The BBC chairman’s position is becoming “increasingly untenable” after a committee of MPs found he made “significant errors of judgement” by facilitating a loan guarantee for Boris Johnson, a frontbench Labour MP has said.
Lisa Nandy made the remarks on Sky News after it emerged Richard Sharp, who helped Mr Johnson secure an £800,000 loan, failed to declare his role as a go-between for the then-prime minister when applying for the chairman’s job.
The cross-party Digital, Culture, Media and Sport Committee has said in a report that Mr Sharp should “consider the impact his omissions will have” on public trust in the broadcaster.
Image: BBC chairman Richard Sharp is under pressure
The same committee backed Mr Sharp’s appointment to the chairman’s job in January 2021 but was not aware of his role in facilitating the loan.
Committee report is a ‘really serious development’
Ms Nandy, the shadow levelling up secretary, told Sky News’ Sophy Ridge on Sunday programme that the government had “relied on the defence” that the committee had approved the appointment of Mr Sharp as BBC chair.
She continued: “But the committee today is saying that actually, had they known about (the loan), it would have been a very different situation.
“This information was not disclosed to them prior to approving that appointment.”
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Speaking about the findings in the report, Ms Nandy said: “It is a really serious development and it makes Richard Sharp’s position look increasingly untenable.”
She added: “I think it’s difficult to see how Richard Sharp could possibly stay in the position that he’s in, given the far reaching implications for the reputation of the BBC and the implications for trust in journalism.”
Image: Mr Sharp appearing before the Commons Digital, Culture, Media and Sport Committee
Ms Nandy’s comments came after the Conservative Party’s development minister Andrew Mitchell said the report’s findings are a “matter for the BBC”.
“I think Damian Green (acting chair of the Digital, Culture, Media and Sport Committee) is a very senior member of the House of Commons and what he and his committee says matters,” he said.
“But I think, as I say, this is really something which the public appointments commissioner must look at and we must wait for his judgement. And above all, of course, it’s a matter for the judgement of the BBC.”
Sharp claims he ‘acted in good faith’
Mr Sharp has said he didn’t arrange the loan but admitted introducing his friend Sam Blyth, a cousin of Mr Johnson who wanted to help the then-PM, to the Cabinet Office.
A spokesperson for Mr Sharp said he “regrets” not telling MPs about his association with Mr Blyth “and apologises”.
“It was in seeking at the time to ensure that the rules were followed, and in the belief that this had been achieved, that Mr Sharp acted in good faith in the way he did,” the spokesperson said.
Of the three investigations launched into Richard Sharp’s appointment, this was always the one least likely to prove fatal for his position as BBC chair.
That’s simply because the other inquiries are being run by Whitehall’s official regulator for appointments and the BBC itself.
If the findings from either of those two are anywhere near as critical as this committee report, it’s hard to see how Mr Sharp survives in post.
That’s because the BBC chair really needs to carry the confidence of the government and the corporation to execute the role.
It’s a wholly unwelcome development for BBC employees who have felt increasingly under siege in recent years from a mix of budget cuts, mass redundancies and accusations of political bias.
Given Richard Sharp himself has said the BBC has a “liberal bias”, the fact he has dragged the corporation into this row is particularly grating for many.
But despite this being another example of a somewhat sleazy aftershock of Boris Johnson’s time in office, it’s an unideal situation for Rishi Sunak too.
The prime minister used to work for Richard Sharp at Goldman Sachs, adding to the sense this is all a symptom of a cosy and monied establishment looking after itself.
In its strongly-worded report on the matter, the committee said: “Richard Sharp’s decisions, firstly to become involved in the facilitation of a loan to the then-prime minister while at the same time applying for a job that was in that same person’s gift, and then to fail to disclose this material relationship, were significant errors of judgement, which undermine confidence in the public appointments process and could deter qualified individuals from applying for such posts.”
The MPs continued: “Mr Sharp should consider the impact his omissions will have on trust in him, the BBC and the public appointments process.”
A Cabinet Office spokesperson said: “The Office of the Commissioner for Public Appointments is reviewing the competition to ensure the process was run in compliance with the rules and we will await the outcome.”
Alan Yentob, the former BBC presenter and executive, has died aged 78.
A statement from his family, shared by the BBC, said Yentob died on Saturday.
His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.
“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”
Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.
He was also the director of BBC drama, entertainment, and children’s TV.
Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.
Image: Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.
The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.
In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.
“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”
BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Image: Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Image: Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Image: Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.