Spending their days in muddy fields armed with their metal detectors and packed lunches, Andy and Lance – aka actors Mackenzie Crook and Toby Jones – have brought the simple pleasure of searching for treasure to the masses, thanks to their hit comedy show Detectorists.
Demand for metal detectors has risen in recent years – with experts citing the series and pandemic lockdowns as possible reasons for the surge in popularity.
Under the current rules, newly discovered artefacts can only be legally classified as treasure if they are more than 300 years old and made of precious metal, or part of a collection of valuable objects or artefacts. But now, the legal definition of what constitutes as treasure is changing.
The government plans to amend the definition set out in the Treasure Act to cover more rare and precious archaeological finds, with the plans due to be laid before parliament next week. They are subject to debate, but if approved, the change would come into effect four months later.
It comes after a number of recent discoveries fell outside the definition of treasure, including “spectacular” Roman finds such as the Ryedale Hoard, now at York Museum, and the Birrus Britannicus figurine on display at Chelmsford Museum.
“While these artefacts were, thankfully, acquired by museums, this new definition will make it easier for them to do so in the future,” a spokesperson for the Department of Culture, Media and Sport (DCMS) told Sky News.
Image: Heritage Minister Lord Parkinson and- Chelmsford Museum curatorial and learning officer Sarah Harvey, pictured with the Birrus Britannicus Roman figurine
But other finds have been lost to the public – the Roman Crosby Garrett Helmet, for example, which was sold at auction for £2.3m after being discovered by a metal detectorist in 2010. A private buyer outbid several museums to acquire the artefact.
The definition will mean that future discoveries of objects made of non-precious metals, such as the “exceptionally rare” Bronze Age Rudham dirk, a ceremonial dagger which has been on display at Norwich Museum Castle since 2104, after being dug up from a farmer’s field in Norfolk, could now be classed as treasure.
But will all detectorists be happy at the news? Under the act, treasure is owned by the crown and a person who finds an object they believe to be treasure must notify the relevant authorities within 14 days.
Maurice Rogers, the former secretary of Colchester Metal Detecting Club, says he fears the move could drive metal detecting “underground” and result in people hoarding their interesting finds privately.
Potential treasure discoveries are assessed by a coroner and go through a formal process before they are classified and then acquired by a museum to go on display to the public.
There were 1,071 reported treasure finds in total across England, Wales, and Northern Ireland in 2020, the latest year for which confirmed figures are available; the Treasure Act does not apply to Scotland The provisional figure for reported treasure finds in 2021 is 1,079 – making it the eighth year in a row when reported finds exceeded 1,000.
Following the change to the definition of treasure, there will no doubt be even more.
“At the moment, the definition says that an object has to be precious metal, and it has to be over 300 years old,” says Stephen Parkinson, Lord Parkinson of Whitley Bay and the minister for arts and heritage. “We want to bring that down to 200 years old. So that it can be made of any metal, but also have a new test for significance.
“So if something has importance to local, regional or national history, or a connection with a particular figure or event from our past, then it can be shared and saved and inspire people.”
The new criteria will apply to the most exceptional finds that are more than 200 years old, regardless of the type of metal they are made from, as they provide an important insight into the country’s heritage. This includes rare objects, those which provide a special insight into a particular person or event, or those which can shed new light on significant regional histories, the DCMS says.
For most detectorists, actual treasure discoveries are rare – just ask Andy and Lance. But there’s always a chance of finding the holy grail.
Alan Yentob, the former BBC presenter and executive, has died aged 78.
A statement from his family, shared by the BBC, said Yentob died on Saturday.
His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.
“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”
Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.
He was also the director of BBC drama, entertainment, and children’s TV.
Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.
Image: Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.
The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.
In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.
“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”
BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Image: Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Image: Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Image: Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.