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Filming on the western film Rust will resume in the spring, producers have announced, more than a year on from the fatal shooting of cinematographer Halyna Hutchins on set.

A documentary about Hutchins‘ life and final work, which will include the completion of the movie, is also in the works alongside the production, supported by her husband.

The 42-year-old died after a prop gun held by Rust star and producer Alec Baldwin, 64, was discharged during rehearsals in October 2021. Director Joel Souza was also wounded in the incident, which took place on the Bonanza Creek Ranch set in Santa Fe, New Mexico.

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Moment Baldwin learns of Hutchins’ death

In January, following a lengthy investigation, Baldwin and the film’s armourer, Hannah Gutierrez-Reed, were charged with involuntary manslaughter, while assistant director Dave Halls has entered into a plea agreement to the charge of negligent use of a deadly weapon.

Baldwin’s lawyer has called the case a “terrible miscarriage of justice” and vowed to fight the charges. The star is also facing a new civil lawsuit from Hutchins’ parents and sister.

Despite the legal cases, he is due to return to the film in his acting role and as a producer, Sky News understands. Filming will no longer take place in New Mexico, but as yet, no details about the new location have been announced.

As previously announced, Souza will return to direct, and the cinematographer’s husband Matthew Hutchins – who settled a civil lawsuit in October – will serve as an executive producer. He will be joined by the Oscar-nominated Grant Hill (The Thin Red Line, The Tree of Life), alongside the original producers.

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A statement from Rust Movie Productions said Matthew Hutchins had chosen cinematographer Bianca Cline (Marcel the Shell With Shoes On) to complete his wife’s vision for the film, and that she will donate her salary to charity.

The production will continue to use union crew members and will bar any use of working weapons and any form of ammunition. “Live ammunition is – and always was – prohibited on set,” the producers said.

‘Completing what Halyna and I started’

Halyna Hutchins pictured in 2017 at an Artists for Peace and Justice party, 70th Cannes Film Festival, France

In a statement, Souza said: “Though bittersweet, I am grateful that a brilliant and dedicated new production team joining former cast and crew are committed to completing what Halyna and I started.

“My every effort on this film will be devoted to honouring Halyna’s legacy and making her proud. It is a privilege to see this through on her behalf.”

Two safety officers will be among the new crew members joining the production, Rust Movie Productions said, while original crew members returning include stunt co-ordinator Allan Graf and costume designer Terese Davis.

The documentary on Hutchins’ life will be directed by Rachel Mason, with Julee Metz producing and Matthew Hutchins also serving as executive producer.

“Both Mason and Metz were close friends with Halyna, and they look forward to working with the production to honour their friend,” the producers’ statement said.

What happens next in the criminal case?

The Santa Fe County Sheriff's Officers respond to the scene of a fatal accidental shooting at a Bonanza Creek, Ranch movie set near Santa Fe, N.M. Thursday, Oct. 21, 2021. Authorities say a woman has been killed and a man injured Thursday after they were shot by a prop firearm at a movie set outside Santa Fe. The Santa Fe County Sheriff's Office says a 42-year-old woman was airlifted to a hospital, where she died, while a 42-year-old man was getting emergency care at another hospital. 
PIC:AP

Baldwin is due to make his first court appearance in relation to the case on Friday 24 February. He is likely to appear virtually.

In her report, Santa Fe’s district attorney alleged the actor had shown “wilful disregard” for the safety of others in the days leading up to the incident and was not present for “mandatory” firearms training.

Instead, he had undergone a 30-minute on-set session, during which he was distracted by a phone call to his family, the prosecutor said.

Her statement added that on the day of the shooting, there were “no less than a dozen acts, or omissions of recklessness” on the set in the period prior to the incident.

Read more:
Baldwin was ‘talking on phone’ during gun training, prosecutor claims
Baldwin to make first court appearance over fatal shooting

Baldwin is facing two charges of involuntary manslaughter in relation to Hutchins’ death.

The first can be referred to as involuntary manslaughter and requires proof of underlying negligence. The second charge is involuntary manslaughter in the commission of a lawful act, which requires proof that there was more than simple negligence involved in a death; it also includes a firearm enhancement, which makes the crime punishable by a mandatory five years in prison.

The star is attempting to have the more serious charge thrown out. Lawyers for the actor argue that New Mexico prosecutors committed an “unconstitutional and elementary legal error” by charging him under a statute that did not exist at the time of the fatal shooting.

The new lawsuit from Hutchins’ Ukrainian family

Footage released by the police shows Alec Baldwin on the set of Rust practising with a gun. The images were captured before cinematographer Halyna Hutchins was fatally injured.
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Pic: Santa Fe Police

Meanwhile, a civil lawsuit has been filed by Hutchins’ Ukrainian parents and younger sister, who works as a nurse on the outskirts of the capital city of Kyiv and is married to a man fighting in the war against Russia.

The new lawsuit alleges negligence and the depravation of benefits, based on the emotional or financial support that Hutchins previously provided to her sister and parents.

The lawsuit also names a list of Rust crew members, an ammunition supplier, producers of the film and affiliated businesses as defendants.

It seeks unspecified compensatory and punitive damages as well as legal costs.

Baldwin in turn has filed his own lawsuits against people involved in handling and supplying the loaded gun. He has said he was told the gun was safe.

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Gustav Klimt’s Portrait of Elisabeth Lederer sells for £180m at auction, a record for modern art

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Gustav Klimt's Portrait of Elisabeth Lederer sells for £180m at auction, a record for modern art

A painting that helped save the life of its Jewish subject during the Holocaust has become the most expensive piece of modern art and the second most expensive painting ever sold at auction.

The Portrait of Elisabeth Lederer, by Austrian artist Gustav Klimt, was bought for $236.4m (£180m) by an unnamed buyer after a 20-minute bidding war at Sotheby’s in New York on Tuesday.

Its sale price beat the previous record for 20th-century art set by Andy Warhol’s Shot Sage Blue Marilyn, a portrait of Marilyn Monroe bought for $195m (£148m) in 2022.

Shot Sage Blue Marilyn by Andy Warhol. Pic: Associated Press
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Shot Sage Blue Marilyn by Andy Warhol. Pic: Associated Press

The most expensive painting ever sold at auction was Leonardo da Vinci’s Salvator Mundi, which fetched $450m (£342m) in 2017, Christie’s said on its website.

Sotheby’s said on X the price for the Klimt was “astonishing”, making the piece “the most valuable work of modern art ever sold at auction”.

The portrait, which Klimt worked on between 1914 and 1916, depicts the daughter of one of Vienna’s wealthiest families wearing an East Asian emperor’s cloak.

Evaded fire and Nazi looters

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Measuring 1.8m (6ft), the colourful piece, which was completed in 1916, illustrates the Lederer family’s life of luxury before Nazi Germany annexed Austria in 1938.

It was kept separate from other Klimt paintings that burned in a fire at an Austrian castle.

It also escaped being looted by the Nazis, who plundered the Lederer art collection.

They left only the family portraits, which they held to be “too Jewish” to be worth stealing, according to the National Gallery of Canada, where the painting was previously on loan.

Father lie saved her life

To save her own life, Elisabeth Lederer made up a story that Klimt, who was not Jewish and died in 1918, was her father.

It helped that the artist spent years working meticulously on her portrait.

She convinced the Nazis to give her a document stating that she descended from Klimt, which allowed her to live safely in Vienna until her death from illness in 1944.

The painting, which is one of two full-length portraits by the Austrian artist that remain privately owned, was part of the collection of billionaire Leonard A Lauder, heir to the Estée Lauder cosmetics empire, who died this year.

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Five Klimt pieces from Lauder’s collection sold at the auction for a total of $392m (£298m), which also included pieces by Vincent van Gogh, Henri Matisse and Edvard Munch, Sotheby’s said.

An 18-carat-gold toilet by Maurizio Cattelan – the provocative Italian artist known for taping a banana to a wall – sold for a reported $12.1m (£9.2m).

The fully-functioning toilet, one of two he created in 2016 satirising superwealth, was stolen while on display at Blenheim Palace, the country manor where Winston Churchill was born, in 2019.

Two men were convicted of the theft, but it’s unclear what they did with the loo.

Investigators believe it was likely broken up and melted down.

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The Kessler twins, German dance stars in the 50s and 60s, die in ‘joint suicide’, police say

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The Kessler twins, German dance stars in the 50s and 60s, die in 'joint suicide', police say

The Kessler Twins, German sisters famous across Europe for their singing and dancing, have died together through assisted means, local police have said.

Content warning: this article contains references to suicide

Munich officers said in a statement on Tuesday that Alice and Ellen Kessler had died by “joint suicide” at their shared home in Grunwald. They were 89.

The German Society for Humane Dying, a group in support of assisted dying, told Sky’s US partner network NBC News that the sisters had “been considering this option for some time”.

It added they had been members for more than a year and that “a lawyer and a doctor conducted preliminary discussions with them”, and said: “People who choose this option in Germany must be absolutely clear-headed, meaning free and responsible.

“The decision must be thoughtful and consistent, meaning made over a long period of time and not impulsive.”

In an interview last year with the Italian news outlet Corriere della Sera, the sisters said they wished to die together on the same day.

Read more: Why is assisted dying so controversial – and where is it already legal?

Alice and Ellen Kessler on stage in Stuttgart on 21 November 2006. File pic: AP
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Alice and Ellen Kessler on stage in Stuttgart on 21 November 2006. File pic: AP

A ban on assisted dying in Germany was overturned by the country’s federal court in 2020.

While the practice is not explicitly permitted, judges said at the time the previous law outlawing it infringed on constitutional rights.

Alice and Ellen were born in 1936 and trained as ballet dancers in their youth. They began their entertainment careers in the 1950s after their family fled from East Germany to West Germany.

Professionally known as The Kessler Twins, they were then discovered by the director of the Lido cabaret theatre in Paris in 1955, launching their international career.

In 1959, the sisters also represented a now-unified Germany at the Eurovision Song Contest, held in Cannes, France.

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Throughout the 1960s, Alice and Ellen toured the world, moved to Rome, and performed with singers Fred Astaire, Frank Sinatra and Harry Belafonte.

Both sisters continued to perform together into later life, appearing on stage in a musical at 80 years old.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK.

In the US, call the Samaritans branch in your area or 1 (800) 273-TALK

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Anna Maxwell Martin: Actor says primary school tests ‘devastating’ for children with special educational needs and disabilities

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Anna Maxwell Martin: Actor says primary school tests 'devastating' for children with special educational needs and disabilities

Actor Anna Maxwell Martin and a group of parents have warned that primary school tests have “devastating effects” for children with special educational needs and disabilities (SEND).

They have written an open letter to the government asking ministers to consider reforming SATs (standard assessment tests) to accommodate the youngsters’ needs.

The 22 parent groups say the system is damaging for children with SEND and they want to see a more inclusive approach which incorporates the needs of the individual child.

The letter to Education Secretary Bridget Phillipson said the current system “actively harms” children with SEND, leaving them often disengaged from school as they move on to secondary school.

Maxwell Martin, who has starred in TV comedy Motherland and police drama Line Of Duty, said: “The government needs to look much harder at how to make things better for children in schools, particularly children with SEND.

“This is a systemic failing within our assessment system, not the fault of any individual teacher or headteacher.”

What has research found?

More on Education

Research by the SEND parent group said only 24% of SEND children passed the SATs, and 67% of SEND children did not want to attend school because of them.

Half of the parents questioned also said their child’s self-esteem was damaged, and they believed SATs would have a lasting negative impact.

File pic: iStock
Image:
File pic: iStock

‘Change the system’

The letter to Ms Phillipson said: “Forcing children into a system that actively harms them is not the answer. Changing the system so that our children want to attend is.”

But some think SATs do not serve any child.

Lee Parkinson MBE, a primary school teacher and education consultant from Manchester, said SATs are a negative process for all children, not just children with SEND.

He told Sky News: “SATs don’t serve any child, let alone those with SEND. They were never designed to support learning.”

He called the tests a “blunt accountability tool, a stick to beat schools with, rather than something that helps teachers understand children”.

Primary school teacher Lee Parkinson
Image:
Primary school teacher Lee Parkinson

‘Speed rewarded over understanding’

Mr Parkinson claimed SATs were “built to catch pupils out. They reward speed over understanding and memorisation over genuine thinking”.

“That alone disadvantages huge numbers of children, but for pupils with SEND the gap becomes a chasm. Processing speed, anxiety, sensory needs, working memory difficulties, language disorders… none of these are accounted for in a system that measures every child by the same stopwatch and mark scheme.”

Mr Parkinson added: “For many SEND pupils, success in school looks like communication gains, emotional regulation, confidence, independence and steady academic growth in a way that matches their needs.

“SATs don’t measure any of that. Instead, they label, limit and distort the reality of what progress actually looks like for the children who need thoughtful, personalised provision the most.”

The open letter also said children with SEND who failed SATs “spend their entire year 6 convinced they are not clever enough”.

Read more:
How children with SEND from poorer families left behind

MPs want overhaul of school support for special needs pupils

‘Urgent need for rethink’

Sarah Hannafin, head of policy at school leaders’ union NAHT, said there is an “urgent need” for the government to rethink the value of SATs.

“If statutory tests are here to stay, they must be designed to be accessible for the vast majority of pupils, they should recognise the attainment and progress of all children, and they should not damage children’s confidence or cause distress,” she said.

What does the government say?

A Department for Education spokesperson said: “Primary tests and assessments play a vital role in helping schools ensure every pupil can achieve and thrive, while also identifying those who need additional support.”

“The government’s independent, expert-led Curriculum and Assessment Review panel shaped key recommendations aimed at improving our national curriculum, and included key insights from SEND experts.

“We are actively working with parents and experts to improve support for children with SEND, including through more early intervention to prevent needs from escalating and investing £740 million to encourage councils to create more specialist places in mainstream schools.”

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