Richard Sharp: BBC chair’s position ‘increasingly untenable’ after helping Boris Johnson secure £800,000 loan, says Labour’s Lisa Nandy
The BBC chairman’s position is becoming “increasingly untenable” after a committee of MPs found he made “significant errors of judgement” by facilitating a loan guarantee for Boris Johnson, a frontbench Labour MP has said.
Lisa Nandy made the remarks on Sky News after it emerged Richard Sharp, who helped Mr Johnson secure an £800,000 loan, failed to declare his role as a go-between for the then-prime minister when applying for the chairman’s job.
The cross-party Digital, Culture, Media and Sport Committee has said in a report that Mr Sharp should “consider the impact his omissions will have” on public trust in the broadcaster.
BBC chairman Richard Sharp is under pressure
The committee also said his actions “constitute a breach of the standards expected of individuals” applying for prominent public appointments.
The same committee backed Mr Sharp’s appointment to the chairman’s job in January 2021 but was not aware of his role in facilitating the loan.
Committee report is a ‘really serious development’
Ms Nandy, the shadow levelling up secretary, told Sky News’ Sophy Ridge on Sunday programme that the government had “relied on the defence” that the committee had approved the appointment of Mr Sharp as BBC chair.
She continued: “But the committee today is saying that actually, had they known about (the loan), it would have been a very different situation.
“This information was not disclosed to them prior to approving that appointment.”
Speaking about the findings in the report, Ms Nandy said: “It is a really serious development and it makes Richard Sharp’s position look increasingly untenable.”
She added: “I think it’s difficult to see how Richard Sharp could possibly stay in the position that he’s in, given the far reaching implications for the reputation of the BBC and the implications for trust in journalism.”
Mr Sharp appearing before the Commons Digital, Culture, Media and Sport Committee
Ms Nandy’s comments came after the Conservative Party’s development minister Andrew Mitchell said the report’s findings are a “matter for the BBC”.
“I think Damian Green (acting chair of the Digital, Culture, Media and Sport Committee) is a very senior member of the House of Commons and what he and his committee says matters,” he said.
“But I think, as I say, this is really something which the public appointments commissioner must look at and we must wait for his judgement. And above all, of course, it’s a matter for the judgement of the BBC.”
Sharp claims he ‘acted in good faith’
Mr Sharp has said he didn’t arrange the loan but admitted introducing his friend Sam Blyth, a cousin of Mr Johnson who wanted to help the then-PM, to the Cabinet Office.
A spokesperson for Mr Sharp said he “regrets” not telling MPs about his association with Mr Blyth “and apologises”.
“It was in seeking at the time to ensure that the rules were followed, and in the belief that this had been achieved, that Mr Sharp acted in good faith in the way he did,” the spokesperson said.
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It’s hard to see how Sharp survives this sleazy aftershock of Johnson’s time in office
Of the three investigations launched into Richard Sharp’s appointment, this was always the one least likely to prove fatal for his position as BBC chair.
That’s simply because the other inquiries are being run by Whitehall’s official regulator for appointments and the BBC itself.
If the findings from either of those two are anywhere near as critical as this committee report, it’s hard to see how Mr Sharp survives in post.
That’s because the BBC chair really needs to carry the confidence of the government and the corporation to execute the role.
It’s a wholly unwelcome development for BBC employees who have felt increasingly under siege in recent years from a mix of budget cuts, mass redundancies and accusations of political bias.
Given Richard Sharp himself has said the BBC has a “liberal bias”, the fact he has dragged the corporation into this row is particularly grating for many.
But despite this being another example of a somewhat sleazy aftershock of Boris Johnson’s time in office, it’s an unideal situation for Rishi Sunak too.
The prime minister used to work for Richard Sharp at Goldman Sachs, adding to the sense this is all a symptom of a cosy and monied establishment looking after itself.
In its strongly-worded report on the matter, the committee said: “Richard Sharp’s decisions, firstly to become involved in the facilitation of a loan to the then-prime minister while at the same time applying for a job that was in that same person’s gift, and then to fail to disclose this material relationship, were significant errors of judgement, which undermine confidence in the public appointments process and could deter qualified individuals from applying for such posts.”
The MPs continued: “Mr Sharp should consider the impact his omissions will have on trust in him, the BBC and the public appointments process.”
A Cabinet Office spokesperson said: “The Office of the Commissioner for Public Appointments is reviewing the competition to ensure the process was run in compliance with the rules and we will await the outcome.”
Entertainment
A third of daily music uploads are AI-generated and 97% of people can’t tell the difference, says report
Do you care if the music you’re listening to is artificially generated?
That question – once the realm of science fiction – is becoming increasingly urgent.
An AI-generated country track, Walk My Walk, is currently sitting at number one on the US Billboard chart of digital sales and a new report by streaming platform Deezer has revealed the sheer scale of AI production in the music industry.
Deezer’s AI-detection system found that around 50,000 fully AI-generated tracks are now uploaded every day, accounting for 34% of all daily uploads.
File pic: iStock
The true number is most likely higher, as Deezer’s AI-detection system does not catch every AI-generated track. Nor does this figure include partially AI-generated tracks.
In January 2025, Deezer’s system identified 10% of uploaded tracks as fully AI-generated.
Since then, the proportion of AI tracks – made using written prompts such as “country, 1990s style, male singer” – has more than tripled, leading the platform’s chief executive, Alexis Lanternier, to say that AI music is “flooding music streaming”.
‘Siphoning money from royalty pool’
What’s more, when Deezer surveyed 9,000 people in eight countries – the US, Canada, Brazil, UK, France, Netherlands, Germany and Japan – and asked them to detect whether three tracks were real or AI, 97% could not tell the difference.
That’s despite the fact that the motivation behind the surge of AI music is not in the least bit creative, according to Deezer. The company says that roughly 70% of fully AI-generated tracks are what it calls “fraudulent” – that is, designed purely to make money.
“The common denominator is the ambition to boost streams on specific tracks in order to siphon money from the royalty pool,” a Deezer spokesperson told Sky News.
“With AI-generated content, you can easily create massive amounts of tracks that can be used for this purpose.”
File pic: Reuters
The tracks themselves are not actually fraudulent, Deezer says, but the behaviour around them is. Someone will upload an AI track then use an automated system – a bot – to listen to a song over and over again to make royalties from it.
Even though the total number of streams for each individual track is very low – Deezer estimates that together they account for 0.5% of all streams – the work needed to make an AI track is so tiny that the rewards justify the effort.
Are fully-AI tracks being removed?
Deezer is investing in AI-detection software and has filed two patents for systems that spot AI music. But it is not taking down the tracks it marks as fully-AI.
Instead it removes them from algorithmic recommendations and editorial playlists, a measure designed to stop the tracks getting streams and therefore generating royalties, and marks the tracks as “AI-generated content”.
“If people want to listen to an AI-generated track however, they can and we are not stopping them from doing so – we just want to make sure they are making a conscious decision,” the Deezer spokesperson says.
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Concerns about artists’ livelihoods
Deezer’s survey found that more than half (52%) of respondents felt uncomfortable with not being able to tell the difference between AI and human-made music.
“The survey results clearly show that people care about music and want to know if they’re listening to AI or human-made tracks or not,” said the company’s boss Alexis Lanternier.
“There’s also no doubt that there are concerns about how AI-generated music will affect the livelihood of artists.”
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Musicians protests AI copyright plans
Earlier this year, more than 1,000 musicians – including Annie Lennox, Damon Albarn and Kate Bush – released a silent album to protest plans by the UK government to let artificial intelligence companies use copyright-protected work without permission.
A recent study commissioned by the International Confederation of Societies of Authors and Composers suggested that generative AI music could be worth £146bn a year in 2028 and account for around 60% of music libraries’ revenues.
By this metric, the authors concluded, 25% of creators’ revenues are at risk by 2028, a sum of £3.5bn.
Entertainment
BBC apologises to Donald Trump over editing of Panorama but says there isn’t ‘basis for defamation claim’
Saturday Night Live UK has announced its top creative team ahead of the series launching next year.
An American pop culture institution, SNL launched the careers of stars including Bill Murray, Tina Fey, Eddie Murphy, Kristen Wiig and Will Ferrell – and now a “new generation” of British comedians is set to be cast in the first UK spin-off on Sky.
While the show’s stars are yet to be revealed, details of the creative team behind it have now been announced.
Kim Kardashian hosted the show in 2021. Pic: Sky UK/NBC
Two-time Emmy winner James Longman will serve as lead producer, BAFTA winner and live broadcast specialist Liz Clare will direct the series, while writer, comedian and composer Daran Jonno Johnson takes on the role of head writer.
Longman’s credits include The Late Late Show With James Corden, for which he produced famous sketches with stars and notable figures including Sir Paul McCartney, Oprah Winfrey, Tom Cruise and then president Joe Biden.
He also worked on the Friends reunion special in 2021 and hit UK shows such as Never Mind The Buzzcocks, Alan Carr: Chatty Man, The F Word and The Friday Night Project.
L-R: James Longman, Liz Clare, Daran Jonno Johnson. Pic: Sky UK
Clare’s directing credits include An Audience With Adele, The Brits and MTV awards ceremonies, Glastonbury, the BAFTAs and shows such as The Voice UK and Britain’s Got Talent, while Johnson, who is part of the acclaimed sketch group SHEEPS, has written for shows including Wedding Season for Disney+, Siblings for the BBC and Rose d’Or winner Parlement for France.TV.
Saturday Night Live UK marks the first time the US producers have adapted the show, which celebrated 50 years on air earlier this year, for a British audience.
Channel 4 ran several series of a similar programme on Saturday and Friday nights in the 1980s, featuring comedians like Ben Elton and Harry Enfield, but it was domestically produced.
‘A lot of big US comedy is stolen from the UK’
Pete Davidson at SNL’s 50th anniversary celebrations. Pic: Janet Mayer/INSTARimages/Cover Images/AP Feb 2025
Comedian Pete Davidson, another SNL star, told Sky News he’s excited about the UK version – and that it is about time the UK is able to take from US comedy, rather than the other way round.
Speaking in the summer during promotion for The Pickup, Davidson said: “I think it’s a smart idea to have SNL over there because… not that it’s a different brand of comedy, but it is a little bit.
“A lot of the biggest stuff that’s in the States is stuff that we stole from you guys, like The Office or literally anything Ricky Gervais does… there’s just tonnes of great comedy over there. Jimmy Carr is a great stand-up.”
Also highlighting Jack Whitehall, he continued: “I think anything that’s great over there, we just kind of steal… and it doesn’t seem like the other way around. This is the first time I’ve ever heard anything American going to the UK, so I think it’s great.”
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Producers say the UK series will follow the same format as the original, featuring “a new generation of comedy players in the core cast, alongside guest hosts and musical performances”.
The UK show will be overseen by US producer Lorne Michaels. Along with his production company Broadway Video, which has made The Tonight Show Starring Jimmy Fallon and 30 Rock, the show will be led by UK production team Universal Television Alternative Studio.
Saturday Night Live UK will be broadcast on Sky Max and streaming service NOW in 2026.
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