Street art might have a reputation for being provocative and political but in the age of social media take-downs is the movement itself now starting to question what it can and can’t say?
According to world-famous street artist Shepard Fairey, “cancel culture is a problem”.
Speaking to Sky News, the activist and artist said: “I think a lot of people are fearful about having an opinion in their work that others might disagree with.
“Cancel culture is a problem in that people become fearful about what topics they think they are allowed to address and in what ways.”
Having flown in for the opening of Beyond The Streets London – billed as the most comprehensive graffiti & street art exhibition to open in the UK – Fairey’s work features heavily in the three storey take-over of the Saatchi Gallery alongside over 100 other artists, including Keith Haring and the Beastie Boys.
Perhaps best-known for his iconic 2008 Obama “Hope” poster, Fairey’s work has frequently incorporated imagery of important figures of our time – including the likes of Bob Marley and Martin Luther King.
Image: Fairey is perhaps best known for his 2008 Obama ‘Hope’ poster
“I have always made a lot of portraits of not just white people,” the American artist explains. “My point was that, you know, we’re all humans who deserve to be treated with dignity and representation matters… but there have been some people that have said to me ‘you’re a white person, you shouldn’t paint anything other than white people’.
“And I say, there’s a way to look at that as actually really narrow minded and exclusionary. Other people say ‘you’re exploiting someone else’s culture by trying to represent it through your work’ but I say, you know, this is all about a dialogue.
“If the art brings up a conversation that I think is constructive about who gets the spotlight and is allowed to talk about what issue, I’m fine to be part of that, but if the idea is that I need to not say anything because I’m a straight white male, I’m not going to listen to that.”
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Today street art is a commercial juggernaut, shared on social media, courted by fashion houses – accessible, relatable and at its best subversive.
But as a movement that sets out to stick two fingers up to the establishment, its commercialisation can seem at odds with what street art stands for.
“The whole idea of, of selling out would be compromising your principles to pander to the lowest common denominator,” Fairey insists. “I don’t like to think about these narrow minded categories. I want to reach the bourgeois and rock the boulevard.
Image: Shephard Fairey’s street art is known around the world
“Street is where I did a lot of my early work because I had no other opportunities and I still work on the street, it’s a very important thing to me philosophically, but to me, it’s all about creative problem solving and hitting different audiences and as many different people as possible.”
Fairey says his commercial work gives him the freedom to make free works like murals and fund his activism.
“I like the do-it-yourself empowerment model and that requires figuring out how to make it successful in the capitalist world we live in without hopefully being corrupted by the bad forces within capitalism. I’m trying to navigate that very thoughtfully and be, you know, conscious within capitalism.”
A provocateur and proud, he’d like more artists to use their work to make a stand.
“Just look around, if the world looks exactly how you want it to look then then fine, make decorative stuff. If it doesn’t, maybe try to say something.”
Beyond The Streets London runs until 9 May at the Saatchi Gallery.
From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.
But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTAwin – and one of the ceremony’s biggest cheers from the audience – earlier this year.
Image: Danny Dyer as Lee Campbell in Mr Bigstuff
Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.
Image: Ryan Sampson (right) created the series and stars alongside Dyer
Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.
Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.
“Absolute legend,” he says.
Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.
“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”
Image: Dyer at the BAFTAs earlier this year. Pic: PA
Dyer reveals his screensaver
After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.
His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.
But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.
“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”
Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.
In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.
He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.
Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.
“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”
‘Love in the air’ at Oasis gig
But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.
“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.
“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”
Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW
A brief scuffle broke out at London’s Royal Opera House after a performer unfurled a Palestinian flag during a show.
The incident took place during a performance of Il Trovatore on Saturday.
During the final night of the 11-night run of the show, a performer held up the flag on stage.
In video footage, shared online, someone backstage could be seen attempting to take it off the performer. The performer grabs it back following a brief scuffle.
A spokesperson for the Royal Ballet and Opera said: “The display of the flag was an unauthorised action by the artist.
“It was not approved by the Royal Ballet and Opera and is a wholly inappropriate act.”
The reaction to the flag was mixed, with some people heard applauding and cheering, while another audience member was heard saying “oh my God”.
One poster on X, who claimed to have been a member of the audience, said: “Extraordinary scenes at the Royal Opera House tonight.
“During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible.”
Performers show support for Palestinians
A number of performers have shown support for Palestinians amid the Israel-Hamas war in Gaza.
During Glastonbury Festival, numerous acts offered messages of support during their sets, including Kneecap, Bob Vylan, Wolf Alice, and Amyl And The Sniffers.
During her band’s set, Wolf Alice singer Ellie Rowsell told the crowd at the Other Stage: “Whilst we have the stage for just a little bit longer, we want to express our solidarity with the people of Palestine.
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BBC ‘regrets’ not pulling Bob Vylan live performance
Bob Vylan were widely criticised after leading on-stage chants of “death to the IDF” (Israel Defence Forces).
The performance was live-streamed by the BBC, sparking a backlash against the broadcaster – which later issued an apology.
The investigation into Kneecap was later dropped, with the police saying there was insufficient evidence to provide a realistic prospect of conviction for any offence”.
The chief executive of tech firm Astronomer has resigned after a video appearing to show two of its senior members of staff embracing at a Coldplay concert went viral.
The tech firm said chief executive Andy Byron had tendered his resignation, and that the board of directors had accepted it.
“As stated previously, Astronomer is committed to the values and culture that have guided us since our founding,” the company said in a statement.
“Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met.
“The board will begin a search for our next chief executive as co-founder and chief product officer Pete DeJoy continues to serve as interim CEO.”
The firm previously said Mr Byron, who was alleged to be the man in the clip, had been placed on leave, but stopped short of confirming it was him in the video.
In the viral clip, the pair are shown on a screen with their arms around each other during the British band’s concert at the Gillette Stadium, in Boston, Massachusetts, on 16 July.
Once both of them realised they were being projected, the man quickly ducked out of view while the woman turned to hide her face from the camera.
Image: Woman hides her face
Appearing to poke fun at the couple, Coldplay lead singer Chris Martin is heard on the clip saying: “Either they’re having an affair or they’re just very shy.”
The awkward encounter sent the internet into a frenzy, with the video gaining millions of views on social media and reports emerging that the two were executives from New York-based tech company Astronomer.
In a previous statement on Friday, the company addressed the viral moment, saying in a post on X that it had launched a “formal investigation” into the matter.
“The Board of Directors has initiated a formal investigation into this matter, and we will have additional details to share very shortly,” it said.