatt, Shaznay Lewis and Natalie Appleton
All Saints star Shaznay Lewis, who won two Brit Awards for the band’s hit song Never Ever in 1998 – best single and best video – wrote about the issue for the Radio Times; in her article, she welcomed the category change as a “welcome and wonderful step” for recognising talent regardless of gender, but said that “progressive ideas should benefit everyone”.
She continued: “How can that be the case if we do not acknowledge female artists, who are symbols of empowerment to millions of young aspiring women?”
Next year, three-time Brit winner Smith will be eligible for a nomination for the first time since the changes in the category, following the release of their album Gloria.
Speaking about the lack of female nominees in an interview with The Sunday Times, the star said it was a “shame”, and continued: “Things are moving forward, but it’s obvious it’s not there yet. From seeing that [best artist] list, there is still a long way to go.”
They continued: “It’s incredibly frustrating… It feels like it should be easy to do. [The Brits] just have to celebrate everyone because this is not just about artists getting awards. Awards are for kids watching on TV, thinking, ‘I can make music like this’. When I was young, if I’d seen more queer people at these awards it would have lit my heart. Awards are there to inspire.”
What about the other categories?
Image: Lizzo pictured at the Brits in 2020 – she is due to perform this year. Pic: Vianney Le Caer/Invision/AP
Across the other major categories – song of the year, best new artist, best group, international group, international artist, international song, and best album – there is more of a mix.
Internationally, with Taylor Swift, Beyonce and Lizzo in the mix, women outnumber the men – Kendrick Lamar and Burna Boy – as they do in the best new British artist category, 60% to 40%.
The British song of the year category is male-dominated – with two thirds (66.67%) of the artists featured being male, a quarter female (25%), and one non-binary (8.33%). And with The 1975, Wet Leg, Styles, Stormzy and Fred Again up for best album, the split in this category is 80% male, 20% female.
For international song, the nominees are 50% male, 50% female.
Girl band FLO have already been announced as this year’s rising star recipients – the award is always announced ahead of the ceremony – and the other two acts shortlisted, Cat Burns and Nia Archives, are also female; a sign perhaps that more female stars could be up for the big awards in future years.
In the genre categories, there is more gender balance, but these have received criticism of their own. While the new best pop and RnB category is more inclusive in terms of gender, it isn’t in terms of genre; with Cat Burns, Charli XCX, Dua Lipa, Harry Styles and Sam Smith in the running, there is a distinct lack of RnB.
Brits voting explained
Image: Wet Leg, who won two Grammys earlier in February, are up for four awards at the Brits
YolanDa Brown, chair of the BPI, which runs the awards, and Damian Christian, chair of the 2023 Brits committee, released a lengthy statement about this year’s awards and the voting process behind them.
The awards are reviewed annually, they said, and the decision to bring in the artist of the year award was made “following extensive industry consultation, and informed by the belief that it was time to progress to judging artists solely on the quality and popularity of their work, rather than on who they are, or how they choose to identify”.
The Brits Voting Academy is made up of around 1,200 music industry experts. This year, some 52% of those who voted identified as women, while 31% were “members who are black, Asian or minority ethnic”, Brown and Christian said.
Sectors represented included artists, producers, record labels, publishers, managers, retailers, live promoters, and journalists and media workers.
Is any of this likely to come up on the night?
With artists such as Charli XCX, Sawayama and Hill, who missed out on the best artist shortlist, up for other awards, they may well have something to say should they win in their categories.
And whichever man wins best artist could also take a stand, too. In fact in 2020, when he won the award for best male artist, before the changes, Stormzy paid tribute to the women in his team – after only four nominations out of a possible 25 in mixed categories went to women that year.
“To be the best male, I have got the most incredible females in my team,” he said. “You lot are the greatest, the best male is nothing without the best females. I love you guys.”
Alan Yentob, the former BBC presenter and executive, has died aged 78.
A statement from his family, shared by the BBC, said Yentob died on Saturday.
His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.
“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”
Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.
He was also the director of BBC drama, entertainment, and children’s TV.
Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.
Image: Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.
The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.
In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.
“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”
BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Image: Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Image: Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Image: Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.