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Paul Rudd says he has no idea if this Marvel film will be his last.

The third in the Ant-Man series, following 2015’s Ant-Man and 2018’s Ant-Man And The Wasp, it’s the first of the films he hasn’t also co-written.

“Maybe it is the end of Ant-Man,” Rudd told Sky News.

“I don’t really know. As far as what’s next, the only thing I can say for sure is that the Kang the Conqueror is going to be a very big part of whatever it is.”

Jonathan Majors as Kang The Conqueror in Marvel Studios' ANT-MAN AND THE WASP: QUANTUMANIA. Photo by Jay Maidment. .. 2022 MARVEL.
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Jonathan Majors as new villain Kang. Pic: Jay Maidment/Marvel Studios

The film’s director, Payton Reed, has previously referred to the film as the end of the Ant-Man trilogy.

But with 31 films in the ever-growing Marvel Cinematic Universe (MCU) and counting, it’s not necessarily reason to believe Scott Lang’s time is at an end.

Being part of the Marvel films isn’t something Rudd has taken lightly: “They feel huge working on them because, you know, they are. And I think that [Marvel] have a way of making films that are different from other studios… Everyone who works at Marvel trusts in the machine a little bit. They’re good at making the things that they make.”

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A big part of that, he says, is down to the people who work on the business-side of the enterprise, including the president of Marvel Studios.

Rudd’s unlikely comic book past

“Kevin Feige and some of the producers, they know what it is that they want to see because they’re comic book fans, they are Marvel fans. They’ve grown up reading the comics. They are fanboys and fangirls. And so, they really, I think, care about the product.”

But despite Rudd’s loyalty to the franchise, he wasn’t always so attentive.

Supplied by an English uncle (Rudd’s parents both hailed from London), the actor admits: “I read the Beano and Dandy more than I read any Marvel Comics, that’s for sure.”

Veteran stars return

Michael Douglas, who plays Dr Hank Pym – the character who invented Pym Particles, allowing Ant-Man to reduce and increase in size – is also a long-time member of the cast.

He says being back in the Marvel family is “like wearing an old coat”.

“It’s like the old film days, when actors did movies together all the time. It’s just comfortable.”

(L-R): Michelle Pfieffer as Janet van Dyne and Michael Douglas as Hank Pym in Marvel Studios' ANT-MAN AND THE WASP: QUANTUMANIA. Photo courtesy of Marvel Studios. .. 2023 MARVEL.
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Michelle Pfieffer and Michael Douglas. Pic: Marvel Studios

Much of his screen time is spent with fellow screen legend Michelle Pfeiffer, 64, who pays his wife Janet.

And far from being put off by all the technology involved in modern-day superhero films, the 78-year-old star says it was the tech that first lured him into the franchise.

“I’d never done a green screen before, which is one of the reasons why I wanted to do it, to see how it all works.”

But he admits that along with the highlights of Marvel come responsibilities: “Once you’re onboard, there is such secrecy about the whole process… You don’t see a script until maybe a couple of weeks before the picture starts, and then you don’t have much input.”

He also says it’s different to other films thanks to its source material – the “very strict Bible” of the Marvel comics.

(L-R): Paul Rudd as Scott Lang/Ant-Man, Kathryn Newton as Cassandra "Cassie" Lang, Evangeline Lilly as Hope Van Dyne/Wasp in Marvel Studios' ANT-MAN AND THE WASP: QUANTUMANIA. Photo courtesy of Marvel Studios. .. 2022 MARVEL.
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(L-R): Paul Rudd, Kathryn Newton and Evangeline Lilly. Pic: Marvel Studios

‘You’re actually in the Quantum Realm’

Filmed at Pinewood Studios in the UK, the production had a whopping eight stages and 48 sets. And thanks to an excess of action and VFX, it’s a job that tends to demand more technical than emotional acting from its stars.

Kathryn Newton, who plays Ant-Man’s daughter, Cassie Lang, told Sky News: “It’s very much like you’re standing on your mark. OK, now you have to cry. And that is. That is hard.”

Evangelina Lilly, the Canadian actress behind Hope Van Dyne and describes one of the more technical stages – dubbed “The Volume” – as “overwhelming”.

She explained: “Instead of a green screen stage, The Volume is a stage that has thousands of small LED screens that cover the walls and the ceiling, and they project on to it. Everything you’re actually seeing in the Quantum Realm.

“So, the quantum landscape is all around you. And when they change the camera’s angle, it changes the landscape so that you see something different. It’s immersive. You’re actually in it. You’re in the Quantum Realm.”

Evangelina Lilly in the Quantum Realm
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Evangelina Lilly in the Quantum Realm. Pic: Jay Maidment/Marvel Studios

Unlike the first two Ant-Man movies, which were set in San Francisco, this film is based almost entirely in the Quantum Realm – an alternative universe hidden within the multiverse, where time follows its own rules.

A place so-far unique to the Ant-Man films, director Payton Reed says it’s a location he was keen to explore: “It’s not outer space from Guardians Of The Galaxy or Asgard from the Thor movies. It’s a subatomic world.”

Partly inspired by electron microscope photography, he admits he genned up on Quantum Theory For Dummies ahead of his first Ant-Man film, exploring things like quantum entanglement in the last film, and Schrodinger’s cat in this one.

Plus, he describes the “balancing act” of being at the helm of one of the franchise’s many productions: “It has to sort of somehow fit into this larger architecture of this grand MCU story that’s being told but not be smothered by that.

“The way it tends to work is we make decisions and come up with ideas for our movie and all the movies and things that come after us have to deal with the ramifications. And of course, we inherit things too.”

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Indeed, this film kicks off Phase Five of the MCU, with two more films are scheduled this year alone – the third instalment of Guardians Of The Galaxy in May and The Marvels in July.

And as Rudd confirms, there’s one character who is guaranteed a return – time-travelling terrorist Kang. The villain, who has killed the Avengers so many times across different timelines he literally can’t keep track, is played by Lovecraft Country star Jonathan Majors.

In a universe with endless possibilities, alternate realities and super-charged powers, Kang’s oppressive presence is one sure-fire certainty in Marvel movies over the next few years.

Ant-Man and The Wasp: Quantumania is in cinemas now.

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Former BBC executive and presenter Alan Yentob dies

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Former BBC executive and presenter Alan Yentob dies

Alan Yentob, the former BBC presenter and executive, has died aged 78.

A statement from his family, shared by the BBC, said Yentob died on Saturday.

His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.

“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”

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Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.

He was also the director of BBC drama, entertainment, and children’s TV.

Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.

Alan Yentob with former BBC director general Tony Hall in 2012. Pic: Reuters.
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Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.

The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.

In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.

“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”

BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.

“I commend his spirit to the living.”

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Gillian Anderson warns UK homelessness ‘will only get worse’

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Gillian Anderson warns UK homelessness 'will only get worse'

Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.

The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”

Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”

Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”

“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.

“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”

Pic: Steve Tanner/Black Bear
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Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear

The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.

Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.

Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.

With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.

Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.

Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.

They set off with just a tent and two backpacks to walk the coastal path.

Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.

Read more:
Is this every actor’s bucket list job?

Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.

Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”

Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.

Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.

Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.

“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”

The Salt Path comes to UK cinemas on Friday 30 May.

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Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail

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Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail

A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.

Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.

Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.

RUST armourer Hannah Gutierrez Reed jailed for involuntary manslaughter of Halyna Hutchins, Santa Fe, New Mexico, USA - 15 Apr 2024
Hannah Gutierrez-Reed in court today as she is jailed 18 months for the involuntary manslaughter on the set of the Rust movie on October 21, 2021 over the fatal shooting of the movie's cinematographer, Halyna Hutchins.

15 Apr 2024
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Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock

Halyna Hutchins pictured in 2017 at an Artists for Peace and Justice party, 70th Cannes Film Festival, France
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Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock

She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.

Cinematographer Hutchins died following the incident, while director Joel Souza was injured.

Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.

Actor Alec Baldwin reacts after the judge threw out the involuntary manslaughter case for the 2021 fatal shooting of cinematographer Halyna Hutchins during filming of the Western movie "Rust," Friday, July 12, 2024, at Santa Fe County District Court in Santa Fe, N.M. (Pool Video via AP)
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Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP

Involuntary manslaughter means causing someone’s death due to negligence, without intending to.

At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.

The 18-month sentence she was given was the maximum available for the offence.

Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.

The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.

Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.

Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.

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