Paul Rudd says his latest Marvel film ‘may be the end of Ant-Man’
Paul Rudd says he has no idea if this Marvel film will be his last.
The third in the Ant-Man series, following 2015’s Ant-Man and 2018’s Ant-Man And The Wasp, it’s the first of the films he hasn’t also co-written.
“Maybe it is the end of Ant-Man,” Rudd told Sky News.
“I don’t really know. As far as what’s next, the only thing I can say for sure is that the Kang the Conqueror is going to be a very big part of whatever it is.”
Jonathan Majors as new villain Kang. Pic: Jay Maidment/Marvel Studios
The film’s director, Payton Reed, has previously referred to the film as the end of the Ant-Man trilogy.
But with 31 films in the ever-growing Marvel Cinematic Universe (MCU) and counting, it’s not necessarily reason to believe Scott Lang’s time is at an end.
Being part of the Marvel films isn’t something Rudd has taken lightly: “They feel huge working on them because, you know, they are. And I think that [Marvel] have a way of making films that are different from other studios… Everyone who works at Marvel trusts in the machine a little bit. They’re good at making the things that they make.”
A big part of that, he says, is down to the people who work on the business-side of the enterprise, including the president of Marvel Studios.
Rudd’s unlikely comic book past
“Kevin Feige and some of the producers, they know what it is that they want to see because they’re comic book fans, they are Marvel fans. They’ve grown up reading the comics. They are fanboys and fangirls. And so, they really, I think, care about the product.”
But despite Rudd’s loyalty to the franchise, he wasn’t always so attentive.
Supplied by an English uncle (Rudd’s parents both hailed from London), the actor admits: “I read the Beano and Dandy more than I read any Marvel Comics, that’s for sure.”
Veteran stars return
Michael Douglas, who plays Dr Hank Pym – the character who invented Pym Particles, allowing Ant-Man to reduce and increase in size – is also a long-time member of the cast.
He says being back in the Marvel family is “like wearing an old coat”.
“It’s like the old film days, when actors did movies together all the time. It’s just comfortable.”
Michelle Pfieffer and Michael Douglas. Pic: Marvel Studios
Much of his screen time is spent with fellow screen legend Michelle Pfeiffer, 64, who pays his wife Janet.
And far from being put off by all the technology involved in modern-day superhero films, the 78-year-old star says it was the tech that first lured him into the franchise.
“I’d never done a green screen before, which is one of the reasons why I wanted to do it, to see how it all works.”
But he admits that along with the highlights of Marvel come responsibilities: “Once you’re onboard, there is such secrecy about the whole process… You don’t see a script until maybe a couple of weeks before the picture starts, and then you don’t have much input.”
He also says it’s different to other films thanks to its source material – the “very strict Bible” of the Marvel comics.
(L-R): Paul Rudd, Kathryn Newton and Evangeline Lilly. Pic: Marvel Studios
‘You’re actually in the Quantum Realm’
Filmed at Pinewood Studios in the UK, the production had a whopping eight stages and 48 sets. And thanks to an excess of action and VFX, it’s a job that tends to demand more technical than emotional acting from its stars.
Kathryn Newton, who plays Ant-Man’s daughter, Cassie Lang, told Sky News: “It’s very much like you’re standing on your mark. OK, now you have to cry. And that is. That is hard.”
Evangelina Lilly, the Canadian actress behind Hope Van Dyne and describes one of the more technical stages – dubbed “The Volume” – as “overwhelming”.
She explained: “Instead of a green screen stage, The Volume is a stage that has thousands of small LED screens that cover the walls and the ceiling, and they project on to it. Everything you’re actually seeing in the Quantum Realm.
“So, the quantum landscape is all around you. And when they change the camera’s angle, it changes the landscape so that you see something different. It’s immersive. You’re actually in it. You’re in the Quantum Realm.”
Evangelina Lilly in the Quantum Realm. Pic: Jay Maidment/Marvel Studios
Unlike the first two Ant-Man movies, which were set in San Francisco, this film is based almost entirely in the Quantum Realm – an alternative universe hidden within the multiverse, where time follows its own rules.
A place so-far unique to the Ant-Man films, director Payton Reed says it’s a location he was keen to explore: “It’s not outer space from Guardians Of The Galaxy or Asgard from the Thor movies. It’s a subatomic world.”
Partly inspired by electron microscope photography, he admits he genned up on Quantum Theory For Dummies ahead of his first Ant-Man film, exploring things like quantum entanglement in the last film, and Schrodinger’s cat in this one.
Plus, he describes the “balancing act” of being at the helm of one of the franchise’s many productions: “It has to sort of somehow fit into this larger architecture of this grand MCU story that’s being told but not be smothered by that.
“The way it tends to work is we make decisions and come up with ideas for our movie and all the movies and things that come after us have to deal with the ramifications. And of course, we inherit things too.”
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Indeed, this film kicks off Phase Five of the MCU, with two more films are scheduled this year alone – the third instalment of Guardians Of The Galaxy in May and The Marvels in July.
And as Rudd confirms, there’s one character who is guaranteed a return – time-travelling terrorist Kang. The villain, who has killed the Avengers so many times across different timelines he literally can’t keep track, is played by Lovecraft Country star Jonathan Majors.
In a universe with endless possibilities, alternate realities and super-charged powers, Kang’s oppressive presence is one sure-fire certainty in Marvel movies over the next few years.
Ant-Man and The Wasp: Quantumania is in cinemas now.
An emergency vote on Israel’s participation in the Eurovision Song Contest has been called off following developments in the Middle East, the European Broadcasting Union (EBU) has said.
Contest organisers had scheduled “an extraordinary meeting of [its] general assembly to be held online” in early November after several countries said they would no longer take part in Eurovision if Israel participated.
The EBU said in a statement that following “recent developments in the Middle East” the executive board had agreed on Monday that there should be an in-person discussion among members “on the issue of participation in the Eurovision Song Contest 2026”.
It said the matter had now been added to the agenda of its winter general assembly, which will take place in December.
Further details about the session would be shared with EBU members in the coming weeks, it added.
It is not clear if a vote will still take place at a later date.
Austria is hosting next year’s show in Vienna. The country’s national broadcaster, ORF, told Reuters news agency it welcomed the EBU’s decision.
Sky News has contacted Israeli broadcaster KAN for comment.
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Will Eurovision boycott Israel?
Faced with controversy over the conflict in Gaza, Eurovision – which labels itself a non-political event – had said member countries would vote on whether Israel should or shouldn’t take part.
Slovenia and broadcasters from Spain, the Netherlands, Ireland and Iceland had all issued statements saying if Israel was allowed to enter, they’d consider boycotting the contest.
As one of the “Big Five” backers of Eurovision, Spain’s decision to leave the competition would have a significant financial impact on the event – which is the world’s largest live singing competition.
In September, a letter from EBU president Delphine Ernotte Cunci, said “given that the union has never faced a divisive situation like this before” the board agreed it “merited a broader democratic basis for a decision”.
Read more:
Why Eurovision vote on Israel might not stop boycott
Could Eurovision boycott lead to a competition crisis?
On Monday, Palestinian militant group Hamas freed the last living Israeli hostages from Gaza, and Israel released busloads of Palestinian detainees, under a ceasefire deal aimed at bringing an end to the two-year war in the Middle East.
The war began when Hamas stormed into Israel on October 7 2023, killing around 1,200 people and taking 251 hostage.
Israel invaded Gaza in retaliation, with airstrikes and ground assaults devastating much of the enclave and killing more than 67,000, according to the Hamas-run health ministry.
Its figures do not differentiate between civilians and combatants but it says around half of those killed were women and children.
Entertainment
Diane Keaton, star of Annie Hall and The Godfather, has died aged 79 – US media reports
Actress Diane Keaton, who starred in films including The Godfather and Annie Hall, has died, reports have said.
People reported her death at the age of 79, citing a family spokesperson.
The magazine said she died in California with loved ones but no other details were immediately available, and representatives for Keaton did not immediately respond to inquiries from The Associated Press news agency.
Keaton’s death was also reported by the New York Times newspaper which said it has spoken to Dori Roth, who produced a number of Keaton’s most recent films, who confirmed she had died but did not provide any details about the circumstances.
With a long career, across a series of movies that are regarded as some of the best ever made, Keaton was widely admired.
She was awarded an Oscar, a BAFTA and two Golden Globe Awards, and was also nominated for two Emmys, and a Tony, as well as picking up a series of other Academy Award and BAFTA nominations.
Diane Keaton, with her best actress Oscar for ‘Annie Hall’ in 1978. Pic: AP
Her best actress Oscar was for the Woody Allen film Annie Hall, which is said to be loosely based on her life.
She appeared in several other Allen projects, including Manhattan, as well as all three Godfather movies, in which she played Kay, the wife and then ex-wife of Marlon Brando’s son Michael Corleone, played by Al Pacino, opposite him as he descends into a life of crime and replaces his father in the family’s mafia empire.
‘Brilliant, beautiful’
The unexpected news was met with shock around the world.
Her First Wives Club co-star Bette Midler wrote on Instagram: “The brilliant, beautiful, extraordinary Diane Keaton has died. I cannot tell you how unbearably sad this makes me.
“She was hilarious, a complete original, and completely without guile, or any of the competitiveness one would have expected from such a star. What you saw was who she was … oh, la, lala!”
Actor Ben Stiller paid tribute on X, writing: “Diane Keaton. One of the greatest film actors ever. An icon of style, humor and comedy. Brilliant. What a person.”
Keaton was the kind of actor who helped make films iconic and timeless, from her “La-dee-da, la-dee-da” phrasing as Annie Hall, bedecked in the iconic necktie, bowler hat, vest and khakis, to her heartbreaking turn as Kay Adams, the woman unfortunate enough to join the Corleone family.
Keaton also frequently worked with Nancy Meyers, starting with 1987’s Baby Boom.
Their other films together included 1991’s Father of the Bride and its 1995 sequel, as well as 2003’s Something’s Gotta Give.
In 1996 she starred opposite Goldie Hawn and Midler in The First Wives Club, about three women whose husbands had left them for younger women.
More recently she collaborated with Jane Fonda, Mary Steenburgen and Candice Bergen on the Book Club films.
Keaton never married. She adopted a daughter, Dexter, in 1996 and a son, Duke, four years later.
Sky News has contacted Keaton’s agent for a comment.
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